Leftover London

The Other London by Imre Hofbauer was published in 1948 and presents a rather bleak picture of post-war London. He started his researches in the pub, and these atmospheric drawings followed.

Doreen Fletcher continues to produce excellent urban art. This is from her new show, Corners, opening at the Townhouse gallery, Spitalfields, next week.

That's June Ellenden "collecting sheets of tickets for wiring" as they come off the rotary printing machine at the London Transport Tram and Trolleybus Printing Works in Brixton. Mr C Curtis is operating the machine. He's 48 and has worked there since he was 14, showing every one of those years in his cheery demeanour.

It was all happening in Challans, western France, in autumn 2015.

This Pimlico ghostsign is much photographed, but couldn’t resist as I was passing.

‘Bombed Women And Searchlights’ by Clive Branson, 1940, is one of the remarkable artworks currently on show at Tate Britain in its Artists International Association display. Well worth a visit, even though it’s only a roomful of exhibits in the Archive section of the museum.

Always interesting to find a new (to me) urban artist. Here are just a couple of the many paintings Bill Goffrier has made of the Wichita streetscape, both oils from 2017 of the Orpheum Theatre, still a floruishing arts centre.

Ruskin Spear’s atmospheric c.1950 oil painting ‘Bus Stop’ sold at auction this week for £4,445.

Here’s a good ghostsign, from Fort Edward, NY.

Three ghostsigns and some restaurant neon from Watertown in New York state. Despite its brightness I don’t think the Gold Medal ad has been repainted. And I do like the confidence of its “Eventually… why not now?” slogan.

This sounds good. “Practically harmless” apparently. From the first issue of Country Life magazine in 1897.

From 1947, when coal was good for you.

Apartment history by wallpaper at the Janis Rozentāls Museum, Riga.