Game of Thrones Daily

oozey mess

izzy's playlists!
I'd rather be in outer space 🛸

shark vs the universe

titsay

Andulka

JBB: An Artblog!
trying on a metaphor

Janaina Medeiros
d e v o n
Claire Keane
KIROKAZE
Sade Olutola
we're not kids anymore.
let's talk about Bridgerton tea, my ask is open
todays bird

AnasAbdin
Mike Driver
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@lechosenone

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just saw a deactivated mutual's post on my dash. that's my dead wife's corpse you're all dragging around
I also reblog this guys dead wife.
Via mrs_larissa_domogalla
NOT hiding this
some lena stetches from today
distraptor velociraptor = ———————-
timeraptor

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ok sorry to double reblog BUT I just looked him up and he does these fantastic videos where he breaks down HOW he actually mimics the other artists’ styles. Like for ed Sheeran, he explains how he brings his voice forward in the mouth, while Adam Levine sings in the back of the mouth, stuff like that. It’s SO COOL, I don’t think I’ve ever seen anyone actually break down how to do this sort of thing, as a skill, instead of just treating it like a neat trick they just happen to be good at. https://www.tiktok.com/@justinjmooremusic
Check him out he’s so cool
korrasami doodle
the most alive i've ever been
kiss me and i might drop dead
happy pride and something something bishova rooftop kiss!
Anne Sexton, from Complete Poems (1928-1974) first published 1981
The new Avatar movie: A talentless sequel to a once brilliant show.
Finally gathered my thoughts on the new Avatar movie, and my only question is: why did this "legend of a fancy, empty fanservice shell" even exist?
The movie was doomed at the execution stage of its concept and script.
The creators had a bulletproof foundation: one of the most masterfully written shows in television history (Avatar: The Last Airbender), the canon comics, and The Legend of Korra, which already showed us the characters aged, with children and grandchildren.
And that is exactly why the idea of focusing on "Aang’s struggles and rebuilding the Air Nation" feels entirely redundant.
1. The Redundant Arc and Zero Stakes
We have already witnessed Aang’s grief, guilt, and pain over his people’s genocide throughout the original three seasons. That arc was closed and beautifully processed. The comics already showed the Air Acolytes, and TLOK put a definitive period on this storyline by bringing back actual airbenders.
Because we already know the future, the audience has absolutely nothing to worry about:
* We know Tenzin and his kids will remain the only airbenders for decades.
* We know exactly how long the main characters live.
* We know the fate of their families.
There are no stakes. Will they die? No. Will the future change? No. The answer is already known, making the entire narrative arc completely empty. We didn’t need a movie-length repetition of Aang’s trauma just for the sake of it.
Merely drawing pretty, adult versions of the characters is not enough to make a good movie. A film needs a core conflict, meaning, and a fresh idea.
2. Fanservice Wrapping, Empty Inside
If we look at this film as a standalone (even though almost the entire audience consists of old fans), it is hollow. The characters aren't explored; their screen time adds nothing substantial to their personalities.
So, why does this movie even exist?
* To force-feed us the Kataang canon?
* To show off Aang’s bizarre, unrealistic new design with a mountain of muscles that makes zero sense for a vegan monk with his lifestyle?
* To make him look like a self-insert of the creators who desperately need to force the audience into loving him?
The creators seem so attached to Aang as their self-insert that they still cannot accept that he never became the most beloved character in his own show.
So adult Aang is redesigned to be as conventionally attractive as possible. Broad shoulders. Huge muscles. Constant shirtless shots. A heavy emphasis on his romance with Katara.
The message feels almost painfully obvious:
“Look at him. This is the hero you’re supposed to love. This is the man you’re supposed to admire. This is the man Katara is supposed to be obsessed with.”
Seriously, it felt like watching a high-budget fan-animation for a mediocre Kataang fanfiction. It is so primitive and cheap how Katara throws herself at Aang’s neck in almost every scene, completely stripped of her independence. Worse entirely, Aang risks her life for the sake of his own elusive, idealistic hopes, making him the absolute worst partner imaginable. Then again, knowing what a terrible, neglectful father he turns out to be in TLOK, his toxic selfishness here isn't even surprising. What is surprising and deeply frustrating is how the creators force Katara to blindly love THIS and submissively accept whatever crumbs of attention or respect he throws her way. Once again, Katara is reduced to being a mere appendage to the Avatar—a disservice they already started in TLOK.
3. The Nerfing of the Gaang
The rest of the characters fared no better.
Everyone feels like an extended cameo rather than actual living characters.
* Sokka:The brave warrior who wasn't a bender yet stood tall against firebenders amplified by Sozin’s Comet is gone. Instead, we got a cowardly, quirky inventor making stupid jokes. He’s a parody of his former self.
* Toph: Completely useless to the plot. She is just there.
* Zuko: Just a pretty cardboard cutout who lost all of his signature charisma. He isn't even necessary to the plot. Not to mention the sheer stupidity of the writing: the literal Fire Lord, ruler of an entire global empire, is casually piloting a zeppelin completely alone—no crew, no royal guard, as if he has absolutely nothing to manage in his own country. And watching the Fire Lord personally repair a ship... God, it looked so incredibly braindead.
The creators literally removed his chest scar and gave him zero meaningful interaction with Katara.
The authors' eternal fear of the Zutara fandom is honestly getting hilarious at this point.
It is especially glaring how they tried to deflect attention: "Quick, let's throw in some hints for Zukka, and let's have a half-naked Zuko catch Toph!" It’s a desperate attempt to distract Zutara fans, as if stuffing the movie with "cute" Kataang scenes wasn't enough to stop people from even thinking about Zutara. They feel so deeply uncomfortable with Zutara's mere existence that they have to forcefully shove Kataang down our throats while aggressively trying to erase any trace of Zutara.
4. What We ACTUALLY Needed to See
Instead of retreading old ground, the movie could have explored the massive blank spaces in the lore that actually lead into the future we know:
* The Birth of Republic City: Show the first rise of social inequality. Show how Aang failed to solve this issue, leaving it as a heavy mistake of the past Avatar for Korra to fix.
* The Bloodbending Ban: Give us a real story about why Katara had to ban it. Show us why it couldn't even be adapted for medical use. The canon ban still feels unconvincing—sub-bending is potentially useful, and even lethal lightning-bending wasn't banned but redirected for the public good.
* Characters with Unknown Fates: Give us someone to actually worry about! Where is Azula (did she redeem herself or is she still a threat)? What about Ty Lee and chi-blocking leading into the Equalists? What about Mai?
* Suki's Tragedy: Address the theory that Suki died young. It would perfectly and tragically explain why Sokka ended up alone and never started a family—losing two girls he loved could be his personal curse, making him close his heart to risk.
* Kanto: We could have been introduced to the mysterious Kanto as Toph’s future love interest—someone serious, with a personality resembling Lin, so the audience could see something familiar in him.
* King Bumi: Even showing old King Bumi sacrificing his own life to protect the heroes would have been better, so that the name of Aang’s firstborn finally received a powerful emotional justification.
But no. Instead, we wasted time on things that had already been said.
The Bitter Truth About the Creators
It is glaringly obvious that the people who made ATLA deeply emotional and complex were missing here. It was Aaron Ehasz and the brilliant room of writers who gave the original show its soul, layers, and emotional maturity.
On the backbone of that collective work, Bryke built a sequel franchise that proves once again: on their own, they simply do not know how to create something truly great.
It’s a shame so much money and years of work were wasted on this hollow fanservice. People will not be analyzing the depth of this movie years from now like they still do with the original ATLA. Because there is simply nothing to analyze.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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me, when literally anything happens: maybe it’s a sign
the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
They need to eat less because they're so small and weak. Why are they so small and weak? Because they eat less. Let's base our entire society on this distinction.
We should give out free testosterone so women get stronger!
this is a post about how girls are taught to eat less and shrink themselves, even as children. it's a post about the deep mistreatment that starts early and remains foundational to the way we divide work, social class, and chances at opportunity. it's a post about how people think men are stronger because of a natural advantage, when that advantage is manufactured and reinforced by suppressing women. it's not a post about transmasculinity.
seems like my dedication to my isolation isn’t going to save me. that’s crazyyyyy
affirmations they will not kill me at work today. it is not in my job description to get killed. if they did kill me at work that would be weird and probably not worth it for them

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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bonus/proof:
we tipped her well dw. best waitress ever 🍒
not to give green day credit but it is immensely funny how often Big Corporation For Guys Men Guys Guy Corporation will be like hi green day play my event. and green day is like ok Big Corporation For Guys Men Guys Guy Corporation but you know we suck dick and penis and want to kill politicians and we are going to play our song we suck dick and penis and want to kill politicians .and Big Corporation For Guys Men Guys Guy Corporation is like ok green day thats cool. and then green day plays their song we suck dick and penis and want to kill politicians. and Big Corporation For Guys Men Guys Guy Corporation is like wtf green day you cant do that you cant play your song we suck dick and penis and want to kill politicians. and this has been happening in a cycle for 30 years.