"...the daily experiences of Jews underline how deeply implicated most Germans were in the gradual yet dramatic process that led Jews toward 'social death'—their subjection, their excommunication from the 'legitimate social or moral community,' and their relegation to a perpetual state of dishonor. As the regime disenfranchised Jews, robbing them of their economic livelihoods and social integration, many Germans approved and more looked on, boltering, and sometimes preempting, the regime’s cruelties. Well before the physical death of German Jews, the German 'racial community'—the man and woman on the street, the real 'ordinary Germans'—made Jews suffer social death every day. This social death was the prerequisite for deportation and genocide."
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hello today i am choosing to feel insane about this exchange before they go on stage for the awards ceremony. sorry to continue to do these beat by beat breakdowns of scenes we have all seen multiple times with our own eyes lol but i'm obSESSED with how good these guys are and how much space the gaps here open up for fic!!! shane's pissy little "where the fuck were you?" starts us off and okay great we're in familiar "smoking is bad for you" territory here. shane's the reliable good boy rule-follower who is always on time and ilya's the hot bad boy who rocks up late to the function and isn't the least bit sorry about it. except then ilya DOESN'T ANSWER THE QUESTION and there's a barely perceptible vibe shift... like if he'd just made a joke about shane being miss goody two-shoes the fact of his lateness would've just been absorbed into their general banter and they both would've moved on. but not answering the question (AND REFUSING TO LOOK AT SHANE) suddenly makes his whole demeanor read as evasive, and you can tell that it pings something for shane right away because he's immediately like "what were you even doing?" not that i CARE what you were doing i don't CARE about anything you do except also what were you doing. where were you. why won't you tell me what you were doing. and the obvious answer -- if you're talking to the guy who took your gay virginity and then ghosted you for six months and no longer responds to your texts and probably never even liked you that much to begin with -- is that ilya was off with somebody else. and of course that makes sense, doesn't it, he gets off on risky sex in high-stakes settings, and what could be riskier or hotter than getting a blowjob from somebody at the league awards show five minutes before you're due on stage to co-present an award with the guy you used to fool around with but got bored with and kicked to the curb. when you think about it that way it's obvious, isn't it, what ilya was doing, it's so obvious. he could get it from anyone he wanted, anytime, and he does, he has sex like it means nothing, and it doesn't mean anything, it never meant anything to him, and he doesn't even think about it anymore, the sex he had with the awkward dweeb who's currently grilling him about what he was doing. and THEN after the most damning pause imaginable ilya says "I was busy," and shane says, lightning-fast, "with who?" just totally unable to keep the bitterness out of his voice, because why not lay it all out there, all your pathetic little jealousies, your pathetic feelings of helpless possessiveness over somebody who doesn't even bother to read your boring little texts anymore. with who? and ilya doesn't answer, doesn't look at him, just walks out onto the stage staring straight ahead, and shane follows him out there, and in twenty minutes shane's going to be crying in a bathroom about it because he does care and it's horrible, it fucking sucks to know for sure that you've been thinking about this guy for six months, worrying about him, hoping he'll get bored enough to want to pick you up and play with you again, and he hasn't been thinking about you. he wanted something from you and he dropped you the second he got it, and now he's fucking somebody else at the league awards because it's risky and he likes trouble and you're not the fun kind of trouble anymore, you're the kind that got too attached and mistook this for something that mattered.
miss knife, i was listening to vampire empire of big thief fame and the line “i wanted to be your woman / i wanted to be your man” came on and the feminizing beam in my mind was aimed directly at shane hollander. would love to know ur thoughts if u have time or care.
this question is actually such a can of worms. do i think it’s sexy? yeah. would i love to see it? yeah. does it also mean something super specific for shane as a character that requires some extra thought? yeah. this will be really long, sorry.
first of all i think shane’s relationship with his masculinity is complex and difficult and at times very painful for him. he spends ALL of his developmental years, and subsequently his entire young adulthood, in an extremely toxic environment. sure the other hockey players are probably nice guys, chill to hang with, whatever. but the entire sport is so famously misogynistic, homophobic, and violent, that all of those men are performing the most extreme versions of themselves at all times. shane feels as though he wears & wields his masculinity differently from the other men, and given the context of his employment, this is an especially volatile position to be in. he has an extremely rigid idea of what a man “should” be. he does everything he can to uphold that ideal. hudson has actually addressed this a couple of times, which i love. there is one interview where he says that shane saying “byebye” in the hospital scene was a way of toying with his masculinity. he loves ilya, he’s been alone and in pain and confused and he’s so happy to see ilya, and he can tell that ilya is upset, so he wants to play with him. the idea of “play” in the world they occupy is very limited in scope. when we see ilya “play” it is roughhousing—he pretends to body slam svetlana when she makes a joke, he throws popcorn all over the floor while joking about losing the cup. shane immediately dropping his voice and saying “see you next season 🫡” was him re-adopting the mask of manliness in an exaggerated fashion, because he’s not able to self censor as well as he usually is, although he remembers how essential it is for him to do so, immediately, because someone else is watching him and he can’t be silly or playful or flirty. because in his mind, men do not do that. bearing in mind shane’s extremely black and white manner of thinking about all things, it makes sense he would not easily be able to imagine, or present, a version of himself that can engage in such behavior. hudson also was asked something like “if you could tell your character one thing what would it be” and his answer was something like “i would tell shane that all of his ideas about his own masculinity and what a man should be are wrong, and he would be a lot happier if he would let himself be free” which i think is a crazy read.
there are a few ways in which shane occupies the “girl” role of their relationship—he is more emotional, he bottoms, he is sexually submissive. he is also a caring, nurturing, sensitive person—he carries ilya’s suitcase because he knows he’s working off an injury, he did grocery shopping specifically for stuff ilya likes, he does the cooking while they’re at the cottage. obviously we know in the big year of 2025 that cooking and shopping and acts of service don’t make either gay man “the girl” but i think it’s pretty huge to see shane lean fully into that and to show ilya that he cares about him, that he wants to make a home with him, and he will be more than happy to fill a specific role in their shared life. i think he also casts himself as the woman in their relationship due to ilya’s bisexuality. he’s saved in ilya’s phone under a girl’s name, shane is the only man ilya has sex with over the course of their affair (at least in the show canon), ilya suggests that getting a wife would solve all of his problems and shane immediately says let me help you with that instead. i also think it is a little self deprecating the way he does imagine himself as the girl, because obviously he is not as good at being a man as ilya is, as any other men are, so he must default to the other option. again, his rigid thought patterns are incorrect and damaging. so he struggles a lot with that.
these are all things that i think are built into shane in the tv show. i think they are awesome. he IS masculine: he is big and strong and plays a rough contact sport. he is basically a sex symbol, as evidenced in all of the hypersexual ad campaigns we see him appear in throughout the show. i believe in the books he’s also voted the sexiest man in hockey but i could be misremembering that. so shane IS effectively performing maleness in a way that appeals to the masses. it is the granular aspects of his identity that he worries about. constantly being around locker room talk absolutely plays a significant factor in his lack of self esteem. we know those guys use slurs like crazy. we know those guys talk about their sexual exploits like crazy. shane can’t/won’t do either of those things. he’s not going to participate in homophobic ribbing, and he has no sexual experience with women to brag about. this further isolates him from his male peers. he is struggling to hold onto a place in a world where he does not necessarily “belong”. i think a lot of this ties into the way he becomes more flirty and silly with ilya in later episodes. he tells rose that hockey “stopped being fun”; his mom reminds him that he is a role model to a lot of people and therefore can’t really relax or slip up. ilya allows him to explore the idea of “fun” in a safe environment. ilya is a person shane can be himself with. sure he’s got quirks but ilya thinks they’re cute and charming, and he teases shane right back. hudson specifically used the word “effeminate” when talking about shane letting his guard down to be more playful with ilya. hudson ALSO commented very notably on how we don’t really see shane “play” until the cottage, when he’s joking with ilya about the sleeping arrangements. this continues with the swimming, the soccer, the video games. we never see him ever do those things until that episode, when he has quite literally opened the doors for ilya and let him in.
the other thing to keep in mind regarding shane and his relationship with sex, his body, and his masculinity, is that in the book he is somewhat racially fetishized. no offense if you like the books or whatever but this is plainly a fact. it’s emphasized that he is smaller than ilya, and that he grows very little body hair. he is cast as “the girl” in their relationship by the author, because he suffers at the hands of her biases and her preferences. i think it is easier to divorce him from this if you are only discussing show!shane. there is rachel reid’s shane hollander, and then there is hudson williams’ shane hollander. and i’m going to stand by that because i believe there IS a distinction. i’ve already made some long posts about shane’s race + sex, so i won’t rehash again, but it IS something to be kept in mind when thinking about feminization specifically.
shane is characterized by his sexual shame in both branches of canon. in the books he hates getting fingered because he thinks it’s “too gay” and he “can’t relax”. the show doesn’t bother with this cus it’s not actually useful. in the book shane is constantly calling attention to all the “weird” and “embarrassing” things that turn him on. he likes being on his knees, he likes taking orders, he likes letting ilya call all the shots and do whatever he wants with his body. the show doesn’t bother with this, either. shane retains a lot of his agency (“not here” being repeated many times places the power in his hands, because every time, ilya respects it, and is rewarded for it later) while still being allowed to fully commit to the fact he prefers to be submissive. he’s definitely still got a lot of internalized homophobia, but over the course of 10 years, he learns to let himself like what he likes. he’s more easy-going and assertive in the sex scenes in later episodes. he hasn’t totally flipped their power dynamic, but he knows what he wants and how he wants it, and by god is ilya going to give it to him.
what does all of this have to do with shane wearing panties and being a good girl? fantastic question. i actually forgot you had asked it. i personally think that shane would be into degradation. i personally think that if ilya were to forcefem him it would drive him crazy. i personally think that if shane were to allow himself to like what he likes, and to stop imagining himself as canada’s poster boy for the alpha male, that he would be into certain things. i think he likes roleplay. i think he would probably be into it if ilya said “good girl” and i think he would be into it if he said shane gets wet when he’s kissed or fingered. i think he would be into it. some of this is baked into him, and into the way ilya talks to him. “you look pretty” being the first way ilya starts to tease him in a new context is soooo specific and so telling. shane is immediately defensive: “you’re wearing makeup too”, reminding ilya that we’re both men here, being held against our will and forced to wear mascara. and ilya shrugs it off because he’s secure in his masculinity. “yeah but i don’t look pretty” is great. and like… hudson williams IS pretty. and shane’s wearing his face. so he IS pretty. i think the way shane responds to that like an accusation, rather than a compliment, especially because it comes from someone he’s interested in sexually, is super interesting and it tells us a lot. i think shane likes to be embarrassed. i think humiliation and degradation would be big for him. he calls attention to his own embarrassment and self consciousness all the time. i think it gets his rocks off to debase himself for someone bigger and stronger and more manly and more in charge. i think he would be so so ashamed and also so so hard if ilya made him wear panties. i think it would scratch an itch in his neurotic little brain. i think certain forms of roleplay would be so cathartic and so exciting for him. personally i would love to see it. personally i also think ilya would love to see it.
anyway i don’t know if i answered your question but i hope you found this interesting? enlightening? i don’t know. i think shane’s got a complicated relationship with his body (we didn’t even have time to get into the eating disorder) and i think that contributes to his relationship with his masculinity. and he is always most aware of his maleness and his body when ilya is fucking him. it’s like the perfect recipe. okay that’s all for real. thanks for playing Characters with me
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FYI, if you have critical thinking skills and/or a modicum of empathy, you CAN love Wei Wuxian AND Jiang Cheng at the same time. They are both incredibly complex characters AND their relationship is so complicated and the majority of the complication is completely outside their control. NGL I fully believe that WWX would be absolutely heartbroken if he heard all the vitriol the JC haters spew.
Hello friends we need to talk about this twitter account:
You might know him from a thread where he was getting wowed by free appetisers in a Mexican restaurant.
Firstly: He is doing a bit pretending to be a wandering samurai. It's a joke and his posts are all made up. This is very obvious if you actually look at his account and website:
He does purport to be Japanese but based on some of the other content he posts there's reason to believe he's British.
Which brings me to my second point: his Samurai content is interspersed with posts like this:
The chips and salsa thread went viral in June and his website seems to have gone live in July. This confirms what I suspected which is that said website with it's explicit disclaimers was made in response to the big viral hit.
Consequently, back when he first blew up it was potentially a bit harder to figure out that his stories are fictional. That said, the New York Times worked it out so I'm comfortable accusing outlets who ran the story describing him as a Japanese world cup tourist of legitimately terrible journalism.
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so what if: Kim and Chay meet three years after Kim send that song to Chay and Chay ignored him? Well, my dear husband is currently writing a whole fic about it!
Porsche & Chay's Brotherhood in KinnPorsche the Series
Brotherhood and familial relationships are one of the most prominent themes in KP, as we all know.
And personally, I think one of the most fascinating and important deviations that BOC had chosen to take with their adaptation of the novel is having Porsche and Chay drift apart by the end of the story (despite that ending shot of them both hugging their Mama). By having them drift apart, their respective love stories with Kinn and Kim stands on a firmer note. They basically pulled a P&P 2005, which—although a disheartening thing to see—is one that I think was definitely a good choice, as it fits appropriately with KP’s narrative as a whole.
To provide some context, in the novel, Porsche is aware for the most part of Kim and Chay’s growing bond once it's introduced in the story. He doesn’t know the details, and neither Kim nor Chay are really forthcoming about their relationship to their older brothers (which BOC does keep somewhat in the show), but there is some awareness of it in the latter’s part. For Kinn specifically, it’s even a point of contention once or twice, since in being aware of Kim and Chay’s relationship (and knowing his brother’s personality), inevitably he worries about how their relationship would affect his relationship with Porsche. Like in the show, Porsche is understandably protective of Chay, and doesn’t want him getting involved any more than he has to.
Because of Porsche's awareness from the beginning, this allows for them to grow even closer as brothers near the finale of the story, since they both sympathize with each other’s frustrations of what it's like to be romantically involved with a Theerapanyakul, as well as how their respective relationships are perceived by outsiders.
For example, this exchange (Porsche’s POV) between Athee and the brothers when they run into him in their old house:
It’s made a point in the novel that Porsche and Chay’s relationship with their respective Theerapanyakul both follow the same trajectory (with a few differences, ofc), besides the fact that pretty much Kinn and Kim fell for the same personality traits and characteristics that the Kittisawasd brothers share. Lol
But in all seriousness, because they have a better understanding of each other due to how their respective romantic relationships have influenced them, they’re more in sync with how they make decisions together regarding their own family.
There’s a scene in the book (Porsche's POV) where Porsche accidentally cuts himself on his foot when he confronts Kinn in anger, once he finds out about Korn’s involvement in his parents’ deaths. He marches straight into Kim’s room and intends to take Chay away, but not before Chay helps him bandage up the cut and calms him down.
They share this poignant conversation, specifically about Chay’s relationship to Kim:
It's a very heartfelt exchange, because Porsche understands he has to take into account his own brother's relationship with Kim, that his actions and decisions also affects his little brother, besides the fact that Chay genuinely looks up to Porsche and sees him as his hero. In doing so, he also acknowledges Chay's maturity, and respects him in that regard, thus allowing for them to become a stronger unit together as brothers, one that's infinitely stronger than what the Theerapanyakul brothers have.
But the show—while keeping loyal to the same character dynamics for both relationships—turns this on its head entirely, and makes it so that Porsche is completely unaware of Chay's relationship to Kim. In making it so that Porsche is unaware, not only is he blindsided by how he protects and parents Chay (case in point: episode 14, bar fight scene), Porchay himself deliberately keeps him in the dark.
In turn, you get a somewhat heartbreaking exchange between the two of them, like this scene in episode 12 when Porsche tells Chay that he no longer has to go back to the compound (yknow, like a liar XD):
At first, Chay's line is supposed to come off as comforting for his older brother, but what goes unsaid rings just as loudly if not more than what he actually says to Porsche: "I don't need to know everything, right?" Just as you don't have to know everything and what I've been through recently.
Which brings me back to my original thesis: Porsche and Chay drift apart by the end of the show; BOC sacrifices their strong brotherly bond from the beginning, but in turn elevates both brothers’ romantic relationships to stand stronger within the narrative. We won’t ever get to know how well KimChay’s love story could have stood out against the other two had it followed a similar trajectory to KinnPorsche, but I will say that I’m of the firm opinion that KimChay’s original storyline in the show heavily contributed to Jeff and Barcode’s chemistry with each other.
In the show, Chay’s maturity is highlighted in the fact that perhaps for the first time in his life, he deliberately chooses not to involve Porsche in an aspect of his life, a big part of which no doubt, he probably wouldn’t want or know how to explain to his older brother in the first place. This is further compounded by the fact that it was partly due to Porsche’s absence that Chay had latched onto Kim as he did. Chay is a character who has a deep sense of self, and choosing not to involve Porsche in trying to figure out what to do with Kim superbly demonstrates the emotional complexity of his character, despite his young age.
It’s why it makes perfect sense that in the final episode, these two scenes are back-to-back, highlighting the rift between both brothers: we're shown how Chay is conflicted and sobbing about his feelings in light of Kim sending him the song, yet right after, the audience sees how Porsche has no hesitation in pledging his life to Kinn ("My entire life is all yours"), thereby effectively leaving Chay wide open and ready for the taking to the wolf (Kim).
It's almost sinister, to be quite frank, how BOC really did take that step in breaking the Kittisawasd brothers apart. Welp~
Chay is all too aware of the inevitability of change that will come in his life, including his relationship with his brother, as a result of Porsche's choices to join the mafia. Porsche too is very much aware deep down, hence his subsequent actions of downplaying his reasons and trying to maintain the status quo, aka falling back into the genuine affection he has for Chay, like he does in these two scenes, rather than properly explaining himself:
In both of these scenes, Porsche struggles to maintain eye contact with Chay, because he knows somewhere inside of himself that falling back and reiterating his love for Chay won't change the fact that his choice to stay in the mafia was as entirely selfish as it was selfless. Chay calls him out on the hypocrisy of his behavior, and he questions Porsche directly: "Was it really all for me? If it was really all for me, then why didn't you consider how I feel?"
After the kidnapping incident, both Porsche and Kim have a desire to maintain the status quo with Chay. This is shown by how Porsche falls back to voicing his love out loud to Chay as a way to avoid having to explain himself, and Kim by not sticking around outside the warehouse after he got Chay out, so he also wouldn't have to explain himself.
But whereas Porsche gets to successfully keep that illusion because his younger brother allowed it and gives it to him, Kim doesn't get to have the same. Chay doesn't give Kim the same consideration as he does with his brother, understandably so. Thus, the uncomplicated, free-of-misgivings sort of perception Chay had towards Kim quickly crumbles.
As a direct consequence, in the show, the one whom witnesses Chay's struggles of coming into his own as a result of being dragged into the world of the mafia is not Porsche, but Kim; it's Kim who finds out that Chay bailed on his interview at university, it's Kim who sees Chay rebel and partying and drinking, it's Kim who realizes how much danger Chay is still in, despite being away from the compound and the coup by the minor family.
And finally, per my thesis with my deep dive of the bar fight scene in episode 14, in the end it's Kim who's further drawing Chay in towards the world of the mafia and the underbelly of Bangkok.
Because Kim is the witness to all of these things in regards to Chay's character and his actions post!kidnapping, not only does he learn more about the boy he's fallen in love with, he has a deeper understanding of who Chay is that Porsche doesn't have. That in turn makes their love story much stronger in the show, as opposed to the book, despite their bittersweet ending.
Although deviating away from that crucial point of Porsche and Chay's relationship in the book, it nonetheless fulfills the same aspect in the book that by the end of the first KP story, Chay has somewhat matured due to his relationship with Kim, as well as the trust placed on him by his older brother (careless the trust though may be in the show).
Having Porsche and Chay drift apart by the end of the show illustrates one of KP's strongest, most important themes: Falling in love is a very humbling experience. Having said that, love itself is also a very selfish, self-serving emotion.
They spent two hours in the abandoned lot. Different things Chay tried would work, but not reliably. The effect varied from a few sparks to a handful of fire to--once--a fountain of it that covered his whole body for almost a minute. Outside was definitely the place to do this. Kim drifted around the parking lot to give him space, smoked, and tried out possible explanations for all of this.
"I'm exhausted," Chay said at last. "And it's like I can almost...? But then nothing."
"Maybe it just takes time," Kim said. "You've only known you could do this for a little while. Brand new muscle to train."
"I guess." He scowled at the scorched pavement and changed the subject. "I never knew you smoked."
"I try not to very often. Bad for my voice." He looked ruefully at the freshly lit cigarette.
partially an excuse to test out some watercolor brush packs, and partially a roundabout way of dropping a rec. i made some art based on a scene in chapter 3 (THREE) of Phoenix by Ael_tRlailiiu
the entire thing so far has felt like a comic book to me - but there was something about this part, specifically, where one guy is just chain smoking and watching while another guy experiments with lighting himself on fire over and over in a parking lot. (...average suburban youth experience, maybe? like, why is that so nostalgic seeming?)
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reminder that jiang cheng locking wei wuxian out of the room wasn't only because jiang fengmian sent his dogs away, it was because jiang fengmian was blatantly giving wei wuxian physical affection that jiang cheng received from him less than five times
Jiang Cheng will crouch down, pet Fairy, give her a couple of cookies, smile, give her a kiss on the snout, stand up and with the most serious look tell you that the dog is fat and spoiled because of Jin Ling.