hi! my name is ari, they/them.
formerly kakashiswilloffire.
ask box is open!!
masterlist of naruto fanfic

ellievsbear

@theartofmadeline

Janaina Medeiros

★
d e v o n
Jules of Nature
Cosmic Funnies

Product Placement
PUT YOUR BEARD IN MY MOUTH

roma★
art blog(derogatory)
Three Goblin Art
$LAYYYTER
Xuebing Du

Kaledo Art
noise dept.
🪼
cherry valley forever

Love Begins

seen from Australia
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@lawfulthey
hi! my name is ari, they/them.
formerly kakashiswilloffire.
ask box is open!!
masterlist of naruto fanfic

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Biggest fuck-up ever is that people have to pay to become doctors
Like unironically we should be subsidising at least 50% of their educations. What do you mean we have a shortage of doctors we should have surplus. What do you mean they’re being overworked they should be treated like royalty, they can fix human bodies
I don’t care if some of them are only doing it for the money. I don’t care if all of them are only doing it for the money. Intentions don’t matter to the stitches in my nana’s leg or the ten billion other lifesaving treatments we all get at a detriment to their finances and mental wellbeing. Entire cities are kept alive by just a couple thousand of them what are we DOINGGGGG
HAPPY FOURTH OF JULY🎆🎇
[ID: A blackout poem made of lyrics from the Green Day song “American Idiot”. The blackout poem reads, “Don’t wanna be an American… fuck America”. End ID] Plain Text: Happy fourth of July
Audio description: the beginning of “American Idiot” plays, but all of the blacked out words in the blackout poem have been removed.
happy fourth ?
Hey, did y'all see this?
I saw this when running newpipe. But wait, it gets deeper. I clicked on the details buttons and it said as of today, we have 83 days left until Google rolls out this new requirement for apps inside and outside of the google play store. If any developer disagrees with their new terms and fees, they will be blocked!
I'll share some of the info below:
Looks like they're trying to nuke the remaining privacy and freedoms we have left on the internet.
What to do?
-Get your developer friends to not comply to their new guides
- Sign the open letter on the site and take action by checking out the full resources list on their website as well!
To summarize, this is all daunting especially when you feel all alone with unfair and inhumane regulations comming out faster than improvements but we got this working together!
Share the link with your friends, family and anyone who will listen!
Your phone is about to stop being yours. In September 2026, Google will block every Android app whose developer hasn't registered with them.
If you're in the US, I created a petition to make it easier to contact senators and congressmen.
Join 1 people. Google is trying to make people hand over government id in order to make an Android app. If they don't, then that app can't b
If you're not in the US, see if your country is listed here for whom to contact.
Stupid fun tidbit for Mafia au
Kakashi chose his coffee shop not because of the coffee (he doesn’t give a crap about coffee) but because it’s the only one he could find with no windows.
There’s no window seating
No window’s near the door
The place is a hole in the wall that uses artificial light.
It’s the only Coffee shop he can relax in. He still sits with his back to the wall, but there’s a part of his brain that can shut off because there’s no Windows for him to worry about.
Gai is one of the only one’s who never question’s Kakashi’s issue with Window’s, even before knowing why he is that way.
He realises Kakashi avoids windows when they’re teenagers and makes it his personal missions to scope any place they go to before hand.
He’ll reserve a table at restaurants that have minimal or no windows, always in the back corner so Kakashi can have his back against a wall.
When they’re looking at houses the first thing he says is that whatever place they choose will be changed to bullet proof glass before they move in, and he see’s Kakashi visibly relax.
He hears stories about the boy who was terrified of windows, trying desperately to board them up so he could sleep only to be scolded. Who slept better after he left the foster system because he had the freedom to do what he wanted/needed to feel safe.

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character: sakumo
word: soup
hope you're well!
Thank you 💜💜💜 i am well, just struggling with some personal things right now.
-Soup-
“Here,” a clatter rose Sakumo from his work. Glancing up, he found a bowl sitting in front of him, steam rising from it in a slow, mesmerising pattern.
“What’s this?” He asked, glancing up at Tsunade just as she turned her back on him and focused her attention on the table sitting beside his bed.
“Soup,” her voice was strained when she spoke, emotions buried deep down beneath her words. “Good for recovery.”
“You made soup?” The thought made him smile for the first time in months. Tsunade could cook, but one of her least favourite places to be was the kitchen.
It was like a prison made espeshally for her. Even going in to get a quick snack was a struggle for her some days.
“Not me, Kakashi.”
That made more sense. Even at the tender age of five his son was better at a lot of things than most adult. That included cooking.
“Well, thank you.”
His hands didn’t move.
He wanted to reach for the soup, but he also didn’t want to.
His brain was fighting with itself. One part screaming that he was hungry, the other part insisting that it would be better if he just-
“Stop it,” a pen flicked against his forehead, dragging him out of his thoughts for the second time in five minutes. “If you spiral i’m going to have to keep you here longer.”
“You shouldn’t-“
“What?” She ground out from behind clenched teeth. “Try? Do my job? Care?”
Care
There was pain in her voice when she said that word. Like she was suffocating on it, trying to push it out in the same carefree way she usually did.
“Well too bad,” she continued, her back still turned to him. “I will try, no matter what. I will do my job even if you or Sensei don’t think i should.”
Sensei.
It made sense. Of course Lord Third thought she was waisting her time.
A shinobi who couldn’t complete his mission was worthless.
“I do care,” her voice cracked, and he was certain that if he could see her face he’d see tears slipping down her cheeks. “I’m not the only one either, you idiot.”
“Kakashi’s better of-“
“He’s not,” she rounded on him, those tears he expected staining her beautiful face while she glared at him with a fiery anger he was usually fortunate enough to avoid. “He needs you, no matter what you think. We all do. And it’s not just about needing you, we want you here, Sakumo.”
“I’m a failure.”
“I don’t care,” she hissed.
Lowering his head, he sighed.
Was it possible to make her understand that it was better this way? That Kakashi should have left him laying on the floor of their home bleeding, instead of running off to find Tsunade.
Could she or anyone else ever truly understand why he’d made the choice he did.
“Yua wouldn’t want you-“ at the mention of his wife he squeezed his eyes shut.
There were a lot of things Yua wouldn’t want.
She wouldn’t want him to suffer the broken heart he’d carried since the day she died.
She wouldn’t want him to leave their son in the world alone when the same small mistake could lead to his own demise.
She wouldn’t want him to die, just as Tsunade said.
But she’d understand. That he knew.
She’d meet him on the other side, scold him, and then pull him into a tight embrace and hold him there for as long as he needed.
She always understood.
“Eat,” tapping the bowl with her pen, Tsunade forced a tender smile onto her face when he dared to look ip again.
It wasn’t genuine, but it was something warm.
Something kind in a village that had so cruelly turned its back on him.
Finally, his hand reached for the soup. The side’s were still warm, though the steam had begun to fade.
In that warmth he could feel his son’s love. A love he’d never doubted for a moment, and had returned with so much strength that he’d tried to save him from the suffering of being a failures son.
“He needs you,” Tsunade repeated, the smile now gone off her face but the kindness still shining bright in her eyes. “Let us take care of Komoha. You take care of him.”
His hesrt broke at the offer.
He didn’t needd to fight anymore.
He didn’t have to be a shinobi.
He could just be there for Kakashi, and maybe that was good enough.
“I’m sorry…”
“You should be,” she huffed, though he couldn’t hear any anger in her words this time. “Now you can make it up to us by living.”
Sakura trauma is overlooked, especially because her suffering is often dismissed as emotional overreaction or reduced to “she was bullied for her forehead” rather than understood as a prolonged pattern of psychological pressure, emotional belittlement, gendered expectations, bullying, emotional suppression, perfectionism, conditional approval, and forced self-erasure that shaped her identity, self-worth, behavior, and entire way of interacting with the world.
Many people forget that Sakura’s trauma does not come from a single catastrophic event but from the accumulation of smaller wounds that continuously shaped her sense of self throughout childhood and adolescence. A large portion of the fandom assumes Sakura had a happy or emotionally stable childhood simply because she had living parents and lacked a tragic flashback centered around death. But trauma does not only emerge through catastrophic loss. It can also emerge through chronic criticism, social humiliation, insecurity, isolation, emotional invalidation, suppression of self, and growing up in an environment where love, acceptance, and validation feel tied to performance rather than emotional safety.
Throughout Sakura Haruno’s early life, one of the most consistent pressures shaping her identity is the expectation that she must regulate herself emotionally, socially, and physically in order to be valued. Rather than being allowed to exist naturally, Sakura repeatedly learns that acceptance is conditional. Her body, behavior, emotions, intelligence, femininity, and relationships all become things she feels required to manage carefully in order to avoid rejection, criticism, or ridicule.
One of the earliest ruptures in Sakura’s self-esteem comes through childhood bullying. Sakura is mocked and isolated by other children because of her forehead, creating an early awareness of her appearance as something socially judged and weaponized against her. This is not merely teasing in isolation; it contributes to a deeper internalization that her value is tied to how well she performs femininity and social acceptability.
Additionally, she wasn't only bullied solely because of her forehead. The bullying surrounding Sakura appears to have targeted nearly everything about her existence. Her bullies mocked her intelligence, confidence, behavior, and self-worth.
Sakura was not bullied only verbally. The bullying also carried physical intimidation. As we see when in Ino’s memory of first meeting Sakura, she was bruised, beaten, crying, and visibly flinching, suggesting she was not merely teased socially but physically harmed, shoved, intimidated, or pushed around by her bullies as well. The fact that Sakura visibly flinches is especially important because it suggests fear conditioning and hypervigilance already existed within her emotional responses at a very young age.
This bullying creates a pattern of self-consciousness, hypervigilance, and emotional masking. Sakura learns to monitor herself constantly, becoming hyperaware of how others perceive her. Rather than expressing vulnerability openly, she develops mechanisms of emotional suppression and overcompensation. From childhood onward, Sakura presents herself as polite, intelligent, well-behaved, respectful, emotionally composed, and eager to maintain a clean reputation. She avoids behavior that would embarrass her, distances herself from “troublemakers,” carefully monitors how she is perceived, and suppresses parts of herself that might be viewed negatively. This is not simply maturity. It reflects a child who learned very early that approval, acceptance, and validation are tied to behavior and presentation.
The pressure to become “the perfect girl” intensifies this trajectory. Sakura repeatedly attempts to regulate her emotions, intelligence, appearance, and behavior into something socially acceptable. She tries to appear mature, useful, emotionally composed, desirable, capable, cheerful, and emotionally manageable while simultaneously suppressing anger, insecurity, fear, jealousy, frustration, childishness, and vulnerability. Her development becomes tied to performance rather than emotional safety.
Even Sakura’s Inner Sakura reveals this split between her external persona and her authentic emotional self. Her inner voice represents the emotions, impulses, frustrations, insecurities, and childish reactions she suppresses outwardly. While outward Sakura behaves properly and restrains herself, Inner Sakura expresses what she truly feels. The existence of this internal division suggests that even as a child, Sakura already learned to separate her real emotions from the version of herself she believed others would accept.
This pattern becomes even more significant when examining her family dynamic. Kishimoto explicitly stated that the characterization of Mebuki and Kizashi in Road to Ninja reflects how he envisioned Sakura’s parents and their relationship with her. What is shown is not a warm or emotionally affirming household. Instead, Sakura is publicly mocked, criticized, and belittled by the very people who should be supporting her.
After Sakura returns from a dangerous mission, while other parents proudly praise their children and speak positively about their futures, Mebuki immediately insults Sakura, calls her a “pig,” mocks her abilities, says their family has “no talent,” and suggests Sakura would only burden her teammates if she ever became a jōnin. Kizashi laughs along instead of defending her. Rather than celebrating her accomplishments, Sakura’s parents humiliate her publicly in front of her peers.
Sakura visibly shrinks during these interactions. Even Ino notices Sakura behaves differently around her parents: quieter, less confident, more withdrawn. The contrast is important because Sakura’s personality noticeably changes depending on the environment she is in. Around others, she often tries to appear composed, capable, cheerful, or emotionally controlled. Around her parents, that confidence weakens almost immediately.
This helps contextualize why Sakura repeatedly refers to herself as a burden throughout the series. Children are not born believing they inherently hold others back. That belief is usually learned over time through repeated criticism, dismissal, or emotional invalidation. Sakura internalizes the idea that her worth depends on usefulness and that failure makes her a problem for others. Her fear of inadequacy becomes deeply connected to her identity.
Viewed through this lens, Sakura’s emotional volatility becomes understandable. Many of her reactions are not signs of irrationality but symptoms of someone struggling under constant emotional self-regulation. She frequently raises her voice when she feels ignored, dismissed, or not taken seriously. Psychologically, this behavior often develops in children whose emotions were minimized or overlooked growing up. The anger itself is not the core issue; it is a defense against helplessness, invisibility, abandonment, and emotional isolation. Sakura’s emotional outbursts often mask a deeper fear of being unheard or emotionally isolated.
Even her relationship with Naruto reflects this contradiction. When Sakura says she envies Naruto for not having parents who nag him, the statement is disturbing precisely because it reveals that Sakura associated parental presence with emotional pressure rather than comfort. She envies not only Naruto’s freedom to act recklessly but also his ability to exist without constant criticism or supervision. Beneath her judgment of Naruto is visible jealousy toward the emotional freedom he possesses.
The shinobi system intensifies these pressures further. Like many children within Konoha, Sakura is placed into a militarized environment before emotional maturity is fully developed. However, unlike boys whose aggression and emotional damage are often legitimized through narratives of tragedy or revenge, Sakura’s emotional responses are frequently minimized or treated as immaturity. Her suffering becomes easier to overlook because it manifests through emotional realism rather than spectacle.
Within Team 7, Sakura is also placed into emotionally destabilizing dynamics. She becomes deeply attached to both Naruto and Sasuke while simultaneously carrying the burden of trying to emotionally stabilize the team itself. She often occupies a caretaking role, absorbing tension, mediating conflict, worrying about others, and attempting to hold relationships together even while emotionally overwhelmed herself.
This connects directly to themes associated with girlhood and femininity. Sakura embodies forms of femininity expressed through emotional labor, care, healing, hope, sensitivity, emotional openness, nurturing behavior, and relational attachment. However, these same traits place her into positions where she is expected to emotionally sustain others while suppressing herself. Her compassion repeatedly requires self-denial.
Sakura’s femininity is also repeatedly scrutinized and politicized. She exists within a world where girls are often valued through desirability, emotional usefulness, beauty, nurturing behavior, or romantic attachment. This creates pressure for Sakura to constantly negotiate between strength and femininity rather than being allowed to exist naturally as both simultaneously.
Boundary violations also appear throughout Sakura’s life in subtler forms. Her emotions are often dismissed, interpreted for her, or reduced to stereotypes surrounding femininity and romance. Others frequently define her through who she loves rather than through her internal complexity, intelligence, grief, resilience, emotional endurance, or psychological endurance.
Even many of Sakura’s relationships involve people projecting expectations onto her. She is expected to remain loyal, emotionally patient, forgiving, nurturing, supportive, compassionate, emotionally available, and self-sacrificing regardless of the emotional cost to herself. Her pain is often treated as secondary to the larger narratives surrounding the men around her.
Her relationship with Ino further reflects this complexity. Their bond is shaped by admiration, dependence, rivalry, insecurity, and identity formation. Ino initially helps Sakura develop confidence after bullying, but Sakura’s eventual need to separate from Ino emotionally demonstrates a struggle for independent selfhood. Her growth requires learning how to exist without defining herself entirely through another person’s validation.
Sakura’s trauma also appears through perfectionism and hypercompetence. She develops exceptional chakra control, medical mastery, emotional awareness, and analytical intelligence partly through relentless self-discipline. Her strength is not effortless. It is built through constant pressure to prove usefulness and worth in environments where she often feels emotionally inadequate compared to those around her.
As she grows older, Sakura increasingly internalizes responsibility for the emotional wellbeing of others. She repeatedly prioritizes saving, healing, protecting, or emotionally supporting people around her even when she herself is emotionally exhausted. Her role as a healer symbolically reinforces this pattern: she becomes someone expected to mend wounds while carrying unaddressed wounds of her own.
Databook 3 further deepens this emotional exhaustion. It states that during moments where Sakura wanted to give up on life, Naruto was always the one who encouraged and protected her. This suggests Sakura experienced periods of severe emotional collapse, hopelessness, or depression long before many readers acknowledge it. Her emotional distress is not framed as temporary sadness but as prolonged exhaustion and internal despair.
Throughout her childhood, Sakura survives largely through masking. The more pressure she feels to be ideal, emotionally controlled, feminine, mature, useful, agreeable, supportive, and emotionally manageable, the more disconnected she becomes from her authentic emotional self. Her “perfect girl” image functions less as natural confidence and more as a coping mechanism designed to maintain approval and avoid criticism.
This is why Sakura’s development throughout the series matters so much. Her growth is not simply about becoming stronger physically. It is also about slowly reclaiming parts of herself she spent years suppressing. As she matures, the gap between her external persona and inner self gradually decreases. She becomes more direct, more emotionally honest, and more confident in expressing herself openly rather than hiding behind the image of the perfect daughter or perfect girl.
This reflects broader misogynistic structures surrounding femininity and emotional labor. Traits associated with girls and women such as sensitivity, compassion, hopefulness, emotional openness, nurturing behavior, and relational attachment are frequently devalued or dismissed despite requiring enormous psychological endurance. Sakura’s suffering becomes easier to ignore precisely because it is expressed through forms of pain culturally associated with femininity rather than through traditionally masculinized displays of trauma.
Taken together, Sakura Haruno’s trauma is cumulative and deeply psychological. Her life is marked by repeated experiences of emotional suppression, bullying, perfectionism, emotional masking, chronic criticism, fear of inadequacy, internalized feelings of being a burden, gendered expectation, caretaking pressure, identity instability, boundary violations, and self-erasure. Her struggle is not simply about romance, insecurity, emotionality, “catching up” to her teammates, or supporting others. It is also about learning how to reclaim a stable sense of self and exist as herself after spending years believing that who she truly was needed to be hidden in order to be accepted, and that her worth depended on how useful, desirable, emotionally controlled, emotionally available, or supportive she could be for everyone around her.
I'm going through it, you know what that means
so i feel the urge to add a bit of context here because i find the vague on-screen text deeply underwhelming.
this is not just "a picture", it's Pale Blue Dot, one of the most famous works of astrophotography ever made public. and it was not just "a dying spacecraft", it was Voyager 1, a probe launched in 1977 to study the atmosphere and moons of Jupiter and Saturn, among other things. both Voyager probes carried on them a golden record meant as an introduction to humanity for any alien species that might discover them (if you saw Kane Parsons' Backrooms, you've heard the contents of that record coming out of a cardboard caveman standee). they did this because NASA planned to sundown these probes by letting them drift out of the solar system to parts unknown. Voyager 1 is currently 16 billion miles away, the farthest any manmade object has ever traveled from earth.
AND it's not even dead! despite supposedly being a "dying spacecraft" all the way back in 1990, Voyager 1 is not expected to be fully out of commission until 2036. to keep the probe alive they've switched off unneeded tools, adjusted its trajectory, even essentially updated the firmware, and through all that time it's basically never stopped sending back priceless data for scientists to analyze.
this is the original Pale Blue Dot, by the way:
it's relevant because "a single point of light smaller than one pixel" makes a lot more sense in the context of the original than it does in the heavily corrected version up top, where our pale blue dot looks more like a vibrant dwarf star. the difficulty of spotting earth in these waving curtains of space IS the entire impact of the picture! the blue dot is "pale" because it's hard to see! by making earth stand out so brilliantly, Terribly Interesting have inadvertently created the impression that earth is this vibrant glowing pearl, bright for all to see for billions of miles around. and it just isn't! the point is not that we can see earth from far away, but that we almost can't, because we aren't the center of the universe! when science educators past have used this image they often referred to one where the earth is circled in bright red, which only further emphasizes how small and fragile our home really is.
but hey, if you DO want an improved version of Pale Blue Dot you don't even need photoshop:
this is Pale Blue Dot Revisited, released by NASA in 2020. this is a reinterpretation of the original data using modern image processing techniques to create a more realistic or at least more high-definition rendering of the scene. it's important to understand that this is not the original image dropped into photoshop and airbrushed. strictly speaking, there isn't an "original" Pale Blue Dot the way there are negatives of traditional photography. astrophotography is almost always the product of raw data being deliberately interpreted by scientists, so the same data can produce many different images (ie if they want to emphasize the infrared spectrum vs visible light). similar work was done by Don P. Mitchell in ~2005 to enhance images taken by Soviet Venera probes of the surface of Venus to be less noisy.
here's an original:
and here's Mitchell's version:
i'm not here to argue which is "better" (and i highly recommend you read the source for this one because it's quite fascinating), just to give another example of the process in action and hopefully clarify how it's distinct from editing a jpeg in photoshop. also i just think it's neat!
which is the real reason i went to the trouble of making this post. Terribly Interesting may indeed find all of this to be terribly interesting, but it appears to be interest for the sake of a vague transient feeling of having been interested and little else. it doesn't name the probe, the photo in question, nor does it give historical context for the mission it was part of. the only substantial thing it says about the probe, that Voyager 1 is a "dying spacecraft", is so frustratingly oversimplified it may as well just be a lie.
so what's actually learned here, if you're someone who knows none of this history? that one time there was a thing and it did a thing? earth tiny from far away?? obviously it's just one image macro but i see this kind of thing making the rounds SO often, a screenshot with like two sentences on it explaining the image with as little descriptive text as possible. it's like there's a space-themed inspiration-posting rulebook that says you can't imply the existence of information not contained within the image. mention NASA? mention Voyager 1? mention Pale Blue Dot? nope! "a dying spacecraft" took "one last photograph", and here's a photoshopped version to make earth more visible.
and it might not even get to me nearly as much if this was any other space photo. i could accept that space stuff is complicated and this kind of fast-food image can only say so much if we were talking about Cassini or JWST's role in helping us find exoplanets. but this is Pale Blue Dot, the brainchild of arguably THE science communicator Carl Sagan! he wrote a book about Pale Blue Dot, he was on TV to announce the image personally! it's arguable that no astrophotograph exists whose context has been more digestibly packaged for laymen than Pale Blue Dot, which just makes it that much more egregious when someone doesn't go to the trouble.
so much of what i love about astronomy and studying the past & future of space travel is that everything you can learn is a doorway to learning more. you can't earnestly read about Voyager or Cassini or Venera or any other mission without finding some odd searchable detail and going "wait, what is that" and immediately falling down an hourslong rabbit hole to find an answer. and you'll never reach the bottom! i love reading articles about cutting edge astrophysics written for people in, like, early grad school, because i fully comprehend maybe 10% of it, vaguely understand 20% (on a good day), can kind of wrap my head around 30%, and find the rest totally inscrutable... but that's still a solid 60% scrutability rating even at the lowest-quality end of the spectrum! i'm no expert and i never will be, but in scouring the written expertise of others i almost always find one or two ideas that end up sticking with me forever. and it starts, every time, from questions about a photograph.
the sin of the above image is that it's solipsistic. it doesn't give you anywhere to put your curiosity or interest, doesn't invite you to leave their website and learn more than they have space to share, it doesn't even tell you anything useful about its subject! it reduces the entire history of Pale Blue Dot down to a vague and nondescript wonder that's just a pale imitation of the highly specific and ideologically driven wonder that Carl Sagan wanted us to feel.
here, feel it for yourself:
----
[P.S.: before you lament that this is an "AI" problem, while yes "AI" has radically increased the volume of low-value (often negative-value) inspiration bait like this, know that this has been a problem in online science education for a LOT longer than chatgpt's been around. this example isn't extraordinary, just close to my heart. nothing new under the sun and all that]
lmao someone else got their knocks in on this post before i could finish writing mine. clearly we are hand in hand re: Talk About How Cool Voyager 1 Is You Fucks
💬 0 🔁 109 ❤️ 245 · Okay, I need to add some clarification and correction to this. This photo is known as The Pale Blue Dot. It was take

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do you want to turn our phones off and do some arts and crafts together?
realized i havent posted kkg in awhile here gomen
you should be allowed to not pay rent if you want
i dont WANT pride months to be over,
on the other hand...
*street shot of zohran mamdani clad in nasty lil suit and hard hat* five months ago i was elected mayor of new york city. in that time, we have managed to COMPLETELY defeat the Staten Island Minotaur at no additional cost to the new york taxpayer

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day 42 // playing cards
Outfit #47 for the @tenten-art-collab ♨️🧖♀️