The iconography of Mary and Magdalene, stereotypically depicted as the âmadonna/magdalene by Italian Renaissance artists, Fra Filippo Lippi and Carlo Crivelli.  Most men and women have dualistic view toward women, then and now.  Today, we use the terms good women and bad women. Or, to be precise, good mother/girl next door and loose woman/party girl
In the 1990s media depiction of serial murder victims, the media used photos of serial murder victims. The media used such photos either to elicit sympathy and compassion or that of sensation, shock, and scornful judgment.  The Madonna/whore complex is used in such depictions of women, victim or not.
Miss Betty Jean Baucom, beautiful young lady victim of serial killer Henry Louis Wallace. Â Her graduation photo is used to evoke sympathy and compassion. Â Sheâs depicted in blue, the traditional color of the Madonna.
Miss Jenny Soto, very beautiful Black Latina victim of serial killer Joel Rifkin. Mainstream media relentlessly used her picture to disparage her reputation. Margarita Gonzalez, Jenny Sotoâs mother, was angry with the mediaâs depiction of her daughter and complained about the sensational headline in the media after Joelâs confession in June 1993.
American society have a Madonna/whore ideology when it comes to women. From historic times, societies in general always label women as either good, chaste women, wives, mothers, nuns or theyâre loose women, prostitutes, and mistresses/courtesans. Â Renaissance artists reflected societal views of women through the Madonna paintings by famous artists Lippi, Botticelli, Raphael, etc., or nude paintings such as the Venus of Urbino by Titian. Â
In American society, the Madonna/whore ideology is strong, tinged with class and race components. Â White and other non black women, especially East Asian women are considered the "sacred Madonnaâ while Black, Native American, and Latinas, especially Caribbean Latinas are labeled as âbad womenâ deserving of their fate. Â This view is far more widespread as the lack of coverage, the disparaging remarks in and out of cyberspace, and general indifference on the part of law enforcement to solve murders of Black women in America and Indigenous women in Canada.
The Madonna/whore mythology were used in how the public reacted to murders of Black women, the Heidnik, the Larry Bright, Gary Ridgeway, the Sowell case and the Henry Louis Wallace cases in particular.
For example, the Cleveland convenience store owner showed sympathy to Anthony Sowell, whom he said in the Unseen interview that âhe took out the garbageâ. Â Thatâs a blatantly hateful remark. Â He saw the victims, living and dead, of Anthony Sowell as being âworthlessâ and âundeservingâ to him. He labelled the victims as worthless drug addicted and prostitutes.
Sowell himself justified the murders by labelling the women as being less than perfect.
Again using the Madonna/whore ideology was at work in connection to the inaction on the part of Charlotte police in connection with the Henry Louis Wallace serial murder case, a concerned young woman named Angala Grooms in East Charlotte stated that the police did not care because they viewed the pretty young Black female murder victims of Henry Louis Wallace: Â âI feel like they wrote us all off as some fast little black girls who didnât really matter.â
During the 1996 Wallace capital murder trial, the defense lawyers tried to taint the young womensâ reputation but the witnesses, friends, family, co-workers, colleagues, and the prosecutor vigorously countered the defense by bolstering the virtues and even saintliness of the young victims of Wallace. Â The jury didnât buy the defense and voted for the death penalty for the nine first-degree murders and rapes of young Black women. Â