Addie's Asks Master List- a list of all requested fics via DM or asks!
Kinky VoxTober 2025 - A series of fics aligned with A03's Kinktober layout, released for all Hazbin Hotel Vox fans!
let's talk about Bridgerton tea, my ask is open


Product Placement
untitled
2025 on Tumblr: Trends That Defined the Year
🪼
Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
Sade Olutola

Game Changer & Make Some Noise
ojovivo
hello vonnie
Today's Document

roma★
noise dept.
official daine visual archive
Cosmic Funnies
sheepfilms
Monterey Bay Aquarium
YOU ARE THE REASON

seen from Malaysia
seen from United States
seen from United Arab Emirates
seen from United States

seen from United States
seen from Jordan
seen from India

seen from Malaysia
seen from Singapore
seen from Russia
seen from Türkiye

seen from United States

seen from Chile
seen from United Kingdom

seen from Malaysia
seen from Colombia

seen from Türkiye
seen from Bolivia
seen from Germany

seen from Colombia
@ladyadrasteia666
Addie's Asks Master List- a list of all requested fics via DM or asks!
Kinky VoxTober 2025 - A series of fics aligned with A03's Kinktober layout, released for all Hazbin Hotel Vox fans!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Secret Relationship!!
⟡ "act normal." -- "i am acting normal." -- "you're staring." -- "i'm always staring, they just don't usually catch me." [brushes hands under the table, holds on a second too long]
⟡ "if anyone finds out—" -- "they won't. i'm very good at secrets."
⟡ "meet me on the roof at midnight." -- "that's so dramatic." -- "you love it though."
⟡ "we need a code word." -- "for what?" -- "for when i want to kiss you but people are around."
⟡ "you called me 'babe' in front of everyone." -- "did i? must've slipped." -- "it's happened four times this week."
⟡ "i hate sneaking around." -- "then let's stop." -- "...not yet. just a little longer."
⟡ "they almost caught us." -- "worth it." -- "you say that every time." -- "it's true every time."
⟡ "why do you keep looking at the door?" -- "habit." -- "you don't have to be nervous with me." -- "i'm not nervous about you. i'm nervous about them."
⟡ "we should probably stop doing this in public places." -- "we should. we won't though."
⟡ "how long can we actually keep this up?" -- "i don't know." -- "that's not an answer." -- "it's the honest one." [texts under the table during a group dinner, both trying not to smile at their phones at the same time]
⟡ "someone almost saw us." -- "and?" -- "and you didn't even flinch."
⟡ "i want to hold your hand right now." -- "i know." -- "just so you know that's what i'm thinking about." -- "noted. same."
⟡ "you can't keep looking at me like that in front of people." -- "like what?" -- "like you want to kiss me." -- "i do want to kiss you." -- "i know. that's the problem."
⟡ "what if they figure it out?" -- "then they figure it out." -- "you weren't this calm about it last week." -- "last week i hadn't decided i didn't care anymore."
⟡ "one more week. then we tell them." -- "you said that last week." -- "i mean it this time." -- "you said that too." [gets caught holding hands, both freeze, and then just... don't let go]
How to write Internal monologue!!
˙⋆✮ Weave thought into action instead of stopping the scene to explain it. Let your character think mid-motion, not instead of motion. She doesn't need to stand still for a paragraph to process something, she can be pulling her jacket on, still fumbling with the zipper, while the thought is happening. The scene keeps moving EVEN while the internal stuff is happening underneath it.
˙⋆✮ Keep introspection specific, not vague. "She felt sad" tells the reader almost nothing and kind of just sits there. "She kept waiting for the ache to make sense, and it never did" gives the reader something concrete to actually feel alongside her. Specific, sensory thoughts land so much harder than a generic emotion word ever will, bc they're doing the work of showing instead of just labeling.
˙⋆✮ Use internal monologue to contradict what's being said out loud. that gap between what a character says and what they're actually thinking is genuinely where all the good tension lives. She says "i'm fine" out loud while internally thinking "i am so far from fine i don't even know where fine went," and that contrast tells the reader more about her than either line would alone.
˙⋆✮ Don't over-explain emotions the scene is already showing you. If you've already shown your character's hands shaking and their voice cracking, you don't also need three sentences of internal monologue confirming "she was nervous." Trust your reader to connect what the character's doing with what they're feeling, bc over-explaining it on top just slows everything down and insults their intelligence a little.
˙⋆✮ break up long internal passages with small physical beats. A held breath. A clenched hand. Picking at a loose thread on a sleeve. These tiny grounding actions keep the reader anchored in the actual physical scene, even while a lot of internal stuff is happening, so the passage doesn't start feeling like it's floating untethered in pure headspace.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Do you think Alastor mourns the loss of his beautiful curls?
===================
Bsky | Insta
Why, hello there, dear listeners. Did you miss me? 📻✨
Killer smile

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Why is it always you at the end of the night?”
Overlord Alastor🩸
Styx, underworld river.
Long time no greek mythology!
Lucifer summer outfit.
Advice for writing Characters with Anxiety or PTSD!!
it's not just "worrying a lot" or one dramatic flashback scene. anxiety can be constant background noise, or it can hit in sudden physical waves, racing heart, nausea, feeling weirdly detached from your own body. PTSD is the nervous system staying on high alert long after the actual danger's gone. ask what the specific triggers and symptoms are before you write it, bc generalized anxiety and trauma-based PTSD work in genuinely different ways.
⤷ panic attacks are physical, not just emotional. chest tightness, dizziness, tingling hands, a feeling like you're dying or completely detached from reality. a character having one for the first few times might genuinely think something is medically wrong with them, not just "oh no i'm scared." it's not just breathing fast and looking spooked, it's the body convinced it's under attack.
⤷ triggers are rarely obvious or dramatic. a specific smell, a certain tone of voice, a particular time of day, fluorescent lighting. trauma responses often get triggered by mundane sensory details that seem to have nothing to do with the original event on the surface, and the character themselves might not even understand why they just shut down. don't limit your triggers to "seeing something that looks exactly like what happened," the brain makes connections that don't have to make sense to anyone watching from outside.
⤷ hypervigilance is exhausting and constant, not a dramatic beat. a character with PTSD might automatically scan every room for exits the second they walk in, sit facing the door out of habit, flinch at sudden movement or noise. this isn't them having A Moment, it's background behavior they've stopped even noticing themselves, bc it's just how their body operates now.
⤷ avoidance isn't cowardice, it's self-protection. a character refusing to talk about something, changing the subject, leaving the room, that's not necessarily weak-willed. avoidance is often the nervous system's own attempt to prevent a flashback or a panic response before it starts. writing forced confrontation as the only real path to healing is a common trope, but it's not actually how most healing works.
⤷ recovery isn't linear and doesn't end with one cathartic scene. a character can do real, genuine trauma work and still have a bad week months or even years later. writing healing as a single breakthrough moment after which the anxiety or PTSD is just "resolved" undersells how long and nonlinear this process actually is for most people, and honestly can make readers who are living through it feel like something's wrong with them for not being "fixed" already.
do the research, and if you can, read firsthand accounts from people who've actually lived through this rather than just other fiction that's already gotten it wrong.
(quick note bc this is a heavier topic: if any of this is hitting close to home for you personally, i hope you have people or resources around you to lean on. you don't have to carry it alone.)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
hello!! life update: my 7-something-y/o laptop got ravaged by a monsoon so i made these on roblox mobile xD
The proudest overlord in Hell 🌹