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time and pece, woolsnow, resting piece, aidenn dann
reactionary output promulgation-livers
a nostril devoid of lilies and heteroabyss
urinating in augustus morn and dale
like sommersight and dringy vane
totemized eyeballs of ephendreeks
and ramshackled body of sunn and nil
reaction beset by borrowshams
whispering aftermoon and denight
elliptic like usther, ewig-bog lan
and lan is atropy and limericky
limpid shadenbrock and callose
recovering paralytic cry over
blistering meshe and mishe
lavender-sign
sunday awry
i devour myself again and again and emerge happily after now and ever.
there is a violent storm on the road to Christ and i can’t go through it alone. i miss my beloved.
i am drunk. i believe in nonsensical bicycles and impermanency of things and their frailty and their childhood. i am frail and shaky and so my sense of identity is. i am a warring concept. i say the bridges in return. walls are dolphins and bridges are meek. the impermanency of walls. soft like stars. violent like a unicorn. i am not jealous of a unicorn’s ability to undifferentiate reality as a vehicle to explore the principle of nervous breakdowns in overly mutable structures. i miss a sign. a sign is carved onto bones of every beside-walking creature you can imagine and by imagine i mean seeing with your every eye and limb and attempting to fill in the center with spokes. another center becomes a membered whole. eye’s ribs are the sons of the birds. i recall a dance within the heart of the dream. have i been there today? no, only just close to experiencing the mighty path to it. and you lack a future but you rekindle ten more futures in return, just by going there. and it doesn’t stop its reconfigurations and deconstructions and revolutions. its embassy is the capped being. the desert. i wake up and remember how to wake up. it’s not the truth but a shape of the truth, perhaps a spear or a staff. this is not unusual. look at the clock. it doesn’t move like you do. it circles around you and you are a many-streamed girl in a pink dress. i recollect a sentence but then it disappears. where you are and where you go. i can never seem to hold onto these things. this is what moving through the layers means, how one does it. through magical circles that continuously shift and fall apart and reassemble into less known shapes. but it stays a magic circle if you don’t blink. i blinked and now i’m in germany. or in africa. in an indian city. filled with russian orthodox temples. i blink again and now they’re searching for me and now they’re not. i fly away and i die and stop time and wake up and they never catch me. i’ve learned many tricks. they are still transposing fake realities. they can never catch someone like me because they put me in a grave but not in a coffin. this mind belongs to my beloved.
there is no insect to be heard. hearing is opal in shape. it devises strategies to traverse the uniform meanings. it is molded like incoherent puttering-about. musical gift is nothing but a short form of collapsed dream, sun-starred and red-made.
all the milk fell down upon us! it is never like this, i think. i think and i distribute my gifts. i laud the mind with its establisments. i bewail eagerly. clarion call. seductive agent. musspelheim of wonder why. i think i might be wrong. succulent apostasies. but what about them? what are you going on about, uncle joe? walking down the mind-weaving street, all choirous, all shipments unfolded and star-like brains trickling down your neck and eyes of marrow looking within you. it is an identity of moisture. it doesn’t know summers. i stop at the milky door where milky-bars are bought and sold. a building like amnesia of spinal cords, now wondering how to enter it. but hey, i’ve got a key. now opening the door, opening into a blinding light of milky-bars and chewing similies. hello there, would you like a milky-bar? someone asks. but, oh, yes, sure. i don’t know why i said that. do i really know what a milky-bar is?! perhaps i’ll find out! there’s a being in shape of a man but seeming to forget this occasionally. i stop and stumble. i see a milky-bar, a wonderful milky-bar, all waiting for me to take it, on such a fine day. no, sir, you cannot. unfortunately. we will have to fine you, the being said. i sink down to the floor. the building starts to crack. i am in hell.
my octopus-mind, my soothing dream, my beautiful planet-skin, noise and hemorrhage, noise and blood and teeth and augurs, tigers reading wonders in reverse, eyes glued to the revelry of a glowing night, immune and removed ochre-stance, whiplash, Sudan, streets and voices, my own catastrophe in disguise, sharing and never seeing all blind and mesh pervasively drunk and atomless, atoms becoming soil, soil becoming color, color becoming math and math becoming faster-than-light brains and roadless, pathless songs towards dismemberment of limits and dining rooms and dancing halls and bracelets and whiskers and hoo-hoo-hoo and la-la-la. i remain seen. formless give me form give me speed give me all of that my speed-of-brain light lightless and formless and irisless and human disguised as black torpor and serenity like a small planet too small to be a garden but a planet with all the installed software, all the free software and all the hidden protocols and hidden kernel configurations. look towards the small planets so the night never becomes as iron and night like spring night. such girth of trouble. i am disguised as lonesome. i am a thief of hidden codes and wikipedia pages and ghastly seas and oceans of two point five and threes and six measured emptiness driven through your skull in coded circles. circles in fact do not know algebra as we know it but they use orthogonal time-space and they can see it and they can teach it to you if you ask and you can learn all about it and write a book about it and if you walk up to a tree and poke and see into it it will say the same thing to you and it will tell you all about the hidden wikipedia pages and linux installations in reverse if that’s what you want to know. there’s everything in there if you just look and ask and perhaps sing a song about it, a song about Jesus’ suffering and resurrection because Jesus wanted to tell you the same thing, all about the protocols and free software and light-speed brains in orthogonal and transliminal and what-not. it all should be in there if you keep looking hard enough. if you really keep looking you can see Jesus on Mars as a first settler, waiting for those of us who are willing to go and ask and plant trees with him, invisible trees at first, but those are of the mind, for the garden to reveal itself, in a trash can, perhaps? if you keep looking hard enough, you will see a ladder towards Mars and Jesus and Qumran desert where everything happens at once and linear time shakes violently so you don’t notice it anymore. He doesn’t notice linear time at all and the concept is foreign to Him and you should stop noticing it too since it’s not really fun at all and it rather depresses me. well then, Earth and Mars are really the same, they exist in laminated layers and they’re all interconnected and when you walk you might be walking on a Mars layer, perhaps, only that you notice all the unnecessary things, things you don’t really need, and what you do is peel back the accretioned layers by walking up to a tree and asking it some questions about reality and how exactly you got here. it works every time. you can ask a mushroom, too, or anything that thinks in eight basic colors, or eight basic circles. it means a new kind of communication. take courage. i am a star-thief, a child, i am pregnant and i carry my insides in my hands and mouth so i can’t really talk. they all went away and they’re waiting for me, i think? to tell me something i know but don’t realize. but they’re somewhere where everything happens at once, all the creation and drug-addled nights, at once. wounds and forms. all the resurrections. a glass-forming nightmare. go. let them be more than light, let them be lovers. lovers, lovers. it is okay to be lost. can i comprehend? a wonderful body, a magical body of unknown colors and with children’s drawings all over it… a body of Eden. flowers growing-splattered onto your mind in rhizomes. trees, trees! with milky-white veins!

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oh that the heart-skin of autumn should
cling to you
the merry sun
giving birth to your opiate child
all sense disturbed
by the naked nymph-flesh of revelation
oh but another linking volume scissor-edged atropophied
it is a glassy eyed god eternally ravaged by voidsome promotions
entropies gliding backwards in every breathing star
it all comes out as deranged flesh and whites onto rounds
oneiric child as great as unfinished thoughts of two lovers
and when it speaks everyone disappears into their hearts
to breathe in unison with the stars with their serpented lungs
and i breathe i breathe a building for me to eat and point with
replacing time’s molecular arrow replacing time inside mind
now a human being walked up to me and said
you pointed to the wrong direction you see…
drink the night in reverse, bombshell, morning-ice, steam-hot, masking irreversibilities, noon-tide giants hopping across the room, so secret, so vitally scented, so musically clawing through the reeds of flattened minds. this thing is obscure and devour; i sense a-hidden. fater noster. examine the watch, come unto me naked, brains soaked in star-gazing and calculations of the unseen. let me feel the unfelt, the universal. bring me the yellow hues with smudged edges and let us prepare ourselves a meal out of them. such a wonder. each morning i hear a cry. somewhere in the woods. too much to comprehend, but who does it? trees smell like unicorns. go on and hug them. so snuggly. but then: sadness. overpowering. they feel it too. they are its catalysts. no, it’s you now, you are a tree’s brainshell, your senses all warm and squiggly. moist brain. forest: nerves and veins. colors like silky flowers, or an alien thought put to canvas. let them dream on your lap for a second. tell me, tell me another one of those. i walk the land in search of quivering truth so i could replace my aching heart with it. but i find a puzzle to eat. such merriment of spirit. how does one go from one place to another? he writes himself an equation to fill in the gaps in the map of his soul. it doesn’t fit. the equation becomes alive and deserts its original purpose. it was never meant to be a piece of that which is rational. it surpasses the accretioned layers of low vitality. now my head grows itself another mind to cherish. i ask a tree which is it. i ask a tree. then i ask a god. are you god? i am good. it thanks me. a cherub. one of those with four heads. when should you marry me? he asks. i ponder this. i think i would like to marry a cherub. nothing can go wrong with that, i think. it’s a certain sense of stability, of vitality. i shouldn’t worry about anything. i can do this. but i can’t leave the forest. yes, right, you can’t do that, the cherub says. now you will live here with me. that’s perfectly okay, i say. is this somewhere near saturn? i ask him. reverberates across the moons. the night is patient with me. but the sun is up and doing its best to heal my seared psyche. it was too much talking to the cherub. i wonder when it will be now. now or today. i feed him some grass, some mushrooms. he looks so dreamy. so respectful. i’m a married man now, i think. what should i feed you next? perhaps some of my drug-induced mania? he says that it’s his favorite. but he will not give me the drugs. something exists beside the meanings of the words. it exists. a child. i am so young, the cherub says. younger than physics. i will never grow. but you are a growing chrysalis. i will take you to all the moons, so there are no more earthbound thoughts in your head. and he did. and i never knew where the trees were.
ringing in my head oh furnish or licking hand. psychedelic: stallions of the unarmored brainwaves. in the red distance i see them hooking onto serpentships, the crushing dippings onto crystalshores enabling meadows of arcanesleeps next to me, yellow instant-phase i trust here in and out to be. touching, breathing, word. pieces of me now dens to thinking firs, soundless plants, soundfilled plates, featherly atrophy. don’t call soul on agony, everything in quadrants alone, cubes in shapes intermittently black and jumping out of accustomed spaces just to see… tenderless throats, burglars of open codes, of limitless crates, i the night, the yellow beacon: now fostering, now just one. attention and misunderstanding fusing into oceans of bonemarrow, of lispticky nerves and bellowing cones in place of a pure epileptic seizure. please resist, encouraged, ate the wrong one, frog one, noise-tame, hexagon-name. all in me or before. my eyes are jimsonweeds. try me. hold your head steady because i mymble of the white molygons. ha-ha-ha at yah! woooo woooo oohhh. riding on the backs of my galaxies with my chest splayed open: syntaxis of the unseen magdaloo.
there are small books lying everywhere, so small you could place them under a hat, and it’s all the same book with lines and circles and points in them, magic books with magic circled triangles and all this stuff. so i took one book to inspect it and all the lines and points and circles fell out of it and i became without center as they impregnated me with the words bitten into them. i became a vast counterintelligence fortress of soft jumping-gels and wide-eyed nourishment. the moon took one of the ribs out of its body and gave it to me to shove into my own ribcage and ponder on it. i began to cry
the world never becomes whole
and now, look at this moon-rib
i put it inside myself but it didn’t make me whole
and now the moon is lacking a rib
but it changed me
then i did the right thing by taking it
something inside me cracked
let the world have all of my ribs
after i become whole
let them take this creature that is me
and wonder at its secret structure
my body is a mysterious wound upon the works of God

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pictures of elephants and words and numbers all alike and small. grieving. pencils crying out of the letterbox - letters all apart, all dribbling with courtesy of promises to never bother you again, to never imprint their likeness onto your brain-structure again. and there they come in vast globular settings, like milk. milky lions coursing through your synapses, their flesh and blood of the most rectangular sort, like redness itself. redness dripping with mountains where the dolphin-kings live. boxed interior getting too much ahead of itself - becoming a quail’s kiss. a magical, eyeless being is now formed on your brow. it is shaped as a cedar-stone, a willow-moon, a killer bee. what is it that belongs to you? not your limbs, not your brain. they float along and you make peace with it and what is born of it: more and more limbs and brains following you: you’re an entire solar system now, and solar system are required to pay taxes. someone is waiting for you, hidden under a red cloak, their mumbling hello and handshake as real and as beautiful as the most luminous star death. what they show you is that which is further and further into nothing as you came to know it recently. perhaps you should shake their hand again. you are meeting the exact same copies of them along your multiple stops, and then you don’t notice when it’s not the same anymore. there is nothing more horrifying than birth.
a catatox of planes inverted fawn-skin-like, a tool of buddha-murder but with less engramming, a digit far into the processing power of prophet-mind: it spills and ruptures and splits and howls out of the swollen pages, its bursting laughter that no number, no silence can articulate. the pages of that most secret and wonderful book become an enactment of schizophrenic process governing every flower-growth, an oneiric process where you’re crucified in your sleep and you laugh and giggle and meditate in a ludicrous manner. this is the kind of a dream that buddhas far beyond this world see, buddhas who rummage through trash day after day and whose brains are stale with alcohol and their wits mummified. additionally.
do you wish to escape? but you cannot. do you wish to
turn into a snowlike name
become as orchards and saps and glow
a movement towards the divine
escape another realm that lacks its color
i dream a sentence unproduced by dimness
of soul-moisture, angel, night and moonlake
an essence-vision, decomposition-member
listless and forlorn in my green-blue hands
a sopor-dance, an alcohol of violent light
the rooms of crackled angels
piano-music of asylums passing
through their wings and mirrors
filled with apoptosis and edenous thought
of the siren-polygon, eye-sweeping
sun-ribs, now unmasking the world order
wolf-lipped augurs of naked transcendency
stepping down the hidden ladders
to that purple lake that’s gushing from
your throat
infinities stacked
upon infinities
within your red hands
like creatures with limitless legs
and bodies of moons
building and pondering
the kernel-image of God
may i confer on you the little agitate? i smelled a dewy stopping-secret sign, bowered erect as screechy howls go. no i perfumed of sorrow last, askance. merriment of soul besides/ another bush-maintained of reinstallments opaquely blue, their nimblest numinosities attained in tiger-skin a sandy-book. my oracle dripped in wet mephedrone. it crackles? snowy-dewed. absolute detour. my own to eat and depict. now the red. a page. where thy nakedness lies as is or do? my jovial sculptor i s
ee? ask atum
where does thy poverty sough
maybe in the red distance or
in palmer eldritch’s hands
terribly terribly lonely
them in the snow them the sybils buried in boxes called anamnesis and the sybils themselves
although it happened such and such time ago for who is to see and
who sees it now the secret when it is always too much
too much i reply and gives me not a scroll to eat but myself in form of a scroll here i
devour that
flesh-serpentine
blood-mercurine
i devour
drenched in sybil-blood and round-fish eyes
so i were and i ask while aglance at the
myriad hearts perched on my head
digging unconscious
what i ask is the additional
line or thought to relive thus
the bereshit
but no i come to deal in stars and ruptures and kernel-overglow
and it happened to smack oh so verily another blush of greening-ice of me
the strange children lust after a dug-up memory of the unseen
their shaman-smiles and ebony limb-sweeping led by a drunkard
whose lips are drenched in pain and pain and pain and shrill voices of
nerve-cutting gods who encircle him, setting his heart after
the unnameable sunglow
they search for relics thus
their bodies hue of yellow obelisks
and movements objectless
now the children have eyes of fourcolored truth
their ribs and fingers nimble and maimed by a sybil’s scream
look at what they’ve found -
the whole world turns eye-like
an atropine dream

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i am a day fed on stumps and blithes
onto the crags i fill up a fell dream
the sun passes through uncolored
unwaged and dismounted entropy-loss
millstoning repeated themselves and enoughs
succor for drought! men fly in tears
for their progeny is made into artists
who chase the sun and color it anew
into colors depravedly new: star-overture
december is turned into moon-doors
a bog of crevasses in alchemies skin
night in night out because of sublime
(i din and repeat i sense so??)
precursors to easter-dye nest
ah but that is how brown synapses trickle
down a star-gazers leg
might i be the first to ask
for a new body-form to emerge
to envelop us whole with
the singing depth of idios space
avid muttering of muscuous limbs
attentive and mountain-spanning
all for them to foresee in cold-stained
and snake-skinned and cat-leathered
coil of the unborn fruit mothered by nil
grasping for eyes of the snow from
a far-away planet now within your palm
a stutter of icicles, cracks in the brain
of a six-winged beast who learns and forgets
in place of you, its name oily mirth
and genderless lustre that always dances
you are not there anymore
but you don’t know that
the planet is too much
milk and wound and thought