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@kyffin
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[She walks to the cafeteria on newborn gazelle legs. Every step feels wavering. When her band of ragtag and dust-caked survivors had crossed into the Colony, theyâd gently but firmly stripped her of all of her weapons â âyouâre safe nowâ â and she feels like she doesnât know how to walk without the guns holstered on each hip, the knife strapped to the outside of her thigh. Like her balance is just so slightly off.
She feels naked. Naked and hyperaware and overtrained. Too many years outside, too calloused, too impolite. Somewhere in there, when they were taking her small armory from her and inking her arm in red, she probably should have said âthank you.â Instead she was thinking, still is, that if she ever has to leave, sheâll have to figure out how to steal the guns back first. (Her guns, they were hers.)
She shouldnât complain. Sheâs free of the grime that sheâd carried around with her for years, camouflage and armor both. Theyâd given her a small stack of personal items, left at the foot of her very own bed. Sheâd combed out her wet hair and bid farewell to the snarls and tangles that had almost seemed like old friends.Â
Her skin feels new and pink and cleansed, sheâs light on her feet without a laden pack weighing her down, straps digging into her shoulder for day after day after day. And so, when she has her tray of breakfast â something thatâs recognizably oatmeal and something thatâs passing as coffee â and sheâs setting it down at a nearby table, she flashes a smile, trying on something thatâs as weightless as she should feel.] Top of the morning to ya.
[It comes out slightly sarcastic. This is going to take some getting used to.]
- --..is it?
--{ kyffin just about manages to lift his head from where it's resting on folded arms -- breakfast tray nudged slightly forward so he didn't drown (?)... or suffocate (?) in a bowl of grey lumpy... 'something like food'. he'd heard someone sit down nearby, and wasn't entirely sure the comment was directed towards him - though it didn't entirely bend the realms of reality to suppose it had been. }--
morning, i mean?
--{ he's being mildly facetious about it --Â just because he'd had a night of overindulgence, and the flourescent lights of the cafeteria were more than a little harsh on delicate eyeballs ( which currently felt like they'd been gift-wrapped in sandpaper ).
but at some point he manages to focus without squinting, and there's a new face perched at the table - looking about a thousand times brighter than he felt and he does feel suitably guilty for the unprovoked sarcasm. his head decides to punish him for any movement, but there's a firm set to grit jaw as he resolutely refuses to be beaten by a self-imposed roughness, a hangover that would probably be kicking unsympathetically at his brain meat until at least lunchtime. }--
- Â --eh, sorry - not much of a 'morning person'. especially when it's following a - long - night. you're new, yeah? uh... welcome, and - all the other stuff i'm probably supposed to say, but i can't for the life of me remember what that is right now...
my number is...-- - [ open ]
1-7-2-9;;
Scene; Ext: Hr: 8:07am
- --the mornings are always brittle, things which wing their way into existence without fail, and there's only a splash of cold water and a cup of brown sludge that tastes more of a chemical dump than actual coffee to ramp up into it. training and therapy sessions, chores and free time all marked out in their designated slots, scrolling in harsh amber lines across his pdd.
what he wouldn't give for a day off -- just a day. Â not even a weekend - y-eah, weekends... remember those? a day where his life wasn't metered or marked by the hour
but today his 'hours' don't start for another hour. - --and somehow, he finds himself leaning against a wall outside, drinking down big gulps of air and looking out from the vantage point to the shadow in the distance, out across the water to the mainland - hidden in morning mists and more of a dark smudge than anything.  chemical coffee still in hand. it's broken, barren, brutal place. but he's never stayed somewhere so long before ( at least, not free of incarceration anyway ), never been 'one person' for so long before ( at least, not before he started being 'other people' -- and there had been many... ) maybe it was itchy feet.  maybe it was just a case of feeling unsettled -- of having good intentions thwarted and dulled. maybe it was the place. or the people... ...some of them at least. but that shadowed lump, for all of it's distance and danger, could well look like the promised land to an unsettled soul about now...
and he should shake off the doubts. should stride on regardless. should pay attention to some of the lessons he helped to instill in others.
and there's a soft murmur of   "- --...easier said than done."
[Her eyes are open. Heâs handing her something, a chance, an opportunity. And Chloe swallows past the lump in her throat, the guilty stone that choked her, and accepted somewhat gracefully.
Oh, she wants to huff and sigh and tell him no. But her mother had always been so proud of Chloeâs good manners; whenever she had been around to play at a friendâs house, she would always say âthank you for having meâ, and not all of the other girls remembered to do that. Itâs for her motherâs sake, not Kyffinâs, that she nods out a demure and polite âokayâ. She quite likes her feet being cold, but she understands that sometimes itâs better to concede to anotherâs point and minorly inconvenience oneself. It isnât a big deal, and she digs about in her little bag to find her shoes.
Sheâs quite proud of them: she doesnât often wear them, but she likes them a lot. Theyâre green and flat and silky and they fold in half so they can be slipped into a pouch, and really they were designed for when youâre wearing heels out but your feet get tired, but Chloe likes them because theyâre easy to take with her. She can put them on when the need arises, as she does now.] But I think youâre overthinking it. Youâre trying to make something thatâs illogical by nature into something logical. If magic could be worked out by numbers and maths then donât you think everyone would be doing it?
- --if 'magic' can't be worked out by numbers and maths then why would you need to know if anything has moved? geometry, astrophysics, relative planetary positioning. back to my original point then... ...does it matter? do you really need a book to tell you where things 'should be' - or should have been, before the sky broke, when you can just... look up -- and see where they are, and maybe just be pleased that they're still there?
yes... i know... more questions.
--{ Â but he waits, patiently, while the shoes are produced and slipped onto dirty feet, a small grin as the girl either doesn't seem to notice or just doesn't particularly care. and he's stepping toward the door, holding out his wrist until the pdd does that incessant 'chirpy' thing and the door clicks open.
hand reaches for the cold metal of the handle before there's a pause -- he will let her in, and he won't be leaving her there -- not on his watch and not with his name on the ticket should something go sideways }--
you've got about an hour -- that good enough?
--{ Â there's a jerk of his head, a small smile signalling that she can go inside. Â }--
i'm not trying to make anything logical - i'm just pointing out that there's nothing logical in spending time reading about it. Â especially if those changes have happened. isn't magic supposed t'be something that's more of a - comes from inside you, thing? rather than from inside a dusty old library?

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Tasting Innocence || Kyffin and Jayme
Though he says nothing at first, Jayme can see Kyffinâs eyes widening in what she assumes is surprise, and for a moment she wonders if she had said something wrong⌠but then there is a grin colouring his lips, and his hold returns to her hair, gripping once again - not too tightly, she thinks, but bordering on the line of pleasurable pain (and yet, she still likes it).
When he does speak, thereâs a smile on her face in response to his words. She hadnât thought about that - she had enjoyed the flash of pain, and knowing that Kyffin was the one standing to close to her, touching her, taking control of her⌠but then she thinks about how his bite will definitely leave a mark - one which will not be fading any time soon. A part of her expects herself to be shocked, maybe even unhappy that there would be a mark on her skin that she couldnât clean off, but sheâs not.
(She remembers a girl from school (who had, once upon a time, been a friend to Jayme. For about a week), turning up with a deep purple mark on her neck, and the boys had temporarily stopped trying to flirt with her so much, and the girls all gossiped ad questioned her, because they all knew that she belonged to somebody, for lack of a better word⌠but she was unavailable, nonetheless.)
And darn it, she kind of does hope that it means she is his.
She allows her neck to be re-exposed, held at an angle by Kyffinâs hand still tangled at the roots of her hair, and then she feels his tongue running over the bite. Thereâs just enough pressure there to cause an ache, just enough to have her let out a moan of pleasure, still decidedly soft, but her hands on his hips are trying to pull him closer, closerâŚ
But then heâs not there. Heâs stepped back - just a little, enough that Jaymeâs hands have fallen from his hips, coming to rest on her exposed thighs.
His touch is gone, and for a moment her lust hazed mind tells her that it would be such a good idea to move her own hands up, up, to find where Kyffinâs had been only seconds ago⌠but she resists, keeping a curious eye on Kyffin.
The kimono falls to the ground, and though she tells herself not to, Jaymeâs traitorous eyes travel down his body⌠from those impossible green eyes, down to his chest and defined stomach which she finds she just wants to run her hands⌠fingers⌠tongue, all over. Down, over the trail of hair, leading down his lower abdomen - but where it would usually have disappeared beneath clothes, it doesnât. Her eyes widen as she takes in the sight before her, a mix of shock (because how the heck would that fit?!) and want.
She doesnât know what she could do, but she knows that thereâs no way that was only for being inside of here there⌠The same feeling of want that had filled her as her eyes had raked over his torso returned, and she wants to feel him, to taste him⌠but she doesnât say it because, well, is that even a thing that people do? Is it normal to want to run her tongue along him, up to the tip where she can see⌠see something almost glistening in the light of the frustratingly poorly-lit laundry room⌠and she wants to know what it is, and whether it would taste good if she were to swipe her tongue over the areaâŚ
She pulls her gaze away, back up to meet Kyffinâs eyes again, knowing that her cheeks are flushed pink and her eyes are dark. Then Jayme is moving as Kyffinâs hand guides her forward, almost teetering on the edge of the machine, longing for more because his hand is no longer there and his fingers are not touching her and she needs him.
Jayme is almost too distracted to hear his words, but she does, and her face flushes deeper, the blush painting her cheeks, and down over her neck, to below her covered chest..
âTake off the dress, JaymeâŚâ
Her hands are trembling as they move to the edge of the dress. This was the point of no return, she thinks - after this moment, she will be completely naked, for the first time ever in front of somebody else. And still she doesnât resist, not even for a moment.She pulls the dress upwards, feeling the air his her stomach before the waistline of the dress, a little tighter to pull the garment in, skims her breasts, pulling them gently upwards, only for them to fall back to their usual position as soon as the dress is about to be pulled over her head (or rather, bounce back, she thinks).
For a moment, she canât see, vision obscured by material, before she tugs it off and drops it to the floorâ fully exposed to Kyffin.
Her head dips, eyes focusing on a pile of washing across the room to distract herself from the fact she is nude. The want is still hot within her, and she longs to pull Kyffin closer, but she doesnât. For all she knows, he could be looking at her body now and regretting ever being so close to her⌠her skin isnât as blemish free as she wants, her back (which he thankfully canât see) has patches of skin paler than the rest, burns healed and yet still clearly scarred⌠thankfully, the roughness of her skin is barely noticeable, but itâs there, just as noticeable to her as the scars littering her skin, making her knuckles, elbows and knees slightly rough to the tough (though less than they were years ago), and burns from scalds and bleach giving her pale patches she tries hard to not notice⌠all she can do is hope Kyffin doesnât notice.
Instead, she chooses to respond to Kyffinâs words, resisting the urge to pull him close, just in case heâs already changed his mindâŚ
"I- I want that too, Kyffin, sir⌠pleaseâŚ" Her bottom lip is caught between her teeth when she glances back up at Kyffin through her lashes, torn between nerves at being so exposed to him, and the lust still raging through her system, burning a path through her veins, combined with the residual ache in her neck to leave her wet and needy.
- --it's probably cliche, but if that soft moan that slips into his ear was the last sound he ever heard, then he'd probably die a - very - happy man.
"don't hold back, jayme..."
- --but as he moves and the kimono is discarded - he's not self conscious... ...( another person in another life might have been shyer, might have been fumbling or doubtful about the where he was and the what he was doing and a whole host of other things that would have amounted to a torrent of chaos -- but in this life, as this person ( as him, the most honest 'him' he might have ever been ) he's not... and it's no mark of vanity.  nothing to do with confidence either, it's because his attention is so acutely focussed on her - eyes, lips, cheeks, legs, every inch of skin on display... everything about her... )... ...and he doesn't think to shrink away or hide of introduce any kind of modesty here, because he doesn't want it and this isn't something that's 'wrong'.
- --what is wrong, is that one person has the power to do this, wrong that she has enough of a hold over him in a glance, or a smile, or a half whispered word to steal his breath, make him - w a n t - bring a stupid grin to his face  - but she does. wrong that when she bites her lip she manages to look coy-innocent-vulnerable-INSANELY HOT all at the same time -- but she does. it's wrong that time seems to slow with every tiny shift of her body, or warm, sweet breath that leaves her lips, seemingly teasing and giving all at the same time -- the gentle slow wriggle out of the dress and...
jesus.
he really appreciated things being wrong right now -- -.
- --maybe he was wrong -- about her not being a porcelain doll after all -- - gentle undulations, soft curves and graceful angles... he does, however, notice... how could he not when his eyes are soaking up every single inch of her - ? but the response doesn't pull a question from his lips, he doesn't ask about the lightly silvered marks which are more apparent now. maybe he will someday. Â maybe she will decide to tell him. but not now. now he's fairly sure he's gawping -- and it's rearranged into a smile, into something as radiant as she makes him feel ( very ).
"- --you are beautiful."
it's an echo of the words he said before...
"you're... you... no... not beautiful, more than that - ...magnificent."
and the word is punctuated with another brush of lips, a chase and breathless kiss. "... exquisite."
this time trailing his mouth back down her neck, hands sliding up her sides, feeling his way over those curves, mapping sweeping contours beneath calloused fingertips. "...stunning."
letting each and every word of praise fall against her skin. Â across collar bone and down to the supple mound of her breasts, letting kisses fall, peppered gently, at least until tongue darts out, swirls around her nipple -- catches the firm flesh between teeth and pulls lightly, grazing over sensitive skin before letting go, continuing down into the small hollow of her stomach - bending to reach and praising every single inch with mouth, tongue, lips... making sure that there's no distinction between those small silvered scars, here and there where there's a new texture beneath his tongue, only making sure to praise it with his attention equally... "...bewitching."
"...look at me, Jayme..."
he doesn't want her to be self-conscious either. Â wants her to understand how utterly enraptured he is with her. Â that this is no act to simply 'gain' what he wants, but that he wants to see her, to hear her, to know that this is as much ( more ) about her than it is about him. and the angle is a little awkward, but he manages to lift his gaze, hands moving back to slide between those supple thighs... fingers pressing into skin and holding firmly, steadily in case she jumped - balanced precariously on the edge of the machine.
he starts low, leaning in to press soft kisses to that pale skin on the inside of her leg... a quick grin and he's letting his teeth lead, sucking hard and quick to leave yet another mark in a more intimate place... tongue moving higher to the object of desire, licking up the spread expanse of her inner lips till he reached the top and swirled his tongue lazily around her clit. and damn; there isnât much in the world he loves more than doing this. Â her body dripping into his mouth, sweet and bitter at the same time. Â but he can still look up at her face as he licks and sucks, his own eyes dark, fixed hungrily on hers, and he's not sure that heâs ever seen anything so perfect and utterly, completely fuckingamazing in his whole life.Â
another moment of just - enjoying this - a long slow lick before he's moving to meet her eyes again, draw upright and level... she'd already said 'please' twice, she didn't have to ask again...
setting himself close - one hand still on bitten thigh, the other taking himself in hand ( and christ, if his cock doesn't jump at his own touch, sudden friction searing along nerves and down his spine ) -- she's hot and slick and just the first slide against her now is delicious - angling down and right against her, ( all it will take is a push - just that ) -- -
"slowly... it might hurt a little. Â the first time usually does. Â hold onto me... breathe... tell me to stop if you need me to..."
- --and he does... push... and it is - s l o w... and maybe he shudders at that first resistance of muscle pulled tight - ( fff----uuuuuckkk.... ), but he does press past it, into that slick heat, not too much not too far not too fast ( medal for restraint here ) - and there's a moan pulled from his own chest then, a word bleeding through the noise, and if you could speak 'lust' then you might just recognise it as her name...Â
[She was something old, like the chapel claimed to be. Something panting with want for purpose, stripped down of propaganda and left bare for the taking.
I am â and then nothing.
River had never spent her time bothering with the abandoned thing: the chapel. That which could not make its loyalties known, but bore the outline of imagery torn down in time long passed. And she liked the emptiness that filled its pews â the wooden seats that flickered light upon them through stained-glass windows, blown out and then boarded up like to keep its secrets in.
Secrets like: I was worshiped here. It was false and upon the idol with the face of many men, but the sentiment was there.
Now River finds all of her moments stolen by this place. Its darkness. The quiet murmur of a stray faithful whispering in corners to whichever god they thought true. Sitting in the same room with that which made creation unknowingly, but trying.
Today it is empty â was empty when sheâd walked in and laid herself flat across the floor of the middle aisle.
Commune down me, sheâd thought. Made blaspheme out of something not real.
River had never been God, but she had been something with whispers in the same ear. God felt closest, if she had wanted worship. If she had wanted praise.
She doesnât. And with her head against the ground and eyes fixed to the ceiling, she thinks that their god had killed the earth in a great flood, and they had loved him more for it. For the cleansing.
What of hers by fire? What of hers by falling of sky?
What of her?
Hail River, full of grace.
Full of eyes rolling at the ridiculousness of that statement.
When she speaks, itâs filled with a new candor sheâs still learning on her tongue.]Â
This is bullshit.
- --it's probably a hole -- missing tile. I don't think bullshit rains down from on high... unless you're talking in a less literal sense.
- --{ the commentary comes unbidden from distant shadows, somewhere close to the door, booted feet hadn't scraped or thumped as he stepped inside, and the air beyond was calm -- no sweeping breeze to announce his presence. a presence which had only been there but a minute -- an aimless ambling and a need for space,
( why then to wander 'inside' than to stay without, why to enclose with four walls and a roof, rather than keep the sky as a ceiling and the dirt as a floor. questions he didn't really know the answer to -- - and was glad there wasn't reason to pose such a question... even if there was, his answer would be vague at best... )
the first time he'd seen the vaulted ceiling, and it was chill in here, compared to sunkissed space outside... only just taking in the chamber beyond when eyes befell a form, a figure, and those words were offered, perhaps to a nowhere, a no one and a nothing, only perchance that he'd been present to hear. Â }--
or is this a private moment between you and the roof? i can always...
- --{ Â a shrug and a gesture towards the door, he wasn't going to intrude if there was an 'unwelcome' sign flashed, none on the door, but they could present in more ways than one. Â }--
oh, hum hallelujah...
- --{ Â and that was spoken softly, just a musing -- as he did absorb more details, eyes soaking up the remnants of the place - faded and brittle and broken, but some things still in tact... }--
[Kyffin, it seems, has a penchant to argue with every single fucking thing Pryor says.Â
Itâs maybe hypocritical, because Pryor loves a good argument, plays Devilâs advocate just for the fun of it, but Pryor, at least, is self aware. He sets out to argue, arguing is his goal. And he likes people that will argue with him, that will quip and retort and fire back with his same brand of smirking and prodding. Not someone who disagrees with Pryor at every turn yet sighs all put-upon when Pryor does the same.Â
"Aficionado, connoisseur, critic," Kyffin had said, and Pryor had shrugged and refused to claim ownership of any of those terms, because they contained a certain amount of discernment and â dare he fucking say it â culture that he didnât nor did he wish to possess.Â
But a hint of disagreement and Kyffinâs a blank and unsmiling wall in front of him, short words, and Pryor seems the same chill prickling over his skin as he had in the kitchen however long ago.Â
Pryor loves this reaction, when heâs angling for it. He hadnât been, but heâd walked into this room only to be prescribed with malevolent intentions and, quite frankly, it pisses him off.
Heâs let Kyffin turn him into a self-fulfilling prophecy. Asked if he was âdisturbedâ by the manâs playing, heâs become as sour and as displeased as he was originally assumed to be. And it had taken just a couple sentences to make him this way. His moods turn on a fucking dime.Â
He pushes off of the doorway, stands up straight. He knows a brush-off when he sees one and heâs happy enough to go.]
Nothing at all. [Itâs tongue in cheek, each syllable painstakingly enunciated and crisp. At this point he doesnât see any point in trying to be anything other than how heâs expected to be, as he turns on a hell and ambles out.]
- --{ Â there's no reply, nothing he can say to turned back and another lash of sour tone, and as pryor walks away, kyffin seats himself back at the piano, there might have been another song fluttering from fingertips, might have been. but there's no lightness to his hands now, heavy, weighed down.
he wonders if anyone -- anyone will ever take any offer for what it is. he's done it twice in the last few minutes and been turned down flat. regardless of the piano lesson, he's tired of it. tired of making the effort and having it thrown back in his face. tired of all of the attitude, all of those blocks between 'survivors' and 'elites' -- - or perhaps just 'people' in general.
the colony promised lots - shelter, food, warmth, protection, but he wonders more and more these days, if it also offers something else. a toxin within that spread and seeped and pulled down every good intention, that negated any effort. that battered and bruised and tore at resolve until it began to crumble. until the 'i'll be here for you if you need me, when you need me', might not be best served elsewhere... where people did want help.
he's wasting his time here. he's wasting their time.
perhaps then, it wasn't the colony that was the lost cause here... introspection is a dangerous thing.
the cover remains closed, the bottle of water perpetrating the stain on the wooden carapace. and perhaps then, that will be the only lasting impression of his presence. and as those keys remain untouched, at least one thing rings true-- - in more than one sense of the words...
...there's no more music. Â }--
( fin-- )
pryor-hendricks:
Cultured. [He fires back, like heâs a fucking dictionary. Which, honestly, he wouldnât mind being. Heâs pretentious enough for it.] Characterized by refined taste and manners.
And, presumably, the ability to tell the difference between Chopin, Beethoven, and fucking Hot Cross Buns.
[And heâs exaggerating his own incompetence. There was only so much he could avoid absorbing. And yes, heâd picked up Ericâs affinity for Dvorak when heâd blasted it in his room until it shook Pryorâs windows across the hall.Â
But it feels like a private thing, so he hasnât let it be absorbed in his pretension. Heâs not going to start name-dropping violin concertos. So heâs going to go with uncultured, and heâs going to stick with it. He has been since he was sixteen.
He doesnât move from the doorway, doesnât spare the piano another glance once Kyffinâs stood up from it.Â
He certainly doesnât want to be reminded of yet another past failure. And he has no reason to even want to be good at playing piano anymore. When he was a kid, heâd sit down to practice for the warm smile his mother would give him when she found him behind the bench. But that faded quickly once he realized that it came with her hyper-criticism.Â
She wanted him to be a performing monkey, she wanted him to be perfect. As always, her standards were impossible to meet.Â
Pryor doesnât want to sit behind a piano bench and feel as fucking small as he had when his feet had barely reached the pedals. Doesnât want to remember when his own incompetence had been something that stung instead of something to scoff at. Now he determinedly eschews all things he doesnât have a natural talent for.]
I took lessons when I was a kid. And Iâm sorry to say that I was atrocious. [Itâs light and itâs grinning, thereâs no one to take him to task for all of his childhood shortcomings anymore. Heâs certainly not going to do it to himself.] No discipline, you see.Â
[He doesnât explicitly deny the offer, but heâs pretty sure itâs implied.]
- --{ Â he's well aware of the definition, and the clipped correction just has brows raising in a slight arc. what he had been casually getting at with his 'blatant and flagrant misuse of something considered to be grammatically incorrect' was that any kind of 'refinement' wasn't necessary to simply - appreciate or enjoy. though as far as manners went, he wasn't sure that pryor would recognise them if they slapped him in the face. Â
kyffin had offered a lesson in music, something that seemed to have drawn the other here in the first instance. Â he didn't ask for one in grammar.
he didn't know whether this whole attitude and sarcasm were part and parcel of some kind of  protracted 'teenage phase' - but kyffin was rather of the opinion that any kind of satirical emo apathy... listless melancholy... pressed lassitude -- were just a little too young on the face that presented - like the'd had some kind of developmental personality glitch at fifteen and got stuck there. he can imagine teenage tantrums, followed by long, still silences of dwelling in some kind of disillusionment -- compounding and impacting all of those traits and characteristics into a solid package of 'this is who i am and 'fuck you'' --
kyffin can understand the first part. be who you want to be ( or who you need to be... or who other people need you to be... ) but the 'fuck you' part, tagged on the end in some kind of unshakable, blazing neon... Â that part -- he doesn't get. why there was always something brittle to face -- Â Â Â --a smirk before a smile. Â Â Â --a fist before a handshake. Â Â Â --that impenetrable 'fuck you' before 'hello'.
there's no reflected grin. for someone who so easily could find a smile, he's neither amused, nor entertained. he finds no humour in this. it seems that regardless of the act, juggling plates and playing frisbee, or sitting alone and letting the music flood from his fingers, there seems to be something... negative to be found. like the joy, gentle as it had been -- was sucked out of the room and nailed down by the young man's experiences, his opinions... some kind of drive to be constantly 'superior' or 'right'... Â }--
sure. Â no lesson then.
- --{  no mention of the offer. well, at least there wouldn't be anymore debussy... or chopsticks for those who lacked that apparently required -- refinement... ...or manners.  or discipline.  }--
was there something else i could help you with?

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What do you like most about Jayme?
- --her light?sounds corny, huh?...look, i'm not some freaky hippy who'd going to blah on about 'auras' and that kind of thing, nice if it's your gig, but it ain't mine...but i think for the first time - i get it - that thing about being able to see things in or around people that... well, aren't really there... Â uh... y-eah.
You could've had nice plans like giving her a cookie or spending hours making out with her THOSE ARE ALSO PLANS
- âno, those would be plans âwith' jayme,                            not âfor' her â    you wanna watch the phrasing there, kiddoâŚwhen you ask if someone âhas plans for someone' you could give it a little more context, y'know?because that was definitely giving off some kind of âsharks with lazersâ, âsecret underground bad guy bachelor pad on an island' vibe there.
and there is something i want to give her( - â get your minds out of the freaking gutter )no, itâs not a cookie⌠itâs going to be a surprise,i hope.
Do you have any plans for Jayme?
- --yep.clearly nefarious,eager to corrupt all of that ripe, fresh innocence...i'm just keeping an eye out at the hub for a spinning high backed leather chair and a white persian cat that i can pet.no point in being a big bad villain without the cat.( feel free to insert your own cliched jokes about stroking pussy here )
...no.
i don't have any plans. Â i'd like to spend more time with her.i'd like to get to -- really know her... and not just in the biblical sense.i'd like to be there for her if she ever just... needs someone...i like her......a lot.
Do you think that you've rubbed some people the wrong way? Any idea why?
- --more'n likely.i think some people are too self-centered and take even the most innocent comments or observations as some kind of personal critique.they slam up walls and barriers and shut down and live in their own little clouded shells of m i s e r y.closed off, insular...
- --y'know, you can only offer so much help -Â someone gives you the red-light then -- no -- it's just a no,you can't force it - can't make 'em spill their guts and face their demons, can't make things better for anyone if they just don't want it, are so hell bent on propagating a constant......you can try, but there's a point,a line,a place where you have to just let people live their lives and if they're 'happy begin miserable' ( an oxymoron, yes ) - well, it's their life.if they ever decide otherwise -- - feel like they want or deserve better, or even have the strength to at least try...
...i'll be here.

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Tasting Innocence || Kyffin and Jayme
colonyjayme:
Jayme canât help but respond to Kyffin, soft moans and breathy gasps escaping her with each touch of his fingers on her skin - every gentle caress hits her harder than the last, fuelling the fire in the pit of her stomach.
It is something she has no real experience with, and in a way, sheâs glad - it is new for her, and she is experiencing it all with Kyffin⌠she might seem a little naive, but she wants Kyffin, and only him, to be the one who is touching her, making her feel so many new things. The way his fingers move against her made her feel things she had never really felt before, things she wouldnât have been able to comprehend before, and his lips are hot as they meet her own.
His lips are gentle, and his tongue is teasing as it lingers on her bottom lip, only to be taken away from her too soon.
Sheâs surprised, moments later, when his fingers tangle in her hair at the base of her head, rough against her scalp, tugging â not enough to hurt, but firmly enough that her head tilts upwards â and itâs not something she had ever even thought about before, but she finds that she enjoys it â the rough nature of the motion, the tug⌠-  even though she isnât sure why he has done it, until she feels his lips, leaving a burning trail on her skin, teeth grazing against her, lightly but enough to leave her wanting more.
Itâs with intent that her thigh moves again. She knows now⌠she knows what she can feel, and from his moan, he likes what she is doing⌠so her leg brushes up against him again. Her fingers move to rest low on his hips, holding him, another whimper leaving her only to be replaced by a gasp when she feels pain.
His teeth, grazing over her skin, are suddenly not so gentle, and it hurts, his teeth sinking into her skin, dragging a shocked yelp from the blonde, which fades quickly toâ oh. Oh, she likes that, and the moan pulled from her makes her cheeks flush a rosy pink. The bite drew something almost primal from her, fingertips digging in to the soft silky material of his kimono as she feels the burning increase, and she just wants moreâŚ
But heâs apologising, and â why? For hurting her⌠she looks at Kyffin with wide eyes. Is she okay⌠heâs worried, she can tell, and she wants to silence his apologies but at the same time, she doesnât want to move her head, hoping that the fingers in her hair will re-tighten their grip, rather than limply holding her there. She nods, just slightly, before speaking â voice soft, gentle, a little lower in pitch than usual (which really isnât much, as her naturally rather high voice doesnât really have much capability of being low).
âI am alright⌠yes, Kyffin, sir, I am alright.â She pauses, just for a moment, pondering her next words â (because, was she supposed to feel like this? Was she supposed to like his teeth biting down on her?) â before throwing caution to the wind, something she finds herself doing quite often recently. âI- I liked it.â
The lazy half smile on her lips resembles a smirk, though without any of the sarcasm or slyness usually hidden behind a smirk. Her eyes looking at Kyffin are darker than usual, a deep green-blue shade ringed around widened pupils.
Sheâs tempted to just lose herself in him again, but then heâs speaking and⌠sex. Oh.
Sex â she understands. She knows what sex is, has imagined it on more occasions than she would really care to admit⌠She had been taught that sex, just like kissing, was something she wasnât to let just anybody do, and it was only to be done with somebody she cared about. This seems like one of those situations. She wants him, and she cares about him⌠(and frankly, sheâs not entirely sure what else there would be to do â even if her hand dipped lower, she wouldnât really know what to do with him - even after all of her time in a school surrounded by rowdy teenagers, she did not know what a blowjob was â had only heard of the odd term in passing) â but sex⌠sex, she kind of understands â had been shown a video before which had fuelled her imagination more than she really would have liked (though she is grateful of that now).
Somehow, the suggestion isnât awkward â like it had been in the video she had been shown â instead, heâs sweet, and caring, which somehow makes her want him more.
Itâs another minute before she can speak â having difficulty forming the words, without stuttering.
âPleaseâŚâ The word is barely above a whisper, but thereâs no doubt in her voice.
Granted, she doesnât really know about foreplay, so she doesnât think there is very much to do between where they are now, and the sex â but even if she did⌠she would still want him. She wants him so badly, to feel him inside of her (like she had imagined, though she didnât want to admit that), and besides, she likes to think that if there is more for them to do, Kyffin would be the one to show her⌠she wants him to be the one who touches her, and darn it, she wants to touch him. But for now⌠for now, sheâs unashamed by her choice of word, openly (though quietly) beggingâŚ
- -- he tunes in to the sound she makes, searching her face once again -- he seems to study it a lot -- watching for reaction, using it as a visual cue, and it's something he finds he likes doing -- the shy smiles, small upturn of lips which were dark and kiss bitten, the deeper flush to her skin and the almost hazy glaze in lust blown pupils.
'i liked it'
oh... OH.  well then...  that was kind of a shot out of the blue and -- sweet mother of jesus, if that doesn't have him twitching up against he firm press of her leg      ( and he's totally going to have to clean this kimono, because there's a patch of damp silk now, slick and warm with pre-come -- leaking and goddamn aching... ) -- sweet, innocent little jayme... who apparently wasn't wholly opposed to a little pain with her pleasure.
his grin doesn't quite match hers -- slightly more predatory than wry, and his hand does tighten again -- pulls, ( now he knows she's okay ),      ( she's slender and she's petite, but there's a stark moment of realisation... while she might well look like one, she's not a porcelain doll, not paper thin or precariously fragile... ...he's not going to break her... at least - not in any other way than the most pleasurable... ) pulling to raise her chin and expose the deep red mark ( which would surely be a bruise by the morning ) set into that pale skin.
"I like that you liked it... All marked up... It looks good on you..."
and it did, she looked amazing and so fucking hot -- - tongue finding it's way back to that spot and laving hot and wet over damaged skin.
it's only when the -'please' - slips into his ear does he think he might lose it there and then -- finally easing the hand between her legs away and untangling the one from her hair to yank at the tie to the robe - it was nice while it lasted, but it was definitely, decidedly in the way now.
there's a heat in his gaze -- something almost incendiary, shrugging silk from his shoulders and letting it fall haphazardly- -- only the briefest brush of cool air over heated skin, and it was blissful...
letting hands slide back up and around then, inching her further forward to the edge of the machine -Â and he can feel that heat between her legs --so close, but there's no move to go further, not yet...
"I like when you say 'please' too -- take off the dress, Jayme... I want to see you. Â All of you. Â I want to find if there are any other places on this beautiful body where you like to be kissed... Â Â Â ...Or bitten... Places that make you squirm, or giggle, or moan. Â Â Â I want you to - enjoy this - don't be nervous - or scared... Talk to me, Jayme -- tell me what you like, what you don't like, just do what feels good for you."Â
Did you hang out with the person you like recently?
 - --i like a lot of people.You wanna be more specific there, friend?
- --yep. Â very recently.