ā« And Iām a goddamn coward, but then again so are you. ā«
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@kurusa
ā« And Iām a goddamn coward, but then again so are you. ā«

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Thereās a new app out for creating manga thatās totally free?!Ā
No way!
YES WAY!
JUMP PAINT ā The official Shonen Jump app for creating manga ā is out now!
Ā Itās completely free and comes with tutorials from famous manga authors, like One Pieceās Eiichiro Oda and Narutoās Masashi Kishimoto, and the Weekly Shonen Jump editorial staff. Learn from the very best on your path to becoming a manga creator!
Available on Winodws, Mac, iOS and Andriod!
Download it here today!Ā ā Ā https://medibangpaint.com/en/jumppaint/
Enjoy!
ELI SHOWED ME A COOL THING where it generates a skeleton in various angles for youĀ !!!!!!
oh shiiiit itās the ultimate warmup tool yesss thank you
FEEL ITāS MIGHTĀ
ORT
This site is SO FRICKIN COOL!!! OMG I am ADDICTED!!!
I wanted to make a more concise list of my brushes, with examples in tow.
Please donāt be afraid to tweak the settings if you use any of these. I never change the settings on my marker brush, but I am constantly changing at least the āblendingā setting on all of my painting brushes.
If youāre missing certain textures, this download may help. I believe it is where my cloud brush originated from, though Iāve altered the settings from the original.

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Mini SAI guide - "Blending (color blending)", "Dilution (opacity mix)", and "Persistence" settings.
Iāve had a general idea what these things did but wasnāt completely sure what their specific functions were. I decided to sit down and figure it out, and I have thrown together a short reference guide for anyone who is confused about them. I know there are multiple translations of SAI floating around, so if some of these terms donāt sound familiar, just know that Iām talking about the three settings that appear under the texture in the brush tool settings (note that this wonāt apply to any tool types except for brushes and watercolor brushes).
I donāt claim to be an expert so if you find Iāve made a mistake, let me know so I can update it, thanks! :3
ā-
BLENDING (Color Blending)
This controls how readily the brush will inherit any colors you are painting over with it. For example, a 0% blending setting will pick up no existing colors, treating it as if you were painting on a transparent layer. A 100% blending setting will ONLY pick up existing colors (provided there are any). So at 100%, the color youāre using wonāt even show up, unless you move to a transparent area. Blending is not affected by transparent pixels, so if youāre drawing on a blank layer it will have no effect.
So you can see from this example that the color Iām using gets harder to paint as the blending increases and more of the existing green is absorbed, until at 100% it is just completely turning green.
ā-
DILUTION (Opacity Mix)
This controls how readily the brush will draw on a blank (transparent) part of the layer. A 0% Dilution will result in the brush painting very easily onto a blank surface, while a brush with 100% dilution will literally not paint on blank parts of the layer at all. Dilution is ONLY affected by transparent pixels. So it wonāt do anything if the whole layer is already filled in (even with white). Dilution can be thought of as the inverse of the Blending setting in some ways.
So in this example, you can see that as dilution approaches 100%, the color Iām painting with basically becomes invisible. In fact, if you were to switch to binary color mode and look at this layer, there would literally be nothing there anymore!
Keep this in mind - if you ever canāt paint for some reason, check your dilution setting, it might have gotten accidentally bumped to 100!
ā-
PERSISTENCE
This one goes hand-in-hand with blending. Basically, it controls how easily a brush shifts color as you are blending from one color to another. Rather, how long it āpersistsā if you will. Like blending, Persistence is only really relevant when painting over existing color so itās mostly unaffected by transparent pixels. Basically, the higher the persistence, the longer it will take for the color to shift as you make a stroke, and subsequently, from which color to which other color it is shifting is dependent on the blending setting.
So for this example Iāve done the same test with three different levels of blending. I turned off all pressure sensitivity (actually I just used my mouse) to emphasize the effects in a controlled environment:
If blending is at 0%, persistence fails to have any real effect. With pressure on, there is only the difference of having to push harder, but the results will be the same as far as I can tell.
At a happy medium of 50%, persistence increase causes the orange that the brush is picking up to last longer as it goes into the green, until it never shifts to blue at all.
At 100% blending, there was never any blue in the first place, because as we already know, full blending causes you to only pick up existing color. So the persistence setting changes only how fast the orange changes to green.
Persistence is dependent upon the blending settings, so having them somewhere in the middle will probably produce the most optimal results.
ā-
CONCLUSION
Ultimately how you use these is up to you, and is largely dependent on what kind of brush youāre making and what it will be used for. And most of these settings are meant to be used together in unison, so play around with them a lot!
If you are confused, or not sure what settings you want or what settings you should be using, a safe bet is to put them all at about 50% - that will produce fairly average results that are easy to work with, and itās easy to remember in case you want to experiment but donāt want to forget your settings in case you decide to switch back.Ā
Hope that helps!
nODO for those who need help with sai!
Space Brush
Just a quick brush / texture I put together to learn how to make Sai brushes.
You can get the space texture here. SET THE BRUSH LAYER ON LUMINOSITY.
TRY THIS BRUSH ITāS BEAUTIFUL
To all my artist followers
I have to thank @tessiellation for recommending the program cause it saved my life big time.
Do you know how you are always have this image in your mind of how to pose a certain character but for some reason, you canāt hand, leg or whatever reason you can think of to make it look proper?
Lovely Tess here recommended a program call DesignDollĀ Iām not sure if it works on MAC as well, however it is compatible with Windows.
Want to have a Male doll base?
No biggie.
Perspective with Big Boobs Mckenzie? Fuck yes.
How to hand?Ā
This program will save your life!!
apparently ppl donāt know about waifu2x??? despite its⦠concerning name itās literally the most convenient website iāve ever come across as an artist
it allows you to resize artwork without it becoming pixellated. this is a MASSIVE help if you, for example, make lineart too small or something. it works best with things that 1. have no textures 2. have smooth lines 3. have cel shading, but it still works really damn well for things that donāt fit that profile
hereās an example:
normal size
2x in paint
2x in waifu2x
so like, thereās that. go wild
Original:
Photoshop scaled:
Waifu2x scaled:
Itās legit!! Tell your friends!
Thatās quite impressive! It must have some great code under the hood.
peachy

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Mixed Pack
Please like/reblog if you use.
Credit appreciated, not necessary.
None of this artwork is mine.
11 Vietnam Icons, 27 Nyo!Lithuania, and 33 Nyo!Poland
Preview:
Keep reading
need refs/inspo for period clothing?
here you go:
Medieval (9th-15th century):
10th century and earlier
Romance (1000-1250)
11th century
12th century
13th century
more 13th century
14th century
more 14th
15th century
and more 15th century
Gothic (1150-1550)
Renaissance (1520-1650)
16th & 17th century
16th century
more 16th
Tudors (1500-1550)
more Tudors
Elizabethan Period (1558-1603)
Jacobean Era (1603-1625)
17th century
more 17th century
and again
and even more
this wonāt stop
Baroque (1600-1750)
Georgian Period (1714-1830):
18th century
more 18th century
18th century womenās fashion
18th century menās fashion
Rococo (1720-1770)
Classicism (1770-1790)
children 18th-19th century
Regency Preiod (1811-1820)/ Empire (1800-1820s):
1790-1820s
more stuff on regency and georgian era
even more
thatās not enough regency
and more
how is there so much
early 19th century menās wear
early 19th century womenās wear
Victorian Period (1837-1901):
Romantic Era (1820-1840s)
Civil War Era/1850-1860s
1870-1890s
more victorian
Edwardian Period (1901-1910):
1900-1910s
Belle Epoque (1880-1910s)
more edwardian/belle Ʃpoque
Modern:
1910s-1920s [Fashion between the World Wars]
1920s
more roaring 20s
so much 20s
1920s hairstyles
1930s
1930-1940s
1930-1950s
1950s
more 50s
1960s
1960-1970s
1980s
lots of periods in one spot/fashion through centuries:
here, here, and here is almost everything (and properly ordered)
also here with lots of historic fashion magazines
historic fashion
costumes of antiquity
more historical clothing
history of fashion
more history of fashion
āvintageā clothing
historic costumes
childrenās historical fashion/toys
details
historic wedding dresses
historic assecoires (hats, shoesā¦)
hats
masks
parasols
lots of embroidery/jewlery
it indeed is western/european centric, Iām sorry for that, but for other cultures I simply donāt have so many references
Trying to draw buildings
yo hereās a useful tip from your fellow art ho cynellis⦠use google sketchup to create a model of the room/building/town youāre trying to draw⦠then take a screenshot & use it as a reference! Itās simple & fun!
Sketchup is incredibly helpful. I canāt recommend it enough.
Thereās a 3D model warehouse where you can download all kinds of stuff so you donāt have to build everything from scratch.
reblog to save a life
This is an incomplete tutorial, and it drives me crazy every time I see it come around.
We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldnāt even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.
Hereās the missing part of this tutorial:
How do you populate your backgrounds?
Well, hereās the answer:
If the focus is the environment, you must show a person in relation to that environment.
The examples above are great because they show how to use the software itself, but each one just kind of āplopsā the character in front of their finished product with no regard of the personās relation to their environment.
How do you fix this?
Well, hereās the simplest solution:
This is a popular trick used by professional storyboard and comic artists alike when theyāre quickly planning compositions. Itās simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.
From Blacksad (artist: Juanjo Guarnido)
From Hellboy (Mike Mignola)
Even if your draftsmanship isnāt that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside ā not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as any other member of the cast. Make it as believable as they are.
Ā Ā 50 APH Lithuania icons.
I made them for @niekonepadarysi but any others can feel free to use them! Like this if you download them.
HOW DO I LIVE- FRUITY RUMPUS MEME FACTORY COVER
John: denten02 | Rose: totalspiffage | Dave: miketooch | Jade: fivetail Karkat: fadeintocase |Ā Terezi: celestialtoxophilite |Ā Aradia: tentacuddles |Ā Ā Vriska/Jane: kyleehenke | Jake: sixfootblue | Roxy: redasatomatoĀ | Ā Aranea: aph-lithuania | Jack: veggieblt
We gathered the gang for one last hurrah. There are a few odd guests, donāt ask questions, just enjoy. Thanks everyone!!!
Download
The Homestuck VA gang all came together for one last sing-along. We wouldnāt have even met if not for this comic! What an incredible ride these last few years have been. I can say without hesitation that I would do it all over again.
How do I live without you guys? Thankfully Iāll never need the answer to that question. ::::)
Eyyyy we did a thing for 4/13! Thanks for the fun times Homestuck! Hereās to the future.
I love you guys so much. ;;;;;;;;w;;;;;;;;

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
that voice is insane also hair goals.
This was so beautiful to watch