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『MICUSRAT - Loves music and art - SUN / YOSHIROTTEN | Installation in Makuhari New City』は前例のない大きな規模で陸・海・空を舞台にしたマルチメディア・インスタレーションとなりました。約50台のモノリス型「SUN」が海と浜の境界線である汀（みぎわ）と公園などで展示され、また見浜園では電子音楽家のTakakahnの手掛けた音響作品と巨大なアート作品となった茶室全体が景観と融合しました。国内最大クラスの野外LEDスクリーン「SUN」の前では、Takakahnと国際的に活躍する音楽家のKuniyukiによる特別な演奏が披露され、国内では最大規模となる約500台のドローンを用いて夜空を彩った「Floating SUN」も大きな驚きを街全体と共有しました。また、本インスタレーションの映像作品が、2023年11月まで、カナダ・モントリオールのアートプロジェクトである「MAPP_MTL FESTIVAL」「Quartier des spectacles」においても上映されています。

Fashion Visuals with 3D Scanned Models by Tobias Gremmler Fabric and skin is translated into a digital mesh that acts like a dynamic membrane between body and the surrounding space. Like fashion, it constructs/deconstructs identity and becomes a media that propagates information in form of textures, patterns and shapes. The work visualizes this underlying forces in forms of threads weaving together and tearing apart fragments of cloth and skin. Exhibited as scenographic media installation at Osage Gallery during HK|Runway. Organised by Osage Art Foundation and The Hong Kong Design Institute, HK|Runway! is an unconventional multidisciplinary project in which fashion is redefined as multifaceted enterprise and artistic process. By juxtaposing garments, design, art, music, choreography, and architecture, HKIRunway! moves beyond the traditional givens of a fashion week-catwalks.

Organised by Osage Art Foundation and The Hong Kong Design Institute, HK|Runway! is an unconventional multidisciplinary project in which fashion is redefined as multifaceted enterprise and artistic process. By juxtaposing garments, design, art, music, choreography, and architecture, HKIRunway! moves beyond the traditional givens of a fashion week-catwalks.

Direction, design & animation: Piotr Wojtczak Voice-over: Tim Heller Sound design: Daruma.audio Music: Sono Sanctus

Concept: Piotr Wojtczak & Patryk Adaś (userfeeds.io) Design: Piotr Wojtczak Animation: Piotr Wojtczak Music: Sono Sanctus Sound design: Daruma Audio

Double Exposure: NYC | 4K by Humza Deas Aerial Views over New York City. Song: Glowworm - Periphescene Follow the adventures! instagram.com/humzadeas/ humzadeas.tumblr.com/ twitter.com/humzadeas

Follow the adventures! instagram.com/humzadeas/ humzadeas.tumblr.com/ twitter.com/humzadeas

Behind The Music: Evening in Space by Daphne Guinness

Nike x Chance The Rapper - We The People by Hiro Murai dir Hiro Murai dp Larkin Seiple prod Jason Cole ad Jesse Fleece prod design Eric Archer nyc unit dir Miles Jay nyc unit dp Kevin Phillips edit Luke Lynch agency W+K NY by Doomsday Ent

Wallpaper by More and More

50 Days - Final Edit by More and More

H&M by More and More

Facetrack (Full length) by More and More

50 Days - Idea 10 of 19 by More and More

Kubrick: Photos and Films / Candice Drouet by Really Dim Kubrick: Photos and Films / Candice Drouet / http://bit.ly/2fCsdcB Music : Christian Cabrera http://bit.ly/2bgbLjh http://ift.tt/1M0jX2G Films: Killer's Kiss / Lolita / The Shining / Eyes Wide Shut Look Magazine Archives ( 15000 Photos: http://bit.ly/1LyYwUw )

Spatial Bodies (WIP) by AUJIK Drone footage and motion tracking test. This is a progressive project so will extend and update it occasionally. Last update was: 7 Feb. Presented by the Creators Project: http://ift.tt/1L5rg5v Music: Ceephax Acid Crew - Moor from the album Exidy tours. Please note, this is just a simple test - for a more comprehensive upcoming project - with poor textures, low render settings and low poly models. Tools used: 3Ds max. Vray. Syntheyes motion tracking, HDRI-shop, DJI Phantom 3.

Jller – Prokop Bartoníček & Benjamin Maus by Ex Post — Prague http://ift.tt/1V9hYhj (cz) http://ift.tt/1WEAVdn (en) http://ift.tt/uN5ba0 (en) Jller is part of an ongoing research project in the fields of industrial automation and historical geology. It is an apparatus, that sorts pebbles from a specific river by their geologic age. The stones were taken from the stream bed of the German river Jller, shortly before it merges with the Danube, close to the city of Ulm. The machine and its performance is the first manifestation of this research. A set of pebbles from the Jller are placed on the 2x4 meter platform of the machine, which automatically analyzes the stones in order to then sort them. The sorting process happens in two steps: Intermediate, pre-sorted patterns are formed first, to make space for the final, ordered alignment of stones, defined by type and age. Starting from an arbitrary set of stones, this process renders the inherent history of the river visible. The history, origin and path from each stone found in a river is specific to the location, as every river has a different composition of rock types. The origin of those stones is well documented. For instance, the ones from the river Jller derive from two origins. Some come from rocks, that are the result of erosions in the Alps and are carried in from smaller rivers. Other stones have been ground and transported by glaciers that either still exist, or existed in the ice ages. As the Alps and flats, that were once covered by glaciers, have shifted, even deeper rock-layers were moved and as a result, stones from many geologic periods make their way into a river. When the history of a river is known, the type of stone can be directly related to its geological age. One very common sedimentary rock is the dark grey limestone from the Triassic period (225 million years ago). It was formed from the layers of sediments in the primeval ocean. Granodiorite, on the other hand, is an igneous rock of volcanic origin from the Tertiary Period (30 to 40 million years ago). Between those types there is a variety of metamorphic rocks, created by the transformation of existing rock types through the influence of temperature and pressure over time. Furthermore, a small amount of pebbles are formed by non-rock materials like red brick or slag, that have their origin in the Anthropocene. Most of the time, stones do not appear as a singular uniform material, but as a composition of different, laminated or layered materials. A prominent example of his are the white lines of lime in grey pebbles. Jller was presented as part of Ignorance, a collaborative exhibition of German artist Benjamin Maus and Czech artist Prokop Bartoníček. Technology: The machine works with a computer vision system that processes the images of the stones and maps each of its location on the platform throughout the ordering process. The information extracted from each stone are dominant color, color composition, and histograms of structural features such as lines, layers, patterns, grain, and surface texture. This data is used to assign the stones into predefined categories. Those categories represent the range of stones that can be found in the specific river and correspond directly to the age of the stone. They are the result of a classification system that is trained by sets of manually selected and labeled stones. Because there are only a limited number of stone types that can be found in a specific river, this system proves to be very accurate. The stones get picked up by an industrial vacuum gripper, which can rotate around its own axis. This way the pebbles can also be aligned. Prokop Bartoníček (CZ) – Born in Prague in 1983. In the year 2003 he was accepted into the atelier of sculpture of prof. Beranek at UMPRUM. Between the years 2007-2008 he was a student of prof. Joachim Sauter at UdK Berlin. Presently, he lives and works in Prague, primarily focuses on developing light, interactive and experimental projects such as Vibrator or Mirrsaic. 2008-2015 he organised art exhibitions in order to present the Berlin experimental scene in Prague. Furthermore, he has founded the cultural centre Ex Post. Benjamin Maus (DE) – is self taught in many disciplines and started taking apart apparatuses and learning programming early in his life. In 2011 he founded the studio FELD. His projects have been exhibited and awarded internationally multiple times. He has a broad knowledge in many fields like mechanics, physics and computer science. His interested in different modes of production - especially industrial automation - and their impact on society. This is the foundation for his work: Machines that perform seemingly meaningful tasks. Credits: Authors, Concept: B. Maus (DE) P. Bartoníček (CZ) Production: P. Bartoníček Mechanics: B. Maus, P. Bartoníček, T. Arnaudov (CZ) Electronics: B. Maus, P. Rusnak (CZ), T. Arnaudov Programming: B. Maus, P. Rusnak Video: T. Posselt (DE)