KTF FANSUB

Is that so… What about BL?

When I was in Junior High, my older sister showed me Captain Tsubasa Doujinshi by Ozaki Minami and I was dumbfounded, I thought, “So, there’s also a world like this!”. After that, I started to buy BL manga. At that time, the mangaka who left the most impression to me was Nishi Keikosensei. Her works such as Mizu Ga Koori Ni Naru Toki, Tenshi Ni Naranakya have unique openings, it made me reread them many times. Uida Shiuko (now Kano Shiuko) and Yoshinaga Fumi Sensei are also my favorite mangaka.

When was the first time you draw manga?

I seriously began drawing manga in my first year of junior high. At first, I drew a pair of man and woman, but after page three, I felt something was off. So, I tried drawing BL for the next one. Just like the present, I’ve always loved less expressive and less-talkactive main characters (laughs). But the more I draw, then an attentive senpai with good personality and short haired ones like Togawa in Doushitemo Furetakunai also appeared. At that moment I thought, “Oh, this is it!”

You really weren’t embarrassed, are you? (laughs)

Well, it’s because it was embarrassing, that’s why I’m not really open about my drawing manga activity.

(laughs) But you debut as professional mangaka eventually, how did that happen?

Yes, after that… I worked as office lady. I got married not long after, but then, I was getting through a marriage blues. At that time, I was invested in Kakashi and Naruto shown by my older sister along with Comiket catalogue.

The power of moe beats out your anxiety (laughs)

It’s true (laughs). Escaping from reality, I checked a lot of circles and opened some sites. There I found a work from a novelist (now has debuted professionally) that I really liked. This is why I started writing novel at first, not drawing. I have a lot of ways to accommodate my moe needs. I also once drew Doujinshi but due to my inability to use a proper diction, the result wasn’t optimal (laughs). After drawing slowly and more at ease, I got into Katekyo Hitman Reborn fandom and drew a lot of doujinshi for that series. A year later, I was contacted by Taiyou Tosho publisher.

“With that publisher, Yoneda Kou published Doushitemo Furetakunai which has been adapted into a movie. Since the beginning, Yoneda Kou didn’t draw one-shot but serialization. For the movie, even though it only tells a story of daily lives, but the directing, composition and dialogue are impressive. About 4,5 years later, the second volume of Saezuru Tori wa Habatakanai that had the yakuza neighborhood setting was released. This has completely different feeling compared to Doushitemo Furetakunai.”

My first work was actually published in Drap, so I had it adjusted to be a less-heavy work. That’s why I ended up switching to another magazine.

Was it a demand from the editor?

Of course I only draw what I want to draw. But without realizing, I always draw them to fit the magazine. And it seems like Taiyou Tosho prefers me to draw more simple work.

So, sensei is the type who pays attention to editor’s suggestion. When you wrote the first chapter of Saezuru Tori Wa Habatakanai, did you already want Yashiro to be the main character (for longterm series)?

Right. I didn’t explain it in the first one-shot, but I always believe that no matter how you look at it, Yashiro really loved Kageyama. And (even though he’s drawn like that) he is actually a neko (uke). I think he is an interesting character. When I drew highschooler Yashiro and others, it had been decided that I wanted to write a serialization for this.

And only then the character Doumeki was born?

At that time, the character Doumeki didn’t exist, but I thought very hard about what kind of partner that would be suitable for Yashiro. I took a break from drawing for about two years. I only worked on illustration during that time, until one morning an idea suddenly came to me, “That’s right! Erectile dysfunction!”. I immediately sent an email to my editor: “A perverted impotent man!” (laughs). Afterwards, I finally worked on the first draft.

(laughs hard) Finally, the combination of Yashiro and Doumeki who are the opposite of each other was decided. What an amazing couple that can even make the readers losing sleep.

I do have this particular interest in people’s decision and behaviour resulted from a contrasting relationship that is full of conflicts. Because there are so many characters in Saezuru, I have this excel file compiling the plot for each character chronologically. Otherwise, I would’ve forgotten about it. If I didn’t seriously research (the setting of my own story), I wouldn’t be able to write anything when I made name. But even though I got through it, drawing a family with no blood ties like yakuza was still difficult. If I don’t focus, the story might turn out like Nagara Sakugyou*. That’s why now I’m just focusing on doing Saezuru.

*) nagara sakugyou: other work that being serialized at the same time

Up until now, Sensei has published 5 volumes and all of them have beautiful covers with varied tones.

Actually, the cover color for Doushitemo Furetakunai should’ve looked like red wine, but it seemed like there was an error in printing so the pink was contrasting into it. But it turned out to be good.

Then about the cover for the Saezuru first volume. It’s so impressive! The stepped-on man! All the people around me also had high appraise for this.

Actually, there were so many things happened in the process. By taking the request (it isn’t clearly explained whether it’s from editor/designer) of “Yashiro sitting alone”, I first submitted that illustration to the book designer. However, I couldn’t throw away the idea of Yashiro being stepped on, so, during the next three days I was stressed out. I’ve finally asked them to keep my idea and that’s how the cover of the first volume ended up the way it is now.

I see! For the second volume, it’s totally different, isn’t it? It’s a scenery, but when you do a double take, there are Yashiro and Doumeki!

I always want to give a different vibe in each volume. Actually I’m also a fan of the way Tsumugi Taku-sensei draws scenery.

Hoo-, sensei is a fan of Tsumugi sensei! Talking abough NIGHTS, when you open the cover, there’s a surprise in it!

Yes, if you look at the rough sketches there were 4 pages of picture that were interconnected. In the end, the desainer took picture number two as the cover and number four to put it on the bottom of the back cover. For Soredemo, I didn’t get any guide from the book designer. I combined the the feel of the story with a touch of water paint. At first, I actually wanted to make Deguchi pulling Onoda’s hand to get out of the train, but it ended up looking like Deguchi forced Onoda to stay (with him). So I decided it’s Onoda who’s getting off the train by himself with Deguchi waiting on the platform.

Do you do the coloring with computer? How about the non-colored script?

I use SAI for coloring but for monochrome I usually draw by my hand until the inking, then I do the tone using photoshop.

Do you self-learned drawing?

Well, I at least bought a lot of ‘pose reference’ books often. When it comes to buy things, it feels great, doesn’t it? But when it comes to manga, we draw to tell our moe concept.. well, I love drawing moe concept, but the thing is- I’m not really good at drawing. I like thinking about moe stuff, I also like to combine colors (inside my head) but when I do, I have no desire to draw I, even though that’s the important part. There are often times when I feel like drawing is a handful. In short, I want to draw something that isn’t too troublesome.

But, isnt it because you’re doing manga seriously that it feels difficult?

Because I’m too serious I feel like the story can be boring. Not only the work but also the author (laughs). I often read comments saying my manga is ‘down to earth’. I guess it’s shown obviously in every each of my works

Sure, there are people who think like, “In real world, there’s no way a wakagashira can be as masochist as Yashiro”, but apart from that, Saezuru still gives an impression of it being realistic. In drawing the important men’s arms and muscles in your work, sensei has done your best. Getting into the story, the characters also put extra effort to look elegant. Despite the young age, in a positive sense, sensei’s works feels like having Showa* vibe.

(*SHOWA ERA: 1926~1989)

I’m no longer young, though (laughs). Maybe this is why my works often get called “JUNE”. Especially Saezuru, I think it really fits (JUNE concept).

Are you an organized person?

I’m actually a person who have no chill (laughs). But I have this side of myself who tend to see things as a whole, look at my surrounding then step on the brake. There is also a side of me that is so energetic in creating my own moe that I turn into a selfish person. I guess that’s also my flaw.

It seems like sensei is the type who has her own editorial meeting inside her head (laughs)

I wish it’s not true, but unfortunately, I’m the type of person who is embarrased to admit that I have a relationship with manga. Even until now I have yet told my close friends about this job (as BL mangaka). I’m not that kind of person who like to share or tell others about my moe situation inside my head. When my moe concept is being visualized in public I would scream, “Don’t look! But if you want to read it, I’d be happy”. Yes, I’m that kind of person.