WiesenBerg

(WiesenBerg) -  This is one of a total of nine collaborations with Heidi-Marie Arapa. It was created in 2013. The original is part of my Soundcloud album "eremit". I'm releasing this composition because they (like five others) were not available on Soundcloud for some time. Gradually, I will republish all collaborations with Heidi-Marie here.

Another track for one of my forthcoming albums: "Leaving The Earth Behind". Listen to the playlist: soundcloud.com/wiesenberg/sets/leaving-the-earth-behind

(WiesenBerg) -  This is my contribution to the "6 Note Sequence Challenge" by Piano Soundboard (www.facebook.com/groups/1682015045398733/). Here are the participation rules: "Using the given sequence of 6 notes, compose variations, improvisation, development (a la sonata), fugue, or other form that uses the specific notes. You cannot change the sequence of the notes, but you can play them in any rhythm (i.e., time values). And of course, the harmonization is up to the composer. As always, the compositions must be piano solo or piano lead. Here is the note sequence, or merely look at the challenge artwork. The time value of the notes shown are not final, you can do as you please with that. The notes are: E (above middle C)- C (octave above middle C), B, A , F#, D (all in the octave above middle C)."

The second "more electronic" part first describes the feelings of grief and thoughtfulness, but then, finally, the grateful memory and hopeful confidence that our loved ones are with us and around us even after death.

(WiesenBerg)  BRAND NEW: My first release for more than a half year. It's another powerful part of the successful theme "Pulse Of Steel" - about 3,5 years after composing Part II and about 20(!) years after Part I (meanwhile you can find Part I on my debut cd "Neverending", too). Again it's a very rhythmic and melodic track (after a gloomy intro). So: Let's go and enjoy! :)

(via https://www.youtube.com/watch?v=7Hv_8Yiqcro)

(via https://www.youtube.com/watch?v=DtQi8ZeKhfg)

(WiesenBerg) "Waldläufer (This is my time). - Eine Collage in 4 Bildern (Natur, TechRock, ProgElectro, Ambient)." Teil 1: Aufnahme mit meinem iPhone beim Joggen im Obersteiner Wald. Teile 2-4: Musikalische Umsetzung des Laufens in verschiedenen Musikstilen, jedoch den Laufrhythmus beibehaltend.

This is dedicated to movies like "Close Encounters Of The Third Kind", "E.T." or"Contact", to the researchers of the Roswell incident, to Erich von Däniken ... to all people, who believe, that we are not alone in the universe ...Dieses Stück widme ich Filmen wie "Unheimliche Begegnung der dritten Art", "E.T." und "Contact", den Erforschern des Roswell-Zwischenfalls und Erich von Däniken ... Ich widme es allen, die glauben, dass wir in diesem Universum nicht allein sind ...

(WiesenBerg) „In the course of time“ - „Im Laufe der Zeit“ – ist ein sehr entspanntes, fast elegisches Stück, in dem - neben dem klassischen Flächensound des Korg T3 Ex der frühen 90er und einer fast stakkatoartigen, durchlaufen Flötenmelodie - vor allem das Saxophon dominiert, was dem Ganzen einen nachdenklichen bis verträumten Charakter verleiht, verstärkt durch flirrende Glockenspielsounds. Die Bass- und Rhythmusgrundlage liefern ein Xylophonsound, gegen Ende kommen zurückgenommene Pauken dazu, untermalt von Stringpads. Es ist meine erste Komposition 2016 und zugleich noch einmal eine Liebeserklärung an den Korg T3 Ex, der hier ausschließlich zum Einsatz kam. Ursprünglich inspiriert hat mich das „Hello 2016“ Konzert mit Ron Boots & John Kerr im Planetarium Bochum: Ihre Konzerte Anfang der 90er waren meine ersten EM-Konzerte – der Lauf der Zeit hat sie mir annähernd  ein Vierteljahrhundert später noch einmal zurückgebracht … „In the Course of time“ - „Im Laufe der Zeit“ - is a very relaxed, nearly elegiac composition. Beside the classical KorgT3Ex-pad-sound of the early 90s and a flute-melody, it is dominated by the saxophone, which gives the track a thoughtful and dreamy character. Xylophone and reserved timpani represent the rhythm and bass group. It's my first composition in 2016, inspired by the „Hello 2016“ concert of Ron Boots & John Kerr in Bochum, a fascinating reunion after more than 20 years. The track is also a declaration of love to my Korg T3 Ex, which is the one and only instrument here.

Thomas Jung, who won the price "Newcomer of the year" on the Schallwelle Awards 2015, presented by the German club for electronic music Schallwende e.V., published - after his debut-album "Painting The Sun" - his second album "Seasons Of Change" in summer 2015. This won place 9 in the category "Album National" on the Schallwelle Awards 2016.

(WiesenBerg)

(via https://www.youtube.com/watch?v=7Hv_8Yiqcro)

(WiesenBerg) Out now!: The debut-CD of WiesenBerg aka Jens-H. Kruhl! "Neverending" is a picture-music-collaboration with Fred Fahrenberg. EM a la Ambient, ProgElectro and more. 8 instrumental tracks for Fred Fahrenbergs painting + 1 bonustrack feat. Kathrin Manz aka Matzumi on vocals - thank you, Kathrin! In addition you'll get a very nice booklet, 12 pages with the single motives of Fred Fahrenbergs painting, another picture together with a poem ("Ylva"), thought-provoking words and information. You can order the CD here: [email protected] Cost: 15,- EUR incl. delivery charges.

Here we go: Listen to Teaser No.1 of my forthcoming debut CD "Neverending" - a picture-music-collaboration with Fred Fahrenberg! Auf geht's: Hört rein in den ersten Teaser meiner in Kürze erscheinenden Debüt-CD "Neverending" - Musik zu Bildern von Fred Fahrenberg!

(via https://soundcloud.com/wiesenberg/gewitterregen-elegie-thundershower-elegy?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)

via https://soundcloud.com/wiesenberg/king-instrumental-cover-of-the-yearyears-song?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)