喫茶トラノコク@toranocoku 肌寒くなってきたら飲みたくなる濃厚ホットココア。 美味しさの秘密はとろみが増すコンスターチを入れること。

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喫茶トラノコク@toranocoku 肌寒くなってきたら飲みたくなる濃厚ホットココア。 美味しさの秘密はとろみが増すコンスターチを入れること。

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Andrew Moore aka Andrew L. Moore (American, b. 1957, Old Greenwich, CT, USA) - From Blue Alabama (2015-2019), Cuba (1998-2012), New York, The South and Dirt Meridian (2005-2014) series, Photography *(Info with each photo)
My collection of clothing references for writing.
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butterfly dream by Heavenly Gaia
“All this for a child that isn’t even here”
The bright landscapes of Gustave Baumann (1881-1971).

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kusuriuri
i think anne magills paintings and Edward hoppers are like .. exact opposites. hoppers has the distinct clarity to it, a sharpness in the lines and the angles that contributes to an overwhelming sense of loneliness in almost every one of his paintings. even in his paintings that dont portray isolation there is a feeling of separation
loneliness vs. aloneness
magill, on the other hand, has this haziness to her paintings that emanates a warmth even when the subjects in her paintings are alone.
both paintings feel so comforting, and even in the second one where the girl is alone she is still in the presence of the visceral world around her - there’s a familiarity in magills painting that she captures nicely.
i guess i just think it’s interesting because hopper and magill are two of my favorite artists and they paint similar scenes with very different tones -
I’ve always thought that hoppers paintings are a snapshot of urban loneliness - the distinctness of it, the use of cool colors, the stark contrast between the people and their settings - whereas magills paintings seem almost like memories - their use of haziness and blurriness is exactly how someone would remember something, indistinct, full of feeling and lacking detail