𓂃 ⭒ lo’aks love story with older reader
You’d gone out past the village because you needed air and the village had too many people in it tonight, all of them talking about the Sully family and Neteyam and what a tragedy and did you hear what Jake said to his son, and you couldn’t sit in the middle of it anymore. So you went out.
And then you heard something that didn’t sound right and you followed it, the way you’d been taught to follow anything that doesn’t sit right in your chest.
Lo’ak is on his knees in the dark with a sky people weapon in his hands and he is shaking.
You have seen Lo’ak Sully do a lot of things since his family came to the reef. You’ve seen him pick fights he couldn’t win, you’ve seen him make his family laugh, you’ve seen him grieve in the loud desperate way he does everything.
But you’ve never seen him like this…
You cross the distance between you in seconds that feel like years and your hand finds his wrist before your brain catches up to your body, and you wrench — hard — fingers locking around bone, and the thing in his hands goes skidding across the rock and disappears somewhere into the dark below you and Lo’ak spins, and the sound he makes is something you’ve never heard from him before, something animal and cracked open, and his eyes are wild when they find your face.
It comes out quieter than you mean it to. Not soft — your voice is shaking too hard to be soft — but quiet, because you can’t seem to make it any louder. Your hand is still around his wrist. You can feel his pulse hammering against your fingers.
Lo’ak’s jaw works. He looks at you and then away from you, chest heaving, and his eyes are wet and red-rimmed and have clearly been that way for a long time before you arrived.
“It doesn’t matter,” he says.
“It doesn’t matter, just —” He tries to pull his arm back. You don’t let go. “Go back to the village. You didn’t see anything.”
He looks at you again. Whatever he finds in your face makes him flinch.
“Go home,” he says, and his voice breaks in the middle of it, and he turns his face away fast, jaw clenched so hard you can see the muscle jumping in his cheek.
You step closer instead, closing the gap until you’re right in front of him, until he’d have to physically move you to get away from you, and you keep your hand wrapped around his wrist and you look at him until he has to look back at you.
His eyes are glassy. The tears haven’t fallen yet. He looks like someone who has been holding himself together by his fingernails for so long that he’s forgotten there was ever a version of himself that didn’t have to.
“There’s nothing to tell.”
“There’s nothing to tell.” His voice cracks again on the last word and he squeezes his eyes shut and tips his head back and breathes through his nose, and you watch his throat move as he swallows. “He’s dead. Neteyam is dead and it’s — it happened because of me, because I can’t do anything without —” He stops. Presses his lips together. Opens his eyes and stares at the sky. “I’m always the problem. I’ve always been the thing that goes wrong. And now he’s —”
“— and my dad doesn’t even — he can’t even look at me —”
“Why?” He looks back down at you, and this time the tears do fall, two of them, cutting fast down his face.
“Because it’s not true? Because you want to tell me it’s not my fault?” His voice has gone ugly and mean, the way it gets when he’s directing the ugliness at himself.
“You can save it. I know what I am. I’ve always known what I am. Neteyam was —” He makes a sound. Not a word. Something worse than a word. “He was the one who was supposed to be here. He was the one who mattered. I’m just —”
You grab his face with your free hand.
Both palms now — one still locked around his wrist, one cupped against his jaw — and you turn his face toward you and he goes still, like a held animal, like something startled into silence.
“You matter,” you say. You say it right into his face. You say it close enough that he can’t look anywhere but at you. “You matter to me. I-“
Tsireya’s voice. High and tight with relief, the way a voice gets when it’s been searching for a while. And Kiri behind her, breathing hard, both of them coming up over the ridge with their hands reaching for him —
Lo’ak is already turning.
You feel it — the shift of his weight, the way he pulls out of your hands like he forgot they were there — and then he’s on his feet and Tsireya has her arms around him and he’s holding on to her and Kiri has her hand on his back and the three of them are something closed and complete, and you are standing two feet away with your palms still warm from his face.
You pick up the piece of shell from the rock beside you — the one he’d been turning over in his fingers — and you close your fist around it, and you walk back to the village alone.
He comes to you three days later.
You’re in the middle of repairing a net — sitting cross legged outside your family’s pod with the thing spread across your lap, fingers working the same knot you’ve been working for twenty minutes because you keep losing count — and his shadow falls over you before you hear him.
Lo’ak is standing there with his hands on his hips and an expression on his face like he’s rehearsed something and already forgotten it.
He sits down beside you without being invited. You don’t say anything about it. He watches your hands for a moment.
“How do you do that without looking?”
“Practice.” You pull the knot tight. “What do you want, Lo’ak?”
He’s quiet. His knee bounces once and then stops. “I don’t know,” he says honestly. “I just — I didn’t know where else to go.”
You look at him sideways. He looks tired still, but present, both eyes forward, actually here. You think about the ridge. About the way he’d turned toward Tsireya without a second glance.
You think about how you’re going to let that go, because he was grieving and he didn’t owe you anything and you are not going to make this about yourself.
“Okay,” you say. And you go back to the net.
He just keeps showing up.
You’ll be mending something, or weaving, or working a strip of hide into a wrap, and he’ll drop down beside you like gravity decided he belonged there, and he’ll start talking. About his father. About the way the other reef boys look at him. About how he tried to go spearfishing alone yesterday and fell off the rock twice.
“Did you land the fish at least?”
“On the second fall. I landed on the fish. Does that count?”
He grins. It’s the first real one you’ve seen from him.
You keep your hands moving. Wrapping cord around a handle, weaving strands of sea-grass into something flat and useful, sorting shells by size for the younger kids’ craft work. Your hands always have something to do. It keeps you from looking at him too long.
“You’re not even listening,” he says one afternoon.
“I just said I think my ilu is avoiding me.”
“Your ilu is an animal. It doesn’t have opinions about you.”
“She absolutely does. She looked at me with judgment.”
“Lo’ak.” You pull a knot tight without looking up. “Are you gonna help me or are you just gonna talk about how you fell for the twentieth time this week?”
He grabs the end of the cord you’re holding and pulls it taut for you without being asked, and the knot sets cleanly, and you hate that he’s useful. You were hoping he wouldn’t be useful.
It’s a few weeks before you notice more.
You’re sitting close, you always end up sitting close by the end of these sessions, because he migrates toward you inch by inch without seeming to notice and you’ve got a strip of bark fiber drying across your knees and you’re separating it into threads, and Lo’ak is lying on his back beside you with one arm over his face just talking, talking, talking.
And then he stops talking.
He’s propped up on one elbow now, chin in his hand, watching you work. There’s a look on his face you haven’t seen before — softer than usual, less guarded, like he forgot to put the wall back up.
“Nothing.” He pauses. “You smell good.”
You stop separating threads.
“You always smell like — I don’t know. The air is different on you. Like it’s warmer.” He says it like he’s commenting on the weather, like it’s the most ordinary thing. “I noticed it the first time you sat near me. I thought it was something you put in your hair.”
He looks back at you with complete sincerity.
“Do you use something? Like an oil?”
“Go home,” you say, and you turn back to your fiber, and you spend the rest of the afternoon very deliberately not thinking about the fact that your face is warm.
He comes back the next day. He brings you two fish he caught himself and drops them in your lap like an offering and then sits down and starts telling you about his ilu again, and you take the fish and say nothing and keep your eyes on your work.
He smells like the sea and something darker, warmer underneath.
You are not going to think about that.
He’s sixteen when you finally say something.
Sixteen, and sitting close enough that your arms press together when you both lean over the same piece of work, and he’s laughing at something you said and his tail is moving slow and contented behind him like he doesn’t even realize he’s doing it, and you look at him and think: this has to stop.
“You should be spending time with people your age.”
He looks at you. “I spend time with Kiri.”
“I mean —” You stop. Try again. “I’m almost two years older than you.”
“Because I’m closer to Neteyam’s age than yours, and —” You watch his face at the name and keep going, because stopping every time someone says his brother’s name isn’t going to help either of you. “— and my parents are already talking about potential mates. Aonung’s name has come up more than once.”
“He’s a good match. He’s older, he’s proven, he’s —”
“You don’t even like him.”
“That’s not — it’s not always about —” You press your lips together. “The point is that you’re sixteen and I’ll be eighteen in a few months, and it’s a little —”
“I’ll be seventeen in a few months.”
“I’ll be eighteen in a few months.”
“So it’s —” He does the math on his face. “A year. That’s barely anything.”
“A year is not barely anything at our ages and you know it.”
He sits up straighter. Crosses his arms, which on him looks less defensive and more like he’s bracing himself for an argument he intends to win.
“I’m not a kid,” he says.
He’s got the faint beginnings of markings on his jaw — the ones that come in slow over years — and his shoulders are wider than they were when he first started sitting beside you, and he looks back at you with complete seriousness.
You almost laugh. You save it, barely. “Lo’ak —”
The laugh escapes. You can’t stop it — it comes out through your nose and you cover your mouth and Lo’ak’s expression goes through three different things at once: embarrassed, indignant, and then, underneath both of those, something quieter. Something that watches you laugh and seems, despite itself, to like it.
“It’s not funny,” he says.
“It’s not.” But the corner of his mouth is doing something traitorous. “I mean it. I’m not asking you to — I’m just saying… bro”
“I’m not agreeing to anything. I’m saying okay. As in — I heard you.”
He holds your gaze for a moment longer. Then he nods, once, and he looks back down at his hands, and neither of you says anything else for a while.
Lo’ak earns his first reef mark at sixteen and a half — a small thing, high on his left arm, for bringing up a catch that three older hunters had given up on — and he comes to show you with barely restrained energy, presenting his arm like he’s presenting evidence in a case.
You raise an eyebrow. He sets his jaw.
His voice settles into itself. The markings on his jaw come in properly, dark blue-green against his skin, the ones that mean he’s been accepted by the reef as fully as anyone born to it.
He’s taller — not dramatically, but enough that you notice — and he moves differently, more settled in his body, less like a collection of limbs trying to agree on a direction.
He still comes to sit beside you.
He still talks. About training, about his father — the relationship between them slow and difficult and sometimes tender in a way that clearly surprises Lo’ak every time — about Kiri, about his ilu, about the reef boys who are finally, finally starting to treat him like a peer and not an outsider’s kid.
“Ao’nung sparred with me yesterday,” he says one evening. “Actually sparred. Not — you know. Not like before.”
“…He did. But it was close.”
“Close enough that he said it was close.” He pauses. “He said it. Himself..”
You glance at him. “That’s significant.”
You smile at your work. He sees it — you know he sees it because he gets this look, this particular look, like catching that smile is something he was actively trying to do.
You still don’t say anything about it.
He’s got four marks now — two on his upper arm, one across his collarbone, one at the base of his throat that he earned pulling a child out of a deep current that nearly took her under.
He’s the one who tells you about it like it was nothing, like it was just what anyone would’ve done, and you have to very deliberately not reach out and touch the mark while he’s talking.
He smells like something warm and familiar that by now you know is just him, and you’ve stopped trying to tell yourself you haven’t memorized it.
He’s sitting closer than usual. Your knees are touching. He’s been watching your hands work for twenty minutes without saying anything, and when you glance up he doesn’t look away.
“Nothing.” He pauses. “I’ve been thinking about something.”
“Shut up.” But he says it warmly, and his knee presses a little more deliberately against yours. “You said give you time.”
“I’ve been giving you time,” he says. “I’ve been — I know I have. And I’m not trying to push, I just —” He stops. Exhales through his nose. “I just want to know if it’s working.”
He looks back. He’s nervous — you can see it in the set of his shoulders, in the way his tail has gone very still — and underneath the nerves he’s earnest in a way that makes your chest ache, this boy who once stood at the edge of a ridge with nothing left and who has spent two years building himself back into someone who can sit beside you in the evening light and ask for something.
“I’m nineteen in four months.”
He watches you put it down and something shifts in his face, a kind of held breath, and then without quite seeming to decide to he slides down from the log he was sitting on, drops to his knees in the sand in front of you, and leans forward and tucks his face into your lap.
Just — buries it there. Both hands coming up to hold your knees. Forehead pressed against your thighs. The back of his neck is right there, the marks on his throat, the ones he earned, and you feel the breath go out of him like he’s been holding it for two years.
“I’m not asking you to decide anything right now,” he says, muffled against your leg. “I just needed you to know. That it’s you. That it’s been you for a long time and I’m not — I’m not going anywhere, I’m not gonna —” He stops. His fingers tighten slightly on your knees. “I just needed you to know.”
At the back of his head, the slope of his shoulders, the marks you watched him earn one by one while you sat beside him and pretended not to be counting.
You bring your hand down slowly and rest it in his hair.
He goes very, very still.
“Lo’ak,” you say quietly.
He lifts his head. His eyes are dry this time — he’s not crying, he’s just looking at you, open and steady in a way you know it cost him something to learn — and you keep your hand where it is, against his hair, and you look back at him.
“You’re still a lot,” you say.
“And you talk constantly.”
“And every time you fall off a rock I somehow hear about it in detail.”
“…In my defense, the rocks are —”
“Yeah,” he says. And he waits.
“You’ve been a man for a while now,” you say. “I was just being slow.”
Something happens to his face. Something that starts in his eyes and moves outward, and it’s the best thing you’ve ever seen, and he reaches up and covers your hand with his — the one still in his hair — and presses it there like he’s afraid you’ll take it back.
You mate in the spring, when the bioluminescent blooms are so thick the whole shallows glows, and Lo’ak holds both your hands and bumps his forehead against yours and says I told you, and you say you really did, and he laughs — loud, too loud, the same way he does everything — and pulls you in.
His tail still finds yours in the water like it always has, like it was doing it long before either of you were admitting to anything.
You keep the shell from the ridge. It’s small and worn and a little chipped at the edge and you’ve had it for two years in the bottom of your bag. You never told him about it.
That night, when he’s asleep with his arm thrown over you and his face pressed into your shoulder, you take it out and look at it in the dark.
You’d never gotten to finish the sentence.
So I really hope you liked this:( please let me know if you didn’t and I will re write it bc I wrote this a few times and I didn’t know what to do with it:(
Sorry it took a while to post, I have been super busy lately