đ¤Kittiđ¤ She/Her/Whatever | 26 | Bi/Ace ⢠Idk what this blog is anymore but I yap about gay shit and things I have strong opinions on. I like Taylor Swift and Hazbin Hotel and old queer anime, so go away if youâre gonna be a dick about it. ⢠https://linktr.ee/kittileecreates
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genuinely do not understand policing people's identities. like oh no some queer folks have a different connection with a label than you do! we must immediately freak out and assume they mean harm, obviously (/sarcasm).
basically: your identity is fine. if it's contradictory to what I know about you, maybe I'll ask if you have any thoughts about other identities like [what maybe matches my perception], but like. ultimately it's your identity and your communities and your circumstances. no one should force it.
anytime there is infighting I just ask myself, who earns from this?
you can argue to me that ace people are not really queer and that transmascs are not as oppressed as transfem or that transfem are not as oppressed as transmascs or that hypervisibility and hyperinvisibility are not equally issues or that nonbinary people are just confused and that aromantic allosexual people are predators or that xenogenders give trans people a bad look or that this or that is a slur and this group can't say it and this other group can or that pronouns mean gender or that gender means transition goals or that multigender or genderfluid people should pick a side or that men aren't really oppressed so they can't talk about it or that intersex people are not oppressed for being queer or that ASAB language is not a replacement for a gender binary or that TMA/TME is an accurate descriptor of oppression for hours.
or you could turn around and help me fight the queerphobia that is killing, kidnapping, raping and erasing our community
I get so mad at online leftists sometimes. What do you mean you won't vote in the election for the democratic nominee because your more progressive candidate didnt win? Grow up
I want friends but I literally never want to talk to people đŤ
Like I actually hate socializing (unless itâs at a con)
Why canât friends just like spawn in and neither of us have to do any work
And thereâs people I want to be friends with but the second we actually start talking I nope out so fast because Iâm too intimidated and awkward đ
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A man who can use 6 tommyguns at once and a man who can pull up sinners bigger than him with ONE HAND definitely need help to put on a measley plastic sign with three lights that is pretty much the same size as Nifty... yes, totally...
I think I've finally figured out how to word something:
Not every innovation in queer terminology is good or useful. Like any other demographic of humans in the world, we as queer people are liable to fuck up or reinvent the wheel sometimes.
While some innovations in terminology are unarguably filling a need (e.g. transmisogyny, transandrophobia, exorsexism, intersexism), other offshoots sometimes are misses rather than hits. And that's okay. Sometimes we can let go of terminology that doesn't serve us.
I was around for the mid-2010s wave of biphobia (just as I came out as bi, annoyingly) and at the time there were moral panics about bisexual people "stealing" monosexual queer people's terminology (e.g. the butch/femme dichotomy used in the gay and lesbian communities). So as a response to that, animal-based alternatives were coined (see this post for examples).
Having to call oneself a pigeon instead of a futch nonbinary bisexual or a mage instead of a femme bisexual guy was not a useful innovation. It isn't virtuous by nature of being new queer terminology. Not every coining is good, useful or free from causing harm. This terminology reinforced the idea that bisexual people were somehow "stealing" from monosexual people by using butch/femme (which are terms all queer people have had access to since the year dot). Instead of challenging the idea that bisexuals were somehow stealing, the creation of new terminology for bisexuals to use instead further ostracised the bi community who were already under attack from a wave of biphobia at the time.
Likewise, tme/tma are not virtuous pieces of terminology just because they were coined by queer people (in the context of trans issues, trans women specifically). I get this sense a lot that the terms tme/tma are seen as faultless and worthy of respect for the sole reason that they were coined by trans women fairly recently. That new terminology in general is seen as wholly unproblematic if it was coined by the "right" people (monosexual queer people, trans people who are femme etc.).
Not every new queer neologism makes it. If your sole reason for clinging to tme/tma is that it is new and created by trans women - that's not a solid reason. Especially if said terminology is causing harm to other queer people. The same way that the animal based terms were forced on bi people and caused harm, tme being forced onto non transfems is also causing harm. And if you are a proponent of the terms you need to take a step back and consider if forcibly labelling people tme without consulting that person on their experiences is acceptable.
[A small note: It's no surprise that the pattern of transandrophobia fits the pattern of aphobia, panphobia and biphobia which came before.]
they need to add a dust emoji. applications: to express that you have been ground up into dust. when you can't speak and you are coughing up dust. when you are dry and crumble into dust. when you are old and covered with dust. when a villain attacks your home and everything has been reduced to dust
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OMG WE GOT ACTUAL SK8 SEASON 2 NEWS LIFE ISN'T REAL AGHHHHH
they said season 2 is in the works (woah shocker) and that it will take place in winter !!! this is amazing progress, i don't even remember the last time we got sk8 news !!!
queer rep goes thru these cycles where every couple of years lgbt people are like "we get no rep in media and the representation we do get is way too sanitized and it feels so fake and flat. wheres the queer characters that are messy and flawed and REAL??"
then someone gets brave and makes a character who is a real bastard and makes all the wrong choices and is maybe even malicious at times and they make this character explicitly queer. and then fans are like "this is what you think of us?? worst representation ever" and the creator gets absolutely lambasted, ESPECIALLY if theyre queer themselves
then everyone else sees this and either thinks its too risky to include a queer character, or wants to make sure they're only doing the good and nice representation with no flaws or mistakes
then queer people are like "we get no rep in media and the representation we do get is way too sanitized and
and no im not blaming queer people for our own lack of representation, or when "representation" exists only to mock us and shame us. I am however saying: stop attacking queer creators for making queer characters who are nuanced and complicated and even ugly or cruel. theyre not reflecting you, their character isnt you. its just their character
if i was a popular minecraft youtuber id just tweet "hey guys stop drawing shipping fanart of me and my friends/coworkers, i only fucked one of them and seeing me paired with anyone else is kinda weird and crosses my boundaries" and then i'd turn my phone off
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A/N: been really bored lately and needed a new rabbit hole to climb down. so alas, meet the phenomenal bisexual icon đđđ
Meet Julie d'Aubigny (1670-1707). Known as quite the irregular woman in her time. She was an opera singer, under the stage name La Maupin or Mademoiselle Maupin. A bisexual, fencer, crossdresser, opera singer, habitual gambler, drinker and overall audacious person.
Her uniqueness started from an early age, helped along by her father, Sieur d'Aubigny, who had her attend schools typically reserved for males at the time.
At age 12 she learned to fence, competing amongst boys, reportedly the best of the group, same time she began cross-dressing
Around age 14 or 15 she became the mistress of her father's employer, Count d'Armagnac, dating a number of other men and even marrying a clerk, Sieur Jean de Maupin. Though her lover quickly sent away her husband to allow her lively extra-marital life to continue. Eventually becoming involved in a relationship with her fencing instructor SĂŠranne.
She and SĂŠranne were soon on the run from the founder of the first modern police force, Â Nicolas-Gabriel de La Reynie, after fleeing Paris when her lover killed a man in a duel.
They traveled the countryside performing dueling matches, eventually adding singing to their act. This led to her first experience with the Opera de Marseille. Despite no formal training, she was reported to have great natural talent.
Her career brought about her first sapphic relationship, but her paramour was quickly sent away to a convent in Avignon due to their relationship. Julie followed her and set a plan in motion to help them escape, using the body of a recently deceased nun and a fire.
When their plot was discovered, she was sentenced to death by fire under "Sieur," a male title, leading them to a brief life on the run. Soon her lover returned to her family, and d'Aubigny took the opportunity to further pursue her Opera career, eventually returning to Paris.
Once back, a pardon was issued for the Avignon incident when she resumed her affair with the Count d'Armagnac, after he arranged it with the King.
From there she took on a litany of lovers and became an iconic opera singer under the name, La Maupin. Her success was eventually curtailed by her bold behavior offstage. She ultimately had to flee Paris once more, following an instance of her dueling three nobles after she kissed a woman, while dressed as a man, at a court ball. though she eventually returned after the King's brother helped to negotiate another pardon
Her longest relationship began after her return to Paris, and the opera, with the famous and wealthy Madame la Marquise de Florensac, considered one of the greatest beauties in France. She retired from the opera when her lover became ill and eventually died.
She died at the age of 37 of unknown causes; though reports about the remainder of her life are mixed.
A/N: if you made it this far, thanks for reading my little fixation at the moment. hope you enjoyed! this could definitely be written better but i was too excited and refuse to use ai for improvement.
sources in case you'd like to go down the rabbit hole with me:
Julie dâAubigny (1670-1707) Princess of the Opera at RejectedPrincesses.com
"Mademoiselle De Maupin; Biographical sketches & anecdotes" in The Dublin University Magazine, Oct 1854
La Maupin (1670-1707): Sa Vie, Ses Duels, Ses Aventures. (1904) by Gabriel Letainturier-Fradin
Maupin, d'Aubigny (c. 1670â1707)Â at Encyclopedia.com
La Maupin: The Ultimate Sword-Wielding, Opera-Singing, 17th Century French Badass by Lyra Radford
The Real Life of Julie dâAubigny at kellygardiner.com
Julie d'Aubigny: La Maupin and Early French Opera by Alan Westby