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@kitchenerstitch

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doesn't feel like there's an end in sight, does it? what does one do? how does one live through emptiness? it's raining. you can hear it, though there's not a window in sight.
Nur Alem, Astana, Kazakhstan,
Nur-Alem is the main symbol of EXPO Nur-Sultan, a giant spherical building with a diameter of 80 meters. On top of the ball are two wind generators that generate power, thereby reducing the energy consumption from the grid.
The structure consists of eight levels, each of which tells about one of the alternative energy sources – “space Energy”, “Solar Energy”, “wind Energy”, “biomass Energy”, “Kinetic energy”, “water Energy”.
On the eighth level is the Museum “Future Nur-Sultan”, and the base of the sphere, with an area of 5000 square meters. the national pavilion occupies a total of 500 meters. It is divided into two zones: acquaintance with Kazakhstan and “Creative energy”.
The Museum of future energy presents projects of scientists of Kazakhstan and startup projects of young specialists in the field of “green” energy sources.
Adrian Smith + Gordon Gill Architecture
Danil Akramov Photography
Cob House, Almaty, Alatau region, Kazakhstan,
Dilyara Mazhitova & Vladimir Radostovets Design,
Photography by Sergey Krasyuk
Claes Oldenburg, Altered Souvenir of the Cologne Cathedral, 1980

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Boxes by Joseph Cornell
The Strange Encounter, c. 1929-32
Lee Miller
Lava Rivers & Streams l jvn.photo l Iceland
Einsteinturm. Potsdam, September 2015.
The Karnak Temple, Luxor - Egypt.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Eclipse © 1979 Mark Roland
Oil on board. Painted after viewing an eclipse that year in Oakland CA.
https://ifdpublishing.com/product/eclipse-original-painting/
On fire wave © Peter Solarz
INI exhibition building, Barcelona, Spain, 1973, J Paradinas, L Garcia-German & JIC Fernandez, demolished
Pictures by Klaas Vermaas
#architecturephotography #spain #1970s #brutalism #dystopianscifiarchitecture
Place-des-arts Station, Exit B, Montreal, Canada (2026).
from my series Tiohtià:ke Is Brutal, capturing the subway stations in Montreal
'spins,' 2002 in patriciu mateescu - simetria bucharest 2016

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In Surreal Ceramics, Megan Bogonovich Imagines a Fantastical Garden
Landscapes by Max Ernst.