Reblogged Stuffs

(  dialogue prompts taken from the silent hill 2 remake, developed by bloober team. trigger warning for dark themes. feel free to change as you seem fit. )

❛ in my restless dreams, i see that town. ❜

❛ hey, it's okay. i didn't mean to scare you. ❜

❛ i'm kind of lost. ❜

❛ i guess i don't really care if it's dangerous or not. i'm going either way. ❜

❛ what happened to this town? ❜

❛ whatever it is, it's not human. ❜

❛ i didn't do anything! he was like that when i got here. ❜

❛ you wanna come with? maybe together we can find a way out of this town. ❜

❛ sorry, but i can't leave. not yet. ❜

❛ are you afraid? ❜

❛ did you find the person that you were looking for? ❜

❛ don't worry, i'm not crazy. least, i don't think so. ❜

❛ should i go with you? this town really is dangerous. ❜

❛ what's a big dumb-dumb like you doing here anyway? ❜

❛ hey, that's not very nice. didn't your parents teach you any manners? ❜

❛ do i look like your girlfriend? ❜

❛ i can't believe it. your face, your voice... you could be— ❜

❛ i don't look like a ghost, do i? see? warm. ❜

❛ i can show you if you want. unless you have somewhere else to be? something else to do? ❜

❛ hey, easy there. i'm just messing with you. ❜

❛ you're coming with me? can't you just tell me where it is? ❜

❛ what, you were just gonna leave me here? alone? with all these monsters around? ❜

❛ is it because i remind you of... her? ❜

❛ this place we're going to, what is it, exactly? ❜

❛ you ever stay in a place like this? the walls are so thin you can hear everything. love, hate, jealousy... ❜

❛ i think you just saved my life back there. ❜

❛ hey. you think i'd look good in this one? ❜

❛ this room... there's something wrong with it. i think we should leave. ❜

❛ oh, loosen up. it sure beats running around with those monsters out there. ❜

❛ what will you tell her if... when you find her? ❜

❛ oh, c'mon. don't give me that look. i was just kidding. ❜

❛ can we stay? just for a little while? ❜

❛ this place, this whole thing, it's like a nightmare. i just wanted to get away from it, even for a second. ❜

❛ here. something to take the edge off. ❜

❛ we should probably get going. ❜

❛ we could come back later, if you want. you know, in case we need a break. ❜

❛ i wanted to ask you... what if you can't find [ name ]? what will you do? ❜

❛ thanks for checking up on me. it's very sweet of you. ❜

❛ how do you know my name? ❜

❛ i'm sorry, but i can't let you just run around this place. you might get hurt. ❜

❛ please open the door. there's something in here. ❜

❛ i was almost killed back there! i've never been so scared in my whole life! ❜

❛ all you care about is that dead wife of yours. ❜

❛ you couldn't care less about me, could you? ❜

❛ stay with me. don't leave me alone again. you're supposed to take care of me. ❜

❛ i don't know, for some reason i feel like it's up to me to protect her. ❜

❛ well, whaddaya know... a stroll in the rain. how romantic. ❜

❛ i'm trying to keep things light. just humor me, okay? ❜

❛ you think you could give me a hand? ❜

❛ you're supposed to be the big man around here. how's a little girl like me supposed to help? ❜

❛ what's wrong? i thought you wanted to get out of here. ❜

❛ this place is different from what i remember. i guess... things never really stay the same, do they? ❜

❛ you... still don't want me to go with you? if we stick together, we just might make it out of here. ❜

❛ ain't no big deal. just put the gun to their head and... pow! ❜

❛ you can't just kill someone 'cause of the way they looked at you. ❜

❛ please. i'll be good. i promise. ❜

❛ it's always the same with you. you're only after one thing. ❜

❛ i don't know who you think i am, but i don't want to hurt you. ❜

❛ i thought that thing killed you...! are you hurt? ❜

❛ but that thing... it stabbed you. there was blood everywhere. ❜

❛ stabbed me? what do you mean? ❜

❛ honey... did something happen to you? ❜

❛ are you confusing me with someone else? ❜

❛ you said you took everything. but you forgot the videotape we made. ❜

❛ it doesn't matter who i am. i'm here for you. ❜

❛ see? i'm real. ❜

❛ don't you want to touch me? ❜

❛ i'll come back, i promise. ❜

❛ how many times do i have to kill you? ❜

❛ it doesn't matter if you're smart, dumb, ugly, pretty... it's all the same once you're dead! ❜

❛ you wanna talk down to me some more? tell me to relax? ❜

❛ you know i'll find you! ❜

❛ guess i deserved it, huh? the fartface that i am. ❜

❛ you got any other things planned? i think i saw a dark room back there you could lock me up in. ❜

❛ where are you? i'm waiting for you. please, come to me. ❜

❛ i think you were right. what we're looking for... it's not here. ❜

❛ thank you for helping me earlier... but i wish you hadn't. ❜

❛ i know what you are. i know why i needed you. but it's all over now. i don't need you anymore. ❜

❛ it'd be easier if they just killed me. ❜

❛ why are you still here? i told you to go. ❜

❛ wait! please don't go. don't leave me alone. i didn't mean what i said. ❜

❛ please... tell me i'll be okay. ❜

❛ i'm here for you. so what if i'm not her? ❜

❛ i can give you what she never could. i can be better than her. ❜

❛ what else do you want me to be? ❜

❛ i won't let you do this to me. i won't let you go. ❜

❛ the truth is, i hated you. ❜

❛ i wanted my life back. ❜

❛ i tried. i really did. but... i just... can't go on without you. ❜

❛ i can't forgive myself for what i've done. ❜

❛ i want you to go on. i want you to live. for yourself and for others. ❜

When you add contextual depth to the little things around your characters, you can subtly reveal their emotions, their past, and even the plot itself without hitting readers over the head with it. Here’s how to do it. 👇

1. The Vase on the Table

Instead of just saying “There was a vase on the table,” you could add:

"A cracked vase sat on the table, half-filling with wilting daisies, the dried petals spilling onto the wood in a scatter of pale yellow."

This says a lot more, right? 👀 The broken vase suggests something is off. Maybe it’s been neglected or maybe it’s been damaged by something or someone. The wilting flowers signal that time has passed, that things are not as they should be. And the pale yellow petals spilling over could symbolize something fragile—emotions, perhaps, or relationships in the story that are falling apart. You’ve got a moment in just that vase.

2. The Book in Her Hand

Instead of saying “She held a book,” try:

"Her fingers curled around the edges of the leather-bound book like it was a lifeline, the faint smell of ink and paper clinging to the cover as if it had absorbed every secret she’d ever whispered into its pages."

Now, the book isn’t just an object—it’s an anchor for her emotional state. The “lifeline” suggests she’s in turmoil, possibly using the book to find comfort or distraction. The detail of the “smell of ink and paper” gives us sensory insight, while also implying that the book is well-worn, loved, or possibly even overused in moments of solitude. Suddenly, this book tells us something about her, too.

TL;DR

In literature, every description should serve multiple functions:

Setting the Scene – What does this detail tell us about the environment?

Revealing Character Emotion – How does the character interact with this object? Is it a source of comfort or pain?

ASPECTS OF PERCEPTION

Physical: burn, hear, smell, touch

AUDITORY

Attribute of hearing: acoustic, deaf, distinct

Attribute of noise: blatant, cacophonous, deafening, dissonant, grating, noisy, piercing, raucous, shrill, soft-spoken, strident, vociferous

Attribute of noisemaking: dumb, mute

Attribute of sound: acoustic, audible, brassy, clarion, deep, dissonant, dull, faint, gentle, gruff, high, hollow, inaudible, low, lyrical, mellow, melodious/melodic, mum, noiseless, noisy, off-key, quiet, raucous, rich, round, silent, soft-spoken, soundproof, subdued, tight-lipped, tuneful, vocal, weak

Audible object: acknowledgment, air, anthem, arrangement, bang, blast, buzz, carol, clamor, clap, click, clump, crash, din, discord, ditty, echo, groan, gurgle, hiss, howl, inflection, jangle, melody, music, peal, psalm, report, rhythm, roar, rumpus, scream, shriek, song, strain, tick, yell

Hearing: attend, commiserate, hear, mind, regard

Sound perception: hearing

OLFACTORY

Attribute of odor: aromatic, fetid, gamy, malodorous, noisome, odorous, rancid, scented, smelly, stinking, sweet, tangy

Object that can be smelled: aroma, breath, incense, perfume, smell, stink, whiff

Odor: cologne, fumes, perfume, smell, stink, tang

Olfactory perception: breathe, nose, smell, whiff

Smelling: scent, sniff, whiff

TACTILE

Attribute of dryness: absorbent, balmy, damp, dry, fluid, juicy, misty, moldy, musty, parched, soaked soggy, thirsty, watery, wizened

Attribute of hardness: adamant, downy, firm, flaccid, hard, impermeable, inflexible, limp, mushy, permeable, plastic, solid, supple, tender, unbending

Attribute of temperature: ablaze, balmy, biting, boiling, brisk, burning, chilly, cold, cozy, febrile, fiery, frigid, frozen, heated, icy, polar, sweltering, thermal, tropical, wintry

Attribute of texture: abrasive, beaten, breakable, bumpy, coarse, cozy, creamy, crumbly, crusty, delicate, diluted/dilute, elastic, fibrous, fine, fleecy, fluff, fuzzy, gelatinous, glossy, gossamer, gritty, irregular, knurled, leathery, lucid, mottled, mushy, oily, paper, permeable, porous, rough, sheer, sleek, slippery, soft, springy, tenacious, thick, threadbare, uneven, yielding

Dryness: drought, humidity, wet

Tactile perception: feeling, touch

Tactile quality: excruciating, numb

Temperature: cold, frost, heat, temperature

Texture: consistency, feel, finish, grain, nap, texture

Touching: brush, dab, finger, graze, handle, lick, meet, nestle, nuzzle, paw, reach, tickle, toothsome, yummy

TASTING

Attribute of taste: acerbic, acid, acrid, astringent, bitter, corrupt, delicious, done, edible, full-bodied, insipid, mouth-watering, peppery, poignant, racy, rich, salty, scrumptious, sour, succulent, tart, tasty, yummy

Taste: acidity, bitterness, savor, tang, zest

Taste perception: taste

Tasting: bite, sample, taste

VISUAL

Attribute of brightness: ablaze, bold, brilliant, colorful, dark, dim, drab, dusky, faded, glaring, glossy, incandescent, light, luminescent, lustrous, murky, obscure, radiant, scintillating, shady, sunny, washed out

Attribute of color: amber, ashen, black, blond/blonde, blue, bright, brown, brunette/brunet, cadaverous, clear, colorful, crystal, dark, deep, dusky, fair, flushed, gay, glowing, gold/golden, gray/grey, hoary, jet, livid, milky, mottled, muddy, murky, opaque, pale, pallor, pasty, pearly, red, rosy, sable, sanguine, smoky, speckled, swarthy, translucent, variegated, vibrant, wan, white, yellow

Attribute of vision: appreciable, clear, conspicuous, disguised, fuzzy, glassy, impalpable, lucid, nearsighted, pronounced, visual

Brightness: dark, gleam, gloom, glow, lamp, light, murk, overshadow, polish, radiate, shadow, shimmer, splendor

Clean: grimy, hygienic, impeccable, mangy, neat, pure, sanitary, slimy, slovenly, spick-and-span, stagnant, straight, trim, unblemished, unkempt, untidy, untouched

Color: auburn, blush, color, decor, flush, glow, orange, pink, red, shadow, stripe, tinge, tone, yellow

Looking: attend, bear in mind, contemplate, dip into, face, fixate, gape, gaze, glare, glower, inspect, leer, lookout, mind, ogle, peek/peep, point, regard, scan, scrutinize, skim, spy, stare, vigil, watch

Occurrence of light: beam, bolt, eclipse, flicker, glare, glimmer, glisten, glow, illuminate, lamp, light, ray, shimmer, spark, spotlight, wink

Picture: arms, caricature, chart, diagram, emblem, facsimile, flowchart, graphics, impression, layout, model, pattern, plaid, portrait, reproduction, scheme, sketch, tableau

Seeing: behold, eye, make out, meet, notice, perceive, remark, sight, view, witness

Visibility change: blur, dim, fog

Visible object: acknowledgment, aspect, beam, buoy, footprint, glare, halo, light, model, panorama, ray, scene, sparkle, track, vista

Visual perception: blindness, perspective, vision

NOTE

Excerpted from Roget's 21st Century Thesaurus, Updated and Expanded 3rd Edition, in Dictionary Form, edited by The Princeton Language Institute.

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Dark Angsty Dialogue

-> feel free to edit as you see fit.

"You can’t save someone who doesn’t want to be saved." "Then I’ll drag you out of the darkness kicking and screaming if I have to."

"Every time you leave, it feels like you’re tearing pieces out of me." "Maybe if you felt the emptiness I do, you’d finally understand."

"I lied to protect you." "No, you lied because it was easier than telling me the truth."

"Do you even love me anymore?" "Does it matter? You’ll leave either way."

"You told me it would get better, but it hasn’t. It’s just gotten quieter." "Sometimes quiet is all we get."

"You never should’ve trusted me. I destroy everything I touch." "Maybe I’m okay with being destroyed if it means staying with you."

"Do you ever wonder what it’d feel like to just disappear?" "Every day. But then I think about who would miss me… and that’s the problem. It’s never you."

"If I had known what loving you would cost me, I wouldn’t have done it." "Liar. You’d do it all over again because it’s the only part of you that feels alive."

"I keep trying to hate you. It’d be so much easier if I did." "Don’t worry. I hate myself enough for both of us."

"Sometimes I think you hurt me just to see if I’ll still stay." "Do you blame me? You’re the only thing I’ve ever been afraid of losing."

"Tell me the truth. Do you regret it?" "Every single moment. And yet, I’d do it all again if it meant one more second with you."

Prev: Non-Lethal Injury Ideas

Need some creative ways to give your characters a real fight for survival? Here are 10 ideas: 

1. Punctured Artery

A puncture to major arteries like the femoral artery (thigh), the carotid artery (neck), or radial artery (arm) can cause rapid blood loss. It starts off with a sharp pain, weakness, lightheadedness and eventually can lead to hypovolemic shock. Requires urgent medical attention.

2. Punctured Eye Socket

A punctured eye socket will cause blood vessel damage leading to internal bleeding. I would use this for non-combat characters trying to get away. The eyes are an easy weak spot + you don’t need much strength to cause a critical injury/puncture. Also good for a protag's tragic backstory.

3. Torn Achilles Tendon

A torn Achilles tendon can result in severe bleeding if nearby arteries or veins are damaged. Your character will be forced to hobble away as pain causes their foot to swell and bruise. Plus, you can easily adjust the pain levels per your scene, from swift cuts to explosive jumps. 

4. Neck Hyperextension (Hangman’s Fracture)

This injury will fracture the C2 vertebra and can lead to spinal cord damage, paralysis or sudden death. This isn’t a light injury your character can come back from, so I would suggest using it only when you’re aiming for death.

5. Pierced Lung

A punctured lung will lead to a pneumothorax where air escapes into the chest cavity, collapsing the lung. Characters with this injury may have difficulty breathing, chest pain, and a cough that produces frothy blood (all the dramatics you need). 

6. Severe Concussion

A severe concussion will lead to confusion, vomiting, immobility and memory loss. More dangerously, brain swelling, internal bleeding and damaged brain tissue. Plus, it has a long recovery period. 

7. Shattered Pelvis

If you need something severe that restricts mobility but also causes severe pain then this is perfect! Involves signs of shock, internal bleeding, numbness, swelling—really a lot of things. Can occur if OC falls from a high place, hit repeatedly, car accident, etc.  

8. Internal Bleeding from Blunt Force Trauma

I like using this when you need something subtle since it doesn't show immediate symptoms. Over time, they will feel weak, cold, nauseous, and intense pain. Perfect if you want that 'everyone made it out then suddenly someone collapses' moment. 

9. Intestinal Perforation

A sharp blow or penetrating wound can cause a tear in the intestines, leaking bacteria into the body cavity, then peritonitis. It can go from small stomach pain to near death pretty quickly. Without prompt medical care, sepsis can set in, causing organ failure and death.

10. Cut to the Jugular

If you need something more visibly dramatic then go with the classic cut to the jugular. A warm rush of blood will pour out, and blood would spurt with every heartbeat. Causes panic, choking, and internal bleeding too. All the blood and gore you need. 

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. Remember the worse the injury the more likely your character is to die (so be realistic folks). Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

In seeing the recent explosion of my "How To Write Trauma With Humanity" post, I have decided to jump back into this topic!

This cute post will be covering how to write complicated individuals with Trauma. From the good, the bad, and especially the ugly since people tend to assume that victimhood is inherently seperated from assholehood

A) Being A Person And Afraid

In my experience, the majority of people with trauma have simultaneously existing fears and desires that often contradict, complicate, or outright hurt themselves.

I call them "fear combinations"

It's these fear combinations that cause people with trauma to often act in ways that seem confusing to outsiders.

For example, the person that's always on the hunt for a relationship but whenever an opportunity for romance strikes, they create relationship havok so the relationship can end

Or a person tries to always sincerely bring attention to themselves but whenver the attention is on them, they just shrug it off as not being worthy of it

This behavior seems kinda weird until you stop to take a closer look at their psyche.

Example 1 is based off of my character, Monday Vũ who has a tendency of jumping into relationships with a sincere desire to find romance until the honeymoon period ends as Monday realizes that if the relationship continues they might have to settle down, forgo their entire identity, and all of their freedom. Then they sabotage the relationship under the guise that it's a selfless endeavour.

Example 2 is based off my character, Niko Preyr who uses grand public gestures and his friendships to prop himself up as a person to be known but if you ever spoke to him then you would quickly see one of the most insecure yet attention-hungry individuals you have ever seen.

"Fear Combinations" are an excellent device in making your characters complex. In my opinion, the trauma-writing scene is just a little bit too neat in it's displays of trauma. It's too logical. It doesn't feel real to my personal experiences.

"he has trust issues because of trauma" What if he also had issues with being clingy to people he sees as trust-worthy?

What if your characters weren't so easy to understand? But I hear you wondering.

How? How do these people manifest such confusing behavior? Why should I add this into my characters?

I'll tell you

B) Instinct Vs Terror, Fighting Against Yourself

In my opinion, "fear combinations" are either caused by the distortion of a human fear or the event in which an intrinsic desire is contrasted against a "survival method".

Humans are born with certain "intrinsic" fears and desires. Humans are born with a desire for belonging, a desire for vulnerability, a desire for self-fulfillment, a desire for independence, a desire for security in themselves.

And with desire comes the fear of "missing out". The fear that you want something that everyone wants but for some reason you won't be able to get it. The fear that you'll loose it. And the fear that your desire might put you into danger. What if you get rejected? What if you never find that group? What if you never find freedom?

In not-traumatized individuals, while it may take some introspection, people can and often do reconcile their fears and desires in a movie-montage when they're children with the help of a strong support system.

In traumtized individuals, what tends to happen is that either the fear of lose and the fear of gain tend to be increased to unpredencented levels

Either that, or a lack of a strong support system doesn't allow the child to safely confront their fears in order to get what they want.

This causes "fear combination"

Niko Preyr has the natural desire to be validated as "good", as "special", as "worthy". A desire we are all born with. However, his upbringing convinced him that he is underserving of what we all need. This causes Niko Preyr to use attention as validation. However whenever he receives this attention, his gifted fear that he is undeserving causes him to reject the attention. But he continues searching for attention to serve that need for validation. A hellish cycle.

Monday Vũ has two understandable fears that we all have. The fear of losing two necessary things: indepedence and security. Monday fears being abandoned, fears being engulfed into relationships. While children and adults can often reconcile those fears in their childhood through a strong support system, Monday never had that. Instead she had her father who emotionally left her and her mother who literally left her. Monday only had herself to rely on, at least thats how she felt. And now, as an adult, Monday wants to fulfill that desire we all have. To be loved. To be connected. But she's afraid. Afraid of being blindsided. Afraid of not having the last laugh. Afraid of being apart of something.

What if that loner wolf found someone who they think is perfect. Someone worthy of their trust. Do you really think that all those years of yearning for love, for connection, are just going to be smothered when they have the perfect person to unleash their childish, half-developed, horrifying emotions onto?

But what next? After we have our character's contradictory fears and desires, after we have the justification for why they feel like this, what's next?

It's this:

C) Self-Destructive Habits: Why We Understand And Can't Change

Let me tell you, unless in very specific conditions such as certain personality disorders and so on, people tend to understand that their behavior is foolish, illogical, and hurting other people.

Monday knows that betraying other people, hurting their trust and faith in their relationships, and entering relationships when she understands her history is bad. It makes her a bad person.

Niko knows that their habits are actively hurting their chances at finding worth.

That "Lone Wolf" understands, deep down, that no single person can handle the high expectations and emotions.

They know it because they can see it. Many times. Monday can see that characters in movies who have their relationship history tend to be casted as the antagonist. Niko can hear the gossip. That "Lone Wolf" can see the way that their loved ones cracked under the pressure and guilt.

So why do they do it? It feeds into their idea of the world. It feeds into what they want to be perceived as. It feeds into their stagnancy.

If Monday can ignore how they hurt others, then they can live under the Martyr label for the rest of their life without having to come to term with the fact that this isn't selflessness, it's called being pathetic.

If Niko can ignore how deep that hurt goes, then they never have to actually make the effort to change. To take that potential and make themselves into something. To be responsible.

Agree

accede, acceptance, accord, acknowledgment, acquiescence, align, avowal, bear, cohere, compromise, consent, contract, draft, enlist, give in/give up, go along/go along with, grant, negotiate, unanimous, yield

Deny

abjure, abuse, affront, attack, backstab, bad-mouth, belie, blacken, blemish, confront, curse, darn, defamation, defile, demur, denigrate, detract, dig, disclaim, discountenance, disgrace, disown, disparagement, downplay, explode, flout, fulminate, gainsay, gird, invective, jeer, lament, lecture, malign, minimize, mouth, needle, oppose, protest, put down, put-down, rebuff, refute, remonstrate, renunciation, run down, satirize, scold, show up, sit-in, slander, smear, snap, snub, squeal, sully, swearing, taunt, tirade, turn, underestimate, vituperation, write off, yammer

Explain

account for, admit, apprise, cite, clarify, come clean, concede, confirm, corroborate, defense, demonstrate, dilate, elucidate, enlighten, evidence, expand, explicate, gloss, illustrate, itemize, let on, palliate, plea, prove, recite, simplify, speak out/speak up, spell out, translator, warrant

Fabricate

aspersion, belie, disprove, profane

Inform

acknowledge, address, advertise, allow, allusion, apprise, bare, betrayal, blab, breathe, briefing, broadcast, chronicle, clue, come out with, confession, convey, debunk, define, detail, dictate, divulge, expose, feature, furnish, give, gossip, hint, intimate, issue, lecture, newscaster, orate, out of the closet, pass, post, proclaim, promulgate, publication, publish, release, reveal, show up, speak, spill, squeal, talk, tip, uncover, unveil, weatherperson, whisper

Instruct

bar, educate, prescribe

Persuade

advance, argument, bend, budge, carry, coerce, convince, discourage, draw, drum up, elicit, entice, forward, goad, hammer away/hammer into, induce, influence, invite, lobby, motivate, negotiation, pitch, prevail upon/prevail on, prompt, reason, spur, sway, urge, win/win over

Promise

assurance, avow, commitment, ensure, go back/go back on, oath, portend, vouch, warrant, word

Suggest

advice, advocate, ask, come up with, connote, drum into, exhort, fish for, get at, guide, imply, insinuate, moralize, move, nomination, pontificate, preach, propose, recommend, urge

Praise

accent, acclamation, accredit, adulation, apotheosis, applause, benediction, bless, champion, citation, commend, compliment, congratulations, credit, dedicate, deify, elevate, endorse, eulogize, exalt, extol, flatter, flattery, glorify, homage, laud, lionize, obsequy, plaudits, puff, salute, thanks, tribute, worship

Warn

admonish, alert, caution, caveat, defy, enjoin, exhortation, foreboding, foretell, page, remind, warning

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

News and Media Worldbuilding Questions:

What spreads information – newspapers, websites, pamphlets, word-of-mouth, a technologically advanced communications system?

What is considered newsworthy in this world?

Who owns each news platform (are they public or private, impartial or propagandistic/biased)?

Who are the public figures most often scrutinized in news networks (and why)?

Where do the most significant or newsworthy events happen in this world (and to where does their news reach)?

Where does the typical person go to find out what’s happening in their immediate community, or the wider world? Can they find this out?

When have investigative reports or rumor mills changed history, public sentiments or policies?

When do major news announcements or public addresses typically take place?

Why is the media either free, silenced or captured/biased?

Why might people in this world trust or distrust news media?

I LOVE this question and have been waiting for it. I won't get overdramatic, but I understand how crucial opening lines are—they can either ignite or extinguish our inspiration for a project.

Before diving into how to develop opening lines, let's consider the qualities we're aiming for. Opening lines should pack a punch, set a promising tone, and hook readers beyond the first page.

Now that we've established that, let's look at the different forms opening lines can take:

Emotional

Practical

Straight to the point

Dramatic

Action lines

Dialogue technique

I can't exhaustively cover each form in a single blog post, but understand that each works better for certain genres and can be interchangeable in exceptional cases.

If you wish to learn more, consider joining my group. I'll be running events soon where I'll discuss topics like this with interested writers. You'll find the link below.

One last thing: no one, absolutely no one, can or should determine what your opening lines should be. You have to figure that out yourself after understanding the forms you can use to your advantage. Remember how I said it can shut down our inspiration? Well, opening lines come from inspiration.

"If the opening line doesn't set the tone for you when you write, it can't set the tone for your readers when they read."

10 plants for your character's medicinal herb garden

PLANT — When to Plant — Conditions & Care — Medicinal Uses

ALOE VERA — spring/autumn — sunny site indoors; pot up as needed; do not overwater — fresh plant gel for minor burns and wounds

CALENDULA — spring/autumn — well-drained soil; full sun; remove dead flower heads — cream for cuts, scrapes, inflamed skin; infusion for fungal infections

COMFREY — spring/autumn — warm sunny site; moist soil — ointment or poultice for sprains and bruises (use the leaf only)

FEVERFEW — autumn/spring — well-drained or dry, stony soil in sun — fresh leaf or tincture for headaches and migraines

LEMON BALM — spring/autumn — moist soil in sun; cut back after flowering — infusion for anxiety, poor sleep, and nervous indigestion; lotion for cold sores

PEPPERMINT — spring/autumn — sunny but moist site; do not allow to dry out — infusion for indigestion and headaches; lotion for itchy skin

ROSEMARY — spring/autumn — sunny sheltered site; protect with burlap in winter — infusion as a stimulating nerve tonic and to aid weak digestion

SAGE — autumn/spring — well-drained or dry, sunny, sheltered site — infusion for sore throats, mouth ulcers, and diarrhea

ST. JOHN'S WORT — spring/autumn — well-drained to dry soil with sun or partial shade — tincture for depression and menopause; infused oil is antiseptic and heals wounds

THYME — spring/summer — well-drained soil, may need a layer of gravel; sunny site — infusion for coughs, colds, and chest infections; lotion for fungal infections

𝐀𝐌𝐀𝐙𝐎𝐍'𝐒 𝐓𝐇𝐄 𝐋𝐎𝐑𝐃 𝐎𝐅 𝐓𝐇𝐄 𝐑𝐈𝐍𝐆𝐒: 𝐓𝐇𝐄 𝐑𝐈𝐍𝐆𝐒 𝐎𝐅 𝐏𝐎𝐖𝐄𝐑 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐐𝐔𝐎𝐓𝐄𝐒. all these sentences come from amazon's the rings of power, some from season one and season two. pleas echange names, locations and pronouns as you see fit.

A burden shared may be halved or doubled, depending on the heart that receives it.

Save your tears for our enemies, for they do not know what they have begun.

The way of the faithful is to commit to pay the price, even when the cost is not known.

I have said it already. A hundred times over, in every way but words.

Let us say that all is as you fear, and this enemy is out there somewhere, lying in wait. Do you truly believe seeking him out will satisfy you?

If you are wrong, will you lead more Elves to die in far-off lands? To convince yourself you have done enough, how many more statues would you add to this path? 

Only in the Blessed Realm can that which is broken in you be healed. Go there. 

 Can we turn back now? There's 110 things out here that could kill us.

You know the rules. We're not supposed to be out this far.

These Orcs were meddling with the powers of the Unseen World. Some dark sorcery of old. But what was their purpose?

I've told you. Countless times. Elves have forests to protect. Dwarves, their mines. Men, their fields of grain. Even trees have to worry about the soil beneath their roots.

Are you just going to stand there, breathing like an Orc?

It is said the wine of victory is sweetest for those in whose bitter trials it has fermented.

He is about to embark on a new project. One of singular importance. And we've decided that you will be working with him.

I am grateful you have not known evil as I have. But you have not seen what I have seen.

Lindon receives you with grace.

I am not some courtier to be placated by idle flattery. I demand to speak with the King directly.

 You have made that plain. So I will be equally plain. 

Only twice in known history has a pairing between Elves and humans even been attempted. And on each occasion, it ended in tragedy. It ended in death.

The people of Hordern were known for having been especially strong in their loyalty to Morgoth.

She has passed beyond my sight. Galadriel was so certain her search should continue.

It is hard to see what is right when friendship and duty are mingled.

First the big people, now the stars. Eyes open when they should be sleeping. Almost like... like they're watching for something.

There Can Be No Trust Between Hammer And Rock.

Everyone, Each Of Us, Needs To Decide Who We Shall Be.

Beauty Has Great Power To Heal The Soul.

Hope Is Never Mere, Even When It Is Meager.

There Is No Secret Worth Concealing With Deception.

He worms his way inside your mind and the rest of him slithers in.

Once the deceiver obtains a being’s trust he gains the ability to sculpt their very thoughts.

Every soul in the seen or unseen world will know that it was you who was the architect of their demise.

At this moment…. the great tale of our age is being written.

In choosing to wear those rings you have all become his collaborators.

To try and cheat death might lead to an even greater catastrophe.

 Every soul in Middle-earth is in peril. Will you abandon them to their doom?

Promise me, Elrond, you will not stop until he is destroyed.

When the darkness falls there are always some who rise forth and shine.

Ours was no chance meeting. Not fate. Nor destiny. Ours was the work of something greater.

Choose not the path of fear, but that of faith.

One thing we can do better than any creature in all Middle-earth… We stay true to each other, with our hearts even bigger than our feet.

You have fought long enough, Galadriel. Put up your sword.

Find The Light, And The Shadow Will Not Find You.

Light endures and is mightier than strength. For in its presence, all darkness must flee.

I was in your place once, in the eldest of the Elder Days. Thirteen of us were chosen to be blessed of Morgoth’s hand, with the promise of power. A new birth. 

Because rather than rest in glory, I chose to seek out the very enemy responsible for your suffering.

When all other senses sleep, the eye of hope is first to awaken, last to shut.

Many that live deserve death. And some that die deserve life. Can you give it to them?