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β about me! β
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kacey (she/her), 22, inspo blog!
my art tag: #kacey.png / my posts: #kacey.txt
art only acc: @kaceypng

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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yoooo dude benny i had a vision we kissed isnt that crazy lol β¦.π (click for quality)
hello niche community
If you are a PET trying to help your HUMAN just remember the acronym WAY
Are you in the Way?
Are you in the wAy?
Are you in the waY?
If the answer to all three is YES then you are HELPING πππ
Focus.

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hey what's up you guys yes. been a while since I've posted a vashwood dump for @tometen's and my au. under the cut you may find a few sketches that can be considered a bit more risquΓ©
the type of girl that didn't play about joy division
Carousel Princess Celestia! π βοΈ
I actually made like the entire main 6 I just wasn't on here when I started posting them LOL
Why did Dohoe abandon Juyeong?Β
It becomes clearer in episodes 5 and 6 that these characters have deeply misunderstood each other.Β
There is Dohoe, who has lived with constant physical and emotional abuse from his alcoholic father. He lives with an eye to the future, merely enduring the present and waiting until he can escape. Itβs not until Juyeong arrives that he expresses any real joy and lives for the now. Even then there is this specter of dread from his fatherβs presence. Never has a ringing phone been this oppressive.Β
Then there is Juyeong, the sweet sunshine boy, who was tossed out by his βlovingβ parents. There is little doubt that his home life is a disaster, too, but in a very different way. He may not get physical abuse, but one can assume that love and affection are withheld or used as a different sort of rod to beat him down. My guess is that he is told over and over again that he is a disappointment, until he finally internalizes this broken sense of self.Β Dohoe is probably the first person in forever who instinctively took his side.
This brings us to the critical moment where Dohoe almost stabs his father. Itβs a gut wrenching moment, and there are a few layers to what might be going through Dohoeβs head after that.Β
The obvious is that he fears becoming like his dad. This is perhaps the most abhorrent thing to him.Β
Another layer ot that is the fear of what his love for Juyeong has driven him to contemplate. Heβs never fought back against his father when he was the victim, but for the sake of Juyeong, he picked up a knife with not just an intent to hurt. I could imagine that he fears himself, because of how intense his feelings for Juyeong are.Β Juyeong has made him lose control.
Then there is the issue brought up in episode 5, that Juyeong fought back. Dohoe has often said that he canβt imagine why anyone would want to hit another person and now here was evidence that Juyeong didnβt take the beating but attacked back. Similar to Dohoe picking up the knife, I donβt think Juyeong did this for himself, but because he was trying to protect Dohoe.Β
The teens are torn apart, each weighed down by separate guilt. We have Dohoe and his guilt for having this shit father who beat Juyeong, something he knew and pretended not to so that he could keep this little island of joy with Juyeong for as long as possible.
Then Juyeong and his guilt for having ruined Dohoeβs entrance exam, when all he wanted to do was protect him. Both of them have internalized so much guilt about how they wronged the other. Dohoe takes that and runs away. Juyeong searches for him to confess and apologize.Β Much like their fighing styles, Juyeong attacks directly and Dohoe misdirects and avoids the fight.
Perhaps the biggest betrayal is that Juyeong returns to Dohoeβs father and becomes almost like a son to him. This is something incomprehensible to Dohoe. For Juyeong, the abuse may have been an acceptable price to pay for the chance to find Dohoe again, and an acceptable price if his family threw him out (no guarantee yet that that is what happened). There is so much about this story that is endurance in the hope of something better. Juyeong endured 12 years of waiting in a menial job in a sad lonely existence in the hope of seeing Dohoe again.Β For him it's not the future that is bright, but a brief moment in the past.
Part of the problem they face in the present is that Dohoe refuses to look back at the past. He keeps running and running from it. If he could take the past and torch it all, he would.
Juyeong wants to bring it up, so they can lance the wound and let it heal. They are currently at an unfortunate impasse. Juyeong rightly points out that without examining the past, Dohoe could repeat it over again.Β
I do love how Dohoe kisses Juyeong while the past overwhelms him. I think he tried locking it all away so tightly he has no coping mechanisms for feelings and events he never processed properly. He wants Juyeong, heβs always wanted that boy, now man, who can make him smile. Juyeong brings a lightness to his life.
Dohoe and Juyeong need to share the past, so they can understand who they are. I do wonder if that young student, Gwangho, wonβt create some striking parallels that enable those two to cope with their past.Β
So I've been thinking about time. About how they're stuck in different ways. And although I'm incredibly sleep deprived I could not go to sleep before I figured this out.
So here's the thing. We all know this place.
And this clock sets the time for the house and we can always hear it when there's a scene in this room.
Now let's go to the past for a minute.
This is the shot that precedes the JuYeong's confession. The clock marks 9:25.
Now back in the present when they go back to the house together this is what it looks like.
It marks 5:30. Which I assume it's the real time.
Now this is where it gets interesting. Because it doesn't stay that way.
When the camera in on Juyeong the clock is at 9:25
But when the camera goes to Dohoe, it's at 8:10.
Do you know what also is at that time?
[sources 1 & 2] The National College Entrance Exam in Korea, starts at 8:40, but you have to enter half an hour earlier. At 8:10.
So I said something earlier, about Dohoe being stuck. In a way they both are. But Juyeong is stuck in that confession, in his love for Dohoe, when he was happiest. Dohoe is stuck in his worst moment. The time everything changed.
That's it. That's all I got for now.

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Still sitting with the perfection that was the Let Free the Curse of Taekwondo ending. There are so many messages in this series that I needed, I feel like this show reached out and gave me a hug:
You are enough
You are not evil or deserving of suffering because you made a selfish or bad choice as a child
If you did do something bad you can apologize for it and make amends, it does not have to weigh you down forever
You deserve to move on and find happiness
Your accomplishments (or lack thereof) do not make you any more or less worthy of love
You are on your own timeline for happiness
Your early 30s is still young for finding love and pursuing your dreams
You are not responsible for not stopping your own abuse that you suffered as a child
You will not become your abuser if you let yourself be angry about your abuse
You can and should feel angry and use a safe outlet for that anger
You don't need to be pure or virginal to deserve love
You deserve to have wants and needs and to have those heard
You deserve physical safety and you do not need to earn your place in your home
Just being with you is a gift
Your presence has made life worth living for other people
You have people who love and care about you in your life even when you don't think you deserve it
You are enough
hwang daseul does so well the very particular flavor of slice of life tragedy that is:
"i must go no contact with the only person I've ever and will ever love because if I don't I will set everything around on fire and then jump into it myself! and let's hope my man is resilient enough to continuously bash his head against my many walls until I crumble at his feet and stay with him forever "
learning to not have every organ wither away inside of me every time i do something "wrong" publicly
yttd riso :)
(voice of a person spiralling) its embarrassing but i still havent figured out if its ok for me to be alive

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/ Vivian Maier, Self-Portraits, 1950s - 1970s
i cant lose you too