— Nina LaCour, Hold Still (via the-book-diaries)

— Denise Riley, from “A gramophone on the subject,” Say Something Back & Time Lived, Without Its Flow

— Danusha Laméris, from “Worlds in Worlds,” Bonfire Opera

— Nikita Gill, from The Moon Goddess in “Great Goddesses: Life Lessons From Myths And Monsters”

bruises, sarah certa

poisoneddollco

“WHEN THEY SAY YOU CAN’T GO HOME AGAIN, WHAT THEY MEAN IS YOU WERE NEVER THERE” by Marty Mcconnell

Death and the Maiden, Egon Schiele (1915) / The Bloody Countess, Alejandra Pizarnik tr. Alberto Manguel / Death is my lover, Takato Yamamoto / Death and the Maiden, Matthias Claudius tr. P. Jurgenson / El Amour y La Muerte, Francisco Goya (1799) / EROS-THANATOS (DA FOTO DI S. DALÌ), Nicole Balassone (2000) / The Story of the Woman Who Fell in Love with Death, Chaya Bhuvaneswar (2016) / Death and the Maiden, Edvard Munch (1893) / Death and the Maiden, Francis Newton Souza (1966) / Keturah and Lord Death, Martine Leavitt / Death and the Maiden, Jim Boden (2017) / Death Is My Lover, Ava Bonam / Love Consecrated, Paul-Albert Besnard (1900) / Death and the Maiden, Robert Lenkiewicz

Virginia Woolf ― The Waves

Margaret Atwood, ‘Eating Snake’, Interlunar K-Ming Chang, ‘Roast duck elegy’ Anne Sexton, ‘The Civil War’ The Seventh Seal (1957), dir. Ingmar Bergman Margaret Atwood, ‘Crow Song’ Wolf Alice, ‘Silk’, My Love Is Cool Yves Olade, ‘Belovéd’

— Nella Larsen, Passing (via oftwodarkmoons)

Lost, Lost, Lost (1976), Jonas Mekas

Margaret Atwood, You Are Happy; ‘Memory’

Rules of Nature #3

Margaret Atwood, Galiano Coast: Four Entrances.