Leonhard Thurneysser, Four humors in relation to the four elements and the zodiacal signs, 1574

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Leonhard Thurneysser, Four humors in relation to the four elements and the zodiacal signs, 1574

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Alexander Calder - Hommage to Mondrian, 1965,
gouache and ink on paper, 107.5 × 75 cm
godzilla
warning
august 12th

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Younguk Yi — Those who looked at the observer sought to understand their destiny. Distorted, protruding gazes and images twisted by anxiety. (acrylic on linen, 2024)
Hashimoto Heihachi Heavenly Maid in the Garden, 1930
The New American Gothic (2017) by Criselda Vasquez
Yinka Shonibare - Modern Magic
Yinka Shonibare CBE (Nigerian/British, 1962), Modern Magic, 2021. Patchwork, appliqué, embroidery and Dutch wax printed cotton textile, 140 x 100 cm.
20" x 16"
acrylic on canvas
2015

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nympho futura
2022 digital collage
This painting is by Montserrat Aleix (Palamós, Catalonia 1908 - Mexico DF 2004), a Catalan woman who had to go on exile after the fascists’ victory in the Spanish Civil War, in 1939. She moved to Mexico, where she lived for the rest of her life.
She started to paint when she was 64 years old, in a characteristic naïve style that mixed Catalan and Mexican influences.
This painting and some more of her work are kept at Museu de l’Empordà in Figueres (Catalonia).
Sergey Palche
Untitled, 2025
Oil on colored paper.
Mojtaba Ramzi (Iran, born 1973)
Hoo Hoo
bronze
executed in 2014
Bonhams

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Scarab Bracelet of Tutankhamun,
New Kingdom, late 18th Dynasty, reign of Tutankhamun, ca. 1332-1323 BC.
The scarab bracelet of Tutankhamun is considered a masterpiece of ancient Egyptian jewelry. The rigid gold bracelet is composed of two semicircles joined together by a hinge on one side and a clasp on the other. The central plaque bears a cloisonné scarab inlaid with lapis lazuli.
The scarab, symbol of the morning sun, rebirth and protection in ancient Egyptian culture, was the most popular motif used in jewelry. The small circumference of this bracelet suggests that it was made for King Tutankhamun when he was a child.
The bracelet itself is also inlaid with carnelian, lapis lazuli, and colored glass. It was found in the cartouche shaped box that contained several other objects, including the fine pair of earrings which also seem to have been personal possessions.
In ancient Egypt, scarab bracelets were a popular form of jewelry. The scarab beetle held great significance in Egyptian culture, symbolizing rebirth and protection.
These bracelets were often made of precious materials such as gold or semi-precious stones, and they featured a scarab beetle motif. The scarab beetle was believed to bring good luck and ward off evil spirits.
Scarab bracelets were worn by both men and women and were considered a fashionable accessory as well as a symbol of religious and spiritual beliefs.
The Egyptians adopted the scarab (Ateuchus sacer) as a symbol of the sun god, because they were familiar with the sight of the beetle rolling a ball of dung on the ground and this action suggested to them that the invisible power that rolled the sun daily across the sky could be represented pictorially as a scarab.
From the Tomb of Tutankhamun (KV62), Valley of the Kings, West Thebes. Now in the Egyptian Museum, Cairo. JE 62360
Bijoux
'A Centaur playing with his Son' by Otto Bache, (1839 - 1927).