Pura Belpré Illustrator Honor 2018 ALA Notable Children's Book 2018 New York Times/New York Public Library Best Illustrated Children'
Lint Roller? I Barely Know Her
Interview Vampire Daily

Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year

Game Changer & Make Some Noise



Love Begins
EXPECTATIONS
art blog(derogatory)
Noah Kahan
Game of Thrones Daily
$LAYYYTER
NASA
Sade Olutola
Color Me Curious
Doug Jones
macklin celebrini has autism

gracie abrams
I'd rather be in outer space 🛸

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@katelford
Pura Belpré Illustrator Honor 2018 ALA Notable Children's Book 2018 New York Times/New York Public Library Best Illustrated Children'

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“Para el habitante de Nueva York, París, Londres la muerta es la palabra que jamás se pronuncia…. el mexicano en cambio la frecuenta, la burla, la acaricia, duerme con ella, la festeja es uno de sus juguetees favoritos y su amor más permanente”
“To the people of New York, Paris, or London, “death” is a word that is never pronounced because it burns the lips. The Mexican, however, frequents it, jokes about it, caresses it, sleeps with it, celebrates it; it is one of his favorite toys and most steadfast love”. -Octavio Paz
Is there really anything better than 90’s Winona?
Tom Waits in Coffee and Cigarettes directed by Jim Jarmusch, 2003

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all the young dudes
“She’s whiskey in a teacup.”
— Tom Waits
True Romance (1993)
Oh, Gomez.
killer couples

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It’s just murder. All God’s creatures do it.
Natural Born Killers (1994)
House Of 1000 Corpses Directed by Rob Zombie (2003)
Female Characters Appreciation, Villains: Part 1
“Isn’t it time to acknowledge the ugly side? I’ve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains — good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isn’t necessarily evil), not soapy vixens (merely bitchy doesn’t qualify either). I’m talking violent, wicked women. Scary women. Don’t tell me you don’t know some. The point is, women have spent so many years girl-powering ourselves — to the point of almost parodic encouragement — we’ve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.”
on the set of house of 1000 corpses (2003)

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Ann Ward
nevr 4get