Electra and orestes sketch
Sweet Seals For You, Always
Cosmic Funnies
RMH
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year

The Bowery Presents
TMBGareOK. The Official They Might Be Giants tumblr
sheepfilms

Kiana Khansmith
noise dept.

Product Placement
Misplaced Lens Cap
occasionally subtle

izzy's playlists!

if i look back, i am lost
untitled
KIROKAZE
"I'm Dorothy Gale from Kansas"

oozey mess

seen from Türkiye
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@kareenvorbarra
Electra and orestes sketch

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Passion and Revenge (1944)
Clytemnestra for @dykeganseythethird bc she’s so 🤌
1944
"Ya Habibi Taala Elhaani" is a captivating song performed by the renowned Syrian singer Asmahan.
Released during the mid-20th century, this song is a testament to the rich cultural heritage of Arabic music.
This is the greatest day of my life

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Came to the terrible realization that if the Old Kingdom was a romantasy being written today Mogget would probably be a sexy shadow daddy of some kind. Luckily instead he is a little cat and a hater
There is a blurb from Sarah J Maas on the back of my copy of Goldenhand saying Garth Nix is "part of the reason why I began writing fantasy" so it is possible she also had this thought but considered it a missed opportunity
i love polyxena who looks at odysseus too afraid of a girl who's about to die to even let her supplicate him and sees right through it and tells her mother not to mourn for her because she would rather die than be enslaved. but i also love polyxena who listens to her mother try and fail to save her and knows death is coming for her, no matter how hard her mother tries to save her, and she at least doesn't want to make it harder for her. she lets odysseus be a coward to her, but she won't show her own fear. instead she makes her lament about hecuba. even if she did want to live. even if she wanted to stay right there with her mother as long as she could.
This is very messy but god do I love that woman… guys I need more of her in the campaign rn
OOMF 😁😁 (hiding behind anonymity cause I'm shy) just a suggestion but u should draw Briseis X Tecmessa if u want for me and only me cause I'm the only one who gaf 😁😁
I don't really have a design for them in my head Bri kinda ended up looking like fem Pat HAHA 🩷🩷🩷 I love lesbans. They r busying themselves while ajax and achilles play board games like losers
Uncensored after the cut I understand that the female body is scary for some people
I've been listening to the new soundtracks since they dropped (ATLA Book 3 soundtrack!! Ah! The memories!!) and with the movie and then the trailer for the show... all I can think about is 'where's Suki?!' rn (To be fair, I haven't read the comics, so maybe it's answered there or in that movie I haven't watched yet?)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"By delicately manipulating these shared elements of maternal devotion and loss [in The Trojan Women], Euripides succeeds in sealing the encounter within a frame of death and burial. The conversation between Hekabe and Andromache begins with news of Polyxene's sacrifice, and it leads eventually to the announcement of Astyanax's imminent death. The first child has been slain before the scene begins, and the second is to be slain after the scene ends. Furthermore, Euripides exploits this frame of burial to intensify the interaction between the two mothers by contriving an exchange of maternal duties for the dead children. In the absence of Andromache, Hekabe will later perform the burial rites for Astyanax. Andromache, in turn, in the absence of Hekabe has already performed the last rites for Polyxene: 'I saw her myself, and descending from this carriage, I hid her in robes and mourned over the corpse.' Each mother buries the child of the other."
—Michael J. Anderson, The Fall of Troy in Early Greek Poetry and Art (1997)
Daughters of Finwe
I just realized I don’t think I ever posted this?? Anyways I’m forever and always obsessed with Helen
A man of many cares
Featuring way way too many details, including:
Schemers minis
Defaced Azgra statuary and frescoes (inspired by Greek and Roman art) including the blood river
All the writing actually means stuff
Tiny juggling Shadia in the back (and Lash)
Tachonis candle
And more
Prints Available
From Book V of Homer's Iliad. Upon being grievously wounded by the Achaean warrior Diomedes, the hero Aeneas is saved through divine intervention from his mother, the goddess Aphrodite.
The characters are depicted here in historically inspired looks from the late Bronze Age, the period when the Trojan War was believed to have been set. Aphrodite's look in particulate is based off of Mycenaean frescos as well as Cypriot idols.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i know the light grows darker down below // but in your eyes, it’s gone before you know…
happy hoglidays keaton @thefinalsnart !! this is the gift i made for @naddpodgifting and i couldn't resist sad frankie/linette </3
[IMAGE ID: a digital illustration of frankie vantasmo from the twilight sanctorum campaign of not another d&d podcast. he is sitting on the side of his bed, head in hands, and there’s a photo of linette vantasmo on his bedside table. he is thinking about/missing her. there are three panels on the right side of the illustration (behind frankie’s back), one with a close up of linette’s ear and cheek, one with a close up of her smiling mouth, and one with a close up of her closed eyes. part of the lyrics to “life eternal” by the band ghost is above frankie and on top of the three panels. lyrics:
We dance once more, I feel your hands are cold // Within your heart, a story to be told // This is the moment of just letting go… // Can you hear me say your name forever? // Can you see me longing for you forever? // Would you let me touch your soul forever? // Can you feel me longing for you forever and ever? / END ID]
BRISEIS || despite everything it’s still you