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What we still have

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What could have been
I have been waiting for YEARS
ITS FINALLY AVAILABLE
How we feeling about Rapsody
Something like that
Spoilers for SDR:A Ep 3 and 4
Now
I dont have access to Patreon quite yet so idk if they talked about it in Avantris and Chill but I think Ziggy (and the rest of the party) are gonna have to be very careful about Megan
I clocked right away what Mace was doing when Ziggy and Meg were hacking Pyke and Rettâs records but seeing Portiabella, I am almost afraid to be right⌠hopefully thereâs still time to help her before something dreadful happens
Maybe Im reading too much into it but that didnât feel accidental

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Edge of Midnight is my favorite campaign
Icebound was the declic campaign and holds dear to my heart
But Stardust Rhapsody is so, so FUCKING good it pains me that I donât have the patience for full animation.
Bringing this one back because S2 EP4 is testing my patience on wether or not I have the stamina to storyboard a full hour of game.
That session fucked me up
The french side of the Avantris community needs to come together and compose a Bernard Minet intro of Waltz for Eternity, to truly complete the cycle.
"La Clef de ton Monde" only on Webtoon FR (for now)
L'ombre de son passÊ pesant sur elle, Luci est prisonnière d'une vie remplie de haine jusqu'au jour oÚ elle rÊussit à s'en Êchapper en se re
"The shadow of her past weighing on her, Luci is trapped in a life filled with hatred until the day she manages to escape by going to another world. There she meets the Larssis family who take her under their wing and thus, Luci gradually learns to live in peace again. However, the young woman's serenity is quickly disrupted by the conflict opposing the inhabitants of this new world to the evil King Raven." (For now my comics it's only in french)
If you want to support my art :
Ko-Fi (shop) / Redbubble / Patreon
WIP of Taishen Fireblossom from Legends of Avantris :) First time hand painting textures
Spoilers for Edge of Midnight 24 and Beonyd
I'm stressed and want to cry again, meaning I'm hyperfixating on EoM again and digging too deep into stuff that probably shouldn't be dug into, but idk, so here's me ranting on about something from ep 24 "The Fallen Keel."
So in the episode, the characters are placed into their own individual rooms, which could represent their futures. The one I wanted to focus on mostly was Briggsy. His room was the bathroom, and in that room, he was faced with the challenge of destroying something he desired, the ship he always dreamed about. The weapon he was to use was a cannon, with the phrase "Truth in the lies" written in hexing runes. He was hesitant to do this, but in the end, he did it.
But what could this mean? What was the purpose of having him do this? How does this tie into his future and the other room he was placed in with Jericho? How do the tarot cards that he received and his patron tie into this as well? What about his past actions?
Let's start with the third question. I have made a post about what the dining room could have meant to these two, but I feel that my old theory is somewhat incorrect, and I will not be discussing it in this post. Just know that I believe that room could represent or mean that if you follow in the footsteps of the ones before you, it ends badly.
For the first two questions, we have to think about him first as a character and what he represents. Briggsy is known to be greedy and selfish at times. He was tricked by his patron into making a deal that ended up killing his crew and him having to steal a cursed sword that turned him into a zombie. He is also very cowardly, hiding behind Marius or Yorgim when trouble is near, and he tries to run from fights, among many other things. (I could go into a deeper analysis of him, but I don't have time, and there are plenty of other posts that are formatted better than this post.)
(Warning: this part might be slightly confusing, so I apologize if I get off track or don't make sense.)
Now, what could the ship, cannon, and phrase mean? Well, from what I have gathered, the ship represents a living futureâmotion, possibility, and self-directed destiny. Unlike abstract ambition, the ship is practical and hopeful at the same time: it is something Briggsy can build toward, not merely desire.
As his dream ship, it embodies:
Freedom is chosen rather than granted
A future earned through effort, not manipulation
Identity that grows rather than consumes
Destroying the ship is therefore an act of temporal violenceâit kills a future that has not yet failed. The guilt he feels afterward is essential: it proves that despite his greed and power, he still recognizes the value of creation over erasure. Symbolically, the ship stands for everything that resists deathâs finality. It is movement, not stasis. Hope, not inevitability.
------------------------------------------------------------------------------
As for the phrase, âTruth in the lies,â it functions as a necromantic philosophy disguised as wisdom. It argues that truth does not need to be clean, consensual, or honestâit only needs to persist.
In the context of Mr.Crossroads being his patron, the phrase takes on a darker meaning:
Lies are the corpse
Truth is what animates them
The phrase suggests that deception can still serve a âgreater truth,â just as undead creatures are animated by something real despite being fundamentally wrong.
It reframes morality into outcome-based logic:
If something endures, it must have truth in it.
This thinking corrodes agency. It teaches him to accept manipulation as inevitable and even necessaryâso long as it âworks.â
------------------------------------------------------------------------------
I believe the canon is finality given form.
Where the ship represents living potential, the canon represents absolute endingsâdestruction without rebirth. That it can destroy what the wielder desires most makes it a ritual object rather than a weapon.
Linked to Crossroads, the canon becomes an extension of divine authority:
It enforces endings rather than allowing growth
It bypasses grief by making loss instantaneous
It denies the possibility of learning through failure
The canon does not ask whether destruction is deservedâonly whether it is intended. This mirrors death magic that raises the undead: power without consent, function without life.
------------------------------------------------------------------------------
As stated before he is greedy, but not empty. His greed is aspirational, not nihilisticâhe wants more life, more possibility, more control over his future.
His guilt proves something vital:
He does not worship death (in a way)
He does not see loss as neutral
He still distinguishes between sacrifice and waste
This puts him in direct philosophical conflict with Crossroads, who tricked him. Where he values inevitability and persistence beyond death, Briggsy values continuation with meaning.
His internal struggle is not good vs. evil, but:
Growth vs. stasis, life vs. preserved ruin
------------------------------------------------------------------------------
I think that the original deception is the core trauma of the narrative.
Crossroads did not lie outright:
The power granted was real
The transformation was effective
The results were undeniable
But the deception lay in what was omitted:
The loss of autonomy
The philosophical cost
The slow alignment with deathâs worldview
By surviving and benefiting from the lie, Briggsy was subtly conditioned to accept a necromantic truth:
What persists, even unnaturally, must be justified.
This is why later lies still work on himâthey echo the same logic that gave him power. This could also be used on him again in future episodes.
------------------------------------------------------------------------------
Unfortunately, we don't know much about Crossroads, and I'm not sure how similar his lore is to the actual god, so his entry will be mostly me guessing.
Crossroads represents the crossroads at night, while his brother represents it during the day. He is often depicted as being cruel, while his brother is nicer and shows mercy. Both are also very powerful; one is just more unpredictable, while the other is trusted.
Sharing a domain with his brother means:
Sharing authority over death
Allowing mercy to override finality
Accepting that some souls may choose rest over obedience
He cannot tolerate this.
By claiming the realm alone, he ensures:
Death occurs on his terms
Passage happens without debate
No competing philosophy undermines his certainty
The demand that Briggsy has to kill Philip is not personalâit is procedural. Resistance complicates transition. The fact that he sees him as a sort of friend introduces delay. Both are unacceptable.
He is not asking Briggsy to be cruel.
He is asking him to be decisive.
From his perspective:
Hesitation is the real sin.
The Briggsy refusal, guilt, and attachment are not moral virtues in his eyesâthey are inefficiencies inherited from the living world and reinforced by him now being undead and wanting more in life.
This is why Crossroads chose him in the first place:
He understands that Briggsy summoned him for his own selfish reasons
He knows that Briggsy doesn't want to disappoint anyone, so he will do whatever to please those around him
But he still resists finality because he doesn't want to see the consequences of his terrible choices/actions
From this, we can assume that Crossroads hopes to prove that even someone who values life will eventually accept certainty over compassion (either naturally or through manipulation).
He may resent his brother because his way of guiding the dead is objectively better than forcing them to obey by his terms. By forcing Brggsy into this choice, he is not just claiming a realmâhe is trying to win an argument that has lasted since the first death.
The true question is no longer simply life versus death.
It is:
Is passage something that must be enforced, or something that must be chosen?
If he were to meet Crossroad's brother (which I don't doubt, it does seem like something they would do), and he wants to help him get out of his deal with perhaps a counter-deal, Briggsy stands between the two not as a servant, but as evidence.
If he refuses to kill Philip, he proves that his brother's methods are morally better
If he obeys, he validates Crossroads' belief that mercy fails when it matters most.
------------------------------------------------------------------------------
Finally, how the cards play a role in this. The cards that he got were the Swashbuckler, the Executioner, and the Darklord.
The Swashbuckler â Life, Freedom, and Choice
Position/Meaning: Represents Briggsy's core self, his living instincts, and the desire to act according to conscience rather than obligation.
Connection to Story: The Swashbuckler embodies Briggsyâs living will: loyalty, courage, and the ability to form bonds (like with the other witch-hunters and some npcs). It reflects the dream ship and his instinct to protect(in a way) rather than destroy.
Implications: The card shows that, despite powers and deception, his heart still chooses life over expediency. It reminds him that freedom is precious, even in the face of death and divine pressure.
The Executioner â Duty, Consequence, and Obedience
Position/Meaning: Represents the forced role he must play, where he carries out acts of violence or destruction that conflict with his conscience.
Connection to Story: The Executioner mirrors the canon and Crossroads' current demand: to kill Philip. The canon is his instrument, but the role is defined by necessity imposed by another, not by desire.
Implications: This card warns that power without conscience is dangerous. It shows the tension between the Swashbucklerâs loyalty and the Executionerâs imposed dutyâhe must act under duress or lose something vital, yet the act itself could compromise his soul.
The Darklord â Authority, Certainty, and Moral Absolutism
Position/Meaning: Represents Mr. Crossroads, and the overarching force that enforces inevitability and transition.
Connection to Story: The Darklord is his assertion of control. He is not evil in a traditional senseâhe exists to ensure that souls pass and death occursâbut he is unyielding, manipulative, and morally ambiguous. His desire to claim the realm alone reflects his rivalry with his kinder brother, emphasizing his unwillingness to compromise or share authority.
Implications: This card embodies the external pressure shaping Briggsy's decisions. It represents inevitability, divine logic, and the ultimate test of choice: submit to authority and certainty, or uphold life and conscience despite the cost.
Here is how each card connects to the others
Swashbuckler + Executioner: The tension between who Briggsy is and who he is forced to be. The spread highlights that loyalty, attachment, and morality conflict with imposed duty.
Executioner + Darklord: Shows Crossroads influenceâhow obedience is expected and justified through inevitability and manipulation. The canon and the âtruth in the liesâ phrase are the tools used to bridge this gap.
Swashbuckler + Darklord: Emphasizes the moral choice. Following his heart resists Crossroads' certainty; obeying aligns with divine logic but risks moral compromise and loss of agency.
Core Message of the Spread:
Briggsy stands at the crossroads of loyalty, duty, and divine authority. Survival and power are insufficientâthey must be weighed against conscience, friendship, and the value of life. How he acts will determine whether he becomes a Swashbuckler true to himself, an Executioner enslaved by obligation, or a Darklordâs instrument validating inevitability.
Whether or not this is going to affect his relationships with the others is really hard to tell, its llikely that it will change their view of him depending on what he chooses, but we can't be sure, only time will tell.
------------------------------------------------------------------------------
Or yk it could've been nothing, and I typed l this for nothing and wasted three hours of my life.
I probably mischaracterized them, if I did im sorry, and you have every right to call me stupid and hate me
uhhhh idk im half asleep, if y'all notice any mistakes lmk and i'll fix them also. If enough people like this, I'll probably do the other three as well
Sorry if it's too long, this was just something that has been in my mind for a while now, and I felt I needed to share my opinions
anyways ima go to bed now

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Spoilers for Edge of Midnight 24 and Beonyd
I'm stressed and want to cry again, meaning I'm hyperfixating on EoM again and digging too deep into stuff that probably shouldn't be dug into, but idk, so here's me ranting on about something from ep 24 "The Fallen Keel."
So in the episode, the characters are placed into their own individual rooms, which could represent their futures. The one I wanted to focus on mostly was Briggsy. His room was the bathroom, and in that room, he was faced with the challenge of destroying something he desired, the ship he always dreamed about. The weapon he was to use was a cannon, with the phrase "Truth in the lies" written in hexing runes. He was hesitant to do this, but in the end, he did it.
But what could this mean? What was the purpose of having him do this? How does this tie into his future and the other room he was placed in with Jericho? How do the tarot cards that he received and his patron tie into this as well? What about his past actions?
Let's start with the third question. I have made a post about what the dining room could have meant to these two, but I feel that my old theory is somewhat incorrect, and I will not be discussing it in this post. Just know that I believe that room could represent or mean that if you follow in the footsteps of the ones before you, it ends badly.
For the first two questions, we have to think about him first as a character and what he represents. Briggsy is known to be greedy and selfish at times. He was tricked by his patron into making a deal that ended up killing his crew and him having to steal a cursed sword that turned him into a zombie. He is also very cowardly, hiding behind Marius or Yorgim when trouble is near, and he tries to run from fights, among many other things. (I could go into a deeper analysis of him, but I don't have time, and there are plenty of other posts that are formatted better than this post.)
(Warning: this part might be slightly confusing, so I apologize if I get off track or don't make sense.)
Now, what could the ship, cannon, and phrase mean? Well, from what I have gathered, the ship represents a living futureâmotion, possibility, and self-directed destiny. Unlike abstract ambition, the ship is practical and hopeful at the same time: it is something Briggsy can build toward, not merely desire.
As his dream ship, it embodies:
Freedom is chosen rather than granted
A future earned through effort, not manipulation
Identity that grows rather than consumes
Destroying the ship is therefore an act of temporal violenceâit kills a future that has not yet failed. The guilt he feels afterward is essential: it proves that despite his greed and power, he still recognizes the value of creation over erasure. Symbolically, the ship stands for everything that resists deathâs finality. It is movement, not stasis. Hope, not inevitability.
------------------------------------------------------------------------------
As for the phrase, âTruth in the lies,â it functions as a necromantic philosophy disguised as wisdom. It argues that truth does not need to be clean, consensual, or honestâit only needs to persist.
In the context of Mr.Crossroads being his patron, the phrase takes on a darker meaning:
Lies are the corpse
Truth is what animates them
The phrase suggests that deception can still serve a âgreater truth,â just as undead creatures are animated by something real despite being fundamentally wrong.
It reframes morality into outcome-based logic:
If something endures, it must have truth in it.
This thinking corrodes agency. It teaches him to accept manipulation as inevitable and even necessaryâso long as it âworks.â
------------------------------------------------------------------------------
I believe the canon is finality given form.
Where the ship represents living potential, the canon represents absolute endingsâdestruction without rebirth. That it can destroy what the wielder desires most makes it a ritual object rather than a weapon.
Linked to Crossroads, the canon becomes an extension of divine authority:
It enforces endings rather than allowing growth
It bypasses grief by making loss instantaneous
It denies the possibility of learning through failure
The canon does not ask whether destruction is deservedâonly whether it is intended. This mirrors death magic that raises the undead: power without consent, function without life.
------------------------------------------------------------------------------
As stated before he is greedy, but not empty. His greed is aspirational, not nihilisticâhe wants more life, more possibility, more control over his future.
His guilt proves something vital:
He does not worship death (in a way)
He does not see loss as neutral
He still distinguishes between sacrifice and waste
This puts him in direct philosophical conflict with Crossroads, who tricked him. Where he values inevitability and persistence beyond death, Briggsy values continuation with meaning.
His internal struggle is not good vs. evil, but:
Growth vs. stasis, life vs. preserved ruin
------------------------------------------------------------------------------
I think that the original deception is the core trauma of the narrative.
Crossroads did not lie outright:
The power granted was real
The transformation was effective
The results were undeniable
But the deception lay in what was omitted:
The loss of autonomy
The philosophical cost
The slow alignment with deathâs worldview
By surviving and benefiting from the lie, Briggsy was subtly conditioned to accept a necromantic truth:
What persists, even unnaturally, must be justified.
This is why later lies still work on himâthey echo the same logic that gave him power. This could also be used on him again in future episodes.
------------------------------------------------------------------------------
Unfortunately, we don't know much about Crossroads, and I'm not sure how similar his lore is to the actual god, so his entry will be mostly me guessing.
Crossroads represents the crossroads at night, while his brother represents it during the day. He is often depicted as being cruel, while his brother is nicer and shows mercy. Both are also very powerful; one is just more unpredictable, while the other is trusted.
Sharing a domain with his brother means:
Sharing authority over death
Allowing mercy to override finality
Accepting that some souls may choose rest over obedience
He cannot tolerate this.
By claiming the realm alone, he ensures:
Death occurs on his terms
Passage happens without debate
No competing philosophy undermines his certainty
The demand that Briggsy has to kill Philip is not personalâit is procedural. Resistance complicates transition. The fact that he sees him as a sort of friend introduces delay. Both are unacceptable.
He is not asking Briggsy to be cruel.
He is asking him to be decisive.
From his perspective:
Hesitation is the real sin.
The Briggsy refusal, guilt, and attachment are not moral virtues in his eyesâthey are inefficiencies inherited from the living world and reinforced by him now being undead and wanting more in life.
This is why Crossroads chose him in the first place:
He understands that Briggsy summoned him for his own selfish reasons
He knows that Briggsy doesn't want to disappoint anyone, so he will do whatever to please those around him
But he still resists finality because he doesn't want to see the consequences of his terrible choices/actions
From this, we can assume that Crossroads hopes to prove that even someone who values life will eventually accept certainty over compassion (either naturally or through manipulation).
He may resent his brother because his way of guiding the dead is objectively better than forcing them to obey by his terms. By forcing Brggsy into this choice, he is not just claiming a realmâhe is trying to win an argument that has lasted since the first death.
The true question is no longer simply life versus death.
It is:
Is passage something that must be enforced, or something that must be chosen?
If he were to meet Crossroad's brother (which I don't doubt, it does seem like something they would do), and he wants to help him get out of his deal with perhaps a counter-deal, Briggsy stands between the two not as a servant, but as evidence.
If he refuses to kill Philip, he proves that his brother's methods are morally better
If he obeys, he validates Crossroads' belief that mercy fails when it matters most.
------------------------------------------------------------------------------
Finally, how the cards play a role in this. The cards that he got were the Swashbuckler, the Executioner, and the Darklord.
The Swashbuckler â Life, Freedom, and Choice
Position/Meaning: Represents Briggsy's core self, his living instincts, and the desire to act according to conscience rather than obligation.
Connection to Story: The Swashbuckler embodies Briggsyâs living will: loyalty, courage, and the ability to form bonds (like with the other witch-hunters and some npcs). It reflects the dream ship and his instinct to protect(in a way) rather than destroy.
Implications: The card shows that, despite powers and deception, his heart still chooses life over expediency. It reminds him that freedom is precious, even in the face of death and divine pressure.
The Executioner â Duty, Consequence, and Obedience
Position/Meaning: Represents the forced role he must play, where he carries out acts of violence or destruction that conflict with his conscience.
Connection to Story: The Executioner mirrors the canon and Crossroads' current demand: to kill Philip. The canon is his instrument, but the role is defined by necessity imposed by another, not by desire.
Implications: This card warns that power without conscience is dangerous. It shows the tension between the Swashbucklerâs loyalty and the Executionerâs imposed dutyâhe must act under duress or lose something vital, yet the act itself could compromise his soul.
The Darklord â Authority, Certainty, and Moral Absolutism
Position/Meaning: Represents Mr. Crossroads, and the overarching force that enforces inevitability and transition.
Connection to Story: The Darklord is his assertion of control. He is not evil in a traditional senseâhe exists to ensure that souls pass and death occursâbut he is unyielding, manipulative, and morally ambiguous. His desire to claim the realm alone reflects his rivalry with his kinder brother, emphasizing his unwillingness to compromise or share authority.
Implications: This card embodies the external pressure shaping Briggsy's decisions. It represents inevitability, divine logic, and the ultimate test of choice: submit to authority and certainty, or uphold life and conscience despite the cost.
Here is how each card connects to the others
Swashbuckler + Executioner: The tension between who Briggsy is and who he is forced to be. The spread highlights that loyalty, attachment, and morality conflict with imposed duty.
Executioner + Darklord: Shows Crossroads influenceâhow obedience is expected and justified through inevitability and manipulation. The canon and the âtruth in the liesâ phrase are the tools used to bridge this gap.
Swashbuckler + Darklord: Emphasizes the moral choice. Following his heart resists Crossroads' certainty; obeying aligns with divine logic but risks moral compromise and loss of agency.
Core Message of the Spread:
Briggsy stands at the crossroads of loyalty, duty, and divine authority. Survival and power are insufficientâthey must be weighed against conscience, friendship, and the value of life. How he acts will determine whether he becomes a Swashbuckler true to himself, an Executioner enslaved by obligation, or a Darklordâs instrument validating inevitability.
Whether or not this is going to affect his relationships with the others is really hard to tell, its llikely that it will change their view of him depending on what he chooses, but we can't be sure, only time will tell.
------------------------------------------------------------------------------
Or yk it could've been nothing, and I typed l this for nothing and wasted three hours of my life.
I probably mischaracterized them, if I did im sorry, and you have every right to call me stupid and hate me
uhhhh idk im half asleep, if y'all notice any mistakes lmk and i'll fix them also. If enough people like this, I'll probably do the other three as well
Sorry if it's too long, this was just something that has been in my mind for a while now, and I felt I needed to share my opinions
anyways ima go to bed now
in 2026 DO NOT ask yourself whether your art is GOOD
instead ask:
is it SINCERE
was it CATHARTIC
was it FUN TO MAKE
is it MADE BY ME
and don't forget to stay silly
in this new year I want you to be alright. I hope you move out. I hope you have enough money to feel safe. I hope you abandon shame and forgive yourself. I hope you get enough sleep and some good news. I hope you laugh a lot and the heaviness of the world eases a bit. I wish you to be alright.
I created this fun bingo card of realistic predictions for Avantris 2026. Play along with me!
Edge of Midnight is my favorite campaign
Icebound was the declic campaign and holds dear to my heart
But Stardust Rhapsody is so, so FUCKING good it pains me that I donât have the patience for full animation.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Doodle from when I was listening to the madness of ep39
*gives you halloween candy*
*gives you candies* Thank you mighty kindly !