she/her | 25+ | mdni | tmz: CET | navi | m.list | â creating questionable hot men one fic at a time side: @kikiskook | art: @artbyjungkoode notifs disabled! perpetually busy READ BEFORE SENDING AN ASK
And gain your spot to vote on the occasional polls. <3
Join Kiki Nationâs official discord if you want to scream about my fics with other readers! iâm also more active on there and post announcements and snippets often.
The server is 18+, so Discord (the app) might ask you to verify youâre an adult. If youâre already labeled as an adult and on iOS, settings can only be toggled on in the browser version of discord. Click the gear icon, navigate to content & social and toggle on "allow age-restricted servers on iOS". (announcement / instructions here.)
masterlist | taglist request | about me | commissions | tags | work organization / guide | ask the characters | playlists and moodboards for all fics | author intros & TWs | discord
⼠ask away, but read FAQ first â¤ď¸ď¸ | must read disclaimer b4 reading
things to keep in mind; i write extremely slow-paced emotional slowburnsâwhich means sex happens early and itâs a narrative tool, but feelings wonât emerge before the idk 500k word mark | my stories are not easy to read. | all of my stories are written in limited point of view. | i have zero tolerance for bad faith, whining, harassment, hostility, or discourse bait. | i donât condone supporting plagiarism. | update schedule is explained in faq. | this blog is diehard ot7 â solos gtfo | if you make a post about my fics, use the tag format! (eg: #fmu) | i wonât reply to questions already answered on my author notes. read them. | my characters are not moral paragons and speak and act in ways that are realistic for them, which can include harmful language or viewsâthis is not endorsement.
read. the. warnings. theyâre not there for decoration.
i reserve the right to ban you from my spaces if i catch you interacting with me against the rules of this blog (minor, solo stan, pot stirrer, harasser (supporter), plagiarist (supporter), etc). drama, speculations and negativity are not welcome here in any of its forms. âno hateâ âno offenseâ âi say this gentlyâ will not excuse you from being a jerk. you have been warned.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
iâm afraid this could be the reason for the first rebellion in kiki nation⌠and of course i could never go against our supreme leader âşď¸(black hair tae people i SEE you) but yeah whatever kiki says goes (GET THE BANNERS READYđš).
ASHY BLONDE ASW TAEHYUNG SUPREMACY OR PERISH đšđšđšđšđšđšđšđšđšđšđš
What are we thinking, does that sound good as Kiki Nationâs sloganâŚ
Accept dark hair ASW taehyung before we start spamming your ask box woth his pictures, this is your last warning
HOW DARE YOU LOT OF GREMLINS REBEL AGAINST THE SUPREME OVERLORD DICTATOR QUEEN (yes thatâs my title now) OF KIKI NATION???? IâLL MAKE HIS HAIR NEON YELLOW NEXT DO NOT TEST ME
pairing: hoseok x f!reader | rating: 18+ | wc: 11,850 | warnings: here
genre: childhood bffs, grumpy x sunshine, emotional slow burn, smut
"best mate privileges"
"Five years apart should have made him unfamiliar. Instead, his flat feels safer than yours, his clothes still smell like home, and his hands remember how to make you sleep."
next | index | taglist request | general masterlist
⤠author's note: Hello, my beloved victims. I had an absolutely ridiculous amount of fun writing this chapter, which is alarming considering a substantial portion of it is about corporate instability, unresolved childhood abandonment, and two emotionally constipated adults discovering that perhaps five years of separation did not, in fact, erase the terrifying amount of space they still occupy inside each other. You know. Light entertainment.
This chapter is very much about the strange intimacy of returning to someone who used to know you better than anyoneâand realizing that familiarity doesnât necessarily disappear when you grow apart. Sometimes it just goes dormant. It settles into the body. It becomes muscle memory. Itâs knowing how someone takes their coffee despite having missed five entire years of their life. Itâs remembering which touch helps them sleep. Itâs recognizing the shape of their loneliness because, once upon a time, it looked exactly like yours.
And I think thereâs something particularly painful about reconnecting with a childhood friend as an adult because youâre not simply meeting them again. Youâre also meeting every version of them you werenât there to witness⌠There are entire people inside the people we love that we never get to know. Versions who lived in different apartments, cried over different things, learned how to survive without us, developed routines we didnât help build. You can come back into someoneâs life and love who theyâve become while still grieving the fact that you werenât beside them while they became that person. Anyway. Ew. Feelings. Disgusting. Moving on.
This chapter is also about domesticity sneaking in through the back door wearing a fake moustache and insisting itâs merely friendship. Because Y/N and Hoseok are not consciously building a life together. Of course not. That would require self-awareness, and neither of them has been blessed with enough of that to survive the plot. Theyâre simply accumulating tiny habits. Becoming each otherâs first call after a bad day. Remembering food preferences. Offering clothes. Making room on couches. Learning how the other person needs to be held when language stops working. Completely normal best-friend behaviour. Nothing to investigate here. Please disperse.
I wanted their attraction in this chapter to feel less like a sudden revelation and more like something their bodies have already understood while their brains remain trapped several business days behind. They are becoming physically aware of each other in ways that are difficult to dismiss, but that awareness is tangled up with safety, nostalgia, grief, comfort, and the terrifying possibility that the person who feels most like home could also become someone they want. And wanting is dangerous when you have something precious to lose, isnât it? âşď¸
Thatâs the real problem with friends-to-lovers, I reckon⌠The friendship isnât an obstacle standing between them and romance. The friendship is the reason the romance feels so frightening⌠Soooo naturally, rather than discussing any of that like functional adults, they will be communicating through sarcasm, prolonged eye contact, wildly inappropriate thoughts, accidental domesticity, and decisions so questionable I had to stare at my own document and whisper, âbe serious,â despite being the person actively making them do it. (Iâve said it once and Iâll say it acain. I have NO narrative agency whatsoever when it comes to writing my fanfics. This is NOT a joke.)
Thank you, as always, for reading, commenting, screaming, analysing punctuation, threatening fictional men, and enabling this increasingly elaborate psychological study disguised as a story about a hentai mangaka and his sarcastic childhood best friend.
I hope you enjoy the chapter. Please behave responsibly, because Hobi and Capy definitely wonât. <3
Davidson says the word âsynergisticâ twenty times in forty-six minutes, and you know this because Yukiâs been keeping count on the corner of her notepad.
She slides it across the conference table when heâs not lookingâa running tally in neat black pen, complete with little angry faces drawn next to the higher numbers.
Youâre supposed to be paying attention. Taking notes. Being a productive member of the Synergy International team.
Instead youâre watching Davidson gesture at a PowerPoint slide thatâs somehow managed to use five different fonts in a single bullet point, and wondering if this is what hell looks like. Just endless corporate presentations in a too-cold conference room that smells like burnt coffee and someoneâs tuna sandwich.
âAnd so,â Davidson announces, clicking to the next slide with all the gravitas of a man unveiling the cure for cancer, âIâm pleased to introduce our new campaign name.â
The slide loads.
PEPTIDE REVOLUTION: COLLAGEN FOR THE MODERN WOMAN
Silence.
Complete, absolute silence.
Amelie makes a noise that could be a cough or could be her soul leaving her body.
âRevolutionary,â Davidson continues, oblivious. âForward-thinking. A real paradigm shift in how we approach beauty supplementation in the Japanese market.â
Yukiâs hand moves. You watch her add another tally mark, then write in tiny letters:
If he says âparadigm shiftâ one more time, Iâm jumping.
You have to bite the inside of your cheek to keep from laughing.
âNow, I know what youâre all thinking,â Davidson says, and absolutely no one is thinking what he thinks theyâre thinking. âHow do we communicate this paradigmââ
Yukiâs pen moves so fast it nearly tears the paper.
ââthis shift in market positioning to our target demographic?â
She draws a stick figure falling off a building.
Youâre losing it. Your shoulders are shaking. You have to look down at your own notebook and pretend to be writing something very serious and important.
Your phone buzzes in your pocket.
You shouldnât check it. Youâre in a meeting. Youâre supposed to be professional.
You check it anyway, angling your body slightly away from Tanakaâs line of sight.
Brianna glances over, catches your expression, raises an eyebrow. You shake your head slightlyâlaterâand she nods, going back to her own notebook where sheâs been doodling what appears to be Davidsonâs head on fire.
âWhich brings me,â Davidson says, and something in his tone makes you look up, âto some organisational updates.â
The room shifts. People sit up straighter.
organisational updates. In corporate-speak, thatâs never good.
âAs many of you know, Synergy International has been evaluating our operational efficiency across all regional offices.â He clicks to a new slideâjust the company logo, which somehow makes it more ominous. âWeâre committed to streamlining our processes to better serve our clients and maximize our impact.â
Streamlining. Maximizing impact.
Translation: someoneâs getting sacked.
âPerformance reviews will be conducted over the next two weeks,â he continues. âAnd weâll be implementing some structural changes to ensure weâre operating at peak efficiency.â
Yukiâs pen has stopped moving. Amelieâs staring very intently at her hands.
You feel something cold settle in your stomach.
Youâve been here two months. Barely. Youâre still figuring out where the good vending machines are. You donât know half the systems. Your Japanese is passable but not fluent.
If theyâre cutting people, youâre an obvious choice.
The newest hire. The foreigner who still canât read half the memos. The one who definitely called in sick last week to help her friend finish his porn manga deadline.
Fuck.
Davidson keeps talking but youâve stopped listening. Your brainâs already spiraling through the worst-case scenariosâgetting sacked, having to find a new job, potentially having to leave Japan if you canât get another work visa sponsor, going back to Sydney with your tail between your legs and everyone asking what happened.
You shouldnât. You should go home and update your CV and maybe look at job listings and be a responsible adult about this whole situation.
But the thought of going back to your empty flat and spiraling alone sounds approximately one thousand times worse than spiraling in Hoseokâs organised chaos.
Your ears are burning. You can feel them. Physically feel the heat creeping up from your neck to the tips of your ears like some kind of biological betrayal.
Two exclamation marks. He never uses two exclamation marks. One, sure. Three, when he's being dramatic. But two sits in this uncanny valley of trying too hard to sound casual.
Not that you're analysing his punctuation patterns.
That would be insane.
You slide your phone back into your pocket just as Davidson wraps up his presentation.
âAny questions?â he asks brightly.
No one says anything.
Amelieâs still staring at her hands. Adaoâs jaw is clenched. Briannaâs crossed her arms and is radiating the kind of energy that suggests violence is not off the table.
âWonderful! Iâll be scheduling individual check-ins over the next few days. Keep an eye on your calendars.â
The meeting ends. Everyone files out in silence.
You grab your notebookâcovered in doodles of stick figures falling off buildings, courtesy of Yukiâand head back to your desk.
You drop into your chair and find the printer proofs waiting exactly where you left them: oversized sheets covered in crop marks, registration bars, and sticky notes from three departments that apparently communicate exclusively through arrows.
The collagen launch needs final English copy before the packaging vendor locks everything for print tomorrow. Bottle label, sachet cartons, counter display, beauty-counter cards, and a folded customer leafletâeach one carrying a slightly different version of the same claim.
Your job is to compare the proofs against the approved Japanese copy, clean up the agencyâs English, and squeeze the corrections back into boxes designed for sentences half the length.
Across every sheet, in metallic-pink placeholder ink:
PEPTIDE REVOLUTION.
Thrilling stuff.
Your phone buzzes. You ignore it.
It buzzes again.
You keep typing.
Third buzz.
You grab it, fully prepared to tell Hoseok to fuck off and let you finish this soulless document in peaceâ
You stare at the message for a solid ten seconds, then put the phone face-down on your desk.
Nope.
Not dealing with that right now.
The proofs arenât going to correct themselves.
You start with the customer leaflet, lining a ruler beneath the first block so your eyes donât jump between columns. The outside agency has translated one of the taglines as âTowards Every Day with Tension.â
Technically English. Spiritually a threat.
You cross it out in red, type a usable alternative into the master copy file, then count every character because the printer has allowed fifty-two spaces and Davidson wants eighty-seven spacesâ worth of nonsense.
Next is âReturn Your Skin to Its Original Young Powerâ, followed by âCollagen That Understands the Modern Lady.â
You fix both. Then the carton. Then the bottle label. Then the counter card where Davidson has handwritten âCan we make this sound more revolutionary?â beside a claim Legal already rejected twice.
Youâre going to walk into the ocean. Youâre actually going to do it.
By the time youâve corrected the carton, the bottle label, and half the customer leaflet, the red pencil has left a dent in your middle finger.
You take a break to get coffee from the kitchenâthe good stuff that Tanaka-san hides in the back of the cupboard behind the decaf no one touches.
When you get back, Adao's crouched next to Yuki's desk, half-disappeared under her monitor.
"No, see, is the connection," he's saying, wiggling something behind her computer tower. "The cable, it isâah, there."
Yuki's leaning over, watching him work. "Oh! It's working now."
"Yes, I told you." He surfaces, pushing his hair back. There's a smudge of dust on his jaw. "Is always the cable. People think is the software butâ" He makes a dismissive gesture. "Is just the cable."
"You're a lifesaver," Yuki says.
Adao stands, brushing off his knees. He's wearing dark jeans and a button-down that actually fits, sleeves rolled to his elbows. Proper IT guy who doesn't look like an IT guy.
He notices you staring and nods. "Your computer is okay?"
"Yeah, mine's fine."
"Good." He glances at Yuki, then back at you. "You are coming for drinks later? After work?"
You open your mouth.
From across the room, Amelie's head pops up over her cubicle divider like a meerkat. She presses her palms together. "Please."
"Iâ" You hesitate. "I've got plans already."
Amelie's face falls. Yuki spins in her chair, eyebrows raised.
"Tomorrow, maybe?" you offer, and you feel weirdly guilty about it, which is stupid.
You're allowed to have plans. You've had these plans for hours.
"Tomorrow works," Brianna says from her desk, not looking up from her screen. "I've got a thing tonight anyway."
Amelie brightens. "Okay! Tomorrow! We can do that place in Namba, the one with the good gyozaâ"
"And the terrible service," Yuki adds.
"The service is fineâ"
"They forgot your order twice."
Adao's still standing there, hands in his pockets, looking mildly amused. "Is decided, then. Tomorrow."
"Wait, wait, Adaoâ" Amelie swivels in her chair, zeroing in on him with laser focus. "You should bring Mr. Kim."
You blink. "Mr. Kim?"
"Ohâhe's not Japanese," Amelie says, waving a hand. "American-Korean. We only talk to him in English, hence the 'Mr.' instead ofâyou know." She gestures vaguely. "The whole -san situation. He insists on Mr Kim. Says Kim-san makes him feel like someoneâs dad."
"He does translation work," Yuki adds. "Cultural consulting. For international business stuff."
"He's alsoâ" Amelie makes a helpless gesture. "Have you seen him?"
"I work in accounting," Yuki says. "I see everyone's files. I've seen his employee photo."
"Then you understand."
Adao's face does something complicated. "AhâŚ"
"Please," Amelie says, hands coming together like she's praying. "Please. I am begging you."
"He is very busyâ"
"I don't care! Bring him anyway!"
"You have been talking about him for three weeks," Adao says, looking genuinely pained.
"Because he'sâ" Amelie gestures again, more emphatically. "I mean, come on."
"I will ask," Adao says carefully. "Butâ"
"Thank you!" Amelie's practically vibrating. "Oh my god, thank you, you're the bestâ"
"I said I will askâ"
"He's going to say yes. I can feel it."
Adao glances at you, then at Yuki, then back at Amelie.
"Women are scary," he says, very seriously.
"You're only just figuring that out?" Brianna asks, not looking up from her screen.
Yuki laughs, and Adao starts to turn back towards his desk. Before the conversation can fully dissolve, Amelie props her chin on her hand and turns to you with the particular look she gets when sheâs decided something.
âYou should totally invite your friend out with us, by the way.â
You glance up from your keyboard. âWhat friend.â
âOh, come on.â She spins her chair to face you fully. âDonât what friend me. The cinnamon-haired one from Midnight Keys.â
âThe golden retriever,â Yuki adds, not looking up.
âHeâs not myââ You stop. Start again. âIâm not bringing my childhood best friend to a company dinner.â
âItâs not a company dinner,â Amelie says, genuinely offended.
âExactly,â Brianna cuts in, finally looking up. âHow dare you call it that. Davidson is not coming. Donât say that word.â
âItâs drinks,â Amelie insists. âNormal human drinks. Between normal humans who happen to work together and are allowed to have outside friendsââ
âHeâs cute, though,â Yuki says, still not looking up. âYour friend. Very enthusiastic.â
âHe waves with both hands,â Brianna observes. âLike a Labrador.â
âGolden retriever,â Amelie corrects.
âIs there a difference?â
âAnyway.â Amelie fixes you with her most earnest expression. âIs he single?â
You stop typing.
The question sits there, perfectly ordinary, requiring a perfectly ordinary answer, and your brain immediately helpfully supplies: âwe literally dry humped the other day so if he has a partner Iâm worried for them.â
Instead, you settle for something a tad more diplomatic.
âI⌠guess?â
âYou guess.â
âI meanââ You glance at his flat in your head.
The instant noodle tower. The sugar glider. The sketchbooks. The total absence of anything that suggests another human being has ever stayed there.
âSeeing his flat, I definitely donât think heâs got anything going on. Thatâs for sure.â
Amelie looks delighted. Yuki finally looks up.
âAre you interested?â Amelie asks. Just like that. No preamble.
âWhat?â You actually choke on nothing. âNoâheâs my childhood best friend, thatâsâwhat kind of question evenââ
âOkay, okay.â Amelie holds her hands up, way too pleased with the reaction. âSo thatâs a no.â
âThatâs a obviously no.â
âGreat.â Brianna leans forward, elbows on her desk. âSoâwas it the black-haired one? The cat-looking one?â
âYoongi?â
You freeze.
Brianna's smiling. It's not a nice smile. It's the smile of someone who's got you pinned and knows it.
"Because if you're not interested," she continues, "I am begging you to introduce us."
Your face goes hot. "I don't even know him."
"But your golden retriever does," Yuki says, grinning.
"He's not myâ"
"They always know everything," Yuki continues, ignoring you completely. "Golden retrievers. Very social creatures."
Amelie props her chin on her hand. "Personally, I like golden retrievers. They're so my type." She pauses. "What's his deal? Your friend?"
"He'sâ" You falter. What is Hoseok's deal? "He draws manga."
"Ooh, artist type."
"He's a disaster," you say flatly. "Eats instant noodles for every meal. Owns a sugar glider. His flat's a health hazard."
Amelie's eyes go wide. "A sugar glider?"
"Don't," you warn. "Don't do that voice."
"What voice?"
"That 'oh my god that's adorable' voice."
"I'm notâ" She absolutely is. "Okay, but that is adorable."
Brianna's still watching you. "So. The black-haired one.â
"What about him?" you ask, trying for casual and landing somewhere around defensive.
"He was fit," Brianna says simply. "And I haven't been on a proper date since I moved here, so if you're not planning to make a moveâ"
âAs I said, BriâI donât know him."
âSoo we get to know him, here's the plan. You ask your friend to hang out. Casual group thing. He brings Yoongi. That way you can figure out if you're actually interested, yeah? And if you're notâ" She peeks her tongue out. "I'll also be there. I can shoot my shot. Everyone wins."
You stare at her.
It's⌠actually not a terrible plan.
You are curious about Yoongi. He's hot, yeah, but alsoâhe's got that whole understated thing going on. The kind of guy who doesn't need to try, which is either very attractive or deeply annoying depending on the day.
"I can ask," you hear yourself say.
Amelie claps. Yuki grins. Brianna nods like you've just signed a contract.
"Brilliant," Brianna says. "See you tomorrow!â
Adao catches your eye and shakes his head slightly. The gesture very clearly says: You are in trouble now.
Yeah. You're aware.
You retreat to your desk, face still warm, and drag the folded customer leaflet back beneath your keyboard.
Supports firmer-looking skin for modern life.
Right. Back to the void.
You work through lunchâleftover rice balls from the konbini, eaten one-handed while checking product codes against the Japanese master and transferring your corrections into the copy file.
The office empties out around one. People drift back slowly, smelling like ramen and cigarette smoke.
Yuki appears at your desk at some point with a can of cold coffee. Sets it down without a word, then disappears again.
You drink it. It tastes like sweetened sadness, but the caffeine helps.
By four, youâve reached the third proofing pass. Your wrist hurts from switching between the red pencil and keyboard. Your eyes hurt from comparing near-identical blocks of text.
Youâre running purely on spite and the looming threat of restructuring.
By four-thirty, youâre done.
Five pieces of packaging. Two counter cards. One customer leaflet. Thirty-four separate blocks of English copy, all corrected, cross-checked, and bullied into the limited space provided by the printer.
Not a single skin youth revolution survives.
You stack the marked proofs in order, print the final list of corrections, staple it to the top, and email the clean copy file to the packaging vendor.
Then you carry the signed approval sheet to the fax machine.
It swallows the paper, shrieks at Osaka for forty seconds, and spits out a confirmation slip at 4:48 PM.
Done.
Davidson will look at the finished packaging next week, announce that the English feels âmuch more synergistic,â and forget that anyone had to fix it.
You close your laptop. Stare at the ceiling for a moment.
Then you grab your bag, shove your notebook inside, and stand up.
Yuki glances over. "Leaving already?"
"It's almost five."
"It's 4:50."
"I'm preemptively leaving."
She grins. "Rebel."
"Someone's gotta do it." You sling your bag over your shoulder. "See you tomorrow, yeah?"
"Bring your golden retriever."
"He's notâ" You give up. "Whatever. Yeah. Maybe."
Amelie waves from across the room. Adao nods. Brianna gives you a thumbs-up that feels vaguely threatening.
You take the lift downâseven floors of mildly depressing Muzakâand step out into the Umeda early evening.
The air's cooler now. November settling in properly.
You shove your phone back in your pocket and head towards the station.
Hoseok's pencil stops moving when you can't make your face do what he needs.
"Okay, soâ" He taps the eraser against his bottom lip, eyes flicking between you and his reference sketches spread across the desk. "This scene is different. Miki's not performing anymore. She's alone in her flat and Yuuta's gone and she thinksâshe's convinced herself she's lost him for good."
You're sitting on the edge of his bed, still in your work clothes minus the blazer. The expensive ramen sits cooling in takeout containers on his low table in the other room, barely touched. You'd made it three bites in before he'd asked if you were up for a session.
You'd said yes because what else were you going to do? Spiral about restructuring alone in your flat?
"Right," you say. "So, sad cat-girl. Got it."
"Not just sad." He flips to a previous page, showing you a sketch of Miki's face. "She's grieving. She'sâit's that specific kind of loss where the person's still alive but you've lost them anyway. Like they're a stranger now and you don't know how to get them back."
Something uncomfortable shifts in your chest.
"Okay."
"So I need you toâ" He gestures vaguely at your face. "Feel that. Show me what that looks like."
You arrange your expression. Sad eyes. Downturned mouth. The kind of thing you've seen in movies.
Hoseok frowns. "You look like you're constipated."
"Fuck off."
"I'm serious! That'sâthat's not grief, that's just..." He waves his hand. "I need real."
"What do you want me to do, actually cry on command?"
"No, justâ" He runs a hand through his hair, and you notice he's taken his glasses off. They're sitting on the desk next to his pencil case, which means he's been drawing for hours already and his eyes are probably killing him. "Think about something real. Something that actually makes you feelâ"
"Feel what?"
"Whatever Miki would feel. Alone. Missing someone who used to know everything about you."
The discomfort spreads. Roots deeper.
"Fine."
You try again. Soften your eyes. Think about sad things.
That dog food commercial that always gets you. The ending of Grave of the Fireflies. Your Year 9 English teacher who died of cancer.
Hoseok's frown deepens. "Stop acting."
"I'm notâ"
"You are. You're doing a face. I can tell."
"Well, excuse me for not being a method actorâ"
"Capy." He leans back in his chair, pencil dangling between his fingers. "Just... think about something that actually hurt. Something real."
You stare at him.
He stares back, completely oblivious to what he's asking.
"Okay," you say slowly. "What's the scene again?"
"Miki's alone. She had this huge fight with Yuutaâhe said some things, she said some things, it got ugly. And he left. And she's sitting there in her flat thinking he's not coming back. That she's finally pushed him away for good." Hoseok's already sketching as he talks, rough lines taking shape on the page. "She spent all this time keeping him at a distance because she was scared of exactly thisâof needing someone and losing themâand now it's happened anyway."
Your throat goes tight.
"And the worst part," he continues, completely absorbed now, tongue poking out slightly as he adds detail to Miki's cat ears, "is that she can't even be angry about it. Because she knows she did this. She pushed and pushed until he finally walked away. So now she's just... sitting there. Trying to figure out how you're supposed to miss someone who's still alive."
You don't say anything.
"It's complicated because Miki's whole thing is that she doesn't need anyone, right? She's got this imageâconfident, in control, doesn't catch feelings. But Yuuta saw through that. He knew her. Like, actually knew her, before she built all those walls." He's gesturing with the pencil now, sketching forgot. "And she got used to that. To having someone who just got it. Got her. And then one day they're strangers and she doesn't know how that happened."
Your jaw goes tight.
"So I need that expression. That specific hurt ofâit's not dramatic, it's not loud. It's just this quiet realization that you've lost something you didn't even know you were relying on until it was gone."
You're not listening anymore.
You're thinking about the five years.
About Hoseok leaving Sydney in 1998 with his mum and two suitcases and a promise to call every week. About how those calls got less frequent. Monthly. Every few months. Then just occasional messages when you both happened to be online at the same time.
About the person he was at seventeenâloud and ridiculous and always showing up at your window with some new disaster he'd got himself intoâand how you'd just assumed he'd always be like that. That you'd always know him.
About moving to Osaka and seeing his Friendster  profile and staring at it for three hours before finally typing out that first message. Because some part of you was terrified he wouldn't remember you. Or worseâthat he'd remember you and not care.
About all the versions of Hoseok you'd missed.
University Hoseok. First-flat-in-Osaka Hoseok. Learning-to-draw-hentai-professionally Hoseok.
The Hoseok who'd got diagnosed with ADHD and figured out how to ask for help and built a life here without you in it.
You'd missed all of it.
And you can't get it back.
Your eyes are burning.
"âwhich is why the expression has to be subtle, you know? It's not about the tears, it's about what happens before the tears. That moment where you're still holding it together but you can feel it crackingâCapy?"
You blink hard. Try to force it back down.
"Yeah, I'mâ"
Your voice cracks.
Shit.
"Did you fall asleep?"
He's turning around in his chair, grin already forming like he's about to tease you for dozing off during his artistic ramblingâ
His face changes.
The grin disappears. His eyes go wide.
"Oh."
His sketchbook slides off his lap. Hits the floor with a dull thump that neither of you react to.
You're not crying. Not really. Your eyes are just wet and your throat's gone tight and you're biting the inside of your cheek hard enough to taste copper.
"Capy..."
"I'm fine."
"You're notâ"
"I said I'm fine."
He's staring at you like you've just materialized out of thin air. Like he's seeing you for the first time.
Then something clicks behind his eyes.
"I'mâI'm so sorry, I didn't meanâyou haven't lost meâ"
"Who said anything about you?"
It comes out sharper than you meant. Defensive. Your default setting.
"IâI don't know, I just thoughtââ
"Not everything's about you, you dickhead."
"I know! I know, I'm sorry, I justâ" He looks genuinely distressed. "The whole thing about missing someone who knew you, and growing apart, and Iâshit, I wasn't thinkingâ"
"It's fine."
"It's notâ"
"Ott." Your voice cracks again and you hate it. "It's fine. You asked me to think about something real. I did. That's the job, yeah?"
There's a long silence.
Momo chirps from her cage on the other room.
"For what it's worth," he says quietly, "I missed you too."
Your throat closes up completely.
"Those five years wereâ" He stops. Starts again. "I thought about texting you so many times. Like, so many times. I'd write out the message and then delete it because I didn't know what to say anymore. Didn't know if you'd even want to hear from me."
"That's stupid."
"Yeah, probably." He's looking at his hands now. Fingers tapping against his thighs. "But I kept thinkingâwe grew up. We changed. You had your life in Sydney and I had... whatever this is. And maybe we were just supposed to be childhood friends, you know? Maybe that was it."
"That's really stupid."
"I know."
"Like, properly thick."
"I know."
You bite your lip. Try to hold it together.
Fail.
The sob comes out before you can stop it. Quiet but unmistakable.
Hoseok's head snaps up.
"Capyâ"
"Shut up."
"I'mâ"
"I said shut up."
Another sob.
You're furious at yourselfâat your stupid eyes that won't stop burning, at your throat that won't unclench, at the fact that you're sitting here crying in Jung Hoseok's bedroom like you're sixteen again and he's the only person who knows how to make it stop hurting.
You hear him move. The chair creaking as he stands.
You look up, and heâs standing there, a metre away, arms slightly raised.
Simply offering. Like he always does when it comes to you.
Never taking anything for granted, just offering.
"You don't have to," he says quietly. "But if you wantâ"
You lean forward. Rest your forehead against his stomach. Your hands come up to grip the sides of his shirt.
His arms come around you immediately. One hand on your back, the other cradling the back of your head, gentle but solid.
"I've got you," he murmurs. "I'm right here."
You sob harderâuglyâand your face is hot and your nose runs and your whole body shakes with it.
And Hoseok just holds you.
Doesn't tell you to stop, doesnât ask you to explain, doesnât try to fix it.
He simply stands there in his stupid tee and worn-out jeans, letting you cry into his shirt.
"You smell like sakura mochi," he says eventually. Soft. Almost to himself.
"I know, butâ" His hand moves slightly, fingers curving against your back. "For five years I thought I'd missed my chance. Thought you'd moved on and built this whole life without me and I'd just be this weird guy from your childhood who you'd be polite to if we ever ran into each other."
"You are a weird guy from my childhood."
"Yeah, but you came back." His voice does something. Gets quieter. "You reached out. You came to Osaka. You're here."
Your fingers tighten in his shirt.
"Not going anywhere," you mumble into his stomach.
"Good."
"Even though you're an idiot."
"Established."
"And your flat smells like burnt rice."
"Rude, but fair."
You pull back slightly. Just enough to wipe your face with the back of your hand. You probably look like a disasterâred eyes, blotchy cheeks, nose running.
Hoseok's looking at you like you're the best thing he's seen all week.
"Better?" he asks.
"No."
"Fair."
He's still got one arm around you. Loose enough that you could pull away if you wanted.
You don't want to.
"Did you get the expression?" you ask. "For your stupid manga?"
He blinks.
Then laughsâsurprised and slightly amused. "I wasn't drawing."
"You should've been. That's what I was here for."
"Capyâ"
"Professional reference model, remember?"
"You're impossible."
"And you're a sap."
"Also fair."
There's a pause. He's still looking at you like that. Like you've done something remarkable just by existing in his space.
"Want to watch Cowboy Bebop?" he asks suddenly.
You stare at him. "What?"
"Cowboy Bebop. The anime. I've got the DVDs." He gestures vaguely towards the living room. "We could just... sit. Watch a few episodes. Not think about anything."
"I look like shit."
"You look fine."
"I've got snot on my face."
"I've got tissues."
"Your ramen's cold."
"Microwaves exist."
You want to argue more. Want to insist you should go home and be a functional adult who doesn't have emotional breakdowns in other people's flats.
But the thought of going back to your empty flat right now makes something in your chest hurt worse than it already does.
"Fine," you hear yourself say. "But I'm picking the episodes."
His face lights up. "Deal."
He moves towards his desk, grabbing tissues from the box next to his monitor. Hands you several.
You wipe your face. Blow your nose. Try to pull yourself together.
And something suddenly catches your eyeâsomething with a red cover, something that looks like a sketchbook.
But his usual sketchbook has a black coverâŚ
Doesnât it?
You steal his blanket before he can even think about it.
The grey oneâthe expensive one he splurged on last year, the one thatâs somehow always perfectly warm.
You wrap it around yourself like a cape and tuck your legs under your chin, making yourself as small as possible in the corner of his couch.
Hoseok notices immediately when he comes back from the kitchen. Stops in the doorway, two steaming ramen containers balanced in his hands, and huffs.
âThatâs mine.â
âWas yours.â
âI bought that with my own money.â
âShouldâve been faster.â You adjust the blanket tighter around your shoulders. âAlso your couch is freezing.â
âItâs November. Everythingâs freezing.â
But heâs already sitting down next to you anyway, close enough that his knee bumps yours as he settles in. He hands you one of the containersâyours, the one with extra green onions because he remembered without asking.
You balance it on top of your knees, chopsticks already in hand.
The TV flickers. Opening credits. That jazz saxophone cutting through the silence.
Heâs already eating, slurping noodles with zero regard for decorum. Momoâs loose now, perched on the back of the couch behind him, tail twitching, watching the screen like she understands whatâs happening.
You eat slower. Let the broth warm you from the inside.
âWhy do you like it so much?â you ask eventually. âThis show, I mean.â
âDunno.â Heâs staring at the screen but you can tell heâs not really watching anymore. âCame back in â98 and iit was on telly here. Iâd justâŚâ He makes a vague gesture with his chopsticks. âI didnât know anyone yet. Mum was at work most days and I was trying to find jobs but my Japanese was shit for business stuff even though I grew up speaking it, you know? Like I could talk to Mum fine but formal keigo with strangersââ
He trails off. Takes another bite.
âSo Iâd come home and watch this.â He chews thoughtfully. âIt kept me company. When I was lonely.â
On screen, Spike and Jet are bickering about bounties. The ship drifts through space, aimless.
âThatâs kinda sad, Ott.â
âYeah.â He grins, but itâs crooked. âI was pretty sad back then.â
You continue eating your noodles, wipe your mouth with the back of your hand. Hoseokâs still working through his, slower now.
âWant a beer?â he asks.
âYeah, alright.â
He gets up, goes into the kitchen. You hear the fridge open. The crack-hiss of cans. He comes back withtwo big Asahis and hands you one before dropping back onto the couch, closer this time.
The blanketâs big enough to cover both of you. You donât offer. He doesnât take.
You take a sip of your beer. Cold and bitter and exactly right.
Episode two starts.
You watch for a while. Drink your beer. Try to find the words for the question thatâs been sitting in your throat since he mentioned â98.
âI never asked you properly, I reckon,â you say finally, quietly. âBut⌠why did you leave Sydney?â
Hoseok goes still, stops mid-drink, the can halfway to his mouth.
You keep your eyes on the TV. Easier that way.
âLike, I remember you said you wanted to be with your mum,â you continue, careful, âbut I didnât really get it back then. We were mates and then you were just⌠gone.â
He sets his beer down. Leans forward, elbows on his knees. Reaches over the arm of the couch and grabs something wedged in the cushionsâa small round plushie. Orange cat with a grumpy face. He holds it in both hands.
âYou knew about the divorce, yeah?â he asks.
âYeah.â
Everyone knew. It wasnât exactly quiet when his parents split.
He squeezes the plushie. âMum cheated on Dad.â
You nod. Youâd heard rumors. Seen Hoseokâs face go tight whenever anyone brought it up at school.
âI was so fucking mad at her,â he says, and thereâs old anger in his voice still. âLike, properly furious. Didnât want anything to do with her for ages. Sheâd call and I wouldnât pick up. Sheâd send letters and Iâd bin them. Becauseââ He squeezes the cat harder. âI donât fuck with cheating. You donât do that to someone.â
You take another sip of beer. Donât interrupt.
âDad made it ugly with lawyers. He wanted me to stay in Sydney, and Mum thought I should be allowed to decide. And I chose him because all my mates were in Sydney and I was pissed at Mum and Dad actually wanted me there, you know? He fought for me.â
His thumb presses into the plushieâs stomach. Over and over.
âBut thenâŚâ He stops. Starts again. âDad tried. He really did. Heâd come home earlier, ask about school, actually show up to things. But work alwaysâit always pulled him back. Heâd promise to make dinner and then call at seven saying he was stuck in a meeting. Heâd say weâd go to the cricket on Saturday and then have to fly to Melbourne for some emergency. He tried but it was never quiteâŚâ
âEnough,â you finish quietly.
âYeah.â He laughs, but thereâs no humor in it. âAnd I couldnât even be mad because he was trying. Like, genuinely trying. But his best wasnâtâit just wasnât enough.â
On screen, Jetâs watering his bonsai. Talking about the past.
âMum kept calling,â Hoseok continues. âEvery week. Even when I wouldnât answer. And eventually I⌠I gave her a chance. Visited during summer holidays. And she was justâshe was there, you know? Like, actually there. Made breakfast, asked about my day, wanted to know what I was drawing. And Osaka felt more like home than Sydney ever did, which was fucked because I grew up in Sydney.â
âBut you had your mum here,â you say.
âYeah. I had Mum.â He sets the beer down, both hands on the plushie now. âI started visiting more. Stayed longer each time. And then Dad met Vanessa and they got married and I knew they wanted a kid and I justââ
He stops. Jaw working.
âI thought maybe it was good. Like, maybe heâd finally have the family thing he wanted. Maybe this time work wouldnât matter as much. Maybe heâd get it right with the new kid.â His voice cracks slightly. âSo I moved here. Told him I was taking a gap year, maybe transferring to a Japanese uni. And heââ
Hoseokâs hands go still.
âHe took it as this massive betrayal. After everything with Mum. After the courts, after the custody fight, after he wonâI went to her anyway. And from his perspective I get it. I really do. But I couldnât stay there watching him build a whole new life while I was justââ
âBackground noise,â you finish.
âYeah.â
You shift closer. Let your shoulder press against his.
âWhenâs the last time you talked to him?â
âThree years.â He says it flat. Simple. Like it doesnât hurt. âHe sends emails sometimes. About my brother. James. Heâs three now. Seems like they were successful with the pregnancy.â
Your chest tightens. âOttâŚâ
âI always wanted a brother,â he says, and his voice does something awful. Goes small. âWhen I was a kid Iâd ask Mum and Dad for one all the time. And now Iâve got one and I canâtââ
He stops. Squeezes the plushie so hard his knuckles go white.
âDad wonât answer when I reply. He just sends these little updates and I donât know how to fix it and James doesnât even know I exist probably, or if he does Iâm just this abstract concept of a brother in Japan whoââ
His voice cracks properly this time.
You donât think. Just reach over and take the plushie from his hands before he crushes it completely. Set it on the table. Take his hand instead.
âThatâs really shit,â you say quietly.
âYeah.â He squeezes your hand back. Hard. âItâs pretty shitty.â
He holds your hand for another beat, then two. His thumb brushes the side of your palmârough skin, callous from holding pens, warm.
âAnyway,â he says, and the word is too loud. Too bright. He pulls his hand back like heâs just realized he was holding yours. âThatâs enough heavy shit for a Tuesday.â
He grabs his beer. Downs half of it in one go.
âYeah,â you say, looking away. âHeavy shit quota filled.â
âExactly.â He sets the can down with a sharp click. âNow we focus on important things. Like how Jet is definitely the mum of the group.â
âSpike cooks sometimes.â
âSpike makes bell peppers and beef with no beef. Thatâs not cooking, thatâs a cry for help.â
You snort. The tension breaks, just a little.
You pick up your ramen container again. Itâs cooled down now, the plastic slightly soft in your hands. You balance it on your knees, chopsticks digging for a piece of pork you know is hiding at the bottom.
Hoseok shifts next to you. Restless. That energy of his that never really settles, always humming just under the skin. He leans over to grab the remote from the coffee table, stretching across your lap to reach it.
âWhat are you doing?â
âChecking how long is left. I wanna show you theââ
His elbow clips the edge of your container.
âOtt, watch outââ
Too late.
The container tips. Gravity does its thing.
And half a litre of shoyu broth, noodles, and that elusive piece of pork cascades directly onto your chest.
âFuck!â
âShitâCapy, Iâm soââ
The heat hits you first. Itâs not scaldingâthank god for slow eatersâbut itâs hot enough to make you gasp. Wet warmth soaks through your white work blouse instantly, plastering the fabric to your skin from collarbone to sternum.
âOh my god,â Hoseok is scrambling, hands hovering, panic written all over his face. âIâm so sorry, I didnâtâshit, is it hot? Are you okay?â
âIâm fine,â you hiss, grabbing a napkin from the table and dabbing frantically at the disaster zone. âJustâwet. And smelling like pork and soy.â
Heâs rolled his sleeves up. Both of them. Shoved them to his elbows in one quick, efficient motion so they wouldn't get wet, and now his forearms are right there.
âHere, let meââ
He grabs the hand towel without thinkingâbecause he never thinks, does he? He just doesâhe reaches out and starts scrubbing at your shirt.
âItâs gonna stain,â heâs saying, frantic, rubbing the cloth against your chest. âSoy sauce stains like a bitch, we need to get cold water on it or maybe dish soap, Mum always said dish soap for oilââ
His hand is firm. Moving in quick, circular motions.
Right over your left breast.
You freeze.
When the fuck did his forearms get like that?
Not huge. Not bodybuilder nonsense. Justâdefined. The tendons shifting under skin as his hands move, the veins visible along the inside of his wrists, the way the muscle flexes when he presses the cloth against your shirt.
You're staring. You know you're staring. You can't stop.
He could probably pin you down with one hand. Justâgrab both your wrists, hold them above your head, spin you around and press you into the couch cushions with zero effort.
Your face goes nuclear.
âI think if we soak it now we can save it,â he mumbles, scrubbing harder. âMight need to use the stain remover I got for the ink spills, butââ
His knuckles brush the underside of your breast.
Your breath catches. A small, involuntary hitch in your throat that sounds suspiciously like a squeak.
Hoseok freezes. Looks up.
Youâre staring at him. Heâs staring at you.
And his hand is still on your boob.
You should say something. You should make a joke. You should shove him off and call him a pervert and laugh it off like you always do.
His gaze drops, slides from your eyes down to where his hand is resting, and his eyes immediately widen.
Because your shirt is wet. Soaked through. Translucent.
And underneath the sensible white cotton of your Synergy International work blouse, you are wearing the pale pink lace bra you bought on sale three weeks ago because the sales assistant said it made you look âdelicate.â
Itâs not a work bra. Itâs a âI feel like shit and want to know Iâm wearing something pretty underneath the corporate beigâ bra.
Itâs lace. Itâs sheer. And right now, thanks to the physics of wet fabric, it is entirely visible.
You can feel your face heating up. Not the slow burn from earlierâthis is a flash fire. Your ears, your neck, your cheeks. You must look like a tomato.
Hoseok swallows. You see his throat click.
His eyes trace the line of lace. The curve of your breast pressed against the fabric. The way your nipple is hardening against the cold air (and his warm hand, oh god, his hand).
He looks back up at your face.
Then back down.
Then to the side, at the wall, like the wall is suddenly the most interesting thing in the universe.
Then back to your chest.
âIââ He starts. Voice rough. Clears his throat. âI shouldââ
He snatches his hand back like heâs been burned.
âSorry,â he chokes out. âIâuh. The stain. I was justââ
He scrambles backward on the couch, catching his foot on the coffee table leg with a loud thud.
"çăŁăăăăŁďź" (Owâfuck!) He stumbles, hopping on one leg, clutching his shin.
Which should not be attractive. It's objectively not attractive.
Except somehow the way he swears in Japaneseâvoice rough and breathless and painedâdoes something to your brain that you refuse to examine.
You wonder what other situations would make him curse like that.
Stop it.
Stop.
âAre you okay?â Your voice is an octave higher than usual.
Why is it higher? Stop that.
âFine! Iâm fine!â Heâs standing now, clutching his shin, face roughly the same colour as the plushie he was strangling earlier. âJustâshin. Table. Classic. You know me.â
He laughs. It sounds hysterical.
âRight,â you say.
You look down at your chest.
Itâs a disaster. Brown splotches. Wet fabric clinging to every curve. The pink lace grinning through like a neon sign saying âLOOK AT MEâ
You cross your arms over your chest immediately.
âI need to change,â you mumble into your shoulder.
âYeah!â Hoseok squeaks. âYeah. Change. Good idea. Wet clothes. Bad. Pneumonia. Not on my watch.â
He spins around. Marches towards his bedroom with the stiff-legged gait of a man who has forgot how knees work.
âIâll get youâsomething. A shirt. Hoodie. I have hoodies.â
He disappears into the bedroom. You hear drawers opening and closing. A thud. A muffled curse. More rummaging.
You sit there on the couch, arms crossed, staring at the paused TV screen. Spike Spiegel is frozen mid-kick.
Your heart is hammering against your ribs.
Thud-thud-thud-thud.
Did he justâ?
He definitely looked.
He didnât just look. He stared.
And he didnât make a joke. He didnât say ânice undies, Capyâ or âscandalousâ or any of the things seventeen-year-old Hoseok would have said.
He just went red and ran away.
Which meansâŚ
Shut up. Donât think about it. He was embarrassed because he spilled soup on you. Thatâs it. Thatâs all.
Hoseok reappears. Heâs holding a black hoodie in both hands, presenting it like a sacred offering. Heâs staring at the hoodie intently, refusing to look anywhere near you.
âHere,â he says to the floor. âItâs clean. I washed it last week.â
You stand up. Keep one arm across your chest. Reach out with the other.
âThanks.â
Your fingers brush his as you take the hoodie.
He flinches. Actually flinches.
âBathroomâs free,â he says quickly, stepping back. âObviously. Since Iâm here. And not in there.â
âRight.â
âIâllâIâll clean this up.â He gestures vaguely at the spilled ramen on the floor. âThe mess.â
âOkay.â
You flee.
The bathroom door shuts behind you with a click that feels like safety. You lean back against it and exhale, long and shaky.
Jesus Christ.
You look in the mirror.
You look insane. Your hair is half-falling out of its clip. Your face is bright red. And your shirt is practically see-through, the delicate pink lace of your bra visible in high definition.
âYouâre an idiot,â you whisper to your reflection. âWhy did you wear this? Why today?â
You peel the wet shirt off. The fabric is cold and clammy now, smelling of soy sauce and shame. You drop it in the sink.
Standing there in just your bra and work trousers, you catch sight of yourself again. The lace against your skin. The way your breasts look in itâfuller, lifted.
You remember his eyes. The way theyâd tracked the curve. The way his hand had felt, heavy and warm, right there.
A shiver runs through you that has nothing to do with the cold.
Stop it.
You pull the hoodie over your head.
It swallows you. The sleeves hang past your fingertips. The hem drops to mid-thigh. It's old and soft and clearly one of his favouritesâthe cotton worn thin in places, the drawstrings frayed at the tips.
And it smells like yuzu.
Not faintly. Not a hint. The full thingâbright and sharp and warm, baked into every fibre. His shampoo, his detergent, his skin.
It's everywhere. Surrounding you. Sinking into you.
You bring the collar up to your nose without thinking.
Inhale.
Fuck.
It smells like him. Like properly, unmistakably him. And it smells likeâ
That rainy day. Year 10. He was trying to impress Kenya Adebayo, walking next to her under the awning after school, doing that thing where he laughed too loud at everything she said.
But you were shivering behind them because you hadn't brought a jacket and the rain had come out of nowhere, and Kenya was cold too, and he'd looked between the two of you for exactly one second before pulling his hoodie off and shoving it at you.
Kenya had looked annoyed. You'd looked at the hoodie. He'd looked at you like it was obviousâlike there was never a question, not really.
He still smells like that. Like every stupid hoodie he ever lent you. Like yuzu and warmth and a decision he made before he even had to think about it.
You press your face deeper into the collar. Breathe in again. Slower. Let it fill your chest.
Your eyes drift to the mirror.
You're standing in Jung Hoseok's bathroom, wearing his oversized hoodie, face buried in the collar like a cat rubbing against its owner's scent to claim territory.
You jerk back so fast you nearly crack your head on the towel rack.
Are you actually insane? What are you doing? What is WRONG with you?
You drop the hoodie collar. Stand up very straight. Look yourself in the eye with the full force of your own contempt.
Embarrassing.
Right. You're staying over. That'sâthat's been established. It's late and you're tired and your shirt is ruined and you're not trekking back to Tennoji at this hour. So you might as well get comfortable.
You shimmy out of your work trousers. Fold them. Set them on top of the wet shirt.
Hoodie and bare legs. You look ridiculous. You look like every girl in every shojo manga Hoseok's ever made fun of.
Whatever. You need pants.
You open the bathroom door.
Hoseok's crouched by the coffee table, wiping up the ramen spill with paper towels. He's got three stacked in each hand, scrubbing at the table surface with way more focus than the task requires.
"Ott."
He doesn't look up. "Yep."
"Can you lend me some pants? Pyjama ones or whatever."
He looks up.
His mouth opens. Closes. Opens again.
His eyes land on your face. Drop. Snap back up. Drop againâto the hoodie, to where it ends at your thighs, to your bare legsâand then he's staring at the coffee table like it holds the secrets of the universe.
"Yep," he says again. Higher pitched this time. "Yep, yeah, sure, one secâ"
He stands. Trips over absolutely nothing. Catches himself on the back of the couch. Doesn't look at you as he disappears into his bedroom.
Comes back holding a pair of grey drawstring trackies at arm's length, eyes fixed on a spot approximately two metres to your left.
"Here."
"Cheers."
Back to the bathroom. Pants on. They're too long, pooling at your ankles, and you have to roll the waistband twice to keep them up.
His clothes. You're wearing his clothes. Head to toe. His hoodie, his pants, his scent wrapped around you likeâ
Stop. Stop it. Go sit on the couch and watch Cowboy Bebop like a normal person.
You walk back out.
Hoseok's sitting on the couch, fresh paper towels in hand, Bebop still playing. He's cleaned up the spill. He's also moved to the far end of the couch, which is notable, because this couch isn't big enough for âfar endsâ to mean anything.
You sit down. Tuck your legs under you again. Reach for the blanket.
Silence. Spike's on screen, being cool and damaged.
Your stomach growls.
Not a polite little rumble. A proper, full-bodied, I haven't eaten since that sabotaged ramen growl that seems to echo off the thin walls of his flat.
Hoseok's eyes slide towards you. His lips press together. You can see the grin fighting to break throughâthe way his cheek twitches, the way he bites the inside of his mouth.
"Don't," you warn.
"Didn't say anything."
"Your face is saying it."
"My face is innocent."
Your stomach growls again. Louder. Like it's making a point.
You look away. Tug the blanket higher. Study a very interesting spot on the wall.
"Do youâŚ" You clear your throat. "Have you got any⌠yubeshi? By any chance."
He blinks.
"Yubeshi?"
"Yeah. From that cafĂŠ. You had some the other day, I thought maybe youâ" You're rambling. You don't ramble. "Never mind. Forget it."
"No, Iâyeah, actually." He's already getting up, moving towards the kitchen. "I think there's some in theâyeah, hang on."
You pull the collar of his hoodie up over your nose.
Just because you're cold.
That's all.
âŚSure.
He rattles around in the kitchen for a bit, cupboard doors opening and closing, the fridge seal sucking and releasing.
Thereâs a muffled, triumphant âaha,â then the crinkle of plastic.
Momo watches you from the back of the couch, beady eyes unblinking. Judging. Obviously.
Hoseok comes back with a small plastic container in one hand and a fork in the otherâno plates, because of courseâand drops down next to you. The cushions dip under his weight, shoving you half a centimetre closer, not that thereâs anywhere else to go in a thirty-something square metre flat with furniture crammed into every available corner.
âTold you,â he says. âYubeshi delivery.â
He peels the lid back with his teeth. The smell hits firstâbright yuzu and chewy rice sweetness. Your stomach gives an embarrassingly enthusiastic lurch.
You lower the hoodie from your face, but keep the blanket tight, like youâre negotiating with the cold.
He spears a piece with the fork and holds it out, halfway between you.
You squint at it. âThatâs not how this works. Hand it over.â
âWhat, you donât trust my piloting skills?â He wiggles the fork. âSay âahâ.â
âAbsolutely not.â
He just keeps holding it there, eyes wide, fake-innocent.
âCome on,â Hoseok sing-songs. âOpen up. Be a goodââ
You glare.
He stops. Clears his throat. ââŚgood sport. Good friend. Completely normal friend.â
Still. Youâre tired, hungry, and the fork is right there.
You lean forward and take the piece straight off it, lips brushing metal, teeth closing down. The yubeshi is perfectâchewy, citrusy, sweet enough to make your eyes half-close for a second.
âMm.â
He looks unreasonably pleased with himself. âSee? Piloting. Ten out of ten accuracy.â
âCongratulations, you learned to aim a fork.â
He spears another piece. This time when he holds it out with his fingers, youâre already moving, not really thinking about it. Your eyes stay on the TV. You lean in, bite down.
Some of the glossy sauce smears over his fingers. You taste it as you pull back, tongue catching the last of it without really paying attention.
He withdraws his hand. You notice heâs still got a streak of syrup on his thumb.
Before your brain gets a chance to file any objections, you reach out, catch his wrist, and lean in again.
You donât think sexy. You donât think anything at all.
You just⌠lick. Dragging your tongue across the pad of his thumb, catching the citrus-sweet stickiness, cleaning him off like youâd do with your own hand if you couldnât be bothered to grab a napkin.
You let go, sit back, thumb of his hand slipping from between your fingers.
âMessy,â you mutter, more to yourself than to him, already chewing.
It takes a beat before you realise the roomâs gone weirdly quiet.
You look up.
Hoseok hasnât moved.
His eyes are half-lidded, fixed on his own thumb like itâs grown a second head. His lips are parted just a little. The tip of his tongue darts out to wet them, slow and unconscious.
He looks⌠dazed.
Your brain catches up with your body about five seconds late.
Oh.
Oh, shit.
You just licked his thumb.
Youâre about to mumble somethingâanythingâto brush it off when he finally drags his gaze away from his hand and up to you.
Then, gravel-rough, almost like the words sneak out past his filter, he murmurs, still looking at his thumb:
ââŚThink you missed a spot.â
The bottom drops out of your stomach.
Itâs not what he says so much as how he says itâlow, husky, like the line came straight from whatever part of his brain is currently not supervised by common sense. Like heâs talking to Miki, not you. Like this is a panel that should be shrink-wrapped and slapped with an 18+ sticker.
You stare at him.
Your heartbeat slams against your ribs, stupid and loud.
He realises what heâs just said a second too late. His eyes flick to yours, wide, like he wants to drag the sentence back into his mouth and swallow it whole.
You could laugh it off, call him a pervert, roll your eyes, tell him his brainâs made of hentai now.
You donât.
You feel your lashes lower, like theyâre heavy. Your mouth goes a little soft around the edges.
Fine, then.
If thatâs the game.
You turn slightly on the couch, angle your body towards him. The blanket slips down one shoulder. You reach out again, fingers closing gently around his wrist.
The pulse there jumps under your thumb.
You keep your eyes on his, steady. Try on that look youâve practiced for Miki in the mirror, the one that lives somewhere between bored and hungry.
âThis spot?â you ask, voice coming out lower than you meant.
You bring his hand closer, slow. His gaze tracks the movement like heâs powerless not to.
Your tongue meets his skin again, this time careful. You drag the tip along the inside edge of his thumb, where the knuckle meets the pad. Thereâs barely any syrup left. Doesnât matter. You trace there anyway, like youâre following the outline of something important.
His breath stutters, tiny hitch in his chest, air seems to catch halfway out.
You keep going. Just once, maybe twice. Then you pull back, releasing his hand, and lick your own lips slowly, chasing the lingering sweetness.
Like a cat cleaning its mouth after stealing cream.
His eyes stay locked on your mouth the entire time. His knees draw in a fraction, like his bodyâs trying to fold around something. The fork wobbles in his other hand.
He exhales, shaky.
âThat wasââ
He cuts himself off, jaw flexing. Looks away so abruptly itâs almost comical, like if he doesnât find a neutral object in the room to stare at immediately, heâs going to combust.
Momo picks that exact moment to chitter, a scolding little sound from the back of the couch.
Hoseok practically flinches.
âOh. Right. Yeah. Momo.â His voice jumps an octave, veers hard into flustered. âUhâsheâshe wants attention. Thatâs her âyouâre ignoring me, peasantâ noise.â
He turns, very intentionally away from you, and reaches back to scritch gently under her chin. Momo leans into it, offended dignity forgot for the sake of head scratches.
You breathe. Try to get your heart back under control. Act normal. The hoodie suddenly feels too warm, too close. You wish the couch would open up and swallow you.
He focuses on Momo like sheâs a lifeline. âJealous, huh? Yeah, yeah, I know, youâre the real star here.â
Itâs absurdly transparent.
You could call him on it.
You donât.
Youâre too busy pretending your tongue didnât just have Opinions about his skin.
After a moment, he drops back against the cushions, shoulders sinking a little.
You clear your throat. âSo.â
âSo,â he echoes.
Cowboy Bebop continues to play to absolutely no audience.
You grab for the nearest safe topic like youâre scrambling for a handhold.
âBy the way.â You nudge his thigh with your knee under the blanket. âI told my lot about you today.â
He frowns. âYour⌠lot?â
âWork idiots. Yuki, Amelie, Brianna, Adao.â You roll your eyes. âTheyâre obsessed with meeting you and Yoongi now. Apparently the âgolden retrieverâ and the âcat-looking bartenderâ made quite an impression.â
He blinks. âWait, what?â
You sigh. âWe were talking about going out tomorrow. Amelie lost her mind when Adao mentioned âMr Kimâ. She wants him there so badly itâs getting embarrassing.â
Hoseok laughs, the tension in his shoulders loosening a notch.
You shift, tucking your feet under you, blanket slipping so your bare toes brush his thigh through his jeans.
You try to pretend you donât notice the contact.
Your skin sure as hell does.
âSo,â you continue, âweâre doing a group thing, probably. Drinks or I donât know, whatever they decide. You should come. Bring Yoongi. Let them drool over him in person instead of through my horror stories.â
âTrauma dump?â he protests. âYou make it sound like Iâd bring you to Midnight Keys for exposure therapy.â
âYouâre totally the type to bring me there to bully me into karaoke.â
âThat too.â
He thinks about it, chewing the inside of his cheek.
âYoongi hates meeting new people.â
âBrianna and Amelie arenât people, theyâre forces of nature. Heâll be fine.â
Hoseok snorts. âYeah, thatâs what Iâm afraid of.â
âCome on.â You bump his leg again. âItâs not like youâve got a packed social calendar. Freelance hentai man, remember? My coworkers could be your pens.â
âRude.â He pretends to be offended. âIâll have you know Iâm very in demand.â
âBy printers and deadlines.â
âAnd you,â he points out. âYou keep showing up like a bad smell.â
You sniff dramatically. âThatâs the ramen.â
He laughs, softer this time.
Then, he nods. âOkay. Yeah. Iâll drag Yoongi. Heâll secretly enjoy himself. Thatâs his whole brand.â
You file away the way he says âyeahââno hesitation. No âif Iâm freeâ. Just assumes heâll be there if you are.
Warmth curls low in your chest that has nothing to do with yubeshi.
The show rolls into another episode. You shift again, resettling. The couch springs squeak. The blanket rustles.
His thigh is a steady line of heat along your calves now.
Japanese filters through the speakersâSpike talking, Faye snapping back. You catch scattered words; your brainâs too tired to string them together.
Thank god for English subtitles.
Formal meetings are one thing; slang in anime is another.
Hoseok chuckles at something on-screen.
You tilt your head, watch his profile more than the show. âYou always understand all of that?â
He shrugs. âMost of it. Some of itâs old slang. But yeah.â
âYouâre so fucking lucky,â you grumble. âI sit in meetings that are supposed to be only in English all day catching, like, thirty percent and guessing the rest.â
âYouâre doing fine.â
âIâm doing barely not drowning. Not the same.â You roll your eyes. âYou switch between languages like itâs nothing. Itâs disgusting, actually.â
âWow. Thank you.â
âDonât get a big head.â You hesitate, then let the next bit slip out before you can overthink it. âItâs⌠kind of hot, though.â
Silence.
You realise what youâve just said a beat too late.
You feel him go still beside you. Not visibly, not if you werenât pressed this close, but you are. Every muscle seems to pause.
ââŚWhat?â he says.
You focus very intently on the TV. âThe Japanese. When you talk. Itâsâwhatever. Forget it.â
He doesnât forget it.
âYou think itâs⌠hot,â he repeats, like heâs testing the shape of the word in his mouth.
You wish the cushion would smother you.
âItâs justââ You wave a hand, vague. âBrain stuff. Bilingual. Itâs a thing.â
âBrain stuff,â he echoes faintly.
You risk a glance up.
Heâs looking at you with pink ears and a parted mouth.
ââŚReally?â he asks, quiet.
You swallow. âDonât make it weird.â
âIâm not making itââ He breaks off, laughs under his breath, helpless. Rubs the back of his neck. âJustâno oneâs called my Japanese hot before.â
âPlenty of people probably have,â you mutter. âYou just werenât paying attention.â
âTrust me,â he says dryly, âIâd remember.â
You stifle a yawn. It still escapes, jaw cracking.
Your eyelids feel heavy. The dayâs weight catches up all at onceâthe restructure announcement, the report, your mumâs text youâre pointedly ignoring, the thumb situation, of all things.
Your body decides unilaterally that itâs done.
âTired?â he asks.
âNo,â you lie, words slurring just a little.
He gives you that look. The one that says heâs known you since you had braces and a bad fringe; you canât bluff him.
Without comment, he shifts, stretching one leg out along the couch, bending the other.
Then he pats his thigh twice, casual.
âCâmere,â he says. âHead.â
You stare. âWhat?â
âPillow upgrade.â He pats his leg again like heâs summoning a cat. âCouch is lumpy.â
âThatâs your fault for buying it off the side of the road.â
âAnd yet you keep sleeping on it.â
âThatâs because Iâm poor, not because itâs comfy.â
He just looks at you, patient. Hand still resting on his thigh, palm up now, like an invitation.
You hesitate.
Itâs stupid. Itâs him. Youâve sprawled all over each other before. Back when you were both idiots and the world was smaller and simpler.
âTake the damn pillow, Capy,â he says softly. âYouâre falling over.â
You huff. âIf your leg goes numb, Iâm not helping.â
âSuch compassion.â
You ease sideways under the blanket, twisting your body until you can lower your head carefully onto his lap. One arm folds under your chest; the other rests loosely against your stomach.
His thigh is soft under your cheek. You can feel the shift of his muscles as he adjusts, making space for you, spreading his knees just enough to cradle the weight of your head comfortably.
A hand hovers above your hair, uncertain.
Then his fingers settle gently against your scalp, just behind your ear. Slow, exploratory strokes.
Not really a massage, not quite a pat.
More likeâ
âWhy are you petting me like a cat?â you mumble into his hoodie.
He scoffs. âBecause youâre basically one now.â
You make a low, unimpressed noise. âSpeciesist.â
âMiki,â he elaborates, thumb tracing idle circles against your skull. âCat-girl. Ears. Tail. Full transformation. This is just method acting.â
âYouâre an idiot.â
âMm.â
His fingers keep moving, scratching lightly at your scalp, nails just enough to drag, not enough to hurt. It sends these little lines of warmth down the back of your neck, through your shoulders. Your body loosens by degrees, tension bleeding out into the cushions.
âYou know,â he says after a while, quieter, âitâs not just a cat thing.â
You crack one eye open. âWhat?â
âAunt Pat told me,â he continues, voice going soft around her name. âBack in Year 11. When you got that flu and disappeared for a week.â
You remember that. Fever, aching joints, the world shrinking to your bedroom and the shape of the bucket beside your bed.
You also remember him turning up at your door almost every day with homework and stupid comics. Sitting on the floor because your aunt wouldnât let him too close in case he caught it.
âShe said sheâd been doing this since you were tiny,â he goes on, fingers threading slowly through your hair now, careful not to tug. âSaid it helps you sleep.â
You want to argue. You donât. Your body is already betraying you, sinking heavier against him, eyelids drooping.
âTraitor,â you tell your own brain.
He huffs a laugh. His hand moves to the crown of your head, fingertips pressing in small, firm circles. Itâs⌠embarrassingly good. The right kind of pressure, not too light, not ticklish. Enough to ground you without setting off your nerves.
âFigured Iâd try it,â he says softly. âBack then. âCause you looked⌠wrecked. Thought maybe if it worked when you were five, itâd work when you were sixteen.â
âDid it?â you mumble.
âYeah.â His palm smooths down, thumb tracing the curve of your skull. âYou passed out sitting up. Scared the shit out of me. Aunt Pat just laughed and said, âSee? Told you.ââ
You can picture it. Aunt Pat at the doorway, fond and tired, watching this lanky teenage boy tentative behind you, hand in your hair.
The thought punches something loose in your chest.
âHelps me too, you know,â he says after a while, like heâs talking more to your hair than to you. âWhen youâre here.â
You make a questioning noise. Or try to. It comes out more like a sleepy hum.
âSleeping.â His fingers pause, then resume, a little self-conscious now. âI sleep better. When youâre on the couch. Or the futon. Just⌠in the flat.â
Dangerous words, said in the soft, late-night register that makes everything feel truer.
You want to crack a joke. Tell him thatâs pathetic. That he should get a hobby. That you snore and itâs probably just white noise.
Your mouth doesnât cooperate.
âSame,â you hear yourself mumble. It slips out, unguarded, half-submerged. âDonât like⌠empty flat.â
His hand stills for a heartbeat.
Then he resumes the rhythm, slower now.
âYeah,â he says quietly. âI know.â
Your bodyâs already gone heavy-limbed and useless. The hoodie smells like yuzu and him, the blanket like detergent and old ink. His thigh is warm under your cheek, solid, anchoring you to this ridiculous, cramped little couch in this ridiculous, cramped little Osaka flat that somehow feels more like home than your own bed.
Your thoughts start to fray at the edges. Words blur. The room tilts in that soft way that means gravityâs winning.
His fingers card through your hair once more, smoothing it back from your forehead.
âGo to sleep, Capy,â he murmurs.
You mean to tell him to piss off.
You donât.
if you liked this chapter, please consider buying me a coffee!! âĽ'ďť'⼠https://ko-fi.com/jungkoode
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
pairing: hoseok x f!reader | rating: 18+ | wc: 11,850 | warnings: here
genre: childhood bffs, grumpy x sunshine, emotional slow burn, smut
"best mate privileges"
"Five years apart should have made him unfamiliar. Instead, his flat feels safer than yours, his clothes still smell like home, and his hands remember how to make you sleep."
next | index | taglist request | general masterlist
⤠author's note: Hello, my beloved victims. I had an absolutely ridiculous amount of fun writing this chapter, which is alarming considering a substantial portion of it is about corporate instability, unresolved childhood abandonment, and two emotionally constipated adults discovering that perhaps five years of separation did not, in fact, erase the terrifying amount of space they still occupy inside each other. You know. Light entertainment.
This chapter is very much about the strange intimacy of returning to someone who used to know you better than anyoneâand realizing that familiarity doesnât necessarily disappear when you grow apart. Sometimes it just goes dormant. It settles into the body. It becomes muscle memory. Itâs knowing how someone takes their coffee despite having missed five entire years of their life. Itâs remembering which touch helps them sleep. Itâs recognizing the shape of their loneliness because, once upon a time, it looked exactly like yours.
And I think thereâs something particularly painful about reconnecting with a childhood friend as an adult because youâre not simply meeting them again. Youâre also meeting every version of them you werenât there to witness⌠There are entire people inside the people we love that we never get to know. Versions who lived in different apartments, cried over different things, learned how to survive without us, developed routines we didnât help build. You can come back into someoneâs life and love who theyâve become while still grieving the fact that you werenât beside them while they became that person. Anyway. Ew. Feelings. Disgusting. Moving on.
This chapter is also about domesticity sneaking in through the back door wearing a fake moustache and insisting itâs merely friendship. Because Y/N and Hoseok are not consciously building a life together. Of course not. That would require self-awareness, and neither of them has been blessed with enough of that to survive the plot. Theyâre simply accumulating tiny habits. Becoming each otherâs first call after a bad day. Remembering food preferences. Offering clothes. Making room on couches. Learning how the other person needs to be held when language stops working. Completely normal best-friend behaviour. Nothing to investigate here. Please disperse.
I wanted their attraction in this chapter to feel less like a sudden revelation and more like something their bodies have already understood while their brains remain trapped several business days behind. They are becoming physically aware of each other in ways that are difficult to dismiss, but that awareness is tangled up with safety, nostalgia, grief, comfort, and the terrifying possibility that the person who feels most like home could also become someone they want. And wanting is dangerous when you have something precious to lose, isnât it? âşď¸
Thatâs the real problem with friends-to-lovers, I reckon⌠The friendship isnât an obstacle standing between them and romance. The friendship is the reason the romance feels so frightening⌠Soooo naturally, rather than discussing any of that like functional adults, they will be communicating through sarcasm, prolonged eye contact, wildly inappropriate thoughts, accidental domesticity, and decisions so questionable I had to stare at my own document and whisper, âbe serious,â despite being the person actively making them do it. (Iâve said it once and Iâll say it acain. I have NO narrative agency whatsoever when it comes to writing my fanfics. This is NOT a joke.)
Thank you, as always, for reading, commenting, screaming, analysing punctuation, threatening fictional men, and enabling this increasingly elaborate psychological study disguised as a story about a hentai mangaka and his sarcastic childhood best friend.
I hope you enjoy the chapter. Please behave responsibly, because Hobi and Capy definitely wonât. <3
Davidson says the word âsynergisticâ twenty times in forty-six minutes, and you know this because Yukiâs been keeping count on the corner of her notepad.
She slides it across the conference table when heâs not lookingâa running tally in neat black pen, complete with little angry faces drawn next to the higher numbers.
Youâre supposed to be paying attention. Taking notes. Being a productive member of the Synergy International team.
Instead youâre watching Davidson gesture at a PowerPoint slide thatâs somehow managed to use five different fonts in a single bullet point, and wondering if this is what hell looks like. Just endless corporate presentations in a too-cold conference room that smells like burnt coffee and someoneâs tuna sandwich.
âAnd so,â Davidson announces, clicking to the next slide with all the gravitas of a man unveiling the cure for cancer, âIâm pleased to introduce our new campaign name.â
The slide loads.
PEPTIDE REVOLUTION: COLLAGEN FOR THE MODERN WOMAN
Silence.
Complete, absolute silence.
Amelie makes a noise that could be a cough or could be her soul leaving her body.
âRevolutionary,â Davidson continues, oblivious. âForward-thinking. A real paradigm shift in how we approach beauty supplementation in the Japanese market.â
Yukiâs hand moves. You watch her add another tally mark, then write in tiny letters:
If he says âparadigm shiftâ one more time, Iâm jumping.
You have to bite the inside of your cheek to keep from laughing.
âNow, I know what youâre all thinking,â Davidson says, and absolutely no one is thinking what he thinks theyâre thinking. âHow do we communicate this paradigmââ
Yukiâs pen moves so fast it nearly tears the paper.
ââthis shift in market positioning to our target demographic?â
She draws a stick figure falling off a building.
Youâre losing it. Your shoulders are shaking. You have to look down at your own notebook and pretend to be writing something very serious and important.
Your phone buzzes in your pocket.
You shouldnât check it. Youâre in a meeting. Youâre supposed to be professional.
You check it anyway, angling your body slightly away from Tanakaâs line of sight.
Brianna glances over, catches your expression, raises an eyebrow. You shake your head slightlyâlaterâand she nods, going back to her own notebook where sheâs been doodling what appears to be Davidsonâs head on fire.
âWhich brings me,â Davidson says, and something in his tone makes you look up, âto some organisational updates.â
The room shifts. People sit up straighter.
organisational updates. In corporate-speak, thatâs never good.
âAs many of you know, Synergy International has been evaluating our operational efficiency across all regional offices.â He clicks to a new slideâjust the company logo, which somehow makes it more ominous. âWeâre committed to streamlining our processes to better serve our clients and maximize our impact.â
Streamlining. Maximizing impact.
Translation: someoneâs getting sacked.
âPerformance reviews will be conducted over the next two weeks,â he continues. âAnd weâll be implementing some structural changes to ensure weâre operating at peak efficiency.â
Yukiâs pen has stopped moving. Amelieâs staring very intently at her hands.
You feel something cold settle in your stomach.
Youâve been here two months. Barely. Youâre still figuring out where the good vending machines are. You donât know half the systems. Your Japanese is passable but not fluent.
If theyâre cutting people, youâre an obvious choice.
The newest hire. The foreigner who still canât read half the memos. The one who definitely called in sick last week to help her friend finish his porn manga deadline.
Fuck.
Davidson keeps talking but youâve stopped listening. Your brainâs already spiraling through the worst-case scenariosâgetting sacked, having to find a new job, potentially having to leave Japan if you canât get another work visa sponsor, going back to Sydney with your tail between your legs and everyone asking what happened.
You shouldnât. You should go home and update your CV and maybe look at job listings and be a responsible adult about this whole situation.
But the thought of going back to your empty flat and spiraling alone sounds approximately one thousand times worse than spiraling in Hoseokâs organised chaos.
Your ears are burning. You can feel them. Physically feel the heat creeping up from your neck to the tips of your ears like some kind of biological betrayal.
Two exclamation marks. He never uses two exclamation marks. One, sure. Three, when he's being dramatic. But two sits in this uncanny valley of trying too hard to sound casual.
Not that you're analysing his punctuation patterns.
That would be insane.
You slide your phone back into your pocket just as Davidson wraps up his presentation.
âAny questions?â he asks brightly.
No one says anything.
Amelieâs still staring at her hands. Adaoâs jaw is clenched. Briannaâs crossed her arms and is radiating the kind of energy that suggests violence is not off the table.
âWonderful! Iâll be scheduling individual check-ins over the next few days. Keep an eye on your calendars.â
The meeting ends. Everyone files out in silence.
You grab your notebookâcovered in doodles of stick figures falling off buildings, courtesy of Yukiâand head back to your desk.
You drop into your chair and find the printer proofs waiting exactly where you left them: oversized sheets covered in crop marks, registration bars, and sticky notes from three departments that apparently communicate exclusively through arrows.
The collagen launch needs final English copy before the packaging vendor locks everything for print tomorrow. Bottle label, sachet cartons, counter display, beauty-counter cards, and a folded customer leafletâeach one carrying a slightly different version of the same claim.
Your job is to compare the proofs against the approved Japanese copy, clean up the agencyâs English, and squeeze the corrections back into boxes designed for sentences half the length.
Across every sheet, in metallic-pink placeholder ink:
PEPTIDE REVOLUTION.
Thrilling stuff.
Your phone buzzes. You ignore it.
It buzzes again.
You keep typing.
Third buzz.
You grab it, fully prepared to tell Hoseok to fuck off and let you finish this soulless document in peaceâ
You stare at the message for a solid ten seconds, then put the phone face-down on your desk.
Nope.
Not dealing with that right now.
The proofs arenât going to correct themselves.
You start with the customer leaflet, lining a ruler beneath the first block so your eyes donât jump between columns. The outside agency has translated one of the taglines as âTowards Every Day with Tension.â
Technically English. Spiritually a threat.
You cross it out in red, type a usable alternative into the master copy file, then count every character because the printer has allowed fifty-two spaces and Davidson wants eighty-seven spacesâ worth of nonsense.
Next is âReturn Your Skin to Its Original Young Powerâ, followed by âCollagen That Understands the Modern Lady.â
You fix both. Then the carton. Then the bottle label. Then the counter card where Davidson has handwritten âCan we make this sound more revolutionary?â beside a claim Legal already rejected twice.
Youâre going to walk into the ocean. Youâre actually going to do it.
By the time youâve corrected the carton, the bottle label, and half the customer leaflet, the red pencil has left a dent in your middle finger.
You take a break to get coffee from the kitchenâthe good stuff that Tanaka-san hides in the back of the cupboard behind the decaf no one touches.
When you get back, Adao's crouched next to Yuki's desk, half-disappeared under her monitor.
"No, see, is the connection," he's saying, wiggling something behind her computer tower. "The cable, it isâah, there."
Yuki's leaning over, watching him work. "Oh! It's working now."
"Yes, I told you." He surfaces, pushing his hair back. There's a smudge of dust on his jaw. "Is always the cable. People think is the software butâ" He makes a dismissive gesture. "Is just the cable."
"You're a lifesaver," Yuki says.
Adao stands, brushing off his knees. He's wearing dark jeans and a button-down that actually fits, sleeves rolled to his elbows. Proper IT guy who doesn't look like an IT guy.
He notices you staring and nods. "Your computer is okay?"
"Yeah, mine's fine."
"Good." He glances at Yuki, then back at you. "You are coming for drinks later? After work?"
You open your mouth.
From across the room, Amelie's head pops up over her cubicle divider like a meerkat. She presses her palms together. "Please."
"Iâ" You hesitate. "I've got plans already."
Amelie's face falls. Yuki spins in her chair, eyebrows raised.
"Tomorrow, maybe?" you offer, and you feel weirdly guilty about it, which is stupid.
You're allowed to have plans. You've had these plans for hours.
"Tomorrow works," Brianna says from her desk, not looking up from her screen. "I've got a thing tonight anyway."
Amelie brightens. "Okay! Tomorrow! We can do that place in Namba, the one with the good gyozaâ"
"And the terrible service," Yuki adds.
"The service is fineâ"
"They forgot your order twice."
Adao's still standing there, hands in his pockets, looking mildly amused. "Is decided, then. Tomorrow."
"Wait, wait, Adaoâ" Amelie swivels in her chair, zeroing in on him with laser focus. "You should bring Mr. Kim."
You blink. "Mr. Kim?"
"Ohâhe's not Japanese," Amelie says, waving a hand. "American-Korean. We only talk to him in English, hence the 'Mr.' instead ofâyou know." She gestures vaguely. "The whole -san situation. He insists on Mr Kim. Says Kim-san makes him feel like someoneâs dad."
"He does translation work," Yuki adds. "Cultural consulting. For international business stuff."
"He's alsoâ" Amelie makes a helpless gesture. "Have you seen him?"
"I work in accounting," Yuki says. "I see everyone's files. I've seen his employee photo."
"Then you understand."
Adao's face does something complicated. "AhâŚ"
"Please," Amelie says, hands coming together like she's praying. "Please. I am begging you."
"He is very busyâ"
"I don't care! Bring him anyway!"
"You have been talking about him for three weeks," Adao says, looking genuinely pained.
"Because he'sâ" Amelie gestures again, more emphatically. "I mean, come on."
"I will ask," Adao says carefully. "Butâ"
"Thank you!" Amelie's practically vibrating. "Oh my god, thank you, you're the bestâ"
"I said I will askâ"
"He's going to say yes. I can feel it."
Adao glances at you, then at Yuki, then back at Amelie.
"Women are scary," he says, very seriously.
"You're only just figuring that out?" Brianna asks, not looking up from her screen.
Yuki laughs, and Adao starts to turn back towards his desk. Before the conversation can fully dissolve, Amelie props her chin on her hand and turns to you with the particular look she gets when sheâs decided something.
âYou should totally invite your friend out with us, by the way.â
You glance up from your keyboard. âWhat friend.â
âOh, come on.â She spins her chair to face you fully. âDonât what friend me. The cinnamon-haired one from Midnight Keys.â
âThe golden retriever,â Yuki adds, not looking up.
âHeâs not myââ You stop. Start again. âIâm not bringing my childhood best friend to a company dinner.â
âItâs not a company dinner,â Amelie says, genuinely offended.
âExactly,â Brianna cuts in, finally looking up. âHow dare you call it that. Davidson is not coming. Donât say that word.â
âItâs drinks,â Amelie insists. âNormal human drinks. Between normal humans who happen to work together and are allowed to have outside friendsââ
âHeâs cute, though,â Yuki says, still not looking up. âYour friend. Very enthusiastic.â
âHe waves with both hands,â Brianna observes. âLike a Labrador.â
âGolden retriever,â Amelie corrects.
âIs there a difference?â
âAnyway.â Amelie fixes you with her most earnest expression. âIs he single?â
You stop typing.
The question sits there, perfectly ordinary, requiring a perfectly ordinary answer, and your brain immediately helpfully supplies: âwe literally dry humped the other day so if he has a partner Iâm worried for them.â
Instead, you settle for something a tad more diplomatic.
âI⌠guess?â
âYou guess.â
âI meanââ You glance at his flat in your head.
The instant noodle tower. The sugar glider. The sketchbooks. The total absence of anything that suggests another human being has ever stayed there.
âSeeing his flat, I definitely donât think heâs got anything going on. Thatâs for sure.â
Amelie looks delighted. Yuki finally looks up.
âAre you interested?â Amelie asks. Just like that. No preamble.
âWhat?â You actually choke on nothing. âNoâheâs my childhood best friend, thatâsâwhat kind of question evenââ
âOkay, okay.â Amelie holds her hands up, way too pleased with the reaction. âSo thatâs a no.â
âThatâs a obviously no.â
âGreat.â Brianna leans forward, elbows on her desk. âSoâwas it the black-haired one? The cat-looking one?â
âYoongi?â
You freeze.
Brianna's smiling. It's not a nice smile. It's the smile of someone who's got you pinned and knows it.
"Because if you're not interested," she continues, "I am begging you to introduce us."
Your face goes hot. "I don't even know him."
"But your golden retriever does," Yuki says, grinning.
"He's not myâ"
"They always know everything," Yuki continues, ignoring you completely. "Golden retrievers. Very social creatures."
Amelie props her chin on her hand. "Personally, I like golden retrievers. They're so my type." She pauses. "What's his deal? Your friend?"
"He'sâ" You falter. What is Hoseok's deal? "He draws manga."
"Ooh, artist type."
"He's a disaster," you say flatly. "Eats instant noodles for every meal. Owns a sugar glider. His flat's a health hazard."
Amelie's eyes go wide. "A sugar glider?"
"Don't," you warn. "Don't do that voice."
"What voice?"
"That 'oh my god that's adorable' voice."
"I'm notâ" She absolutely is. "Okay, but that is adorable."
Brianna's still watching you. "So. The black-haired one.â
"What about him?" you ask, trying for casual and landing somewhere around defensive.
"He was fit," Brianna says simply. "And I haven't been on a proper date since I moved here, so if you're not planning to make a moveâ"
âAs I said, BriâI donât know him."
âSoo we get to know him, here's the plan. You ask your friend to hang out. Casual group thing. He brings Yoongi. That way you can figure out if you're actually interested, yeah? And if you're notâ" She peeks her tongue out. "I'll also be there. I can shoot my shot. Everyone wins."
You stare at her.
It's⌠actually not a terrible plan.
You are curious about Yoongi. He's hot, yeah, but alsoâhe's got that whole understated thing going on. The kind of guy who doesn't need to try, which is either very attractive or deeply annoying depending on the day.
"I can ask," you hear yourself say.
Amelie claps. Yuki grins. Brianna nods like you've just signed a contract.
"Brilliant," Brianna says. "See you tomorrow!â
Adao catches your eye and shakes his head slightly. The gesture very clearly says: You are in trouble now.
Yeah. You're aware.
You retreat to your desk, face still warm, and drag the folded customer leaflet back beneath your keyboard.
Supports firmer-looking skin for modern life.
Right. Back to the void.
You work through lunchâleftover rice balls from the konbini, eaten one-handed while checking product codes against the Japanese master and transferring your corrections into the copy file.
The office empties out around one. People drift back slowly, smelling like ramen and cigarette smoke.
Yuki appears at your desk at some point with a can of cold coffee. Sets it down without a word, then disappears again.
You drink it. It tastes like sweetened sadness, but the caffeine helps.
By four, youâve reached the third proofing pass. Your wrist hurts from switching between the red pencil and keyboard. Your eyes hurt from comparing near-identical blocks of text.
Youâre running purely on spite and the looming threat of restructuring.
By four-thirty, youâre done.
Five pieces of packaging. Two counter cards. One customer leaflet. Thirty-four separate blocks of English copy, all corrected, cross-checked, and bullied into the limited space provided by the printer.
Not a single skin youth revolution survives.
You stack the marked proofs in order, print the final list of corrections, staple it to the top, and email the clean copy file to the packaging vendor.
Then you carry the signed approval sheet to the fax machine.
It swallows the paper, shrieks at Osaka for forty seconds, and spits out a confirmation slip at 4:48 PM.
Done.
Davidson will look at the finished packaging next week, announce that the English feels âmuch more synergistic,â and forget that anyone had to fix it.
You close your laptop. Stare at the ceiling for a moment.
Then you grab your bag, shove your notebook inside, and stand up.
Yuki glances over. "Leaving already?"
"It's almost five."
"It's 4:50."
"I'm preemptively leaving."
She grins. "Rebel."
"Someone's gotta do it." You sling your bag over your shoulder. "See you tomorrow, yeah?"
"Bring your golden retriever."
"He's notâ" You give up. "Whatever. Yeah. Maybe."
Amelie waves from across the room. Adao nods. Brianna gives you a thumbs-up that feels vaguely threatening.
You take the lift downâseven floors of mildly depressing Muzakâand step out into the Umeda early evening.
The air's cooler now. November settling in properly.
You shove your phone back in your pocket and head towards the station.
Hoseok's pencil stops moving when you can't make your face do what he needs.
"Okay, soâ" He taps the eraser against his bottom lip, eyes flicking between you and his reference sketches spread across the desk. "This scene is different. Miki's not performing anymore. She's alone in her flat and Yuuta's gone and she thinksâshe's convinced herself she's lost him for good."
You're sitting on the edge of his bed, still in your work clothes minus the blazer. The expensive ramen sits cooling in takeout containers on his low table in the other room, barely touched. You'd made it three bites in before he'd asked if you were up for a session.
You'd said yes because what else were you going to do? Spiral about restructuring alone in your flat?
"Right," you say. "So, sad cat-girl. Got it."
"Not just sad." He flips to a previous page, showing you a sketch of Miki's face. "She's grieving. She'sâit's that specific kind of loss where the person's still alive but you've lost them anyway. Like they're a stranger now and you don't know how to get them back."
Something uncomfortable shifts in your chest.
"Okay."
"So I need you toâ" He gestures vaguely at your face. "Feel that. Show me what that looks like."
You arrange your expression. Sad eyes. Downturned mouth. The kind of thing you've seen in movies.
Hoseok frowns. "You look like you're constipated."
"Fuck off."
"I'm serious! That'sâthat's not grief, that's just..." He waves his hand. "I need real."
"What do you want me to do, actually cry on command?"
"No, justâ" He runs a hand through his hair, and you notice he's taken his glasses off. They're sitting on the desk next to his pencil case, which means he's been drawing for hours already and his eyes are probably killing him. "Think about something real. Something that actually makes you feelâ"
"Feel what?"
"Whatever Miki would feel. Alone. Missing someone who used to know everything about you."
The discomfort spreads. Roots deeper.
"Fine."
You try again. Soften your eyes. Think about sad things.
That dog food commercial that always gets you. The ending of Grave of the Fireflies. Your Year 9 English teacher who died of cancer.
Hoseok's frown deepens. "Stop acting."
"I'm notâ"
"You are. You're doing a face. I can tell."
"Well, excuse me for not being a method actorâ"
"Capy." He leans back in his chair, pencil dangling between his fingers. "Just... think about something that actually hurt. Something real."
You stare at him.
He stares back, completely oblivious to what he's asking.
"Okay," you say slowly. "What's the scene again?"
"Miki's alone. She had this huge fight with Yuutaâhe said some things, she said some things, it got ugly. And he left. And she's sitting there in her flat thinking he's not coming back. That she's finally pushed him away for good." Hoseok's already sketching as he talks, rough lines taking shape on the page. "She spent all this time keeping him at a distance because she was scared of exactly thisâof needing someone and losing themâand now it's happened anyway."
Your throat goes tight.
"And the worst part," he continues, completely absorbed now, tongue poking out slightly as he adds detail to Miki's cat ears, "is that she can't even be angry about it. Because she knows she did this. She pushed and pushed until he finally walked away. So now she's just... sitting there. Trying to figure out how you're supposed to miss someone who's still alive."
You don't say anything.
"It's complicated because Miki's whole thing is that she doesn't need anyone, right? She's got this imageâconfident, in control, doesn't catch feelings. But Yuuta saw through that. He knew her. Like, actually knew her, before she built all those walls." He's gesturing with the pencil now, sketching forgot. "And she got used to that. To having someone who just got it. Got her. And then one day they're strangers and she doesn't know how that happened."
Your jaw goes tight.
"So I need that expression. That specific hurt ofâit's not dramatic, it's not loud. It's just this quiet realization that you've lost something you didn't even know you were relying on until it was gone."
You're not listening anymore.
You're thinking about the five years.
About Hoseok leaving Sydney in 1998 with his mum and two suitcases and a promise to call every week. About how those calls got less frequent. Monthly. Every few months. Then just occasional messages when you both happened to be online at the same time.
About the person he was at seventeenâloud and ridiculous and always showing up at your window with some new disaster he'd got himself intoâand how you'd just assumed he'd always be like that. That you'd always know him.
About moving to Osaka and seeing his Friendster  profile and staring at it for three hours before finally typing out that first message. Because some part of you was terrified he wouldn't remember you. Or worseâthat he'd remember you and not care.
About all the versions of Hoseok you'd missed.
University Hoseok. First-flat-in-Osaka Hoseok. Learning-to-draw-hentai-professionally Hoseok.
The Hoseok who'd got diagnosed with ADHD and figured out how to ask for help and built a life here without you in it.
You'd missed all of it.
And you can't get it back.
Your eyes are burning.
"âwhich is why the expression has to be subtle, you know? It's not about the tears, it's about what happens before the tears. That moment where you're still holding it together but you can feel it crackingâCapy?"
You blink hard. Try to force it back down.
"Yeah, I'mâ"
Your voice cracks.
Shit.
"Did you fall asleep?"
He's turning around in his chair, grin already forming like he's about to tease you for dozing off during his artistic ramblingâ
His face changes.
The grin disappears. His eyes go wide.
"Oh."
His sketchbook slides off his lap. Hits the floor with a dull thump that neither of you react to.
You're not crying. Not really. Your eyes are just wet and your throat's gone tight and you're biting the inside of your cheek hard enough to taste copper.
"Capy..."
"I'm fine."
"You're notâ"
"I said I'm fine."
He's staring at you like you've just materialized out of thin air. Like he's seeing you for the first time.
Then something clicks behind his eyes.
"I'mâI'm so sorry, I didn't meanâyou haven't lost meâ"
"Who said anything about you?"
It comes out sharper than you meant. Defensive. Your default setting.
"IâI don't know, I just thoughtââ
"Not everything's about you, you dickhead."
"I know! I know, I'm sorry, I justâ" He looks genuinely distressed. "The whole thing about missing someone who knew you, and growing apart, and Iâshit, I wasn't thinkingâ"
"It's fine."
"It's notâ"
"Ott." Your voice cracks again and you hate it. "It's fine. You asked me to think about something real. I did. That's the job, yeah?"
There's a long silence.
Momo chirps from her cage on the other room.
"For what it's worth," he says quietly, "I missed you too."
Your throat closes up completely.
"Those five years wereâ" He stops. Starts again. "I thought about texting you so many times. Like, so many times. I'd write out the message and then delete it because I didn't know what to say anymore. Didn't know if you'd even want to hear from me."
"That's stupid."
"Yeah, probably." He's looking at his hands now. Fingers tapping against his thighs. "But I kept thinkingâwe grew up. We changed. You had your life in Sydney and I had... whatever this is. And maybe we were just supposed to be childhood friends, you know? Maybe that was it."
"That's really stupid."
"I know."
"Like, properly thick."
"I know."
You bite your lip. Try to hold it together.
Fail.
The sob comes out before you can stop it. Quiet but unmistakable.
Hoseok's head snaps up.
"Capyâ"
"Shut up."
"I'mâ"
"I said shut up."
Another sob.
You're furious at yourselfâat your stupid eyes that won't stop burning, at your throat that won't unclench, at the fact that you're sitting here crying in Jung Hoseok's bedroom like you're sixteen again and he's the only person who knows how to make it stop hurting.
You hear him move. The chair creaking as he stands.
You look up, and heâs standing there, a metre away, arms slightly raised.
Simply offering. Like he always does when it comes to you.
Never taking anything for granted, just offering.
"You don't have to," he says quietly. "But if you wantâ"
You lean forward. Rest your forehead against his stomach. Your hands come up to grip the sides of his shirt.
His arms come around you immediately. One hand on your back, the other cradling the back of your head, gentle but solid.
"I've got you," he murmurs. "I'm right here."
You sob harderâuglyâand your face is hot and your nose runs and your whole body shakes with it.
And Hoseok just holds you.
Doesn't tell you to stop, doesnât ask you to explain, doesnât try to fix it.
He simply stands there in his stupid tee and worn-out jeans, letting you cry into his shirt.
"You smell like sakura mochi," he says eventually. Soft. Almost to himself.
"I know, butâ" His hand moves slightly, fingers curving against your back. "For five years I thought I'd missed my chance. Thought you'd moved on and built this whole life without me and I'd just be this weird guy from your childhood who you'd be polite to if we ever ran into each other."
"You are a weird guy from my childhood."
"Yeah, but you came back." His voice does something. Gets quieter. "You reached out. You came to Osaka. You're here."
Your fingers tighten in his shirt.
"Not going anywhere," you mumble into his stomach.
"Good."
"Even though you're an idiot."
"Established."
"And your flat smells like burnt rice."
"Rude, but fair."
You pull back slightly. Just enough to wipe your face with the back of your hand. You probably look like a disasterâred eyes, blotchy cheeks, nose running.
Hoseok's looking at you like you're the best thing he's seen all week.
"Better?" he asks.
"No."
"Fair."
He's still got one arm around you. Loose enough that you could pull away if you wanted.
You don't want to.
"Did you get the expression?" you ask. "For your stupid manga?"
He blinks.
Then laughsâsurprised and slightly amused. "I wasn't drawing."
"You should've been. That's what I was here for."
"Capyâ"
"Professional reference model, remember?"
"You're impossible."
"And you're a sap."
"Also fair."
There's a pause. He's still looking at you like that. Like you've done something remarkable just by existing in his space.
"Want to watch Cowboy Bebop?" he asks suddenly.
You stare at him. "What?"
"Cowboy Bebop. The anime. I've got the DVDs." He gestures vaguely towards the living room. "We could just... sit. Watch a few episodes. Not think about anything."
"I look like shit."
"You look fine."
"I've got snot on my face."
"I've got tissues."
"Your ramen's cold."
"Microwaves exist."
You want to argue more. Want to insist you should go home and be a functional adult who doesn't have emotional breakdowns in other people's flats.
But the thought of going back to your empty flat right now makes something in your chest hurt worse than it already does.
"Fine," you hear yourself say. "But I'm picking the episodes."
His face lights up. "Deal."
He moves towards his desk, grabbing tissues from the box next to his monitor. Hands you several.
You wipe your face. Blow your nose. Try to pull yourself together.
And something suddenly catches your eyeâsomething with a red cover, something that looks like a sketchbook.
But his usual sketchbook has a black coverâŚ
Doesnât it?
You steal his blanket before he can even think about it.
The grey oneâthe expensive one he splurged on last year, the one thatâs somehow always perfectly warm.
You wrap it around yourself like a cape and tuck your legs under your chin, making yourself as small as possible in the corner of his couch.
Hoseok notices immediately when he comes back from the kitchen. Stops in the doorway, two steaming ramen containers balanced in his hands, and huffs.
âThatâs mine.â
âWas yours.â
âI bought that with my own money.â
âShouldâve been faster.â You adjust the blanket tighter around your shoulders. âAlso your couch is freezing.â
âItâs November. Everythingâs freezing.â
But heâs already sitting down next to you anyway, close enough that his knee bumps yours as he settles in. He hands you one of the containersâyours, the one with extra green onions because he remembered without asking.
You balance it on top of your knees, chopsticks already in hand.
The TV flickers. Opening credits. That jazz saxophone cutting through the silence.
Heâs already eating, slurping noodles with zero regard for decorum. Momoâs loose now, perched on the back of the couch behind him, tail twitching, watching the screen like she understands whatâs happening.
You eat slower. Let the broth warm you from the inside.
âWhy do you like it so much?â you ask eventually. âThis show, I mean.â
âDunno.â Heâs staring at the screen but you can tell heâs not really watching anymore. âCame back in â98 and iit was on telly here. Iâd justâŚâ He makes a vague gesture with his chopsticks. âI didnât know anyone yet. Mum was at work most days and I was trying to find jobs but my Japanese was shit for business stuff even though I grew up speaking it, you know? Like I could talk to Mum fine but formal keigo with strangersââ
He trails off. Takes another bite.
âSo Iâd come home and watch this.â He chews thoughtfully. âIt kept me company. When I was lonely.â
On screen, Spike and Jet are bickering about bounties. The ship drifts through space, aimless.
âThatâs kinda sad, Ott.â
âYeah.â He grins, but itâs crooked. âI was pretty sad back then.â
You continue eating your noodles, wipe your mouth with the back of your hand. Hoseokâs still working through his, slower now.
âWant a beer?â he asks.
âYeah, alright.â
He gets up, goes into the kitchen. You hear the fridge open. The crack-hiss of cans. He comes back withtwo big Asahis and hands you one before dropping back onto the couch, closer this time.
The blanketâs big enough to cover both of you. You donât offer. He doesnât take.
You take a sip of your beer. Cold and bitter and exactly right.
Episode two starts.
You watch for a while. Drink your beer. Try to find the words for the question thatâs been sitting in your throat since he mentioned â98.
âI never asked you properly, I reckon,â you say finally, quietly. âBut⌠why did you leave Sydney?â
Hoseok goes still, stops mid-drink, the can halfway to his mouth.
You keep your eyes on the TV. Easier that way.
âLike, I remember you said you wanted to be with your mum,â you continue, careful, âbut I didnât really get it back then. We were mates and then you were just⌠gone.â
He sets his beer down. Leans forward, elbows on his knees. Reaches over the arm of the couch and grabs something wedged in the cushionsâa small round plushie. Orange cat with a grumpy face. He holds it in both hands.
âYou knew about the divorce, yeah?â he asks.
âYeah.â
Everyone knew. It wasnât exactly quiet when his parents split.
He squeezes the plushie. âMum cheated on Dad.â
You nod. Youâd heard rumors. Seen Hoseokâs face go tight whenever anyone brought it up at school.
âI was so fucking mad at her,â he says, and thereâs old anger in his voice still. âLike, properly furious. Didnât want anything to do with her for ages. Sheâd call and I wouldnât pick up. Sheâd send letters and Iâd bin them. Becauseââ He squeezes the cat harder. âI donât fuck with cheating. You donât do that to someone.â
You take another sip of beer. Donât interrupt.
âDad made it ugly with lawyers. He wanted me to stay in Sydney, and Mum thought I should be allowed to decide. And I chose him because all my mates were in Sydney and I was pissed at Mum and Dad actually wanted me there, you know? He fought for me.â
His thumb presses into the plushieâs stomach. Over and over.
âBut thenâŚâ He stops. Starts again. âDad tried. He really did. Heâd come home earlier, ask about school, actually show up to things. But work alwaysâit always pulled him back. Heâd promise to make dinner and then call at seven saying he was stuck in a meeting. Heâd say weâd go to the cricket on Saturday and then have to fly to Melbourne for some emergency. He tried but it was never quiteâŚâ
âEnough,â you finish quietly.
âYeah.â He laughs, but thereâs no humor in it. âAnd I couldnât even be mad because he was trying. Like, genuinely trying. But his best wasnâtâit just wasnât enough.â
On screen, Jetâs watering his bonsai. Talking about the past.
âMum kept calling,â Hoseok continues. âEvery week. Even when I wouldnât answer. And eventually I⌠I gave her a chance. Visited during summer holidays. And she was justâshe was there, you know? Like, actually there. Made breakfast, asked about my day, wanted to know what I was drawing. And Osaka felt more like home than Sydney ever did, which was fucked because I grew up in Sydney.â
âBut you had your mum here,â you say.
âYeah. I had Mum.â He sets the beer down, both hands on the plushie now. âI started visiting more. Stayed longer each time. And then Dad met Vanessa and they got married and I knew they wanted a kid and I justââ
He stops. Jaw working.
âI thought maybe it was good. Like, maybe heâd finally have the family thing he wanted. Maybe this time work wouldnât matter as much. Maybe heâd get it right with the new kid.â His voice cracks slightly. âSo I moved here. Told him I was taking a gap year, maybe transferring to a Japanese uni. And heââ
Hoseokâs hands go still.
âHe took it as this massive betrayal. After everything with Mum. After the courts, after the custody fight, after he wonâI went to her anyway. And from his perspective I get it. I really do. But I couldnât stay there watching him build a whole new life while I was justââ
âBackground noise,â you finish.
âYeah.â
You shift closer. Let your shoulder press against his.
âWhenâs the last time you talked to him?â
âThree years.â He says it flat. Simple. Like it doesnât hurt. âHe sends emails sometimes. About my brother. James. Heâs three now. Seems like they were successful with the pregnancy.â
Your chest tightens. âOttâŚâ
âI always wanted a brother,â he says, and his voice does something awful. Goes small. âWhen I was a kid Iâd ask Mum and Dad for one all the time. And now Iâve got one and I canâtââ
He stops. Squeezes the plushie so hard his knuckles go white.
âDad wonât answer when I reply. He just sends these little updates and I donât know how to fix it and James doesnât even know I exist probably, or if he does Iâm just this abstract concept of a brother in Japan whoââ
His voice cracks properly this time.
You donât think. Just reach over and take the plushie from his hands before he crushes it completely. Set it on the table. Take his hand instead.
âThatâs really shit,â you say quietly.
âYeah.â He squeezes your hand back. Hard. âItâs pretty shitty.â
He holds your hand for another beat, then two. His thumb brushes the side of your palmârough skin, callous from holding pens, warm.
âAnyway,â he says, and the word is too loud. Too bright. He pulls his hand back like heâs just realized he was holding yours. âThatâs enough heavy shit for a Tuesday.â
He grabs his beer. Downs half of it in one go.
âYeah,â you say, looking away. âHeavy shit quota filled.â
âExactly.â He sets the can down with a sharp click. âNow we focus on important things. Like how Jet is definitely the mum of the group.â
âSpike cooks sometimes.â
âSpike makes bell peppers and beef with no beef. Thatâs not cooking, thatâs a cry for help.â
You snort. The tension breaks, just a little.
You pick up your ramen container again. Itâs cooled down now, the plastic slightly soft in your hands. You balance it on your knees, chopsticks digging for a piece of pork you know is hiding at the bottom.
Hoseok shifts next to you. Restless. That energy of his that never really settles, always humming just under the skin. He leans over to grab the remote from the coffee table, stretching across your lap to reach it.
âWhat are you doing?â
âChecking how long is left. I wanna show you theââ
His elbow clips the edge of your container.
âOtt, watch outââ
Too late.
The container tips. Gravity does its thing.
And half a litre of shoyu broth, noodles, and that elusive piece of pork cascades directly onto your chest.
âFuck!â
âShitâCapy, Iâm soââ
The heat hits you first. Itâs not scaldingâthank god for slow eatersâbut itâs hot enough to make you gasp. Wet warmth soaks through your white work blouse instantly, plastering the fabric to your skin from collarbone to sternum.
âOh my god,â Hoseok is scrambling, hands hovering, panic written all over his face. âIâm so sorry, I didnâtâshit, is it hot? Are you okay?â
âIâm fine,â you hiss, grabbing a napkin from the table and dabbing frantically at the disaster zone. âJustâwet. And smelling like pork and soy.â
Heâs rolled his sleeves up. Both of them. Shoved them to his elbows in one quick, efficient motion so they wouldn't get wet, and now his forearms are right there.
âHere, let meââ
He grabs the hand towel without thinkingâbecause he never thinks, does he? He just doesâhe reaches out and starts scrubbing at your shirt.
âItâs gonna stain,â heâs saying, frantic, rubbing the cloth against your chest. âSoy sauce stains like a bitch, we need to get cold water on it or maybe dish soap, Mum always said dish soap for oilââ
His hand is firm. Moving in quick, circular motions.
Right over your left breast.
You freeze.
When the fuck did his forearms get like that?
Not huge. Not bodybuilder nonsense. Justâdefined. The tendons shifting under skin as his hands move, the veins visible along the inside of his wrists, the way the muscle flexes when he presses the cloth against your shirt.
You're staring. You know you're staring. You can't stop.
He could probably pin you down with one hand. Justâgrab both your wrists, hold them above your head, spin you around and press you into the couch cushions with zero effort.
Your face goes nuclear.
âI think if we soak it now we can save it,â he mumbles, scrubbing harder. âMight need to use the stain remover I got for the ink spills, butââ
His knuckles brush the underside of your breast.
Your breath catches. A small, involuntary hitch in your throat that sounds suspiciously like a squeak.
Hoseok freezes. Looks up.
Youâre staring at him. Heâs staring at you.
And his hand is still on your boob.
You should say something. You should make a joke. You should shove him off and call him a pervert and laugh it off like you always do.
His gaze drops, slides from your eyes down to where his hand is resting, and his eyes immediately widen.
Because your shirt is wet. Soaked through. Translucent.
And underneath the sensible white cotton of your Synergy International work blouse, you are wearing the pale pink lace bra you bought on sale three weeks ago because the sales assistant said it made you look âdelicate.â
Itâs not a work bra. Itâs a âI feel like shit and want to know Iâm wearing something pretty underneath the corporate beigâ bra.
Itâs lace. Itâs sheer. And right now, thanks to the physics of wet fabric, it is entirely visible.
You can feel your face heating up. Not the slow burn from earlierâthis is a flash fire. Your ears, your neck, your cheeks. You must look like a tomato.
Hoseok swallows. You see his throat click.
His eyes trace the line of lace. The curve of your breast pressed against the fabric. The way your nipple is hardening against the cold air (and his warm hand, oh god, his hand).
He looks back up at your face.
Then back down.
Then to the side, at the wall, like the wall is suddenly the most interesting thing in the universe.
Then back to your chest.
âIââ He starts. Voice rough. Clears his throat. âI shouldââ
He snatches his hand back like heâs been burned.
âSorry,â he chokes out. âIâuh. The stain. I was justââ
He scrambles backward on the couch, catching his foot on the coffee table leg with a loud thud.
"çăŁăăăăŁďź" (Owâfuck!) He stumbles, hopping on one leg, clutching his shin.
Which should not be attractive. It's objectively not attractive.
Except somehow the way he swears in Japaneseâvoice rough and breathless and painedâdoes something to your brain that you refuse to examine.
You wonder what other situations would make him curse like that.
Stop it.
Stop.
âAre you okay?â Your voice is an octave higher than usual.
Why is it higher? Stop that.
âFine! Iâm fine!â Heâs standing now, clutching his shin, face roughly the same colour as the plushie he was strangling earlier. âJustâshin. Table. Classic. You know me.â
He laughs. It sounds hysterical.
âRight,â you say.
You look down at your chest.
Itâs a disaster. Brown splotches. Wet fabric clinging to every curve. The pink lace grinning through like a neon sign saying âLOOK AT MEâ
You cross your arms over your chest immediately.
âI need to change,â you mumble into your shoulder.
âYeah!â Hoseok squeaks. âYeah. Change. Good idea. Wet clothes. Bad. Pneumonia. Not on my watch.â
He spins around. Marches towards his bedroom with the stiff-legged gait of a man who has forgot how knees work.
âIâll get youâsomething. A shirt. Hoodie. I have hoodies.â
He disappears into the bedroom. You hear drawers opening and closing. A thud. A muffled curse. More rummaging.
You sit there on the couch, arms crossed, staring at the paused TV screen. Spike Spiegel is frozen mid-kick.
Your heart is hammering against your ribs.
Thud-thud-thud-thud.
Did he justâ?
He definitely looked.
He didnât just look. He stared.
And he didnât make a joke. He didnât say ânice undies, Capyâ or âscandalousâ or any of the things seventeen-year-old Hoseok would have said.
He just went red and ran away.
Which meansâŚ
Shut up. Donât think about it. He was embarrassed because he spilled soup on you. Thatâs it. Thatâs all.
Hoseok reappears. Heâs holding a black hoodie in both hands, presenting it like a sacred offering. Heâs staring at the hoodie intently, refusing to look anywhere near you.
âHere,â he says to the floor. âItâs clean. I washed it last week.â
You stand up. Keep one arm across your chest. Reach out with the other.
âThanks.â
Your fingers brush his as you take the hoodie.
He flinches. Actually flinches.
âBathroomâs free,â he says quickly, stepping back. âObviously. Since Iâm here. And not in there.â
âRight.â
âIâllâIâll clean this up.â He gestures vaguely at the spilled ramen on the floor. âThe mess.â
âOkay.â
You flee.
The bathroom door shuts behind you with a click that feels like safety. You lean back against it and exhale, long and shaky.
Jesus Christ.
You look in the mirror.
You look insane. Your hair is half-falling out of its clip. Your face is bright red. And your shirt is practically see-through, the delicate pink lace of your bra visible in high definition.
âYouâre an idiot,â you whisper to your reflection. âWhy did you wear this? Why today?â
You peel the wet shirt off. The fabric is cold and clammy now, smelling of soy sauce and shame. You drop it in the sink.
Standing there in just your bra and work trousers, you catch sight of yourself again. The lace against your skin. The way your breasts look in itâfuller, lifted.
You remember his eyes. The way theyâd tracked the curve. The way his hand had felt, heavy and warm, right there.
A shiver runs through you that has nothing to do with the cold.
Stop it.
You pull the hoodie over your head.
It swallows you. The sleeves hang past your fingertips. The hem drops to mid-thigh. It's old and soft and clearly one of his favouritesâthe cotton worn thin in places, the drawstrings frayed at the tips.
And it smells like yuzu.
Not faintly. Not a hint. The full thingâbright and sharp and warm, baked into every fibre. His shampoo, his detergent, his skin.
It's everywhere. Surrounding you. Sinking into you.
You bring the collar up to your nose without thinking.
Inhale.
Fuck.
It smells like him. Like properly, unmistakably him. And it smells likeâ
That rainy day. Year 10. He was trying to impress Kenya Adebayo, walking next to her under the awning after school, doing that thing where he laughed too loud at everything she said.
But you were shivering behind them because you hadn't brought a jacket and the rain had come out of nowhere, and Kenya was cold too, and he'd looked between the two of you for exactly one second before pulling his hoodie off and shoving it at you.
Kenya had looked annoyed. You'd looked at the hoodie. He'd looked at you like it was obviousâlike there was never a question, not really.
He still smells like that. Like every stupid hoodie he ever lent you. Like yuzu and warmth and a decision he made before he even had to think about it.
You press your face deeper into the collar. Breathe in again. Slower. Let it fill your chest.
Your eyes drift to the mirror.
You're standing in Jung Hoseok's bathroom, wearing his oversized hoodie, face buried in the collar like a cat rubbing against its owner's scent to claim territory.
You jerk back so fast you nearly crack your head on the towel rack.
Are you actually insane? What are you doing? What is WRONG with you?
You drop the hoodie collar. Stand up very straight. Look yourself in the eye with the full force of your own contempt.
Embarrassing.
Right. You're staying over. That'sâthat's been established. It's late and you're tired and your shirt is ruined and you're not trekking back to Tennoji at this hour. So you might as well get comfortable.
You shimmy out of your work trousers. Fold them. Set them on top of the wet shirt.
Hoodie and bare legs. You look ridiculous. You look like every girl in every shojo manga Hoseok's ever made fun of.
Whatever. You need pants.
You open the bathroom door.
Hoseok's crouched by the coffee table, wiping up the ramen spill with paper towels. He's got three stacked in each hand, scrubbing at the table surface with way more focus than the task requires.
"Ott."
He doesn't look up. "Yep."
"Can you lend me some pants? Pyjama ones or whatever."
He looks up.
His mouth opens. Closes. Opens again.
His eyes land on your face. Drop. Snap back up. Drop againâto the hoodie, to where it ends at your thighs, to your bare legsâand then he's staring at the coffee table like it holds the secrets of the universe.
"Yep," he says again. Higher pitched this time. "Yep, yeah, sure, one secâ"
He stands. Trips over absolutely nothing. Catches himself on the back of the couch. Doesn't look at you as he disappears into his bedroom.
Comes back holding a pair of grey drawstring trackies at arm's length, eyes fixed on a spot approximately two metres to your left.
"Here."
"Cheers."
Back to the bathroom. Pants on. They're too long, pooling at your ankles, and you have to roll the waistband twice to keep them up.
His clothes. You're wearing his clothes. Head to toe. His hoodie, his pants, his scent wrapped around you likeâ
Stop. Stop it. Go sit on the couch and watch Cowboy Bebop like a normal person.
You walk back out.
Hoseok's sitting on the couch, fresh paper towels in hand, Bebop still playing. He's cleaned up the spill. He's also moved to the far end of the couch, which is notable, because this couch isn't big enough for âfar endsâ to mean anything.
You sit down. Tuck your legs under you again. Reach for the blanket.
Silence. Spike's on screen, being cool and damaged.
Your stomach growls.
Not a polite little rumble. A proper, full-bodied, I haven't eaten since that sabotaged ramen growl that seems to echo off the thin walls of his flat.
Hoseok's eyes slide towards you. His lips press together. You can see the grin fighting to break throughâthe way his cheek twitches, the way he bites the inside of his mouth.
"Don't," you warn.
"Didn't say anything."
"Your face is saying it."
"My face is innocent."
Your stomach growls again. Louder. Like it's making a point.
You look away. Tug the blanket higher. Study a very interesting spot on the wall.
"Do youâŚ" You clear your throat. "Have you got any⌠yubeshi? By any chance."
He blinks.
"Yubeshi?"
"Yeah. From that cafĂŠ. You had some the other day, I thought maybe youâ" You're rambling. You don't ramble. "Never mind. Forget it."
"No, Iâyeah, actually." He's already getting up, moving towards the kitchen. "I think there's some in theâyeah, hang on."
You pull the collar of his hoodie up over your nose.
Just because you're cold.
That's all.
âŚSure.
He rattles around in the kitchen for a bit, cupboard doors opening and closing, the fridge seal sucking and releasing.
Thereâs a muffled, triumphant âaha,â then the crinkle of plastic.
Momo watches you from the back of the couch, beady eyes unblinking. Judging. Obviously.
Hoseok comes back with a small plastic container in one hand and a fork in the otherâno plates, because of courseâand drops down next to you. The cushions dip under his weight, shoving you half a centimetre closer, not that thereâs anywhere else to go in a thirty-something square metre flat with furniture crammed into every available corner.
âTold you,â he says. âYubeshi delivery.â
He peels the lid back with his teeth. The smell hits firstâbright yuzu and chewy rice sweetness. Your stomach gives an embarrassingly enthusiastic lurch.
You lower the hoodie from your face, but keep the blanket tight, like youâre negotiating with the cold.
He spears a piece with the fork and holds it out, halfway between you.
You squint at it. âThatâs not how this works. Hand it over.â
âWhat, you donât trust my piloting skills?â He wiggles the fork. âSay âahâ.â
âAbsolutely not.â
He just keeps holding it there, eyes wide, fake-innocent.
âCome on,â Hoseok sing-songs. âOpen up. Be a goodââ
You glare.
He stops. Clears his throat. ââŚgood sport. Good friend. Completely normal friend.â
Still. Youâre tired, hungry, and the fork is right there.
You lean forward and take the piece straight off it, lips brushing metal, teeth closing down. The yubeshi is perfectâchewy, citrusy, sweet enough to make your eyes half-close for a second.
âMm.â
He looks unreasonably pleased with himself. âSee? Piloting. Ten out of ten accuracy.â
âCongratulations, you learned to aim a fork.â
He spears another piece. This time when he holds it out with his fingers, youâre already moving, not really thinking about it. Your eyes stay on the TV. You lean in, bite down.
Some of the glossy sauce smears over his fingers. You taste it as you pull back, tongue catching the last of it without really paying attention.
He withdraws his hand. You notice heâs still got a streak of syrup on his thumb.
Before your brain gets a chance to file any objections, you reach out, catch his wrist, and lean in again.
You donât think sexy. You donât think anything at all.
You just⌠lick. Dragging your tongue across the pad of his thumb, catching the citrus-sweet stickiness, cleaning him off like youâd do with your own hand if you couldnât be bothered to grab a napkin.
You let go, sit back, thumb of his hand slipping from between your fingers.
âMessy,â you mutter, more to yourself than to him, already chewing.
It takes a beat before you realise the roomâs gone weirdly quiet.
You look up.
Hoseok hasnât moved.
His eyes are half-lidded, fixed on his own thumb like itâs grown a second head. His lips are parted just a little. The tip of his tongue darts out to wet them, slow and unconscious.
He looks⌠dazed.
Your brain catches up with your body about five seconds late.
Oh.
Oh, shit.
You just licked his thumb.
Youâre about to mumble somethingâanythingâto brush it off when he finally drags his gaze away from his hand and up to you.
Then, gravel-rough, almost like the words sneak out past his filter, he murmurs, still looking at his thumb:
ââŚThink you missed a spot.â
The bottom drops out of your stomach.
Itâs not what he says so much as how he says itâlow, husky, like the line came straight from whatever part of his brain is currently not supervised by common sense. Like heâs talking to Miki, not you. Like this is a panel that should be shrink-wrapped and slapped with an 18+ sticker.
You stare at him.
Your heartbeat slams against your ribs, stupid and loud.
He realises what heâs just said a second too late. His eyes flick to yours, wide, like he wants to drag the sentence back into his mouth and swallow it whole.
You could laugh it off, call him a pervert, roll your eyes, tell him his brainâs made of hentai now.
You donât.
You feel your lashes lower, like theyâre heavy. Your mouth goes a little soft around the edges.
Fine, then.
If thatâs the game.
You turn slightly on the couch, angle your body towards him. The blanket slips down one shoulder. You reach out again, fingers closing gently around his wrist.
The pulse there jumps under your thumb.
You keep your eyes on his, steady. Try on that look youâve practiced for Miki in the mirror, the one that lives somewhere between bored and hungry.
âThis spot?â you ask, voice coming out lower than you meant.
You bring his hand closer, slow. His gaze tracks the movement like heâs powerless not to.
Your tongue meets his skin again, this time careful. You drag the tip along the inside edge of his thumb, where the knuckle meets the pad. Thereâs barely any syrup left. Doesnât matter. You trace there anyway, like youâre following the outline of something important.
His breath stutters, tiny hitch in his chest, air seems to catch halfway out.
You keep going. Just once, maybe twice. Then you pull back, releasing his hand, and lick your own lips slowly, chasing the lingering sweetness.
Like a cat cleaning its mouth after stealing cream.
His eyes stay locked on your mouth the entire time. His knees draw in a fraction, like his bodyâs trying to fold around something. The fork wobbles in his other hand.
He exhales, shaky.
âThat wasââ
He cuts himself off, jaw flexing. Looks away so abruptly itâs almost comical, like if he doesnât find a neutral object in the room to stare at immediately, heâs going to combust.
Momo picks that exact moment to chitter, a scolding little sound from the back of the couch.
Hoseok practically flinches.
âOh. Right. Yeah. Momo.â His voice jumps an octave, veers hard into flustered. âUhâsheâshe wants attention. Thatâs her âyouâre ignoring me, peasantâ noise.â
He turns, very intentionally away from you, and reaches back to scritch gently under her chin. Momo leans into it, offended dignity forgot for the sake of head scratches.
You breathe. Try to get your heart back under control. Act normal. The hoodie suddenly feels too warm, too close. You wish the couch would open up and swallow you.
He focuses on Momo like sheâs a lifeline. âJealous, huh? Yeah, yeah, I know, youâre the real star here.â
Itâs absurdly transparent.
You could call him on it.
You donât.
Youâre too busy pretending your tongue didnât just have Opinions about his skin.
After a moment, he drops back against the cushions, shoulders sinking a little.
You clear your throat. âSo.â
âSo,â he echoes.
Cowboy Bebop continues to play to absolutely no audience.
You grab for the nearest safe topic like youâre scrambling for a handhold.
âBy the way.â You nudge his thigh with your knee under the blanket. âI told my lot about you today.â
He frowns. âYour⌠lot?â
âWork idiots. Yuki, Amelie, Brianna, Adao.â You roll your eyes. âTheyâre obsessed with meeting you and Yoongi now. Apparently the âgolden retrieverâ and the âcat-looking bartenderâ made quite an impression.â
He blinks. âWait, what?â
You sigh. âWe were talking about going out tomorrow. Amelie lost her mind when Adao mentioned âMr Kimâ. She wants him there so badly itâs getting embarrassing.â
Hoseok laughs, the tension in his shoulders loosening a notch.
You shift, tucking your feet under you, blanket slipping so your bare toes brush his thigh through his jeans.
You try to pretend you donât notice the contact.
Your skin sure as hell does.
âSo,â you continue, âweâre doing a group thing, probably. Drinks or I donât know, whatever they decide. You should come. Bring Yoongi. Let them drool over him in person instead of through my horror stories.â
âTrauma dump?â he protests. âYou make it sound like Iâd bring you to Midnight Keys for exposure therapy.â
âYouâre totally the type to bring me there to bully me into karaoke.â
âThat too.â
He thinks about it, chewing the inside of his cheek.
âYoongi hates meeting new people.â
âBrianna and Amelie arenât people, theyâre forces of nature. Heâll be fine.â
Hoseok snorts. âYeah, thatâs what Iâm afraid of.â
âCome on.â You bump his leg again. âItâs not like youâve got a packed social calendar. Freelance hentai man, remember? My coworkers could be your pens.â
âRude.â He pretends to be offended. âIâll have you know Iâm very in demand.â
âBy printers and deadlines.â
âAnd you,â he points out. âYou keep showing up like a bad smell.â
You sniff dramatically. âThatâs the ramen.â
He laughs, softer this time.
Then, he nods. âOkay. Yeah. Iâll drag Yoongi. Heâll secretly enjoy himself. Thatâs his whole brand.â
You file away the way he says âyeahââno hesitation. No âif Iâm freeâ. Just assumes heâll be there if you are.
Warmth curls low in your chest that has nothing to do with yubeshi.
The show rolls into another episode. You shift again, resettling. The couch springs squeak. The blanket rustles.
His thigh is a steady line of heat along your calves now.
Japanese filters through the speakersâSpike talking, Faye snapping back. You catch scattered words; your brainâs too tired to string them together.
Thank god for English subtitles.
Formal meetings are one thing; slang in anime is another.
Hoseok chuckles at something on-screen.
You tilt your head, watch his profile more than the show. âYou always understand all of that?â
He shrugs. âMost of it. Some of itâs old slang. But yeah.â
âYouâre so fucking lucky,â you grumble. âI sit in meetings that are supposed to be only in English all day catching, like, thirty percent and guessing the rest.â
âYouâre doing fine.â
âIâm doing barely not drowning. Not the same.â You roll your eyes. âYou switch between languages like itâs nothing. Itâs disgusting, actually.â
âWow. Thank you.â
âDonât get a big head.â You hesitate, then let the next bit slip out before you can overthink it. âItâs⌠kind of hot, though.â
Silence.
You realise what youâve just said a beat too late.
You feel him go still beside you. Not visibly, not if you werenât pressed this close, but you are. Every muscle seems to pause.
ââŚWhat?â he says.
You focus very intently on the TV. âThe Japanese. When you talk. Itâsâwhatever. Forget it.â
He doesnât forget it.
âYou think itâs⌠hot,â he repeats, like heâs testing the shape of the word in his mouth.
You wish the cushion would smother you.
âItâs justââ You wave a hand, vague. âBrain stuff. Bilingual. Itâs a thing.â
âBrain stuff,â he echoes faintly.
You risk a glance up.
Heâs looking at you with pink ears and a parted mouth.
ââŚReally?â he asks, quiet.
You swallow. âDonât make it weird.â
âIâm not making itââ He breaks off, laughs under his breath, helpless. Rubs the back of his neck. âJustâno oneâs called my Japanese hot before.â
âPlenty of people probably have,â you mutter. âYou just werenât paying attention.â
âTrust me,â he says dryly, âIâd remember.â
You stifle a yawn. It still escapes, jaw cracking.
Your eyelids feel heavy. The dayâs weight catches up all at onceâthe restructure announcement, the report, your mumâs text youâre pointedly ignoring, the thumb situation, of all things.
Your body decides unilaterally that itâs done.
âTired?â he asks.
âNo,â you lie, words slurring just a little.
He gives you that look. The one that says heâs known you since you had braces and a bad fringe; you canât bluff him.
Without comment, he shifts, stretching one leg out along the couch, bending the other.
Then he pats his thigh twice, casual.
âCâmere,â he says. âHead.â
You stare. âWhat?â
âPillow upgrade.â He pats his leg again like heâs summoning a cat. âCouch is lumpy.â
âThatâs your fault for buying it off the side of the road.â
âAnd yet you keep sleeping on it.â
âThatâs because Iâm poor, not because itâs comfy.â
He just looks at you, patient. Hand still resting on his thigh, palm up now, like an invitation.
You hesitate.
Itâs stupid. Itâs him. Youâve sprawled all over each other before. Back when you were both idiots and the world was smaller and simpler.
âTake the damn pillow, Capy,â he says softly. âYouâre falling over.â
You huff. âIf your leg goes numb, Iâm not helping.â
âSuch compassion.â
You ease sideways under the blanket, twisting your body until you can lower your head carefully onto his lap. One arm folds under your chest; the other rests loosely against your stomach.
His thigh is soft under your cheek. You can feel the shift of his muscles as he adjusts, making space for you, spreading his knees just enough to cradle the weight of your head comfortably.
A hand hovers above your hair, uncertain.
Then his fingers settle gently against your scalp, just behind your ear. Slow, exploratory strokes.
Not really a massage, not quite a pat.
More likeâ
âWhy are you petting me like a cat?â you mumble into his hoodie.
He scoffs. âBecause youâre basically one now.â
You make a low, unimpressed noise. âSpeciesist.â
âMiki,â he elaborates, thumb tracing idle circles against your skull. âCat-girl. Ears. Tail. Full transformation. This is just method acting.â
âYouâre an idiot.â
âMm.â
His fingers keep moving, scratching lightly at your scalp, nails just enough to drag, not enough to hurt. It sends these little lines of warmth down the back of your neck, through your shoulders. Your body loosens by degrees, tension bleeding out into the cushions.
âYou know,â he says after a while, quieter, âitâs not just a cat thing.â
You crack one eye open. âWhat?â
âAunt Pat told me,â he continues, voice going soft around her name. âBack in Year 11. When you got that flu and disappeared for a week.â
You remember that. Fever, aching joints, the world shrinking to your bedroom and the shape of the bucket beside your bed.
You also remember him turning up at your door almost every day with homework and stupid comics. Sitting on the floor because your aunt wouldnât let him too close in case he caught it.
âShe said sheâd been doing this since you were tiny,â he goes on, fingers threading slowly through your hair now, careful not to tug. âSaid it helps you sleep.â
You want to argue. You donât. Your body is already betraying you, sinking heavier against him, eyelids drooping.
âTraitor,â you tell your own brain.
He huffs a laugh. His hand moves to the crown of your head, fingertips pressing in small, firm circles. Itâs⌠embarrassingly good. The right kind of pressure, not too light, not ticklish. Enough to ground you without setting off your nerves.
âFigured Iâd try it,â he says softly. âBack then. âCause you looked⌠wrecked. Thought maybe if it worked when you were five, itâd work when you were sixteen.â
âDid it?â you mumble.
âYeah.â His palm smooths down, thumb tracing the curve of your skull. âYou passed out sitting up. Scared the shit out of me. Aunt Pat just laughed and said, âSee? Told you.ââ
You can picture it. Aunt Pat at the doorway, fond and tired, watching this lanky teenage boy tentative behind you, hand in your hair.
The thought punches something loose in your chest.
âHelps me too, you know,â he says after a while, like heâs talking more to your hair than to you. âWhen youâre here.â
You make a questioning noise. Or try to. It comes out more like a sleepy hum.
âSleeping.â His fingers pause, then resume, a little self-conscious now. âI sleep better. When youâre on the couch. Or the futon. Just⌠in the flat.â
Dangerous words, said in the soft, late-night register that makes everything feel truer.
You want to crack a joke. Tell him thatâs pathetic. That he should get a hobby. That you snore and itâs probably just white noise.
Your mouth doesnât cooperate.
âSame,â you hear yourself mumble. It slips out, unguarded, half-submerged. âDonât like⌠empty flat.â
His hand stills for a heartbeat.
Then he resumes the rhythm, slower now.
âYeah,â he says quietly. âI know.â
Your bodyâs already gone heavy-limbed and useless. The hoodie smells like yuzu and him, the blanket like detergent and old ink. His thigh is warm under your cheek, solid, anchoring you to this ridiculous, cramped little couch in this ridiculous, cramped little Osaka flat that somehow feels more like home than your own bed.
Your thoughts start to fray at the edges. Words blur. The room tilts in that soft way that means gravityâs winning.
His fingers card through your hair once more, smoothing it back from your forehead.
âGo to sleep, Capy,â he murmurs.
You mean to tell him to piss off.
You donât.
if you liked this chapter, please consider buying me a coffee!! âĽ'ďť'⼠https://ko-fi.com/jungkoode
â§ main story â§ wc: 11,4k â§ pairing: hoseok x f!reader â§ rating: 18+
â§ genre: Osaka AU, hentai mangaka!hobi, smut, slow burn, cf2l
đą rundown ;
"You never expected to say meow to him.
He never expected to like it."
He looks⌠dazed.
Your brain catches up with your body about five seconds late.
Oh.
Oh, shit.
You just licked his thumb.
Youâre about to mumble somethingâanythingâto brush it off when he finally drags his gaze away from his hand and up to you.
Then, gravel-rough, almost like the words sneak out past his filter, he murmurs, still looking at his thumb:
ââŚThink you missed a spot.â
The bottom drops out of your stomach.
Itâs not what he says so much as how he says itâlow, husky, like the line came straight from whatever part of his brain is currently not supervised by common sense.
Like heâs talking to Miki, not you.
Like this is a panel that should be shrink-wrapped and slapped with an 18+ sticker.
Your heartbeat slams against your ribs, stupid and loud.
He realises what heâs just said a second too late. His eyes flick to yours, wide, like he wants to drag the sentence back into his mouth and swallow it whole.
You could laugh it off, call him a pervert, roll your eyes, tell him his brainâs made of hentai now.
You donât.
You feel your lashes lower, like theyâre heavy. Your mouth goes a little soft around the edges.
Fine, then.
If thatâs the game.
You turn slightly on the couch, angle your body towards him. The blanket slips down one shoulder. You reach out again, fingers closing gently around his wrist.
The pulse there jumps under your thumb.
You keep your eyes on his, steady. Try on that look youâve practiced for Miki in the mirror, the one that lives somewhere between bored and hungry.
âThis spot?â you ask, voice coming out lower than you meant.
Your tongue meets his skin again, dragging the tip along the inside edge of his thumb, where the knuckle meets the pad.
â Coming: When we reach 40 votes on ch 8 on Wattpad. <3
Kiki, WHAT DID MISS? Don't feed my fantasies!!!!đđđđđ
HAHAHAHA YESSS Zyzy! I have rambled about this on the OFL channel buuut OFL!Taeâs love language is gift giving and he will absolutely do unhinged absurd things for Gomi.
⌠Even camp a Celine store overnight for an exclusive collection.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Hi Kiki! I just want to say I am an absolute SUCKER for psychological fics, just like alters in shallow waters. I canât even count how many fics and series Iâve read across the years, but that one has to be my favourite of all time! Iâm just wondering if Taehyung and Y/N ever will be able to love? Like genuinely love eachother instead of this deep obsession
For the record, I know that the series is supposed to be unsettling and psychological- which I genuinely adore and I donât want you to change a thing about it EVER!! Iâm just wondering, like are their characters able to even feel love for eachother? Or is it just not in their nature?
Hi, my love! First of all, thank you so much for taking the time not only to read Altars in Shallow Waters, but to think about these two deeply enough to formulate such an interesting question. These are genuinely my favourite asks to receive because I am, unfortunately for everyone involved, a massive psychology nerd. Who could have guessed? Certainly not the woman writing 300,000 words about mutual obsession and religious psychosexual yearning.
So! Onto your questionâI do believe that both Taehyung and Pearl are capable of experiencing loveâand that they will, at some point, love one another.
Whether you, as the reader, will recognise what they build as love is an entirely different question. (â ͥ° ÍĘ ÍĄÂ°)â
Love is complicated because we tend to use the word as though it has one universal, easily identifiable shape. In ordinary conversation, âloveâ usually carries several other assumptions inside it: care, respect, kindness, trust, and a genuine consideration for the other personâs autonomy. With Moss and Pearl, those qualities become⌠muddy. Deeply, catastrophically muddy. We are in shallow waters, after all. Ba-dum-tss. Okay. Iâll see myself out.
Because obsession and possessiveness inevitably interfere with respect. âYou are mine, and you have no say in itâ may sound delicious inside the controlled vacuum of fiction, where we can safely explore frightening or transgressive desires, but it leaves very little room for the other personâs agency. So, when possession starts disguising itself as devotion, is it still love? Can love exist beside control, dependency, and mutual corruption, or do those things eventually consume it?
The important distinction, though, is that neither of them is incapable of love because they are psychologically complicated or wounded. Their experiences have simply distorted the ways they understand, express, and receive affection. Taehyung has learned to interpret self-erasure and worship as love; Pearl has learned to interpret being chosen, admired, and needed as proof that she is worthy of it. They are both reaching for something genuine through frameworks that are profoundly unhealthyâand, unfortunately, perfectly fitted to each other.
So love may look different for them, but different does not automatically mean unreal. They themselves may call it love with complete sincerity while you look at the wreckage around them and say, âbabygirl, that is a hostage situation.â Both interpretations can coexist, and I very intentionally want the final answer to remain partly in your hands.
I canât say much more without spoiling their progression!âand we still have approximately 100â150k words left, because apparently I have never met a concise thought in my life. A lot can happen between here and the ending.
Once the story is complete, though, I will be SAT at the kitchen table with red string, academic papers, and matcha lattes, ready to discuss whether they loved each other, possessed each other, consumed each other, or invented some secret fifth thing that should probably be studied in a laboratory.
Thank you again for this ask and for loving my strange little psychological nightmare so much. It genuinely means the world to me. â¤ď¸ď¸
â§ main story â§ wc: 13.5k â§ pairing: yoongi x f!reader â§ rating: 18+.
â§ genre: dystopian, sci-fi, cyberpunk, starcrossed/fated lovers
âžď¸ rundown ;
"Working at the Chrono Monitoring Center means following one rule: time doesn't break. But when you catch Min Yoongi's golden eyes across a frozen room, you realize there might be more about CHRONOS than meets the eye. Some patterns are written in time itselfâno matter how many infinite symbols it takes."
Then, somewhere above and behind you, comes a sound that does not belong to any tactical framework you have ever been briefed on.
âWOOOOHOOOOââ
Your head turns before your analysis catches up.
<Jungkook,> Taehyung says, in the channel, with the dread of a man who recognizes a specific genre of incoming disaster.
<Okay so donât be madâ>
<What. Was. That.>
<Thereâs an Outlier in the market! Like forty meters out, northeast, I caught their signature when we split up. Ice, Tae. ICE. Do you know how long itâs been since Iâve gotten to grab ice?>
You process this in layers.
Layer one: Jungkookâs mimicry does not require visual contact. Proximity to an Outlierâs signature is sufficient. Somewhere in this market, a stranger is going about their afternoon with no idea their dimensional frequency has just been borrowed by a very enthusiastic guy.
Layer two: Kairos sit below civilian perception and outside CHRONOS detection architecture entirely. Which means no monitoring grid will flag the ice.
Layer threeâand this is the layer that spikes your threat assessmentâthe ice is invisible to civilians. Jungkook is not.
Which means, to any citizen who happens to glance up, there is no ramp, no crystal, no manifestation.
There is simply a grown man in a bomber jacket banking through open air two meters above the stall line in broad daylight, supported by nothing, whooping.
<Jungkook. You are a visible flying man.>
<I am ABOVE the awning line,> he says, wounded, like he prepared this defense in advance.
â Coming: This weekend <3
Early access on Ko-fi!
Donât forget to vote âď¸ last chapter on wattpad!
taehyung x f! reader | stalker x ballerina, paris, smut | masterlist | 18+ |
𩰠rundown ;
"Altars crumble faster in shallow water. But he still knelt like it was sacred. No one ever warned you that worship could look like love. Or that love could look like drowning."
The hosiery shop sits three-quarters down the passage, between a bistro and a dealer in old theatre programmes. The window display is modestâa mannequin in a black bodysuit, three pairs of tights displayed on small wooden stands, a hand-lettered sign advertising lingerie, pantyhose, tights, accessories in looping script. Warm light inside. Small enough that the crowd doesn't press at its entrance.
You feel the exact moment he reads the sign.
His hand doesn't just tremble. It seizes.
"I'llâ" He stops walking. His whole body stops, actually, a full halt in the flow of the arcade. "I canâI can wait outside, I'llâthere's that bench by the print shop, I saw it, I'll justâ"
You don't let go of his hand.
"Come on."
"Pearlâ" Horror. Actual horror in his voice, coloring it a full shade more desperate. "It's aâit'sâI can't go in there, those areâ"
"Tights. I need new tights." You tilt your head toward the door. "I go through two pairs a week. It's a supply issue."
"Butâbut theâthe windowâ"
The mannequin. He cannot look at the mannequin. His face has gone the full coral, blazing from his cheekbones through his ears and flooding down his neck into your scarf, and his free hand has come out of his pocket to grab his coat hem instead.
You could let him wait on the bench.
That would be reasonable.
That would be the logical, efficient choice.
But the expression on his face is the single most endearing thing you've seen since he told you your breasts feel like clouds, and there is not a force in this city sufficient to make you let him out of your sight right now.
"Taehyung."
He makes a sound like you've condemned him.
You pull him through the door. He makes it two steps inside before his body forgets how to walk.
â Coming: soon!
Reminder to vote on wattpad on chapter 17. â
Early access (read now) on Ko-fi.
â§ main story â§ wc: 11,4k â§ pairing: hoseok x f!reader â§ rating: 18+
â§ genre: Osaka AU, hentai mangaka!hobi, smut, slow burn, cf2l
đą rundown ;
"You never expected to say meow to him.
He never expected to like it."
He looks⌠dazed.
Your brain catches up with your body about five seconds late.
Oh.
Oh, shit.
You just licked his thumb.
Youâre about to mumble somethingâanythingâto brush it off when he finally drags his gaze away from his hand and up to you.
Then, gravel-rough, almost like the words sneak out past his filter, he murmurs, still looking at his thumb:
ââŚThink you missed a spot.â
The bottom drops out of your stomach.
Itâs not what he says so much as how he says itâlow, husky, like the line came straight from whatever part of his brain is currently not supervised by common sense.
Like heâs talking to Miki, not you.
Like this is a panel that should be shrink-wrapped and slapped with an 18+ sticker.
Your heartbeat slams against your ribs, stupid and loud.
He realises what heâs just said a second too late. His eyes flick to yours, wide, like he wants to drag the sentence back into his mouth and swallow it whole.
You could laugh it off, call him a pervert, roll your eyes, tell him his brainâs made of hentai now.
You donât.
You feel your lashes lower, like theyâre heavy. Your mouth goes a little soft around the edges.
Fine, then.
If thatâs the game.
You turn slightly on the couch, angle your body towards him. The blanket slips down one shoulder. You reach out again, fingers closing gently around his wrist.
The pulse there jumps under your thumb.
You keep your eyes on his, steady. Try on that look youâve practiced for Miki in the mirror, the one that lives somewhere between bored and hungry.
âThis spot?â you ask, voice coming out lower than you meant.
Your tongue meets his skin again, dragging the tip along the inside edge of his thumb, where the knuckle meets the pad.
â Coming: When we reach 40 votes on ch 8 on Wattpad. <3
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
calling a mutual by their name and having to check you're right like omg what if they transitioned and changed their name in the twelve hours since i last saw them on my dash