“A poem is a ‘line’ between any two points in creation.” ― Charles Olson
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Claire Keane
occasionally subtle

#extradirty

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@juliansummerhayes
“A poem is a ‘line’ between any two points in creation.” ― Charles Olson

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British infantry advancing through a gas attack at Loos, September 25, 1915. Loos was the first time that the British used gas in an attack. It didn't help. They lost almost 60,000 men and ultimately failed to take German positions. A Strange Meeting (alternate version). Earth's wheels run oiled with blood. Forget we that. Let us lie down and dig ourselves in thought. Beauty is yours and you have mastery, Wisdom is mine and I have mystery. We two will stay behind and keep our troth. Let us forego men's minds that are brute's natures, Be we not swift with swiftness of the tigress. Let us break ranks from those who trek from progress. Miss we the march of this retreating world Into old citadels that are not walled. Let us lie out and hold the open truth. Then when their blood hath clogged the chariot wheels We will go up and wash them from deep wells. What though we sink from men as pitchers falling Many shall raise us up to be their filling Even from wells we sunk too deep for war And filled by brows that bled where no wounds were. -Wilfred Owen.
Rifleman Frank Edwards leading the charge at Loos while kicking a football. (A London Irish at Loos (Elizabeth Thompson)). Wounded in the thigh and gassed (because that's what happens when you lead a charge through gas without a mask), Frank Edwards led his men to capture a German trench. He was shot in the thigh, and that combined with his gas injuries led to him being evacuated to England and invalided out. He later reenlisted in the military police and died in 1964.
English writer H. G. Wells (1866 - 1946, right) with English comic actor and filmmaker Charlie Chaplin (1889 - 1977, seated left) at the offices of the Stoll Pictures film company in London, 1921. They are about to watch a screening of the new film, 'Kipps', based on Wells' novel of the same name.
Photo by Central Press/Hulton Archive/Getty Images
Cree; Saskatchewan, Canada, around 1930. Paul Coze

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When giants walked among us.
Ingalls Rink, Yale. Eero Saarinen, architect nonpareil.
Not for the softies.
Beyond the infinite horizon
“Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.” ― May Sarton, Journal of a Solitude

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by Bruno Barbey Café São Jorge, 1966
ocracoke, 19 may
Kaoru Yamada
This morning's walk around the village.

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I've cropped out the person's name who posted this because it's no slight on them that they did. It's the most popular picture of Rothko on the Internet. However, there is no color version of this photograph there are only many different Photoshop versions of the same colorized photograph. This painting is orange not red.
It would be great to stop posting this mangled photo
Here's the original
T. S. Eliot's "Gerontion"
"Gerontion" is a dramatic monologue by an elderly, spiritually empty man hopelessly waiting for spiritual rain in a decayed, rented house. Having avoided heroic action, he reflects on his entirely passive life and post-WWI disillusionment. He laments a loss of faith, viewing Christ not as a saviour but as a devouring tiger. History is depicted as a deceptive labyrinth that misleads humanity. Ultimately, Gerontion symbolises the intellectual paralysis and cultural decay of modern Western civilisation. Lacking passion, memory, or spiritual salvation, he is driven toward total oblivion—a hollow, fractured mind mirroring a similarly fractured, chaotic, and dying modern world.