カラス
©Juri(jiji)

if i look back, i am lost

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

⁂
Keni
let's talk about Bridgerton tea, my ask is open

izzy's playlists!

#extradirty
styofa doing anything
NASA
RMH
Claire Keane
Sade Olutola

Kaledo Art
Xuebing Du

ellievsbear
we're not kids anymore.
i don't do bad sauce passes

Origami Around

seen from United States

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seen from Türkiye
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@juliansummerhayes
カラス
©Juri(jiji)

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雨と猫 / Rainy day
©Juri
“Never sleep with someone whose troubles are worse than your own.” ― Nelson Algren, A Walk on the Wild Side
The Kärntnerstraße, Vienna, at night, Photo by Fred Lauzensky, 1950
Cannonbal Adderley, London, 1964

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R. Crumb 2026
Anaïs Nin, The Diary of Anaïs Nin, Vol. IV: 1944-1947
Ash Wednesday (1930) is Eliot's first major poem after his conversion to Anglo-Catholicism. Structured in six parts, it traces a soul's painful movement through renunciation toward spiritual renewal — though never arriving at confident resolution. Drawing on Dante, the liturgy, and the Salve Regina, it meditates on the difficulty of faith, the letting go of worldly desire, and the fragmentation of the modern self before God. The repeated phrase "Because I do not hope to turn again" establishes a tone of penitential surrender. Drier and more austere than The Waste Land, it is a poem of threshold — neither fully lost nor fully found.
𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢
No. 15 (Two Greens and Red Stripe), 1964
signed, partially titled and dated 'MARK ROTHKO 1964 #15' (on the reverse) oil on canvas
93 × 69 in. (236.2 × 175.3 cm.)
📸 thanks to Mark Cashion who takes a lot of good pictures from auction houses and contributes them
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
This is one of my personal favorites and it's up for auction because Agnes Gund, who bought it directly from Rothko, died and she was one of the good people in that world.
I hope a lot of these paintings on sale now don't disappear into private collections, but some of them probably will

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Happy Bloomsday.
Taking Care Callista Buchen

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Pavla Malinová — Time According to Max Ernst (oil on canvas, 2022)