sylv, eighteen. i like music, lighthouses and textile art. talk to me about judee sill + the magnetic fields.
pinterest - last.fm - thesis
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Monterey Bay Aquarium
Three Goblin Art

oozey mess
trying on a metaphor
NASA
occasionally subtle

titsay
PUT YOUR BEARD IN MY MOUTH
AnasAbdin

#extradirty
Cosmic Funnies
Keni
almost home
Acquired Stardust
let's talk about Bridgerton tea, my ask is open

Discoholic 🪩

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver
art blog(derogatory)
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@judeesillyuri
sylv, eighteen. i like music, lighthouses and textile art. talk to me about judee sill + the magnetic fields.
pinterest - last.fm - thesis
donate - click

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finished embroidering my jeans
had to walk ten kilometres to my uni and back to use their computers because my student bus pass doesn’t work in the summer and my laptops a piece of shit and their computers didn’t even work for my presentation which is tomorrow at 8:30am and i need to figure out a different way to do it and actually put together my slide show all tonight after wasting hours doing all that #yay
why is it twenty degrees and raining can we not

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CHAKA KHAN 𐔌՞. .՞𐦯 circa 1970s
tumblr university
internet / life energy quilt leather and shearling
unnamed artist at luther college of art 2011
Paintings by Ernest Biéler
Edward Tufte

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William Baziotes ‘ Seaforms’ 1951
Polynesians did also rely on a form of a physical map called a stick chart, illustrating the specific wave and swell patterns surrounding different island chains. These were particularly helpful during cloudy conditions when the sun and stars were less useful. To navigate the Marshall Islands, the Marshallese represented ocean swell patterns using parts of coconut fronds and shells as islands. Like a subway map, they don’t so much represent distances as they do relationships. The complex and decorative stick charts were often only understood by the person who made them. They were memorised before a voyage by the pilot who would lie on the floor of a canoe to get a sense of swell movement and often lead a squadron of 15 or more boats.
Old building next to my studio
pre-k girls playing hand clap, New Orleans, Louisiana, 1976.
Source: Jeanne Pitre Soileau - Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children’s Folklore and Play (2016)

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Ilya Kabakov
can never make jokes about liking bad music or art my taste is objectively wonderful and everything i love is beautiful