Coheed and Cambria The Afterman fanboy review!
So, a couple of points I would like to mention before I begin writing;
1)Â Â Â Â Â This is the first time I have ever reviewed anything (at least in the sense I have never documented before my thoughts on a piece of work)
2)Â Â Â Â Â It is no secret that my favourite band of modern day is Coheed and Cambria.
… now we have that cleared up we can begin.
Depending on how you count it, “The Afterman” is Coheed & Cambria’s sixth studio album split into two parts; Ascension and Descension. True to their concept ways, this album serves as a prequel to the bands successful comic book series; The Amory Wars. If you’re interested you can read up on the story elsewhere on the Internets. I intend to review the musicality and song writing in this piece (although I am a big fan of Sanchez’s mythology.)
In essence, I am incredibly pleased to say that this album is a true return to form. Admittedly, the quartet had me worried after the last studio outing. I felt Year of the Black Rainbow and Good Apollo Vol 2: No World For Tomorrow were substandard by Coheed’s quality. I didn’t feel that YOTBR was as imaginative or intriguing as their previous albums, I felt the song structures to be somewhat mundane, I felt it lacked interest and I felt the album was very “safe” in terms of song writing (not production). NWFT, although at times, little more intriguing, I didn’t like the production style and overall feel of the album. Overall I would probably choose one track for a “Jon’s best of Coheed CD” from both.
But let’s face it. How do you follow up Good Apollo Vol: 1? In my humble opinion; an album is nothing short of a master piece.
So when I first heard the true opener of The Afterman: Ascension, Domino The Destitute I was instantly pleased. Fantastic Coheed melodies, quirky structures and popping in at the 8 minute mark, I knew Coheed were back to their best. The album continues in the same vain, at least in the intriguing sense anyway! With a fantastic mixture of moods filling the whole of Ascension, the album moves from strength to strength.
It was indeed fantastic to hear Claudio’s vocal range take over every song. (A stand out part for me is the Mothers of Men vocal middle section vocal melody.) And his lyrics are as bold and interesting as ever.
Through each track the style and feel differs fairly drastically from the softness of the title track through to the heaviness of “Vic The Butcher” and to atmospheric “Evagria The Faithful”.
As the Ascension drew to a close, I thought to myself, this has to be the shortest Coheed album ever. And then I remembered…
This was only half of it!
The second part, Descension is everything the first half is and more. It is heavy, it is exciting, it is unpredictable and it is plain brilliant.
The second track, Sentry the Defiant is a mind blowing swell of determination, angriness and well, defiance! But my favourite track of the whole album however has to be Gravity’s Union. It is a completely stunning piece of work and what I would call a true Coheed & Cambria song; strong melodies, time signatures, lyrics, a very interesting structure and a fantastic fist-pumping ending.
Thankfully, I would say this album holds some of their best work.
Major credit goes not only to Claudio Sanchez, for his brilliant song-writing, but also to Zach Cooper. It is clear that he has fit straight into the band with his musicianship top notch throughout.
Another big part of this album for (possibly the biggest for me) is the return of drummer, Josh Eppard. When Eppard parted from the group after Good Apollo Vol 1 I seriously felt they lost something. The following two albums, for me, were just not up to par but his return has given us another Coheed classic. His was sorely missed but I am glad to see he is back.
To conclude, this album (both parts) is a blinder and everything I could have hoped for. I think it has seen the band enter a new stage in their musical career and given the band a brilliant boost in many senses.
.. I just hope they tour the UK with Descension!
Key Entity Extraction I: Domino the Destitute
Key Entity Extraction V: Sentry the Defiant