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I suppose I might as well say this formally: if you want to catch up with what Iâm thinking and doing, youâll have to follow me on Twitter or see whatâs going on at my new website. Iâll probably turn on the blogging function there at some point.
Sorry new followers, youâre not getting any more cool image posts from old comics out of this account.
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A Tumblr list of music from a year when I barely listened to new music and barely used Tumblr. Most of my 2017 was dominated by a return to reading books, which I have never been able to do while listening to pop music: if I canât my give full attention to it, I generally do without.
Doing without has been the major theme of my late thirties. I turned 40 at the end of the year: past time, no doubt, to get serious and stop emotionally investing in what is indisputably a young personâs game. But pop, especially global pop, keeps pulling me back. And honestly at this point I might as well finish out the decade.
2010Â |Â Â 2011Â |Â Â 2012Â |Â Â 2013Â |Â Â 2014Â |Â Â 2015Â |Â Â 2016
100. Harry Styles, âSign of the Timesâ
99. Beth Ditto, âWe Could Runâ
98. Lana Del Rey, âLoveâ
97. Little Mix ft. Stormzy, âPowerâ
96. La Insuperable, âMe Subo Arribaâ
95. M.I.A., âFinallyâ
94. Neide Sofia, âEu Sou Assimâ
93. Shivi ft. DJ Bravo, âTrip Abhi Baaki Haiâ
92. Hercules & Love Affair ft. Sharon Van Etten, âOmnionâ
91. Ana Malhoa, âAmpulhetaâ
90. Prince Royce & Shakira, âDeja Vuâ
89. Rincon SapiĂŞncia, âA Volta pra Casaâ
88. ChlĂśe Howl, âMagneticâ
87. Ibibio Sound Machine, âGive Me a Reasonâ
86. Goldfrapp, âSystemagicâ
85. Pabllo Vittar ft. Mateus Carrilho, âCorpo Sensualâ
84. Calvin Harris ft. Frank Ocean & Migos, âSlideâ
83. Becca, âCrazyâ
82. C4 Pedro, âVou Ter Saudadesâ
81. Little Dragon ft. Faith Evans, âPeace of Mindâ
80. J Balvin & Willy William, âMi Genteâ
79. Sampha, â(No One Knows Me) Like the Pianoâ
78. Kaysha ft. DJ Dorivaldo Mix, âMama Weeâ
77. Eazzy âOne Tinâ
76. Pale Waves, âTelevision Romanceâ
75. RosalĂa, âDe Plataâ
74. Future, âMask Offâ
73. A Tribe Called Red ft. Lido Pimienta, âFor You (The Light, Part II)â
72. The Shom ft. NMN, âBrembaâ
71. HyunA, âLip & Hipâ
70. Titica ft. Osmane Yakuza, âDocadoâ
69. Tkay Maidza, âFollow Meâ
68. Petite, âAiâ
67. Perfume Genius, âSlip Awayâ
66. Sara Tavares ft. Toty SaâMed, âBrincar de Casamentoâ
65. Vaizer, âLunĂĄticoâ
64. Nailah Blackman ft. Shenseea, âBadishhâ
63. Yaeji, âDrink Iâm Sippin Onâ
62. Nayla ft. Afro Madjaha, âBeautyâ
61. Lil Uzi Vert, âXO Tour Llif3â
60. MzVee ft. Patoranking, âSing My Nameâ
59. N.E.R.D. ft. Rihanna, âLemonâ
58. MUNA, âI Know a Placeâ
57. Big Shaq, âMans Not Hotâ
56. BaianaSystem & Titica ft. Margareth Menezes, âCapim GuinĂŠâ
55. Missy Elliott ft. Lamb, âIâm Betterâ
54. WizKid ft. Drake, âCome Closerâ
53. Afrikanas ft. Vui Vui, âVemâ
52. Preta Gil ft. Pabllo Vittar, âDecoteâ
51. Finn, âSometimes the Going Gets a Little Toughâ
50. Lorde, âGreen Lightâ
49. Uka ft. DJ Zaya, âDonât Stopâ
48. Juls ft Burna Boy, âGwarnâ
47. Carla Morrison, âTe Regaloâ
46. Mondo Grosso, âLabyrinthâ
45. Nelly Furtado, âSticks and Stonesâ
44. Ibeyi ft. Mala Rodriguez, âMe Voyâ
43. Hishigdalai, âGhostâ
42. Alicai Harley, âGoldâ
41. Dua Lipa, âNew Rulesâ
40. Paulo Flores, âBoca do Loboâ
39. Fever Ray, âTo the Moon and Backâ
38. Ceci Bastida ft. Aloe Blacc, âUn SueĂąoâ
37. Niniola, âSickerâ
36. IZA ft. Marcelo FalcĂŁo, âPesadĂŁoâ
35. MNEK, âParadiseâ
34. Gena Desouza, âJingJing Man GĂ´rDee (Drunk)â
33. Victoria Kimani ft. R. City, âChina Loveâ
32. Kah-Lo, âFastaâ
31. Stormzy, âBig for Your Bootsâ
30. Yola AraĂşjo, âBate Bola Baixoâ
29. Alex Anwandter, âCordilleraâ
28. Cupcakke, âBarcodesâ
27. Bad Gyal, âJacarandaâ
26. Haim, âLittle of Your Loveâ
25. Jennifer Lopez ft. Gente de Zona, âNi TĂş Ni Yoâ
24. Kendrick Lamar, âHUMBLE.â
23. St. Vincent, âLos Agelessâ
22. DJ Maphorisa ft. DJ Tira, Busiswa & Moonchild Sanelly, âMidnight Starringâ
I like the fox-trot and going in an airplane and modern pictures which look equally delicious upside down, and modern poetry which doesn't scan or rhyme or mean anything, and sitting up all night.
E. F. Benson, Dodo Wonders (1921)
From the third book in Bensonâs series about a flighty (what a later age would call ditzy) socialite, almost forty years after her first appearance in the Gay Nineties. It is supposed to be amusing that a middle-aged matron has such flapper tastes, but as a condensation of everything that modernism meant, itâs as shrewd as you can make it.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Just One Song More has moved to a new home. 1924 is up there now, along with all the previous years. Apologies to anyone who still prefers Tumblr as their native web environment, but Iâve needed to reorganize and prepare for the long-term future of the site for a while.
Yep, Iâve moved to a website of my own. I might remember to put something here every time I update Just One Song More going forward, or I might not. Follow me on Twitter or use an RSS catcher if you really care: and if you really super duper care, you can support my Patreon.
Just One Song More has moved to a new home. 1924 is up there now, along with all the previous years. Apologies to anyone who still prefers Tumblr as their native web environment, but Iâve needed to reorganize and prepare for the long-term future of the site for a while.
Yep, Iâve moved to a website of my own. I might remember to put something here every time I update Just One Song More going forward, or I might not. Follow me on Twitter or use an RSS catcher if you really care: and if you really super duper care, you can support my Patreon.
My buddy Brian Blomerth has kept busy this past year doing comic strips online. One appears weekly at Vice, one appears either monthly or bi-weekly at a weed-themed website. A press also printed a risograph zine he did this year.
Brian is a funny dude. I have never really talked to him about the choices he makes in his comics, which are weird. His sense of humor manifests in his comics but in this conceptual sense: The gags arenât driven by the personalities of his characters, all of which are anthropomorphic dogs, but are instead essentially non sequiturs. The comics, especially in the full-color form heâs working with now, are highly design-driven. The gags become âthis character design is a nun on a scooter.â Thereâs a pleasure in looking at the compositions, which often rely on a variation of the characters standing in front of a lively background, which reminds me of The Simpsons arcade game. The way he draws clouds is really weird. These comics have remained a reliable source of pleasure for me over the past year, perfect at being at both âpsychedelic artâ and a joke about the same, which, due to the nature of the fractal of spiraling self-awareness in the experience, seems necessary and natural. The jokes donât necessarily make you laugh but they do reduce you to being an open-mouthed cat clock, moving through space and marking time.
Clicked through, and whoah. I didnât realize anyone was out there keeping the flame of 70s Dutch underground comix alive, but this is great Swarte cum Geradts cum Buckinx-style comics, maybe a little heavier on those guysâ influences like HergĂŠ and Barksâ duck comics.
The cartoonist Hazel Newlevant has come forth publicly on Twitter to say that Cody Pickerodt, who runs a micropress called Ray Ray Books, is a sexual predator. She has linked to a Google Document sharing the testimony of several women, whose allegations vary in severity, and I doubt none of them. Iâve met Pickerodt barely at all, once in Brooklyn and maybe again afterwards at either SPX or smaller shows, but he immediately gave off to me the vibe of a creepy asshole I did not want to be around. I know at least one woman whose work he offered to publish, and I advised her to either avoid him or at least talk to other people heâd worked with first. This was all based on my superficial impressions as a man who he probably doesnât even remember meeting.
Comics is small and filled with people who maybe identify as being ânerdsâ or âintroverts.â Both men and women often have their own self-consciousness about how awkward they can feel around people, especially in large social settings, that might lead to them forgiving or ignoring red flags. I would implore everyone to trust their instincts, to both protect themselves, and the people they know, and even strangers if it seems they might be being preyed upon by someone you distrust. The small press has a low barrier to entry that allows for people to present themselves as pursuing âprofessional relationshipsâ solely for opportunistic purposes. Cody Pickerodt, a creepy asshole and terrible cartoonist who I feel confident saying no one likes, should not be allowed to table at shows. Apparently he does not pay the cartoonists he works with for the reprints he does of their work after the initial printings sell out, or share profits. The premise of professionalism is a sham. It is easier, cheaper, and safer in the long run to take the financial risk on yourself than it is to take the risk of working with a moneyman who only seeks to exploit. All of the women Pickerodt published were talented enough that, if they could not take the financial burden of publishing and selling their own work, they would have found someone willing to assist them in an honest and non-predatory capacity.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is LIVE right now
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Free to watch ⢠No registration required ⢠HD streaming
The effect, if not the prime office, of criticism is to make our absorption and our enjoyment of the things that feed the mind as aware of itself as possible, since that awareness quickens the mental demand, which thus in turn wanders further and further for pasture.
Henry James, âNotes on Novelistsâ (1914)
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