Youâll never look at a mascot the same way againâŚ. Check out the book trailer for my YA mystery WE KNOW IT WAS YOU! In stores now
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Youâll never look at a mascot the same way againâŚ. Check out the book trailer for my YA mystery WE KNOW IT WAS YOU! In stores now

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Bestselling young-adult writer Margaret Stohl's "Beautiful Creatures," co-written with Kami Garcia, is about supernatural teens who read "To Kill a Mockingbird." Here she writes about the significance of Harper Lee's book.
Honored to have this out today. Yes, Harper Lee was my David Bowie, also I think the greatest YA author of all time.
Becky Albertalli Morris Finalist Interview!!!!
This year, as part of the annual William C. Morris Interview Series, I was delighted to speak with the uber-talented and oh-so-brilliant Becky Albertalli. Â Beckyâs debut novel Simon vs. The Homo Sapiens Agenda has not only landed her a Morris nomination, but also a spot on the National Book Award long list and a Publishers Weekly Flying Start honor. Â This mother of two and former clinical psychologist has wowed readers and critics alike with her whip-smart and heartfelt story of identity, first love, and the nuances of the teenage experience. Â
JCW: For starters, congratulations on a truly lovely, original novel and all the very-well deserved praise itâs received this past year. How has the experience of publishing your debut been so far? Overwhelming? A dream come true? A strange mixture of both?
BA: Thank you so much. (And just to get it out of the way, you should imagine a thousand cat emoji lined up making heart eyes at you.)
This experience has definitely been a mixture of dreamy and overwhelming. SIMON was my first attempt at writing a novel, and my book deal happened really quickly. I had to adjust to the publishing world quickly â and this can be a challenging field for people who are anxious or sensitive (Iâm both).
That being said, for me, itâs been an incredibly rich and fulfilling few years. Iâve had the opportunity to become a part of this weird, awesome YA community. I hear from readers all over the world who feel connected to Simon or feel inspired by his experiences. Iâve gotten fanfiction and fanart (Iâm a giant fangirl, so this is honestly my dream). Itâs challenging, emotional work â even after the writing part is over â but my readers and this community make it worthwhile.
 JCW: YA writers frequently get asked, âWhy do you write for teenagers?â and it occurred to me that your answer may be the only one Iâve ever really been interested in hearing. Youâre an experienced psychologist, having worked with teens for years in various capacities. So, why write about teenagers? Why Simon?Â
BA: Itâs funny â I think people assume I write YA because I worked with teenagers (and therefore know all their secrets). Totally not the case. I think Iâm drawn to YA for the same reasons I was drawn to working with teens in therapy. I feel connected to teens. Iâve known so many who are interesting, funny, vulnerable, and sincere. And high school is still really vivid for me, even though Iâm in my early thirties.
Simon, in particular, appeared in my head very early in the process, and he was easy to get to know. Heâs a lot like I was as a teen â though heâs much more charming, and a little less self-aware.
JCW: In Simon vs. The Homo Sapiens Agenda, the title character begins an online correspondence with an anonymous boy named Blue. This gets him into a strange situation, but I hate spoilers so Iâll stay mum on that. My question, though, is if you could, in some hypothetical reality, have Simon correspond with a fictional character outside of the world you so skillfully created, who would it be and why?Â
BA: I donât think this answer will surprise anyone, but if Blue wasnât in the picture, Iâd ship Simon with Aaron Soto, from Adam Silveraâs MORE HAPPY THAN NOT. Theyâre both these softhearted nerds who think theyâre cool, and have no idea how painfully earnest they are (i.e. they are Adam and me). And I think theyâd be good for each other. Simon has a lot of social support and fairly minimal angst, so I think he could help Aaron find some stability. And I think Aaron would be able to gently challenge and work through some of Simonâs assumptions and misconceptions.
JCW: Someone once told me that there are about five stories out there and we (writers) are all just trying to create our own unique versions of them.  Where do you think Simon vs. The Homo Sapiens Agenda fits into that theory?Â
BA: Iâve heard that â though I donât know what the five story prototypes are! For what itâs worth, I have always thought of SIMON as a romantic comedy â which is why Iâve been so happily surprised that itâs been nominated for awards (I believe romantic books should get recognition â I just didnât expect it). Actually, when I was writing SIMON, I wasnât concerned with the story being absolutely unique â because no story is. Â My priority was telling a story that felt true, honest, and authentic. Â
JCW: Did you find it especially difficult to write from the perspective of a teenage homosexual male? Do you think that, as a writer, the very idea of exploring identity was aided by this feat?
BA: Simonâs voice and point of view actually felt really natural for me! This is partially because heâs similar to me, and partially because I think thereâs a lot more fluidity to gender and character voice than people realize. That being said, I wrote this book after working for years with LGBTQ kids, teens, and adults, especially gay boys. Itâs hard to tease apart what felt natural because it was natural, and what felt natural because my work had become almost a part of me. Â
JCW: One of the many things that stands out to me about your writing is that it has this uniquely accessible intelligence to itâyou donât talk down to your readers (teen or adult), but you also donât waste any of our time with pretentiousness. Itâs a straight-forward story that packs emotional punch equal to its skillfully woven emotional depth. So, you know, how do you do it? Haha. Iâll rephrase that to be more of a question: What is the Becky Albertalli writing inner thought process like?
BA: I have no idea.
Seriously. There is so much I donât understand about my own creative process. I know there are moments when Iâm in the zone, where certain scenes (usually pivotal ones) seem to write themselves. There are other scenes that I have to fight my way through.
I do read my teen journals before drafting. I outline loosely. If the story wants to deviate from the outline, I always follow it. I know I write really conversationally, which isnât for all readers, but it seems to be how my brain likes to explore ideas. And I try to write honestly, even if itâs embarrassing (itâs usually embarrassing).
JCW: Simon, to me, is all about identity. Itâs the reason I write YAâbecause it took me so long to figure out who I was in the worldâso Iâm wondering if your skill for writing this particular kind of story stems from any personal experience as well? Perhaps from your work with teenagers or from your own teenage years?
BA: Absolutely - issues related to identity are why I write, too, and that definitely stems from my own experiences. Many of my personal conflicts were different from Simonâs, but they were real (and are real â I really believe identity is something we continue to work through as adults). I actually explore some of those conflicts in a way that hits closer to home in my next book, which centers on a chubby girl falling in love.
  Lightning Round:
JCW: Is there a question about Simon vs. The Homo Sapiens Agenda that you havenât been asked yet but would really like to answer?Â
BA: Not Simon-related, but I have a pretty great answer for anyone who wants to know my most embarrassing author moment. It involves Jasmine Wargaâs launch party and a pair of tights.
JCW: What is your favorite song? Â Can you sing it well? Â
BA: Hmm â my favorite song changes a lot! Right now, itâs probably the entire soundtrack to Hamilton, and I can sing it VERY well.
JCW: Is there a book youâve read that you secretly (but not so secretly anymore) wish youâd written?Â
BA: So many. One I really wish Iâd written is my agent sister Lianne Oelkeâs book. I stumbled across the first few pages on a writing forum, and fell so deeply in love that I asked if I could beta read the whole manuscript. It was a good decision.
JCW: Finally, itâs a tradition here for me to make the last question all about myself.  Youâre a former clinical psychologist. You wrote a beautiful and hilarious book with maybe the coolest title in YA history. And youâre a devoted and awesome wife and mother. So, thereâs only one thing left to ask: Do you think youâre better than me?
BA: I AM AN ACTUAL HOT MESS, THOUGH, COREY. (Can we print that? In the Morris interview?)
So, I just typed: âYes, I am better than you, John Corey Whaley.â And then I started giggling. And then I had to delete it. That sentence cannot actually exist.
JCW: Oh now stop. Â In the interest of humility, Iâm printing it here for all the world to see.
All jokes aside--a big thanks to Becky Albertalli for an incredible debut novel, the hopes of many more to come, and for being down right fantastic. Â She is a true original.Â
To find out more about Becky and her books, stalk her using the following socially approved media:Â
www.beckyalbertalli.com
http://www.tumblr.com/follow/beckyalbertalli
@beckyalbertalli
Good luck to Becky and all of this yearâs Morris finalists!Â
-JCW
Artist Telmo Pieper Repaints His Own Childhood Drawings Previously:Â Everyday Objects Turned Into Creative Illustrations
In a society that profits from your self doubt, liking yourself is a rebellious act

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I saw Sufjan Stevens play at the Dorothy Chandler Pavilion on Wednesday and I felt compelled to make something. Those shapes reflect the projection setup he has on this tour. It was a really magical performance!
There is something about the book and these characters that is always on the edge, looking into an abyss, perpetually wondering and speculating. And at any moment it might collapse into itself. Whaley allows for tiny, understated moments of tension and anxiety. Cullen spends much of the book condemning other people, bluntly pointing out their hypocrisies. But when a girl he barely knows visits him he becomes overwhelmed, even afraid of her sincerity, as he realizes for the first time that his brother might really be gone forever. In a startling moment of empathy, he embraces someone who is unhinged in her loneliness, a bit deranged from medication.
Angela Yuen reviews Where Things Come Back by John Corey Whaley. (via therumpus)
DFLETE THIS!!!Â
Love is incomprehensible. Itâs a very simple and stupid statement, but feels extremely profound and necessary and helpful for me right now to wave that banner. There is no justice in love or in death, but I think we, as living survivors of this world and this life, have a duty to give testament to a deeper joy that weâve been given.
Sufjan Stevens, Paste Magazine Interview, 2015 (via fuckyeahsufjanstevens)
This weekâs free read on Pulseit is John Corey Whaleyâs 2012 Printz-award winning WHERE THINGS COME BACK! Start reading now here! www.pulseit.com/where-things-come-backÂ
Summary:Â In the remarkable, bizarre, and heart-wrenching summer before Cullen Witterâs senior year of high school, he is forced to examine everything he thinks he understands about his small and painfully dull Arkansas town. His cousin overdoses; his town becomes absurdly obsessed with the alleged reappearance of an extinct woodpecker; and most troubling of all, his sensitive, gifted 15-year-old brother, Gabriel, inexplicably disappears.Â
Meanwhile, the crisis of faith spawned by a young missionaryâs disillusion in Africa prompts a frantic search for meaning that has far-reaching consequences. As distant as the two stories initially seem, they are woven together through masterful plotting and merge in a surprising and harrowing climax.

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A guide to body-language etiquette around the world.
THIS WEDNESDAY Iâm going to be in Huntington Beach, CA with the wonderfully talented johncoreywhaleyâ. To prepare, I asked him a couple of questions.
1. Letâs say you and I switch bodies for the day. What will I find in your refrigerator? Almond milk. Lots of almond milk. We go through at...
Secret genius
Kristen Wiig and Maddie Ziegler, backstage at the GrammysÂ
This is everything to me. Â Everything.Â
Punch-Drunk Love is such a great example of a movie thatâs not really about what itâs about. Itâs about love, but itâs actually about P.T. Andersonâs idea of what love is, which he tells us in the first five minutes of the movie.
Adam Sandlerâs character has the conversation with the customer service guy, walks to the end of the driveway, stands there, and thereâs that big, beautiful car accident and then the harmonium is dropped in front of himâthatâs an analogy for everything. That all takes place in just a few minutes of screen time, but thatâs what the movie is all about, and thatâs what P.T. Anderson feels love is: a big, huge car accident that ends with an instrument you donât know how to play, and the rest of the film is him learning how to play this instrument. Thatâs my interpretation. You meet someone and they change your world in this really almost violent way and then you have to learn the instrument of being in a relationship or being in love with them.
LESLYE HEADLAND on PUNCH-DRUNK LOVE

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MORRIS FINALIST INTERVIEW with LEN VLAHOS!
#regram from @clemantine1 on this #MLK Day đ Tag someone you love, Smart Girls â¤ď¸Weâre tagging YOU!!