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Origami Around
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Sweet Seals For You, Always
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
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todays bird
Mike Driver
Xuebing Du
d e v o n
trying on a metaphor
noise dept.

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@jnliau

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call me a patron of the ass library the way I'm checking out that butt
In the Mood for Love (2000, dir. Wong Kar-Wai)
Anok Yai by Elizaveta Porodina for Mugler 2026 Campaign

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Eritrea
Mountain GoatsΒ (Oreamnos americanus), family Bovidae, Mt. Timpanogos, UT, USA
photograph by Randy Kroll

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new uchikoshi tweet just dropped
This woodblock print, designed in late 1855 (Ansei 2), is a prime historical masterpiece of the namazu-e (catfish print) genre by an anonymous Edo-period artist. Following the catastrophic Ansei Great Earthquake that devastated the shogunal capital in November 1855, hundreds of these unauthorized, satirical prints flooded the underground market. They functioned simultaneously as protective amulets, expressions of public anxiety, and witty social commentary on the forced redistribution of wealth. In traditional Japanese mythology, earthquakes were believed to be caused by a colossal subterranean catfish thrashing beneath the earth whenever the deity Kashima let down his guard.
can we sit on top of our scratchers and stare at each other ?

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it has always been a dream of mine to relax
why are you not filipino
I'm not sure of the steps to take