A sectional view of the New York Public Library

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Show & Tell
Monterey Bay Aquarium
Jules of Nature

Origami Around

#extradirty
$LAYYYTER
One Nice Bug Per Day
will byers stan first human second

styofa doing anything
Not today Justin
Mike Driver
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Misplaced Lens Cap
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A sectional view of the New York Public Library

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Living Room Decor, 1972
Women’s Flax and Others - Paula von Goeschen-Rösler , 1917. German , 1875-1941
We should bring back forest green.
Pioneer Centrate CDX-1, the first car CD player in the world (1984)

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1920s guy driving a model t with a "i bought this before ford went crazy" bumper sticker
DIMPLES / 2026
taylor swift is a tyrant for real like value neutral judgement but you can tell in her music the specific point that caligula started visiting her in dreams
she has this 3d-printed mini desk recreation of the bust of caligula with whom she communicates daily and in order to evade football’s suspicions she told him it was jesus and he was like Niiice jesus is actually awesomesauce ❤️ Like jesus helps you with touchdowns🏈🔥 and she was like yess exactly and then asked caligula in perfect latin if he could connect her with the ghost of genghis khan so they can talk strategy
Fritz Lang’s silent sci-fi film, Frau im Mond (1929)

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Sunbathing In Venice, 1954. Slim Aarons. Chromogenic.
The intersection of Western and Wilshire in Los Angeles, 1946.
Elizabeth Taylor to me is the best song on the album because it is the only one with any intrigue or mystery, the only song where we’re left to guess who it could be about and if they even end up together. Also, the way she once again weaves her life with a woman from the past making the meaning even murkier since she can always just say it’s fiction. And! How she says all her lovers are forever in the papers on their screens and in their minds but this person is just hers?? Who is this mystery figure?? Does Elizabeth Taylor give her the answer?? Was it forever?? On top of that the only song to mention NY on the whole album <3

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In The Odyssey, Odysseus is extraordinary for the flexibility with which he can inhabit many different names, or no name at all. It is this quality of being multinamed and nameless that enables him to survive. By contrast, almost all the warriors of The Iliad yearn to have a name and a story that lasts forever. Their many names and titles, as sons and brothers and comrades and fathers and rulers, are essential to their identities, their connections with one another, and their fame after death. They fear, above all, being humiliated (cursed with a negative name), or forgotten and nameless. The lists and catalogs of names are essential to the poem’s own work, of memorializing and mourning the dead. Once the bodies return to dust, these syllables are all that remain.
– Emily Wilson, Translator's note for The Iliad.
LINDA McCARTNEY "Something" outtakes at High Park Farm, in Campbeltown, Scotland. November 1969.