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It's so fascinating how Tana Moon initially accidentally subverted the "disposable poc love interest" trope. She's propped up to be the endgame love interest that Superboy "earns" by learning to grow up and be responsible. As far as half-assed love triangles go, the one between Superboy, Roxy and Tana heavily favors Superboy being committed to Tana to the point of barely reciprocating Roxy's feelings for him. Yeah of course it's a creepy relationship -but as we've discussed before- the writer doesn't see anything wrong with their age gap. It's a fetishistic, racist and misogynistic fantasy where a teen boy can be cool enough to catch the fancy of a sexy dark skinned woman. At the end of the day, Kesel wanted you to like Tana.

But -because of his own biases- Kesel never fleshes out Tana the way Roxy and Knockout (white women btw) get to be explored. I think Kesel assumed Tana being a sexy lamp was enough to hold the interest of young boys reading. And then when Superboy needed a status quo shift that moved him away from his Hawai'i cast system to that of CADMUS, suddenly Tana just... metatexually fulfilled the disposable brown girl trope. Now Superboy has his eyes on a new quirky blonde white girl at work. Tana comes back to die, so both Superboy and the readership move on.

Looking at the way Tana is treated in fandom; how she's made disposable and barred from transformative re-imagining, how when she is included she's treated as this obstacle to overcome before Kon can enter his real, fulfilling relationships with white partners,,, it's like fandom reinforces the disposable brown girl trope inherit in the bias of canon.

And man, does it gets weird when Kon himself is re-imagined as a person of color. I've talked before about how especially in fandom spaces, it's totally fine to racebend a canonically white character if you see something in that worth exploring. I save my big boy critic pants for canon rather than going after spaces of play. BUT when a character's original solo text is inseparable from racism, I have to wonder what we're saying when we give more humanity to re-imagining a white character (who are often afforded more dimension) as POC over the existing (usually underdeveloped) POC characters.

I've seen this "people care more about racebending white characters than already existing canon poc characters" discourse before and I totally get where it's coming from. Many people are more interested in re-imagining Superman as a man of color instead of getting into a character like Steel or Icon (who have their identity more purposely written into their stories), but that doesn't mean those POC!Superman re-imaginings don't have merit either! But at the same time, a canon character like Kong Kenan fulfills the "Superman legacy character with attitude" role way better than Kon ever did, but he doesn't command the same fandom as a man of color.