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#extradirty
Cosimo Galluzzi
trying on a metaphor

ē„ę„ / Permanent Vacation
he wasn't even looking at me and he found me
Monterey Bay Aquarium

@theartofmadeline

ā
tumblr dot com

oozey mess

romaā
Lint Roller? I Barely Know Her
"I'm Dorothy Gale from Kansas"

Jules of Nature
will byers stan first human second

ellievsbear
šŖ¼
seen from United Kingdom

seen from United States
seen from United States

seen from Japan
seen from United States
seen from Malaysia
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seen from United States

seen from Türkiye
seen from Spain
seen from Brazil
seen from United States

seen from Canada
seen from Thailand
seen from Isle of Man
seen from United Kingdom

seen from Malaysia
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@jillianallen14

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A compilation ofĀ a series of love letters addressed by Jacques Derrida to an unnamed loved one.Ā
FromĀ The Post Card: From Socrates to Freud and Beyond
"I'd like to write you so simply, so simply, so simply. Without having anything ever catch the eye, so that above all the language remains self-evidently secret, as if it were being invented at every step, and as if it were burning immediately." ā Jacques Derrida, The Post Card
who up thinking of an always already absent present
"But the reviews said-" "But rotten tomatoes says-" "but twitter and tik tok said-"
WHO CARES WATCH IT FOR YOURSELF!!

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a few more great films that are free on the internet archive
in decent quality too!
first list, second list
aggregate letterboxd list, archive list of all the films
perfect blue (1997) dir. satoshi kon
carol (2015) dir. todd haynes
the elephant man (1980) dir. david lynch
a girl walks home alone at night (2014) dir. ana lily amirpour
d.e.b.s. (2004) dir. angela robinson
nausicaa of the valley of the wind (1984) dir. hayao miyazaki
killer klowns from outer space (1988) dir. stephen chiodo
mommy (2014) dir. xavier dolan
jennifer's body (2009) dir. karyn kusama
suspiria (1977) dir. dario argento
battleship potemkin (1925) dir. sergei eisenstein
his girl friday (1940) dir. howard hawks
cube (1997) dir. vincenzo natali
nightcrawler (2014) dir. dan gilroy
black orpheus (1959) dir. marcel camus
chunking express (1994) dir. wong kar wai
meeting people is easy: a film about radiohead (1998) dir. grant gee
the grapes of wrath (1940) dir. john ford
the black cat (1941) dir. albert s rogell
the tin star (1957) dir. anthony mann
great films available on the internet archive part two
first post + the archive collection with all of them
la haine (1995) dir. mathieu kassovitz
carnival of souls (1962) dir. herk harvey
andrei tarkovsky's filmography
a nightmare on elm st. (1984) dir wes craven
possession (1981) dir. andrzej ÅŗuÅawski
the silence of the lambs (1991) dir. jonathan demme
safe (1995) dir. todd haynes
psycho (1960) dir. alfred hitchcock
cops (1922) dir. buster keaton
sherlock jr (1924) dir. buster keaton
when harry met sally... (1989) dir. rob rainer
the bride of frankenstein (1935) dir. james whale
man with a movie camera (1927) dir. dziga vertov
coffee and cigarettes (2003) dir. jim jarmusch
m (1931) dir. fritz lang
it happened one night (1934) dir. frank capra
casablanca (1942) dir. michael curtiz
purple noon (1960) dir. rene clement
carrie (1976) dir. brian de palma
eraserhead (1977) dir. david lynch
they live (1988) dir. john carpenter
female trouble (1974) dir. john waters
do the right thing (1989) dir. spike lee
wings (1927) dir. william a wellman
fallen angels (1995) dir. wong kar wai
velvet goldmine (1998) dir. todd haynes
black panthers (1968) dir. agnes varda
american psycho (2000) dir. mary harron
the manchurian candidate (1962) dir. john frankenheimer
girlfriends (1978) dir. claudia weill
more to come ā” glad you all like movies.
a few great films that are free on the internet archive
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roeg
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. renƩ laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
EDIT: part two here + the letterboxd list
edit: part three here
Someone on the asexuality subreddit told me, āThis community doesnāt have a problem with internalized allonormativity. People who have sex get shamed more than people who donāt!ā That EXACT SAME commenter just told a sex-averse ace person the other day that, āMaybe you should just have sex with your partner more if you donāt want to break up.ā
Lmao. You canāt make this shit up. The asexual community on Reddit is a fucking mess. I just want one safe space for us, goddamn
fun fact (not fun at all fact actually) :
aromanticism and asexuality are still treated as issues to be fixed in most therapy settings, at least in the western psychiatric institution. i cannot fucking mention my aromanticism or asexuality to a therapist or itāll immediately become their primary concern and goal to fix. whether or not i have a partner/am trying to have a partner is actively being used as an indicator of my wellness, regardless of if i WANT one. i cannot have access to needed mental health ressources because of fear of conversion therapy. aro and/or ace conversion therapy is the norm in most psychiatric institutions and we are getting told by the rest of the queer community that our oppression isnt real and that there is no link between our struggles and theirs.
more thoughts on the medicalization of asexuality and/or aromanticism
answers to common notes
aplatonic perspective
ressources
background information
tips to avoid aro and/or ace conversion therapy

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Reblog if you're asexual and tired
Lucifer (actor Augusto Milla) gobbles up Judas Iscariot in the 1911 Italian film L'INFERNO, released in the USA as DANTE'S INFERNO.
As incredible as it may seem, INFERNO was apparently the first feature-length movie shown in America viewed in a single sitting. IMDB sez: "This is the first feature film to be shown in its entirety, in one screening, in the USA. Prior to this it was thought audiences wouldn't be prepared to sit for over an hour to watch a feature - films such as Les MisƩrables (1909)and The Life of Moses (1909) were shown in episodic parts over the course of a month or two."
Also of note: L'INFERNO is considered to be the first Italian, and oldest surviving, feature-length film. (Silent and Pre-Code Horror)
iām watching an art theft documentary and theyāre interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they werenāt the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was likeĀ āthis is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, donāt say a word to anyone just nod if itās the rubens, the last operation we did the guy in your position got shot because things went wrong in a secondā and then it cuts to the professorās interview and he saysĀ āi wasnāt going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubensās aurora and just NOT say anything. i was gonna have to ad lib a littleā and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was likeĀ āi hadnāt taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldnāt leaveāĀ
at one point during the deal the professor turned to the woman selling it and he saidĀ āisnāt this just the most beautiful rubens youāve ever seen outside of a museum?ā (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he saidĀ āwhere on earth did you get it from?ā and the group of people the woman had with her was like taxidermy-fox.png but the woman was likeĀ āinheritanceā can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy youāve brought in just to nod if itās the right painting not only starts giving an impromptu lecture but then he asks how they got it
https://www.youtube.com/watch?v=0B4Zm-Aa74Y&t=2613s
omg BLESS YOU for the link and the time stamp that was as glorious as described by the OP
Yāall failed to mention that HE posted the video HIMSELF and liked every single comment oh my god
765874 Unification - Short Film from The Roddenberry Archive, OTOY, William Shatner and the Nimoy estate, in commemoration of 30th anniversary of Generation being released.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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True Stories (David Byrne, 1986)
thinking about how suspiria (2018) is one of the very few horror movies with an all female cast, how it's genuinely one of the best films i have ever seen and how you can discover something new every time you watch it since it is so thematically rich, how the performances are all incredible, the score is fantastic, the cinematography completely enthralling, and how, despite all of these things being true, it still wasn't received very well initally because for some reason people have convinced themselves that remake = bad. how some people disliked it because they wanted more of the original, neon colors, dreamlike sequences, which the remake purposefully strays away from because it's meant to be a completely different take on the same story. and how people then jumped to the conclusion that this must be a bad thing and they didn't even give it a chance.
this was pretty much the most perfectly handled and crafted remake ever, and yet. it's like no matter how you approach it, people are so close minded, blinded by nostalgia and unwilling to view retellings as a respectable genre, no matter what you do, it will never be good enough for that certain crowd. i just don't understand how you can outright reject the concept of different artists viewing the same story through a different lens and sharing their own takes on it with the rest of us. like, why do you see this as bothersome instead of beautiful? much to think about...