this is the funniest thing I’ve seen in weeks
The “Thunk” will always kill me.
14/10 doing his best
The lil guy just kinda… stopped working properly for a moment there…
@majorarc
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@jessilynallendilla
this is the funniest thing I’ve seen in weeks
The “Thunk” will always kill me.
14/10 doing his best
The lil guy just kinda… stopped working properly for a moment there…
@majorarc

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bitches be like "i love writing fanfiction" and then constantly second guess themselves because what if they're not good enough what if it's cringe what if no one likes it what if people laugh when they see it what if i mischaracterized someone what if i didn't tag it properly what if what if what if
Yep that's me
spy x family crossover! 💜🌸
I always really liked composition of that poster xd
reference under cut ->
x I plead the fifth
I fixed it!
(never feel bad about doing this whether it’s to deepen the character, have fun, or build interesting headcanons! Even shit about what their favorite type of jelly bean is makes them feel more complex to you and that’s fun! GO NUTS!)
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Supper becomes easy when you just don't give a shit anymore.
Onions, garlic, ginger, chicken, salt and pepper, chicken broth, canned dices tomatoes, cucumber, carrot, black beans, bell pepper, red thai chilli pepper, some butter for fat. Dinner.
reminder that ryland grace is not good aroace representation because he’s not even representation to begin with.
now hold on to your horses guys because i am an aroace project hail mary fan and i align with the aroace grace headcanon!! but i feel upon viewing some other posts that the word headcanon should be in bold!!
this headcanon means so much to me and so many other aspec people who hardly feel seen. this is probably one of the biggest aroace headcanons ever and has surely helped to educate many people about our spectrum and orientations.
but what we shouldn’t be doing is villainising and acting begrudgingly to people who do not interact with the headcanon or who actively ship grace with other characters. i think we’re beginning to forget that he does not represent us. in canon he is not on the aroace spectrum nor was he even coded to be (as much as i dislike andy weir the intentions of the author do kind of matter here, and he has stated responding to a query that grace was written as a straight allo man). not only that but he’s kinda… stereotypical too. nerdy white man who’s corny and kind of a loner ticks all those boxes
and before anyone tries to get angry at me, i’m not against the headcanon i literally align with it myself and have been ultra attached to it in the past😭 but it gets to a point where toxicity is getting obvious and we’re forgetting that this character doesn’t represent us as much as we act like he does. we shouldn’t be calling people aphobic for erasing his identity that isn’t even canon
strattland is the only big m/f ship with grace because stratt is the only woman in canon who grace has the kind of dynamic with that could lend itself to shipping by a wider audience. there are also very few women in the phm universe in general due to misogyny on the author's part. do not blame this phenomenon on tumblr the pickings are slim here okay.
y'all have go to stop treating m/f ships as just as (if not more??? for some reason???) "progressive" (lol) than m/m ships and y'all especially have to stop treating m/f shipping as some beacon indicating that a fandom isn't misogynistic unlike more m/m centric fandoms y'all have genuinely lost the fucking plot with this shit. m/f fandoms are famously also extremely misogynistic y'all just don't know that because you are lying about caring about m/f ships and have not been in the trenches that i have been in. stolen valor lookin ass 🙄
i have been WANTING to get people on board my grace/wish entity from obsession ship tbh!! i've just been too busy and exhausted to write about them properly RIP but frankly i get the feeling that op wouldn't particularly like that given their age gap and the bizarre partly queerplatonic way i'm shipping them so lol. lmao even
Look, I understand how it's annoying, but as someone on the asexual spectrum, I'm a little tired of people lamenting the loss of Ryland Grace as asexual representation.
Like, the man is canonically straight, there's just no romance in the book/movie. There are scenes in both for the purpose of letting us know he's straight (I say "for the purpose of" because neither does this well unless the audience is romance poisoned and looking for it). And that is actually important because his core character trait is that he's a coward who is too scared of potential emotional pain to be in a romantic relationship. That's supposed to be the point. He doesn't have any immediate family because he can't commit to a romantic partner, even though multiple are available. He doesn't even have a dog because he will outlive it and that will hurt. He is a teacher because being surrounded by children and teachers, he avoids the pain and humiliation that he got from his scientific peers.
Representation wasn't taken from us. Andy Weir is not as good a writer as a lot of people think he is. He's got a ton of blind spots and tends to fail at anything character related. (Like, Book Stratt is literally a caricature of three specific stereotypes and ill thought out writing decisions in a trench coat, and no one else seems to notice.) But he's so good at writing engaging plots and making the audience feel smart for following along with the science that people think he's better than he actually is. Like, he is good, that's an amazing skill to have. But that's where the break between my reading and everyone else's is coming from.
I don't actually believe that there are so many of us who looked at this self-isolating loser, who has to character develop out of being self-isolating, and decided that "yeah, he's one of us". I think we all just saw a huge blockbuster movie that didn't have a romantic subplot and latched onto it. But ignoring the core themes of the movie to make it fit this headcanon feels bad. The whole thing feels bad. It's making me feel like not liking that Grace's flaw of self-isolation is being turned into "representation" is me being aphobic. It's making me feel like being asexual is self harm that I need to character develop out of. So it just, feels bad seeing people being upset that Grace is being shipped with anyone, that the headcanon isn't universal, that some people seemed to understand the character the way I did.
Anyway, do what you wan, Headcanons don't hurt anyone and don't take anything away from the source material. Just, maybe cool it on the "the aces deserve better than people disagreeing with a headcanon", because we do. We deserve real representation, not just headcanons.
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Sci-fi short stories are so efficient; they take 15 minutes to read and then you think about them for the next 5 years
Hey guys, what if *puts the most horrifying mindblowing concept into your head with about 15 pages*
@derinthescarletpescatarian
@lairongy
So
"The Egg" by Andy Weir.
I don't remember when I first read it. Somewhere in between 2018 and 2021. But I remember the exact feeling it left me with. The idea that the universe was designed specifically for me, and that I was intrinsically part of it in a way I could never hope to understand in this life.
It's a fantastic story. Exactly what short stories should be. Short enough to read in less than 20 minutes, and mind blowing enough to sit in your core until the day you die.
This what I mean when I say science writing is terrible and you need to actually go back to the academic publications themselves to get what’s going on
Frequent enough issue that there's a greeting card about it...
Remember kids, if it sounds too fantastical or odd, it's worth doing a double-take.
It might very well be true (the world is a weird place), but it might just as likely be clickbait.
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
Hi! Someone who took several courses on the history of children's literature in uni here!
First off, The Hobbit is definitely 100% a children's book. And the reason we word it that way is that it was written with children as a primary target audience. That doesn't mean adults can't/won't enjoy it, but they're not who the author is writing for. But a good children's book, to paraphrase what Tolkien himself said, is a book that can be enjoyed just as much at 10 years old as it can be enjoyed at 50.
Part of the reason I think the person above is so vehement about the book not being for children is that it was first published in 1937, composed between 1926 and 1930, and written by a guy whose formative years were from the 1890s to early 1900s. Why is this significant?
Because until the Industrial Revolution, kids were believed to basically be mini adults, with the same psychological needs and interests as their elders. It's why, despite also being very much a children's book, the tales by the Brothers Grimm are extremely violent and don't feel very kid-friendly.
It wasn't until the mid to late 1800s that people really started to consider that content intended for kids might need to be written differently than for an adult audience. Treasure Island, one of the earliest books written "for children" instead of "for mini adults", only came out some 10 years before Tolkien was born.
Which is to say, when Tolkien wrote The Hobbit, he wrote during a time in which children's books were still making the transition of being what we think of today. So the style of the book can feel like it was written for an older crowd than it was intended for because it doesn't entirely fit our modern expectations of what a children's book entails.
It's not that children's books today are dumbed down, but rather that, as we have studied fields like child psychology and how the brain learns, we adapted the way children's books are written to better cater to our primary audience.
Books like A Series of Unfortunate Events, for example, use big words all the time, but the way they go about it is slightly different than how Tolkien might have done it. Which isn't to say that Tolkien's work is bad by modern standards, just different. In fact, I'd say that Tolkien's The Hobbit is a great kid-friendly intro to the style of writing one might find in Norse sagas when they're old enough to read the originals.
Utterly obsessed with these Shakespeare playbook covers from the late 1960s by Paul Hogarth
A collection, for a well loved garf
This reminds me of well-loved books; most people think that a beat up book is a sad thing, but it all depends on the way that it's beat up, as you can tell whether it got that way from being mistreated vs read so many times.
I always encourage my students to let me know if they come across a damaged book so I can fix it if possible ("You won't get in trouble for it, I just need to know so I can fix it before it gets worse"). The books they bring me are usually the really popular ones that have started disintegrating from overuse, and I always explain that things like falling pages start happening when a book has been read a lot, it's normal, and means the book has lived a good life.

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Hey, remember that time Diana Gabaldon (author of the Outlander series) claimed fanfiction is illegal?
It made me so mad and upset at the time that it turned me off her series altogether.
For the record:
Fanfiction is actually a legally protected art form that's as old as fiction itself.
The way it works is that writers take aspects of a story or universe and then tweak it to explore how those changes would affect the plot and/or characters.
This process of storytelling is so common and so old that it's basically how fairytales survive for thousands of years; the versions you know are basically fanfics of older versions.
people are so fucking weird about uncontacted tribes/peoples oh my goddddd you are not making it out of the colonialist mindset
fun fact uncontacted peoples are not ignorant they are fully aware of the "outside world" and are CHOOSING not to have contact because they (rightly) feel it would add no value to their lives and place them in an exploited position. it's voluntary. they are isolated on purpose.
sentinelese people aren't like some ignorant noble savages, or actual savages who are all about warfare and killing (wildly racist take i see very often), they are literally regular ass fucking people who have seen the exploitation of their neighbors (other andamanese people) AND the massive disease outbreaks caused by contact, and decided they want no part in that. they are literally regular people choosing to survive. that's it.
Good resource to start learning about uncontacted peoples:
There are at least 196 uncontacted Indigenous groups living in forests across the globe. Right now, more than 95 percent of uncontacted peop
For those in the notes arguing about whether "uncontacted" is the correct term; whether or not it seems the most accurate, it's the term that is being used. "Uncontacted" just means they reject contact with non-Indigenous society, not that they are isolated from all other people or don't know it exists or have never spoken to a white person before. From the link above:
Uncontacted Indigenous peoples reject contact with outsiders, as an active and ongoing choice. Survival International has calculated that there are 196 uncontacted groups worldwide; some of these are entire peoples who are uncontacted – such as the Sentinelese in India. Some uncontacted groups – such as the Ayoreo Totobiegosode in the Paraguayan Chaco or the Amahuaca in Peru – are sub-groups of bigger tribes with whom they share a language and often a territory. All are aware of the outside world, and reject it. They are self-sufficient and resilient. They live independently in forests, sometimes on islands. They resist intrusion, and thrive when their rights are respected. Uncontacted peoples may encounter outsiders sporadically, or not at all. They are aware of neighboring Indigenous peoples, who may be closely or distantly related. The uncontacted Hongana Manyawa in Indonesia have family members who have left the forest, mostly under duress. The uncontacted Pirititi occasionally encounter their contacted Kinja neighbors in the Brazilian Amazon. The Massaco, also in Brazil, were for decades known only by traces in the forest, including booby traps sharpened with rodents' teeth and placed on their hunting trails to warn off outsiders. Uncontacted peoples’ rejection of contact is often rooted in memories of devastating past contact and invasion, which brought violence, epidemics and death. Their denial of contact is a clear expression of their autonomy and self-determination.
At that link you can also check out "Voices from the Edge" which is a collection of interviews mostly with Indigenous people who have been forcibly contacted and whose relatives are still uncontacted.