so anyway yeah iron lung and project hail mary both very good

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@jessilynallendilla
so anyway yeah iron lung and project hail mary both very good

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âproject hail mary is about the power of friendshipâ âproject hail mary is about hopeâ âproject hail mary is about accidentally becoming too important at workâ wrong wrong wrong youâre all wrong. project hail mary is about what it would take for a single man in his 30s to own a fully paid off beachfront property in todayâs economy
i feel like charlies never authentically apologised. i feel like she apologises because she feels bad and she doesnt want to feel bad anymore, not to yknow...APOLOGISE
"it starts with sorry" yeah she seems to think it ends there too
like in s1 her apologising to angel and then doing the exact same shit to him in s2, she seems to think apologising and saying sorry clears someone of all blame, esp with her impulsiveness
"I verbally battered my dad and screamed at him to leave....but i said sorry after so its all good!!!"
she doesnt seem to get that you have to work on your mistakes after apologising, even if she parrots it to others she never seems to apply it to herself
welcome to my farm where I keep my dark horse my black sheep my scapegoat and my underdog. my canary in the coal mine died ages ago
Itâs a mess here: someone looked your gift dark horse in the mouth, led it to water, and jumped back on it. Your ducks arenât in a row, someone counted the chickens before they hatched. Your geese are silly, your brown cows arenât explaining how, and every one of these sheep is a wolf but they donât even notice with the amount of wool over their eyes. Iâm fining you one million gold coins.
it was the goat blame the goat
Just tell me you haven't killed the goose that laid the golden eggs.
Iâm sorry, but I really fucking hate people with a stick up their ass who are like âthis piece of media doesnât specifically fit MY standards???? Well I guess that means NOBODY CAN LIKE IT GRRRRRRâ (yes, this also goes for the TADC fan/hatedom.
Honestly! The number of complaints for the series I've seen that narrows to "I wanted this specific thing to happen and therefore the show is objectively bad for not doing that just for me" is so ridiculous. And it's from the people claiming to be critics yet can't understand the difference between a personal preference and bad writing. Add that with the harassment they give of anyone who disagrees with them and dares enjoy the series for what it is and it's just such a childish attitude!

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Basically my main take on representation and whatnot is.
Tragedies are important. Tragedies show us harsh realities and consequences. Without stories that show us tragic endings, there would be no meaning in happy endings.
Bad people are important. Not just villains with a cause, but all kinds of bad people. People who just kind of suck. People who do horrific things for a reasonable cause, but aren't necessarily the villain or the antihero or anything like that.
What matters is how you handle / present it. Because if you're being careless in your writing, it's going to be noticeable and it's not only going to reflect on you as a person, but it affects everyone who reads it. This is especially important to keep in mind if you're handling more fragile things, like the representation of minorities. It's important to break past the shapes that these categories of people are forced into.
Every time I hear a reputable museum tell me that most colonial women died in fires it puts me one step closer to homicide
To everyone saying they've never heard this before, it's so prevalent Colonial Williamsburg wrote a book about it
HEY, WHO WANTS TO SEE SOME DEATH STATISTICS FOR THE YEAR 1783? BECAUSE IT'S NOT LIKE YOU CAN JUST LOOK THIS UP IN EASILY DIGESTIBLE REPORTS OR ANYTHING.
Town size: 7500
Deaths: 189
Childbirth deaths: 1
Burn deaths: 0
Tuberculosis deaths: 18
Measles and measles complications deaths: 32
VACCINATE YOUR DAMN CHILDREN.
A more comprehensive list with some explanations can be found here for London in the year 1721. Notably there were many more deaths in childbirth, which was a significant killer that year.
However, while gender is not specified, the same year had:
Fever deaths: 3,331
Tuberculosis deaths: 3,188
Smallpox deaths: 2,375
Old age deaths: 2,309
Heart failure deaths: 903
Dysentery deaths: 697
Burned and scalded combined is a grand total of 9 people.
I love and respect you for posting this, and I support everything you said.
But.
I am also so distracted by the person who died of a perforated anus.
It's worse than that. Imperforate. Not perforated. At all.
I think the best most human thing in the world is strangers doing a silly thing together
Examples:
- guy at work "Yes, and -" ing the bit me and my coworker were doing where we pretended to be owners of a fantasy medieval tavern not minimum wage retail staff
- at the gay club when Die Young by Kesha came on and two hundred people, all dancing and drinking separately, jumped up and down to make the "- beat of the drums *STOMP STOMP*" as loud as possible
- person who watched me stomp round the beach singing a made up song about breakfast foods to name a cat after and suggested more breakfast foods that would be good cat names
- guy who started a dance off with everyone across the road while waiting for the lights to change
- very tiny girl at the pharmacy interviewing everyone in the queue and every single one of us in turn sat down and answered this toddler's questions like we were on Letterman
The three pillars of humanity, in no particular order, are Joy, Absurdity, and Sharing
the animation discourse last week was about how all the big indie shows ex. murder drones, digital circus, hazbin hotel, knights of guinevere, lackdaisy, whatever, are Like That because their creators only take influence from things like gravity falls and steven universe and never seek out any other form of media, which is a really funny accusation if you've actually seen like, any of these shows at all
yeah the thing is I just don't agree with that and think it's a pretty shallow if not outright incorrect criticism of these shows; they flatly wear the influence from things outside of children's cartoons on their sleeves and have premises or themes that are clearly aimed towards an adult audience regardless of swearing (do any of these even have a lot of swearing outside of hazbin hotel?). it's hard not to notice that this is a criticism that you only commonly see aimed at animated shows rather than similar live action genre comedies with quirky dialogue, ala good omens or what we do in the shadows or the good place or pushing daisies or whatever; the adultness of these things is never interrogated in the same way at all, there's a kind of inherent dismissal of animation as a medium here that doesn't allow any space for that broad genre of show to exist in adult animation unquestioned.
i think there is a difference between a knowingly flawed character and a thematically uncomfortable character and knowing the difference is half the battle
knowingly flawed character: this character has traits that the author deliberately put in to show they have nuance and aren't perfect as a person. this will put them at odds with some readers and endear them to others, depending on them as people, and that's good!
thematically uncomfortable character: oh boy the author has some Beliefs

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I have added more to this collection~
It was initially brought on by the fact that I was commissioned by a super cool client to do a Hans in this style (I would be lying if I said it wasnât one of the coolest commissions I have ever had to do)
So I also added a couple more! New are:
Cinderella: I am on an Ella kick, cus I canât WAIT for the new movie
Tiana: Cus she is one of my favorites, and I get to do a Mardi Gras theme
Hiro and Tadashi: I admit they are kind of the odd ones out, because of the style of the movie, and because I went with the boys even though I initially considered doing Honey Lemon and Gogo. I went ahead and gave them a sort of turn-of-the-century look in order to match them to the style of the rest. I suppose they arenât as recognizable but⌠I had to have them. I love them too much.
Eventually the idea is to have a whole collection of all of the main animated Disney films. It will be a long process if itâs ever done!!;;;;
Trying to get some more regular updates in btw, thanks for hanging with me guys @3@Â
Elsa and Anna on Society 6
Ariel on Society 6
Jasmine on Society 6
Cinderella on Society 6
Tiana on Society 6
Hamada brothers on Society 6
Rapunzel on Society 6
Why did Cinderella Stay? (Why didnât Cinderella Leave?)
The Stepfamily used their power and control over Cinderella to gain and maintain their power and control. This article will give some reasons why Cinderella stayed by focusing on her limited livelihood if she left and psychological/emotional reasons for staying.
LIVELIHOOD
Isolation - âCinderella was abused, humiliated, and finally forced to become a servant in her own houseâ - with no (human) friends or family, and no references, Cinderella has no support system and no social status.
Financial - âthe chateau fell into disrepair, for the family fortunes were squandered upon the vain and selfish stepsistersâ - even if Cinderellaâs inheritance still existed, she would have no access to it and thus couldnât afford anything.
Property - âHere in a stately chateau, there lived a widowed gentleman, and his little daughter, Cinderellaâ - Cinderella would be leaving her family home and all her belonging in her room.
(Animal) Family - The mice and birds could probably live on their own if Cinderella left but her childhood pets of Bruno and Major would need consideration. If she left without them then they would probably have no care, and, if she left with them, then it would difficult to care for them in addition to herself.
No Support - even if there were an external social support systems like shelters for Cinderella, would Cinderella even know about them? Sheâs been a servant since she was a little girl and has lived a very limited life.
Due to these things, staying is a survival strategy because Cinderella would lose her livelihood otherwise. Although the kingdom is âpeaceful and prosperousâ, Cinderella would most likely be homeless and hungry if she left.
PSYCHOLOGICAL
Fear - referencing the dress-ripping or locked-in-room scenes, if Cinderella got caught leaving and/or had to return then the punishment would be severe. Thus, not leaving would be preventative from worsening the situation.
Hope - âIt was upon the untimely death of this good man, however, that the stepmotherâs true nature was revealed: cold, cruel, and bitterly jealousâ - Lady Tremaine was seemingly positive in the beginning and so there might be the (false) hope that the currently abusive relationship would change back to its first (false) impressions. However, no matter what Cinderella did, Lady Tremaine would always due to abuse due to âCinderellaâs charm and beautyâ and how âshe was grimly determined to forward the interests of her own two awkward daughtersâ
Shame - Cinderella would need identify herself as a victim and that could lead to personal embarrassment and humiliation. Also, in a kingdom that is ârich in romance and traditionâ, Cinderella leaving might be seen as abandonment of her (step)family and thus might be forced to return.
-
In summary, though Cinderella suffers in staying, Cinderella might not end the suffering if she left; she may, in fact, may actually suffer more.
-
Alan
At many times, Cinderella is an active protester who challenges her stepfamilyâs unfairness:
After the teacup incident, Cinderella begins with âOh please, you donât think that IâŚâ, then âBut I was only trying toâŚâ, and when given repetitive chores, âBut I just finishedâŚâ Â
After Lucifer dirties the hallway, Cinderella scolds, âOh Lucifer! you mean old thing! Iâm just going to have to teach you a lesson.âÂ
Cinderella decides to deliver the letter despite it being against the rules, âMaybe I should interrupt the, uh, music lesson.â She is scolded by Tremaine, âCinderella Iâve warned you never to interruptâŚâ
During the ball news, Cinderella recognizes her rights, âWhy that means I can go too,â and then she explains why she has such rights, âWell, why not? after all Iâm still a member of the family. And it says by royal command every eligible maiden is to attend.â
When the carriage arrives, Cinderella actually cuts off Lady Tremaine with âYes, good night.â She doesnât want to listen to her sarcastic patronizing: âof course there will be other times andâŚâ
Coming down the stairs, Cinderella interrupts her stepfamily with âWait! Please wait for me.â Meanwhile Lady Tremaine was advising, âNow remember, when youâre presented to His -Highness be sureâŚâ
Cinderella clearly protests when her dress is being ripped apart
When Lady Tremaine locks her in her room, Cinderella is obviously protesting: âOh, oh no! No please! Oh you canât. you just canât! Let me out! You must let me out! You canât keep me in here! Oh please!â and then with Lucifer, âLucifer! Let him go! Please, let him go! Let him go!
While the Grand Duke is leaving, Cinderella calls him back despite the family protests, âYour Grace! Your Grace please wait. May I try it on?â
Cinderella is also an active complainer when her family isnât there:
During the breakfast bells, Cinderella says, âIâm comingâ
When sheâs is called from updating her dress, Cinderella laments, âOh now what do they want?â
Generally and most importantly, Cinderella dreams partially in spite of her Stepfamily, âwell thereâs one -thing they canât order me to stop dreaming and perhaps someday âŚthe dreams that I wish will come true.â They want to break her spirits but she is too strong for that.
Overall, Cinderella does stand up for herself - tries to anyways - but oppressors are very controlling and overpower her.
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Part 2
CINDERELLAÂ visibly resents her situation but when she talks back she is either ignored or silenced, or even punished. She is outnumbered and outpowered by her stepfamily. She not only has virtually no resources but also virtually no opportunity to get them.
I, personally, cannot fault her for not having means or ways to get means because she is literally a âservant in her own houseâ; I feel to fault her is to underestimate the control that her stepfamily has over her.
Cinderella is a servant in her own home but, at least, in being a servant she still has a home, and food. She, herself, suggests this when she talks to Bruno: âThatâs bad. Supposed they heard you upstairs. You know the orders, so if you donât want to lose a nice warm bed youâd better get rid of those dreams.â
Because Cinderella could easily lose what little she has left, she wisely complains or gets snide when she wonât get in trouble for it.
CLOCK
In her introductory scene, Cinderella resents the clock: âOh that clock! Old killjoy I hear you! âCome on. Get up, you say Time to start another dayâ. Even he orders me around.â Itâs not as if the clock had woken up her, but sheâs clearly frustrated because it reminds her of her stepfamilyâs bossiness.
LUCIFER
The interactions between Cinderella and Lucifer reveal her sentiments concerning the interactions between her and her stepfamily. Lucifer canât really ignore, silence, or punish Cinderlla in the way her stepfamily can and so she is more able to freely complain and get snide with him.
In their introductory scene, Cinderella has to call Lucifer by name to get him to come and then gets sarcastic regarding his noncompliance: âIâm sorry if your Highness objects to an early breakfast. Itâs certainly not my idea to feed your first.â Later, after giving Bruno a talking to, she continues, âAnd that includes you, Your Majesty.â Had Cinderella done this with the Tremaines she would have been severely punished. (probably by more chores or possessions taken away?)
In addition to being more verbal to Lucifer, Cinderella can be somewhat physical with him too. When Lucifer catches Gus, she sorta picks him up and she doesnât accept his excuses/lies. And later, when Lucifer has dirtied the floor she had just cleaned, she actually picks up a broom and says, âOh Lucifer! you mean old thing! Iâm just going to have to teach you a lesson.â
There is NOÂ way that Cinderella could - or even would - possibly do that against the Tremaines: sheâd be starting a fight which she would lose and she might get kicked out. She would literally have nothing except the clothes she was wearing; no finances, no human friends and/or family, no reputation or references. (In writing this, it occurred to me that if she tried fighting then she might be sent to an asylum for women who are violent and hysterical, and mad for talking to and clothing mice and birds?)
In the end, however, Cinderella indirectly gets Lucifer by having Bruno scare him off; it seems like his dreams came true also >:D
TO STEPFAMILY
Cinderella complain when her stepfamily isnât there: when they are calling her for breakfast, she says, âAll right, all right. Iâm coming. Oh my goodness. Morning, noon and night.â And when they call her away from modernizing her motherâs dress, she says, ânow what do they want?â and âAll right, all right! Iâm coming.â She can vent without consequences.
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Part 1: Is Cinderella passive and unchallenging? (link)
-
Alan
Mommy Fearest
I have said in my past analyses that Lady Tremaine, in my opinion, is the best representation of a wicked stepmother in a (particularly Disney) fairy tale. This is all because of how she never physically abuses Cinderella, but still proves to be so evil by inflicting mental, emotional abuse instead. In some views, this form of abuse may be seen as far worse than any cruel stepmothers who physically harm their stepchildren. Lady Tremaineâs words and indirect actions show that she is just as evil as many other Disney villains who are physically violent towards their enemies, and that evil doesnât always have to be portrayed in just one way. Cinderellaâs father married Lady Tremaine in order to give his daughter a mother figure, but upon his death, the latter revealed that she was no mommy dearestâŚLady Tremaine is more of a mommy fearest!
The film shows many recurring moments that Lady Tremaine displays in regard to her cruel treatment of Cinderella. From the way she says words to the things she does, Lady Tremaine truly lives up to her title as an evil stepmother. Here are the moments I think in which she is at her most evil and frightening:
After being accused by Anastasia of putting Gus under her teacup, Cinderella tries to explain herself, but Lady Tremaine immediately cuts her stepdaughter off by curtly and briskly saying, âHold your tongue!â While she says this, Lady Tremaine gives Cinderella a look of disdain and contempt.
In the same scene, Cinderella again tries to explain what happened, but like before, Lady Tremaine refuses to listen and interrupts her. In a sharp, cutting (and somewhat louder) tone of voice, she tells Cinderella, âSilence!â Her face is not shown when she says this word, but afterwards, we see her giving Cinderella a cold, deathly glare, (which I find to be the most chilling of her facial expressions) and her eyes are opened much wider than they previously were.
After Cinderella (who has her back turned to the Tremaines) announces that she wonât be going to the ball, Lady Tremaine feigns sympathy by saying there will be other times. While she does this, she passes a subtle, yet obvious, smirk of satisfaction and sadism to Drizella (who then passes it on to Anastasia). This is because she is pleased that she has (or so she thinks for now) succeeded in her goal of making sure that Cinderella canât go entirely.
Lady Tremaine is shocked and dismayed when Cinderella produces a dress at the last minute, but comes up with another way to keep her plan intact. To start, she menacingly approaches Cinderella (making the latter very frightened) and wears a crooked, creepy smile while speaking in an unnerving tone (see this analysis for more details).
I have already done an analysis in which I explain the scene that features the fifth and sixth gifs, so I wonât repeat myself too much. However, I want to add that what makes the former moment so frightening is the dimming light combined with her scrunching her eyes, which indicates her realization about Cinderella. Even though she says nothing during this moment, you can tell that Lady Tremaine is silently building up her fury and envy that Cinderella managed to attend the ball after all, but also that SHE was the woman, out of all the others there, who won the heart of the prince. To prevent Cinderella from trying on the glass slipper and reuniting with the prince, Lady Tremaine follows Cinderella up to her room and locks her inside. Cinderella only sees her stepmother at the last second and is too late to stop her. While she protests by begging and pleading to be let out, then starts to cry, Lady Tremaine completely ignores her stepdaughter while she smirks smugly and pats the key after putting it in her pocket.
When Cinderella manages to escape her room before the Duke leaves, Lady Tremaine makes one last attempt to prevent Cinderella from trying on the slipper when she (unseen to Cinderella and the Duke) trips the herald, causing the slipper to fall and break. Before she does, she quickly glimpses to her sides, as if she is making sure no one is looking, then shows her trademark smirk right before she sticks out her cane.
gifs were made by my friend disneynumber1fan

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Dress Destruction Disaster
I think the scene in which Drizella and Anastasia tear up Cinderellaâs dress is one of the most, if not the most, dramatic, and even one of the most psychologically frightening, scenes in the entire film. I can understand so much of what is going on, far more than just what is seen and heard on the screen, that it provides a lot for me to interpret and describe. This even includes the moments that happen before and after the dress is destroyed.
For starters, just before the Tremaines leave, Cinderella runs downstairs in her motherâs dress, which was altered for her by the birds and mice. Having initially believed they have succeeded in making sure Cinderella wonât go to the ball, all of the Tremaines are completely stunned and shocked at this sudden change of events. This proves how much the three, particularly Lady Tremaine, hate it when they are defeated by Cinderella. But just why are they so upset about Cinderella now having a chance to attend the ball? Well, for starters, the Tremaines donât see her as a member of the upper class anymore. They see Cinderella as nothing more than a mere servant girl who shouldnât be allowed to go to balls or have a good time at any kind of social event. But the real reason is because Drizella and Anastasia, who are ugly and very unladylike, are already jealous of Cinderellaâs beauty and kindness. They want, while their mother wants to use them, to snag the prince (one between the two of them) for his hand in marriage, which is the only reason they are going in the first place. But if Cinderella is there, they wouldnât stand a chance since she has just what they do not. The girls already feel that Cinderella is a threat to them, so they do not want her at the ball because her presence could ruin their chances of wooing the prince.
So then after their initial shock wears off, Drizella and Anastasia begin to loudly whine and complain to their mother that she shouldnât let Cinderella go with them. Anastasia even grabs her motherâs dress and flaps it (and her body) up and down, like a misbehaving child having a tantrum, which shows just how childish and spoiled she is and is acting. The girls complaining tells me that, even if they or their mother make a bargain with someone, they donât believe in them keeping their side of it; in other words, they donât want to be fair to the other person. The only personsâ happiness and fairness they consider is their own; the Tremaines do not want to be fair unless it benefits themselves only. And when it comes to Cinderella, they certainly donât want to be fair with her at all. What this also proves is that, despite Cinderella defeating them for now, Anastasia and Drizella canât stand seeing Cinderella happy because that only makes them unhappy. Like their mother, they get the most delight when Cinderella is unhappy. And since Cinderellaâs dress further adds to her outward beauty, it increases her stepsistersâ fear that that they wonât have a chance in winning the heart of the prince if Cinderella is also there.
Like her daughters, Lady Tremaine is also shocked that Cinderella managed to get a dress. This, along with the fact that she has taken everything away from Cinderella, indicates that she gravely underestimates her stepdaughterâs ability to remain resourceful and happy, despite years of abuse. Unlike her daughters, Lady Tremaine remains cool and calm, then reminds the girls that she made a bargain with Cinderella, so she has to keep her side of it. But then when she says, âAnd I never go back on my word,â Lady Tremaineâs facial expression, along with her voice tone, subtly shows that she is getting a very clever, but also sinister, idea. Not to mention that, when she says this line, she also approaches Cinderella in a very menacing manner. And look at Cinderellaâs face as this happens: she moves her head back and her eyes widen, which clearly shows that she is afraid. This is an excellent moment of displaying how Cinderella is in no way naĂŻve or stupid. Even though she is kind to Lady Tremaine, she is also very aware of just how cruel and sinister her stepmother really is. While she bravely attempts to stand up for herself now and then, Cinderella still has moments of being scared of her stepmother. So when Lady Tremaine walks towards her, Cinderella is afraid because she develops a gut feeling that the reason her stepmother is approaching her isnât a good one. Maybe she thinks that Lady Tremaine is finally going to hit her, since she never has before.
But even with the amount of physical proximity between them, Lady Tremaine never literally nor physically lays a hand on Cinderella. Instead, she cunningly notices Drizellaâs discarded beads around Cinderellaâs neck, then touches them, and this is the closest she ever gets to actually touching Cinderellaâs body. At the same time, Lady Tremaine compliments the beads, saying, âThey give it just the right touch,â then she asks Drizella if she thinks so. When she asks her daughter, what follows afterwards is exactly what she wants to happen: Drizella begins to answer no, then realizes that Cinderella is wearing the very same beads that she discarded. She accuses Cinderella of stealing said beads and rips them off from around her neck. After that, Anastasia notices that Cinderella is also wearing her discarded sash, and like her sister, she tears it off of Cinderellaâs dress. Out of jealousy and spite for their stepsister, and having already started to ruin it, like a chain reaction, the girls continue to tear up Cinderellaâs dress. In their blind rage of performing this horrible act, Drizella and Anastasia note what other items are theirs, and they verbally abuse Cinderella with words like âthiefâ and âkitchen wench.â Cinderella becomes afraid when they start and grows more terrified as they continue. In her fright, she protests and tells her stepsisters to stop, but her cries are completely ignored.
Now you may wonder, if Drizella and Anastasia donât want these items anymore, why are they so furious that Cinderella is wearing them and then they take them back? Because it still ties in with the fact that Drizella and Anastasia are already extremely jealous and feel threatened that Cinderella outshines them with her natural beauty. They donât want Cinderella to have material possessions, especially more or nicer things than what they have, or be better at them at anything. The girls are already annoyed that Cinderella managed to produce a dress after all, and since these items help enhance Cinderellaâs beauty, including within the dress, well, they just canât stand it if something, especially something they owned, helps Cinderella look more beautiful. They already face this beauty competition with their stepsister everyday, and so they wonât allow it to happen in this way. But Drizella and Anastasia donât take the beads and sash back because they truly want them back; they just donât want Cinderella to have them, period. They would rather throw them in the trash than give them to someone else who could use them, especially Cinderella. Like I said earlier, their actions are very petty and done purely out of spite and the burning envy they have for their stepsister. With that in mind, one could even say that tearing the dress, something beautiful owned by Cinderella and not them, apart was a cruel act Anastasia and Drizella have wanted to do to her for a long time.
And while the girls are tearing Cinderellaâs dress apart, what is their mother doing? Nothing! Lady Tremaine just merely watches, with delight, no doubt, as Anastasia and Drizella tear the dress to shreds. This is exactly what she wanted to happen because she wants to still appear fair from her side of the deal, but also to keep Cinderella from attending the ball all together. Lady Tremaine acts as a hypocrite in this moment because earlier, when the girls fight during their music lesson, she tells them to maintain self-control. But now, while she restrains and doesnât lay a hand or finger on her stepdaughter, she lets her daughters savagely attack Cinderella and tear up her dress. Heck, during this entire moment, Lady Tremaine indirectly sics them on Cinderella like vicious attack dogs! When she finally tells them to stop, she says, âI wonât have you upsetting yourselves.â This seems to be ironic and make little to no sense because Anastasia and Drizella were attacking Cinderella in a jealous rage, but I guess Lady Tremaine wanted to sound ironic and hypocritical in front of Cinderella. It could also mean that she wants the girls to calm down so they will have self-control when they meet the prince. Not to mention, since they have succeeded in making sure Cinderella does not go to the ball, they can calm down now.
When Cinderella is shown again, after her stepsisters walk out of the house, her dress is in tatters, with all of the major layers having been completely stripped off. One of her shoulders is totally bare, and Iâm willing to bet that if Drizella and Anastasia tore off anymore of the dress, Cinderella would be almost completely unclothed. In fact, that is probably the only reason why Lady Tremaine told them to stop. They had torn off more than they needed to ensure that Cinderella couldnât go, but their mother probably did not want them to see Cinderella unclothed. Cinderella does not say anything, likely because she is so in shock and upset over what happened that she doesnât know what to say. She wears a look that clearly shows shock along with distress, and all she does is stand there and look at a torn part of the dress. But Cinderella is not only upset that her dream and chance at going to the ball has been brutally ruined; another factor that ties into this is that the dress she was wearing once belonged to her mother, who is deceased, along with her (Cinderellaâs) father.
The beginning of the film reveals that her mother is dead, since her father is said to be a âwidowed gentleman.â Once her mother passed, Cinderellaâs only family left was her father. After he died, the Tremaines revealed their true colors and took nearly all of Cinderellaâs material possessions away from her. All she has left of her parents are memories, but the dress was probably one of the few, if only, keepsakes of one of them that was still in her possession. Not only does it remind Cinderella of how happy her life once was, it symbolizes a fresh start and a chance at a better life for her. So when Anastasia and Drizella, two of the three people who hate her the most, insult her and tear the dress apart, Cinderella literally has her memories of her late mother, one of only two people who ever truly loved her, as well as her dreams of a better future, savagely destroyed and torn to shreds. When the girls and Lady Tremaine took things away from Cinderella, I bet they also discarded everything that belonged to both of Cinderellaâs parents. So back to when after her dress is destroyed, Cinderellaâs look clearly says that she is finally giving up. For someone who said earlier that her stepfamily couldnât take her dreams away, what just happened makes Cinderella realize that they just did; therefore, she feels can no longer rely on her faith and dreams.
The final part of this scene that is worth analyzing is right before Lady Tremaine leaves. When Cinderella looks at the torn remains of her dress, in her distressed state, she looks back in Lady Tremaineâs direction. Right before she closes the door, Lady Tremaine merely looks back at Cinderella and says, âGood night.â Being who she is, she does not truly mean what she says. She has an arrogant, self-satisfied smile on her face, which clearly shows how cold, cruel, uncaring, and insincere she is feeling about what just happened. Her tone of voice when she speaks these words also reflects Lady Tremaineâs insincerity. Given what she says, along with seeing Cinderellaâs distressed state before she leaves, I think she realized that Cinderella had finally come to her breaking point (towards which she was attempting to push Cinderella for a long time). But because she and her daughters had to leave, I can bet that Lady Tremaine was only sorry that they couldnât stick around to see Cinderella cry. Perhaps she was just more relieved that Cinderella was now out of her and her daughtersâ way. Maybe she is even thinking about later, because she and her daughters can brag and tease Cinderella about missing the good time they had (or so they think they will have) at the ball. If they rub this in her face, maybe the Tremaines can make Cinderella cry again, and in front of them this time.
So there you have it with all of my analytical thoughts and interpretations about every major and minor thing that takes place in this entire scene. Out of everything I have discussed, the moment that I think best shows Lady Tremaineâs villainy is her lines when she walks towards Cinderella, and how they lead to the entire moment of the girls tearing the dress apart. Think about it: Lady Tremaine is being literal when she says, âAnd I never go back on my word.â But while she says that, what she DOESNâT literally say is anything along the lines of keeping her promise. See, she agreed that Cinderella could go to the ball, as long as she finished her work, and âif she found something suitable to wear.â Her stepmother is not happy that Cinderella manages to produce a dress at the last minute because she never actually wanted to her go in the first place. But when she sees the dress, Lady Tremaine comes up with another idea to keep her scheme intact. When she notices that Cinderella is wearing Drizellaâs beads, she mentions them because she knew Drizella would get angry and steal them back, and then Anastasia would do the same with the sash. In their resulted anger, the girls destroy the dress, not only because they had started to do so, but because they are indirectly manipulated to do it by their mother, who still wants to remain the authority figure and appear fair (when she clearly wouldnât be) from her side of the bargain with Cinderella. So then ultimately Cinderellaâs dress is destroyed and in tatters, and Lady Tremaine thinks she has won this round because Cinderella literally no longer has something âsuitableâ to wear in order to go. To describe it in another way, because of her state, she literally cannot go to the ball now, although not in the way that would truly be fair. Lady Tremaine just used her manipulative ways to make sure she would still be keeping her end of the bargain and not going back on her word (because she literally, directly, and physically did not do anything to make it look like she wasnât being fair), but especially to make sure that her goal of keeping Cinderella from going to the ball entirely was fulfilled. This, along with when she locks Cinderella in her room and trips the herald to break the slipper, are what I consider to be Lady Tremaineâs most evil moments.
gifs were made by my friend disneynumber1fan
Don't ask if you don't want the answer
Had a friend ask why my hyperfixation is (mainly) vox, I explain it to them in a very clear way providing details to his character i like. They proceed to criticize and insult my opinion on a question that THEY STARTED WITH after telling them why i like said character. Please, for anyone reading, don't do this to other people. You wouldn't like it if it happened to you, so why be an asshole to someone else? Don't ask something about somebody's innocent interests, and when you get an explanation turn around and say how stupid their opinion is and why it's bad. It's not making you look any smarter, just makes you look like a ill-mannered person.