Imperceptibles

Perception, Time, and Urban Space - An Interview with Jeremie Dru

Le Voyageur Incertain

These images are multiple exposures. Favorite path of discovery for surrealists and artists of the new Vision, the multiple exposure brings simultaneously together the different faces of the city. Jérémie Dru revisits this technique in the Paris today. The eye of the architect caught the buildings, this is palpable in the reproduction of the vertical lines, and in the magic feel given by the transcription of the details. Train journeys can create this mental state that mix space-times, visual feelings, parts of landscape and thoughts. Memories become much more complex to reach a certain confusion state of the instant consciousness. if there is a photographic parallel to the movement, it would include multiple exposure. Jérémie Dru’s informal correspondences put the viewer in the position of the traveler who skip step, still permeated by the poetry of the woods he just walked through, although he has arrived in town, or in the overcrowded metropolitan. Rings, boulevards, avenues, subway platforms, bridges, railways. The different urban axes are merging, inducing the viewer further, confused by trying to rationalize the perception of an endless landscape passing by.

Paris

Septembre 2014 Mamiya RZ67 - Multiple Exposure

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Eglise des Jacobins

Mamiya RZ67 - Multiple Exposure

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Réalité

Leipzig

2015

Mamiya RZ67 - Multiple Exposure

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