â ophelia in paintings: moodboard
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â ophelia in paintings: moodboard

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John Martin - Book illustrations for Paradise Lost by John Milton, etchings/aquatints
John Martin - Book illustrations for Paradise Lost by John Milton, etchings/aquatints
all bitches want is to be yearned for.
itâs me, iâm bitches.
19th Century Loverâs Eye Signet Ring

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must i pursue a career? is it not enough to be obsessed with classic literature, books museums and old records?
â Art in detailsâPainted by Abraham Janssens & Karel Dujardin.
Festival of Spring (Allegoric Scene) - Karel VĂtÄzslav MaĆĄek (detail)
Pandora (detail) Jules Joseph Lefebvre French, 1882 Oil on canvas
Antonio Canova gallery extension (1957) â Carlo Scarpa
Possagno, Italy.

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Underrated âThe secret historyâ quotes:
âOn leaving home I was able to fabricate a new and far more satisfying history.â
âI felt my existence was tainted, in some subtle but essential way.â
âI donât think I can explain the despair my surroundings inspired in me.â
âThe great romantics are often failed classicists.â
âBut isnât it always pain that often makes us most aware of self?â
âAll she lacks is a motherâs firm hand, but still, for my money, sheâs what you call a bramble rose.â
âItâs beautiful here, but the morning light can make the most vulgar things tolerable.â
âAnd always, always that same toast. Live forever.â
âShe was a living reverie for me: the mere sight of her sparked an almost infinite range of fantasy, from Greek to Gothic, from vulgar to divine.â
âMy life, which before had been only solitary and miserable. Became unbearable.â
âTime is something which defies spring and winter, birth and decay, the good and the bad, and absolutely indestructible. Duality ceases to exist; â
âWeâd all been really, truly out of our minds. And it may be a superhuman effort to loose oneself so completely, but thatâs nothing compared to the effort of getting oneself back again.â
âShe was still a girl, a slight lovely girl who ate chocolates, a girl whoâs hair smelt like hyacinth and whoâs scarves fluttered jauntily in the breeze.â
âWeâd done our errands, not to mention an awful lot of cocaine in the parking lot of Burger King.â
âI suppose it would be interesting to say that at this point I felt torn in some way, grappled with the moral implications of each courses available to me. But I donât recall experiencing anything of a sort.â
âI buried my face in the soft, slightly acrid - smelling flesh of her neck, and rocked back and forth - babbling, mumbling, feeling myself fall down and down, into a half-forgotten life.â
Chateau des Ravalet, Tourlaville, Manche, Normandy, 1570
Masterpost of Free Gothic Literature & Theory
Classics Vathek by William Beckford Wuthering Heights by Emily Brontë The Woman in White  & The Moonstone by Wilkie Collins Carmilla by Joseph Sheridan Le Fanu The Turn of the Screw by Henry James The Monk by Matthew Lewis The Phantom of the Opera by Gaston Leroux Melmoth the Wanderer by Charles Maturin The Vampyre; a Tale by John Polidori Collected Works of Edgar Allan Poe Confessions of an English Opium-Eater by Thomas De Quincey The Mysteries of Udolpho by Ann Radcliffe The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson Dracula by Bram Stoker The Castle of Otranto by Horace Walpole The Picture of Dorian Gray by Oscar Wilde Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
Short Stories and Poems An Occurrence at Owl Creek Bridge by Ambrose Bierce Songs of Innocence &Â Songs of Experience by William Blake The Rime of the Ancient Mariner by Samuel Taylor Coleridge The King in Yellow by Robert W. Chambers The Legend of Sleepy Hollow by Washington Irving The Yellow Wallpaper by Charlotte Perkins Gilman
Pre-Gothic Beowulf The Divine Comedy by Dante Alighieri A Journal of the Plague Year by Daniel Defoe Faust by Johann Wolfgang von Goethe The Tragical History of Doctor Faustus by Christopher Marlowe Paradise Lost by John Milton Macbeth by William Shakespeare Oedipus, King of Thebes by Sophocles The Duchess of Malfi by John Webster
Gothic-Adjacent Northanger Abbey by Jane Austen The Wendigo by Algernon Blackwood Jane Eyre & Villette by Charlotte Brontë Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth The Mystery of Edwin Drood by Charles Dickens The Idiot & Demons (The Possessed) by Fyodor Dostoyevsky The Man in the Iron Mask by Alexandre Dumas Moby-Dick by Herman Melville The Island of Doctor Moreau by H. G. Wells
Historical Theory and Background The French Revolution of 1789 by John S. C. Abbott Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle Demonology and Devil-Lore by Moncure Daniel Conway Ancient Pagan and Modern Christian Symbolism by Inman and Newton On Liberty by John Stuart Mill The Social Contract & Discourses by Jean-Jacques Rousseau Feminism in Greek Literature from Homer to Aristotle by Frederick Wright
Academic Theory Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture by Isobel Armstrong Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Higher Spaces of the Late Nineteenth-Century Novel by Mark Blacklock The Shipwrecked salvation, metaphor of penance in the Catalan gothic by Marta Nuet Blanch Marching towards Destruction: the Crowd in Urban Gothic by Christophe Chambost Women, Power and Conflict: The Gothic heroine and âChocolate-box Gothicâ by Avril Horner Psychosâ Haunting Memories: A(n) (Un)common Literary Heritage by Maria AntĂłnia Lima âThrilled with Chilly Horrorâ: A Formulaic Pattern in Gothic Fiction by Aguirre Manuel The terms âGothicâ and âNeogothicâ in the context of Literary History by O. V. Razumovskaja The Female Vampires and the Uncanny Childhood by Gabriele Scalessa Curating Gothic Nightmares by Heather Tilley Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland by James F. Wurtz Hesitation, Projection and Desire: The Fictionalizing âas ifâŠâ in Dostoevskiiâs Early Works by Sarah J. Young Intermediality and polymorphism of narratives in the Gothic tradition by Ihina Zoia
Details, part I; Claude Paradin: Devises Héroïques, 1551.
since the old version of this post was flagged for 'adult content'...
reblog this post if your account is a trans safe space or owned by a trans person!
along with that, reblog if your account is a non-binary spectrum safe space or owned by someone on the nb spectrum!

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Details: Nymph of the Woods and Nymph of the Fields. By Carlo Pittaluga, 1915
elie saab | fall 2017