jessica jeanne

linking up the continents to keep the network stable

when we have a shark attack it's really only playful

Gold, Silver, and Bronze!🥇🥈🥉

chances are I can't. my body is that of a disabled Asian woman.

the facial markers of childhood on a white person- prominent monolid eyes, round faces without prominent cheekbones, clear, smooth skin devoid of wrinkles, lack of facial hair- are traits that many adults of Asian descent, many in their fifties and sixties even, have to an extent that several of my (adult, mind you) relatives and friends have been declared to be in their teens, or even to be preteens or 8-year-olds, by an algorithm that associated those features with childhood rather than ethnicity and lineage.

I can usually figure out how to look directly at a camera, if I try hard enough. but from what I've seen of Roblox's face verification process, it also needs you to move your eyes slowly from left to right so it can determine you're using live footage of a real person.

simple, right? wrong. I can't do that. I can kind of move my eyes a short distance(and it always hurts like hell, especially when I do it consciously), and I can change what part of my vision I'm paying attention to, but otherwise my only way to change what I'm looking at is to turn my entire head. and it clearly doesn't accept head-turning as "looking from left to right".

I don't have any other facial differences that might mess with the algorithm recognizing my face as a face- and that's a related problem that's already been documented by numerous people and organizations like Face Equality International.

Point Reyes, CA

doubling dactyls like

milton and glaser is

difficult stuff--

'less you're sufficiently

sesquipedalian.

then it's pedestrian:

Memes and poetics

Appear to be part of some

Vogonish plan.

Let us rejoice in the

Current memetics:

Poems with strong meter that

If there isn't a fluent speaker around to practice with regularly, it doesn't matter how many languages you make a small child study. They aren't going to speak any of them.

I can also confirm (anecdotally) that my adult students learned much quicker than any of the kids I worked with, and exponentially faster than any of the toddlers I taught.

‘I worked 20-hour days to make Naomi Osaka’s Wimbledon dress’

The Japanese designer Hana Yagi created the striking all-white bridal-inspired kimono that drew cheers from the crowd at the All England Club

The Japanese kimono and the traditional western wedding dress are difficult enough to walk in, let alone play tennis. But Naomi Osaka did so anyway, emerging on to Wimbledon’s Court 3 in a gown that was a hybrid of both garments to play a round of practice shots.

The dress, which drew cheers and wolf whistles from the crowd, was the Japanese player’s latest fashion display, following the gold sequinned outfit that she wore at the French Open and her extravagant turquoise and green dress at the Australian Open in January. Her Wimbledon effort was the work of Hana Yagi, a 26-year old Japanese designer, who created it alone in ten days in her studio in Tokyo.

2026 French open, designed by Kevin Germanier in collaboration with Nike:

Yagi was asked to create an outfit for the “walk on”, when players enter the court before the beginning of a match, a well-established opportunity for fashion statements. At the French Open, Osaka compared her sparkling dress to the illuminations of the Eiffel Tower. Her extraordinary Australian Open outfit was inspired by jellyfish.

Australian Open 2026, designed by Robert Wun for Nike:

But Wimbledon imposes strict rules — above all that all clothes must be completely white (Roger Federer once got a telling-off for wearing shoes with orange soles). “First, it had to be all white,” says Yagi. “Visually, [Harper] gave me the image of a kimono or junihitoe [a traditional 12-layered kimono of the Japanese imperial court]. As a part of the concept, they wanted to reinterpret the tradition in the context of sport.”

The vintage wedding dresses she had in her own stock were cream and ivory — shades unacceptable at Wimbledon. She went to shops in Tokyo and bought the pure white western style wedding dress that forms the lower part of the Osaka gown, and a shiromuku, the traditional nuptial kimono in which brides are wrapped for delivery to their new husbands.

It is this, embroidered with brocade images of cranes and cherry blossoms, that forms the upper part of the dress, but drastically restructured to allow freedom of movement. “I didn’t want her to walk with small steps — in this she won’t have any difficulty walking,” Yagi says. “And it’s not like a tight corset, but a dress that Naomi herself can adjust.” Osaka wore her playing dress, created by her sponsor Nike, below Yagi’s creation, so it had to be lighter than a conventional kimono. The other condition was that the player had to be able to put on and remove the dress quickly.

“It was my first experience of that, because all my past works were art pieces, and not really aiming to be functional,” she says. “But this has to come on and off in three minutes. I kept it putting it on myself over and over again to confirm that it worked.” The secret ingredient? Extensive strips of Velcro.

Some more of Naomi Osaka's show-stoppers:

US Open 2024. Designed by Yoon Ahn for Nike:

US Open 2025. Designed by Osaka herself: