Principle over gain
No gain without principle
Cosimo Galluzzi
EXPECTATIONS
trying on a metaphor
sheepfilms
2025 on Tumblr: Trends That Defined the Year

gracie abrams

Origami Around

★

❣ Chile in a Photography ❣
𓃗
The Stonewall Inn
untitled
Monterey Bay Aquarium

bliss lane
we're not kids anymore.
noise dept.
🪼
Aqua Utopia|海の底で記憶を紡ぐ
Show & Tell
Game of Thrones Daily

seen from Australia
seen from Netherlands

seen from Netherlands

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from Türkiye

seen from South Korea
@javiegaray
Principle over gain
No gain without principle

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"Varied forms of seaweed." Compton's Pictured Encyclopedia. 1924.
Madonna del Magnificat, dettaglio. Sandro Botticelli (1445–1510). Gallerie degli Uffizi, Firenze, Italia.
Maison Margiela Artisanal Fall 2025
New York
Vivian Maier, 1954

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
La gente perdona tutti gli assassini, o solo quelli che le stanno simpatici? Si dà la colpa a tutte le vittime innocenti, o solo a quelle con cui è più difficile empatizzare?
Voglio dire… è più accettabile un’aspirante supermodella assassina di una donna o di un uomo poco attraenti ma dal cuore buono? La simpatia conta più dell’etica? La bellezza conta più del carattere? Questa bellezza artificiale parla più delle azioni? Il mondo è davvero così superficiale? Siamo davvero così vuoti?
Se indossassi una maschera, come fanno loro, mi credereste di più?
PALE (SLITSCAN)
Procreate + 3D Explorations /// NO Generative AI
Il Demonio (1963), dir. Brunello Rondi
artworks by David Lynch
etsuko miura, eucharist | my scans

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
My Window
When you have always loved
A little bit too much,
Sometimes you lose a lot.
And the scariest thought I own
Is the one that tells me
That I have learnt to accept loss
Without any tears or complaints.
Is not love something I deserve?
Much like Summer in (500) Days of Summer,
As if it were easier than cutting my hair,
I let go of men.
Trust me when I say
That I loved him dearly,
That I felt for him, deeply.
But when it came to asking for the same love in return,
I could’ve died waiting if I hadn’t moved on.
That’s why I always say goodbye early.
And a lot of them come back later.
But if I’ve closed the door on them,
I never open a window.
Life has taught me that dangerous creatures look for any way in.
—am I a dangerous creature, too, for writing this?—
And after they come into your life, there is no way to remove them from it.
It is as though everything they touch is lost to the cold, left in the dark.
I wish that simply closing my window was enough to keep all the monsters out.
when women were stronger than strong
July 6, 1936, Route 66, New Mexico. This is Martha Evans, 32. She had been walking for three days. Her husband died of tuberculosis in Oklahoma in May. The farm was foreclosed. She took the six kids and a Radio Flyer wagon and started west for California. The twins in the wagon were 11 months old. The boys walking were 6, 5, 4, and 3. Her dress was torn on barbed wire. Her leg was cut and infected. She wrapped it with a feed sack. She had $1.60 in her pocket. A photographer from the Resettlement Administration saw them and pulled over. He offered her a ride. She said no. She said if she took a ride now, the kids would expect one every time they were tired. She gave him her name and kept walking. The photo ran in newspapers across the country. Donations came to a PO box in Barstow. She got $200 and a bus ticket. She made it to Bakersfield and picked grapes. All six kids lived. Three went to college. Martha died in 1978. The wagon is in the Smithsonian
“One for the money, two for the show”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
~ Black | White | Blue ~
Jumy-M Another world / 都市のノイズの下に潜り込む