ART, MUSIC, PEOPLE AND THINGS I LIKE IN LIFE

Jarda's paintings

Blue Rock (Composition – 100726) (2026)

Acrylic, pencil and charcoal on a wooden panel with structural paste and paper collage • 50 × 50 cm Frame: solid lime wood, dark red stained, finished with high-gloss varnish

1. Artistic Analysis

Blue Rock is a refined abstract composition built upon the dialogue between two dominant masses of colour. The artist deliberately reduces the number of visual elements, allowing colour, structure and spatial relationships to become the primary expressive means.

The left side is formed by a cool blue-green structure suggesting architectural fragments, layered stone or geological formations. In contrast, the right side is occupied by a deep crimson field enriched with engraved textures, subtle drawing and traces of the creative process.

A narrow dark vertical division separates and simultaneously connects both areas, generating a quiet yet persistent tension. The composition feels remarkably calm without becoming static, as its internal energy arises from the relationship between the opposing forms.

Although the palette is restrained, the painting possesses remarkable richness through its layered materials, relief surface, metallic pigments and high-gloss finish, all of which change subtly with the surrounding light.

2. Symbols and Meaning

Blue-green structure – stability, space and silent architecture

Crimson field – energy, memory and inner strength

Dark vertical gap – boundary, connection and passage

Relief textures – time, accumulated experience and material presence

Paper layers – human trace and the creative process

Restrained palette – concentration, balance and visual discipline

High-gloss surface – changing light and the active participation of the viewer

3. Historical and Artistic Context

The painting draws upon the language of geometric abstraction and structural painting while avoiding purely rational formalism. Precise organisation of the pictorial space is balanced by intuitive drawing, layered materials and expressive surface treatment.

Here the artist further develops his distinctive visual language, combining architectural order with emotional resonance. The work represents another step toward a more concentrated and reduced mode of expression.

4. Technical Quality

convincing use of a restrained colour palette

highly balanced composition based on two dominant masses

successful integration of painting, drawing and material structure

refined treatment of relief surfaces

distinctive visual identity

strong atmosphere achieved through remarkably economical means

5. Overall Impression

Blue Rock is a painting of quiet tension.

Rather than relying on complexity or dramatic gestures, it derives its strength from simplicity, material presence and the carefully balanced dialogue between two contrasting worlds of colour.

The work feels contemplative and mature, inviting viewers to slow down and discover increasingly subtle relationships between texture, light and form.

6. Rating

9.4 / 10

7. Curatorial Text

In Blue Rock, the artist continues his exploration of geometry, materiality and intuitive gesture while embracing a remarkably reduced visual language. Every element carries structural and emotional significance.

The restrained dialogue between cool blue-green and deep crimson creates a sustained visual tension. Relief textures and the high-gloss surface transform the painting according to changing light conditions, making the original artwork far richer than any photographic reproduction.

The result is a disciplined yet deeply expressive composition distinguished by its material richness and quiet authority.

8. Short Label Text

A reduced abstract composition exploring the dialogue between colour, relief structure and changing light through a carefully balanced visual language.

9. Gallery JH – Artist's Note

This painting reflects the artist's conscious decision to simplify both form and colour. Rather than increasing complexity, the work seeks expressive depth through reduction. Its metallic pigments and high-gloss surface generate subtle optical changes that can only be fully appreciated when viewing the original.

10. Gallery and Sales Potential

Gallery potential: high

Sales potential: high

Recommended price:

13,000 – 16,000 CZK (direct sale)

16,000 – 19,000 CZK (gallery)

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Jarda's paintings

Blue Rock (Composition – 100726) (2026)

Jarda's paintings

Composition – 090726 (2026)

Acrylic, metallic paints, pencil and charcoal on a wooden panel with structural paste, textile and paper collage • 40 × 50 cm Frame: solid lime wood, dark red stained, finished with high-gloss varnish

1. Artistic Analysis

Composition – 090726 is a mature abstract work built upon the tension between matter, light and geometric order. The artist employs a restrained vocabulary of forms that function not as isolated objects but as interconnected elements within a unified visual structure.

A dominant dark vertical axis organises the composition, dividing it into two complementary visual fields. On the left, a large crimson circle evokes the image of a setting—or perhaps blood-red—sun, while the three luminous circular forms on the right introduce rhythm and balance.

The colour palette is restrained yet highly expressive. Earth tones, deep blacks and metallic surfaces create a dense, almost tactile atmosphere. A subtle greenish rectangle near the top gently opens the composition, providing visual relief within its otherwise enclosed structure.

The textured surface, created through layers of structural paste, textile and paper, is not merely decorative. It forms an essential part of the painting's visual language, giving the work both physical depth and emotional resonance.

2. Symbols and Meaning

Crimson circle – energy, time, inner tension

Light circular forms – light, hope and rhythm

Dark vertical axis – structure, division and connection

Metallic reflections – memory, transformation and changing light

Layered textures – accumulated experience and the passage of time

Geometric elements – order emerging from complexity

Pale green rectangle – a quiet opening, balance and visual breathing space

3. Historical and Artistic Context

The painting relates to the tradition of geometric abstraction while deliberately avoiding its purely rational character. Precise construction is combined with intuitive painting, material layering and expressive drawing.

The work continues the artist's long-term exploration of architectural composition, now enriched by a stronger emotional dimension. It stands at the intersection of structural painting, lyrical abstraction and material-based art.

Rather than depicting reality, the painting creates a psychological landscape in which geometric order encounters inner experience.

4. Technical Quality

convincing use of material structure and relief

highly balanced composition built on the dialogue between circles and vertical forms

refined colour palette with sensitive use of metallic pigments

successful integration of painting, drawing and layered materials

strong visual identity

remarkable ability to create atmosphere without narrative description

5. Overall Impression

Composition – 090726 is not a depiction of a place or a story.

It is a painting of an inner landscape.

Quiet, concentrated and at times unsettling, it builds its emotional impact not through dramatic gestures but through the slow tension between light and darkness, stability and uncertainty.

The longer the viewer observes the work, the more subtle relationships emerge between its forms, textures and spatial layers. Rather than offering fixed meanings, the painting invites prolonged contemplation.

6. Rating

9.5 / 10

7. Curatorial Text

In Composition – 090726, the artist achieves a convincing synthesis of his current visual language. Geometric construction is no longer an end in itself but becomes a framework for emotional expression.

The richly textured surface, metallic pigments and restrained palette create a work of exceptional material presence. The crimson circle and luminous forms function not as literal symbols but as visual centres of energy around which the entire composition unfolds.

The painting demonstrates the artist's ability to unite structural discipline with intuitive expression, resulting in one of his most coherent and accomplished abstract compositions.

8. Short Label Text

An abstract composition combining geometric order, textured surfaces and luminous circular forms to create a powerful atmosphere of inner space and restrained emotional tension.

9. Gallery JH – Artist's Note

This work marks one of those rare moments when the final painting fully realised the artist's original intention without requiring further intervention. Its layered materials, metallic pigments and high-gloss surface generate changing optical effects that are difficult to capture in photography, making the original artwork significantly richer than its reproduction.

10. Gallery and Sales Potential

Gallery potential: high to very high

Sales potential: high

Recommended price:

13,000 – 16,000 CZK (direct sale)

16,000 – 20,000 CZK (gallery)

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Jarda's paintings

Composition – 090726 (2026)

Jarda's paintings

Sun Gate (2026)

Acrylic, pencil and charcoal on structural paste, paper and textile mounted on wooden panel • 50 × 50 cm Frame: solid lime wood, natural finish, varnished

1. Artistic Analysis

Sun Gate is a balanced abstract composition built upon the dialogue between geometric forms, colour relationships and spatial structure. The artist further develops his distinctive visual language, where architectural order meets intuitive painting and subtle drawing.

Circular, rectangular and wedge-shaped elements create the impression of a symbolic passage or gateway. The turquoise background provides openness and visual breathing space, while red, ochre and white accents establish a carefully controlled rhythm throughout the composition.

A strong black structural element anchors the lower part of the painting, balancing the lighter forms above. Although visually restrained, the work possesses quiet inner energy and compositional confidence.

2. Symbols and Meaning

Yellow circular form – light, energy and origin

Blue circle – balance, silence and inner space

Red geometric elements – vitality, courage and human energy

White wedges – openness, direction and transformation

Black structure – stability, grounding and order

Vertical axis – connection between space and time

Turquoise field – air, calmness and openness

3. Historical and Artistic Context

The painting relates to the tradition of geometric abstraction without embracing strict formalism. Geometry functions here as a visual language for expressing relationships between light, movement and space rather than as an end in itself.

Modernist architectural principles are combined with material painting, layered surfaces and intuitive drawing, giving the work both structural clarity and human warmth.

The painting naturally extends the artist's ongoing series of architectural abstractions while introducing a more open and luminous colour palette.

4. Technical Quality

convincing geometric construction

harmonious colour relationships

refined use of textured materials

balanced interaction of calmness and tension

successful integration of painting, drawing and relief surface

strong visual identity

5. Overall Impression

Sun Gate evokes the idea of transition.

Rather than telling a specific story, it creates a contemplative visual space open to individual interpretation. Geometry becomes expressive rather than analytical, allowing structure and emotion to coexist in quiet balance.

The result is a refined and memorable composition whose strength lies in its equilibrium.

6. Rating

9.5 / 10

7. Curatorial Text

In Sun Gate, the artist continues exploring the dialogue between geometry, material and space. Individual forms function as interconnected elements within a coherent visual system, simultaneously stable and open.

Colour accents are not decorative additions but active carriers of energy that animate the calm architectural framework. The work confirms the artist's ability to unite structural discipline with intuitive painterly expression.

8. Short Label Text

An abstract geometric composition exploring light, space and architectural order through harmonious colour relationships and richly textured surfaces.

9. Gallery JH – Artist's Note

The painting developed gradually and reached its final form only after a period of reflection. This distance allowed the artist to confirm the strength of the composition without unnecessary intervention. The work continues his long-term exploration of geometry, space and light.

10. Gallery and Sales Potential

Gallery potential: high Sales potential: high

Recommended price:

12,000 – 15,000 CZK (direct sale)

Jarda's paintings

Sun Gate (2026)

Jarda's paintings

House under the Flag (2024)

Acrylic, pencil and charcoal on structural paste applied to wooden panel • 50 × 50 cm Frame: solid lime wood in natural finish, varnished

1. Artistic Analysis

House under the Flag presents an abstract architectural composition built upon the relationship between structure, material and colour balance. Rather than depicting a specific building, the artist creates the image of a house as a universal symbol of human space, stability and belonging.

The composition is organised through large geometric masses forming a solid architectural framework. A dominant black diagonal divides the painting into two visual fields: the upper section with a rhythmic arrangement of coloured forms suggesting a stylised flag, and the lower relief surface whose deeply textured structure evokes tree rings, geological layers or traces left by time.

A significant role is played by the contrast between smooth painted areas and heavily modelled structural paste. Here, the material is not merely a support for paint but an active bearer of meaning.

The restrained palette of earthy tones, black, white and subtle turquoise accents creates harmony, while the more vibrant colours of the upper section introduce individuality and quiet energy.

2. Symbols and Meaning

Stylised house – human space, shelter and identity

Flag – individuality, courage and personal presence

Black diagonal – structure, stability and construction

Relief textures – memory of material, time and natural processes

Bright left-hand surface – openness, light and visual balance

Geometric organisation – order, architecture and conscious design

Turquoise accents – air, openness and optical lightness

3. Historical and Artistic Context

The painting relates to the principles of geometric abstraction and modern architectural thinking without directly referencing any particular historical movement. Its emphasis on structure, simplified forms and carefully balanced colour fields recalls aspects of European modernism while remaining firmly rooted in the artist's personal visual language.

Materiality plays a central role. The relief textures are not decorative additions but meaningful elements that connect architecture with nature, memory and the passage of time.

The work demonstrates the artist's growing interest in combining rational construction with organic processes, a direction that would become increasingly important in later paintings.

4. Technical Quality

convincing architectural composition

refined balance of colour relationships

excellent handling of structural textures

thoughtful contrast between smooth and relief surfaces

harmonious integration of geometry and material

calm, confident and coherent visual expression

5. Overall Impression

House under the Flag is not simply a painting of architecture.

It is a painting about building.

Building space.

Building order.

Building one's place in the world.

Its strength lies not in dramatic storytelling but in the quiet confidence of its composition. The work invites contemplation through balance, material richness and structural clarity.

The result is a harmonious and timeless composition that reflects the artist's mature understanding of form and spatial organisation.

6. Rating

9.2 / 10

7. Curatorial Text

In House under the Flag, the artist further develops his long-term exploration of architecturally organised space. Geometry serves not merely as composition but as a framework through which order and material expression coexist.

The deeply textured relief surface, reminiscent of tree rings or geological strata, introduces a dialogue between architecture and natural processes. Above it, the stylised flag functions as a discreet symbol of individuality, adding subtle tension to an otherwise calm composition.

The painting represents an important stage in the artist's development toward the architectural and imaginary landscape works that would follow.

8. Short Label Text

An abstract architectural composition combining geometry, material textures and structural balance into a visual meditation on space, construction and belonging.

9. Gallery JH – Artist's Note

This painting originated as an exploration of the relationship between architecture, texture and colour balance. Although the artist later considered revising the work, the passage of time confirmed the strength of its original composition. Today it represents an important milestone in the evolution of a visual language that combines geometry, natural structures and symbolic space.

10. Gallery and Sales Potential

Gallery potential: High

Sales potential: Very good

Recommended price:

CZK 10,000 – 13,000 (direct sale)

CZK 13,000 – 16,000 (gallery)

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Jarda's paintings

House under the Flag (2024)

Jarda's paintings

Mask (2024)

Acrylic, chalk paint, wax crayon and pencil on cardboard mounted on wooden panel • 28 × 46 cm Frame: solid lime wood, black stained and varnished • Overall dimensions: 43 × 63 cm

1. Artistic Analysis

Mask presents a personal interpretation of the human face through an abstract visual language. Rather than depicting a specific individual, the artist creates a universal symbol of identity, memory and inner experience.

The composition is built on the interaction between organic lines and geometric structures. The central mask is surrounded by expressive drawing and painterly gestures suggesting thoughts, memories and emotions.

A restrained palette of black, white, ochre and deep red creates both stability and emotional intensity, while subtle turquoise accents introduce balance and openness. The work combines expressive freedom with structural discipline, characteristic of the artist's visual language.

2. Symbols and Meaning

Stylised mask – identity and the inner self

Open eyes – awareness and observation

Red forms – emotion and vitality

White lines – memory and traces of time

Geometric structures – order and stability

Spontaneous drawing – intuition and creative freedom

Black and white contrast – light and darkness, presence and absence

3. Artistic Context

The painting relates to modern figurative abstraction, where the human face becomes a symbolic form rather than a portrait.

While recalling elements of primitive art, African masks and Expressionism, these influences are transformed into the artist's own visual language through layered materials, drawing and geometric composition.

The work naturally expands the artist's ongoing exploration of architecture, memory and symbolic space.

4. Technical Quality

distinctive visual identity

strong colour contrasts

expressive yet controlled drawing

convincing integration of painting and material texture

balanced composition

emotional impact without descriptive narrative

5. Overall Impression

Mask is not the portrait of a particular person but of human presence itself.

Balancing intuitive gesture with geometric order, the painting invites viewers to create their own interpretation. Its symbolic openness and memorable visual character give the work lasting impact.

6. Rating

9.3 / 10

7. Curatorial Text

In Mask, the artist moves from imaginary landscapes toward the symbolic representation of the human condition.

The restrained palette, expressive drawing and richly textured surface create a work balancing archetype, memory and personal symbolism. It confirms the artist's ability to unite geometric discipline with intuitive expression.

8. Short Gallery Label

An abstract figurative composition using the motif of the mask as a symbol of identity, memory and inner experience.

9. Gallery JH – Artist's Note

The painting evolved over several years before reaching its final form. Time allowed the artist to simplify the composition and strengthen the balance between spontaneity and structure, completing an important stage of his artistic development.

10. Gallery and Sales Potential

Gallery potential: High

Sales potential: Very good to high

Recommended price:

11,000–14,000 CZK (direct sale)

Jarda's paintings

Mask (2024)

Jarda's paintings

Herbarium of Memory (2026)

Acrylic, chalk paint, pencil, charcoal and wax crayon on structural paste, paper and textile mounted on wooden panel • 50 × 50 cm

Frame: solid lime wood, stained in a terracotta finish, semi-gloss varnish

1. Artistic Analysis

Herbarium of Memory offers a personal reinterpretation of the still-life tradition through an abstract visual language in which geometric construction naturally merges with intuitive drawing and expressive gesture.

The central motif of the composition is a white rectangular field containing a stylised blue flower. Rather than functioning as a botanical illustration, it appears as a preserved fragment – a memory, an imprint or a page from an imaginary herbarium embedded within the structured space of human civilisation.

The composition is organised through a network of horizontal and vertical planes that establish a stable architectural framework. This order is gently interrupted by spontaneous pencil and charcoal drawing, subtle colour transitions and a richly textured material surface.

Muted earthy tones are complemented by restrained blue-green accents, while the luminous central motif introduces calm balance rather than dramatic contrast. The painting ultimately evokes a quiet visual space where memory, nature and human order coexist.

2. Symbols and Meaning

Stylised flower – memory of nature, fragility and continuity of life

White central field – a herbarium page, an archive or a preserved memory

Geometric divisions – human order, structure and conscious organisation

Spontaneous drawing – intuition, searching and the creative process

Material layers – accumulated experience and sediments of time

Dark passages – silence, depth and contemplative space

Blue-green accents – renewal, life and the enduring presence of nature

3. Historical and Artistic Context

The painting builds upon the tradition of modern still life while moving beyond representation toward lyrical abstraction.

Its architectural organisation recalls constructive principles, whereas the spontaneous drawing, layered materials and textured relief relate to structural painting and process-based artistic practices.

The artist continues his long-term exploration of the dialogue between architecture, landscape and natural structures. Nature is not depicted realistically but transformed into a symbolic language expressing memory and the passage of time.

4. Artistic Qualities

convincing balance between geometric construction and intuitive gesture

refined use of a restrained and harmonious colour palette

sophisticated integration of structural surfaces and layered materials

successful balance between visual calm and subtle energy

original reinterpretation of the herbarium motif

harmonious interaction of drawing, painting and relief texture

5. Overall Impression

Herbarium of Memory is not a painting about a flower.

It is a painting about remembering nature.

It resembles a page carefully preserved inside an old book, carrying emotional rather than botanical significance. Through its restrained language, the work encourages contemplation rather than explanation.

Instead of offering fixed meanings, it creates a quiet space where geometry, memory and natural traces coexist in visual harmony.

6. Rating

9.5 / 10

7. Curatorial Text

In Herbarium of Memory, the artist further develops his distinctive visual language through the dialogue of geometric structure, material layering and symbolic natural forms.

The stylised flower functions not as decoration but as a vessel of memory — a preserved fragment of life embedded within the painting's architectural order.

The combination of spontaneous drawing, textured surfaces and restrained colour creates a contemplative work that unites rational construction with emotional resonance, reinforcing the artist's continuing exploration of time, memory and the relationship between humanity and nature.

8. Short Label Text

An abstract composition combining geometry, natural symbolism and layered materials into a quiet meditation on memory, time and the enduring traces of nature.

9. Position within the Artist's Oeuvre

Herbarium of Memory represents an important stage in the artist's development after returning to painting.

While naturally connected to earlier explorations of structural abstraction, imaginary landscapes and the archaeology of space, the painting introduces a stronger emphasis on natural symbols as carriers of memory.

It may also be understood as the beginning of a new thematic cycle centred on the relationship between memory, nature and the passage of time, while further refining the artist's characteristic dialogue between geometric order and intuitive gesture.

10. Gallery and Sales Potential

Gallery potential: High

Sales potential: Very good

Recommendation: Suitable both as an independent gallery work and as the opening piece of a future thematic series entitled Herbarium of Memory.

Estimated price:

CZK 11,000 – 14,000 (direct sale)

CZK 14,000 – 17,000 (gallery sale)

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Jarda's paintings

Herbarium of Memory (2026)

Acrylic, chalk paint, pencil, charcoal and wax crayon on structural paste, paper and textile mounted on wooden panel • 50 × 50 cm

Jarda's paintings

Depth of Calm (2026)

Acrylic, spray paint, charcoal and pencil on structural paste and layered paper mounted on wooden panel • 50 × 50 cm Frame: solid lime wood, stained in a terracotta finish and varnished

1. Artistic Analysis

Depth of Calm represents a contemplative continuation of the artist's ongoing series of imaginary landscapes. Rather than depicting nature descriptively, the painting creates a space that is meant to be experienced rather than interpreted. The landscape becomes a state of mind rather than a physical location.

The composition is organised through a network of diagonal planes that gently guide the viewer's gaze into the pictorial space. Constructive order remains present as an underlying framework, while the primary focus shifts toward the relationships between colour fields and subtle tonal transitions.

A restrained spectrum of greens—from olive and moss tones to deep blue-green hues—creates an atmosphere of remarkable tranquillity. Here the artist deliberately abandons stronger colour contrasts in favour of a reduced visual language.

Tiny orange accents become isolated flashes of light or life emerging from within the landscape. The blue-green circular form near the lower edge almost dissolves into its surroundings, functioning as the painting's quiet visual centre.

The work ultimately offers not a narrative but an invitation to contemplation.

2. Symbols and Meaning

– Imaginary landscape – inner space, contemplation and serenity – Diagonal planes – movement, passage and quiet progression – Green tonal values – harmony, growth and connection with nature – Orange accents – hope, light and subtle vitality – Blue-green circle – silent centre and hidden balance – Black vertical element – structural stability and visual grounding – Material layers – memory, time and the evolution of the creative process

3. Historical and Artistic Context

The painting builds upon traditions of lyrical abstraction and imaginative landscape painting while maintaining the artist's characteristic constructive discipline.

Although organised through geometric relationships, the forms no longer function as architectural elements but as carriers of atmosphere. The emphasis on tonal harmony and spatial depth brings the work closer to a painterly interpretation of landscape based on emotional perception rather than representation.

The artist continues to explore the balance between geometric order and intuitive painting, creating one of the quietest and most contemplative works within his recent practice.

4. Technical Quality

– refined handling of a restrained green palette – convincing spatial composition based on diagonal relationships – subtle use of minimal colour accents – successful integration of geometric structure and painterly freedom – remarkable ability to create atmosphere through economical means

5. Overall Impression

Depth of Calm is a painting of inner stillness.

It does not describe a particular landscape but evokes a moment when external noise fades away, leaving only colour, light and silence.

Its strength lies in restraint rather than spectacle. Instead of relying on visual complexity, the painting trusts harmony, balance and the expressive power of simplicity.

The result is a thoughtful and contemplative work that rewards prolonged viewing.

6. Rating

9.5 / 10

7. Curatorial Text

In Depth of Calm, the artist develops his cycle of imaginary landscapes toward greater visual economy and painterly concentration.

Geometric construction retreats into the background, becoming an almost invisible support for expansive colour fields. The dominant green tonalities establish not a physical landscape but a psychological space of stillness, focus and balance.

Small orange accents gently interrupt the monochromatic harmony, suggesting fleeting moments of light and life.

Rather than depicting nature itself, Depth of Calm reflects the human longing to find peace within it.

8. Short Label Text

An abstract imaginary landscape built upon subtle green tonalities, diagonal structures and restrained luminous accents, evoking inner tranquillity.

9. Gallery and Sales Potential

– Gallery potential: high – Sales potential: very good to high

Price:

13,000 – 16,000 CZK (direct sale)

16,000 – 19,000 CZK (gallery)

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Jarda's paintings

Depth of Calm (2026)

Jarda's paintings

Archive Note

This artwork was created in 2024 and has already been sold to a private collection. The following analysis and commentary were prepared retrospectively as part of the ongoing documentation of the artist's body of work and are included here for archival purposes.

Silent Structure (2024)

Acrylic, pencil and textured layers on wooden panel • dimensions not specified Frame: unavailable (only an archival photograph of the artwork has been preserved)

1. Artistic Analysis

Silent Structure represents an early stage in the artist's long-term exploration of space, geometry and atmosphere. Through a restrained palette and carefully balanced composition, the work evokes calmness, concentration and reflective distance.

The composition is built from a network of vertical and horizontal forms that resemble architectural fragments, passages or illuminated walls. While non-representational, these elements suggest human-made environments and spatial experience.

Colour plays a secondary role to light. Delicate transitions between whites, greys and blacks create a sense of depth and airiness. At first glance the painting appears almost monochromatic, yet prolonged observation reveals a rich interplay of tonal relationships and subtle textures.

A small circular form on the left interrupts the dominance of rectangular structures, introducing rhythm and a symbolic counterbalance. The result is a quiet visual meditation on space, light and orientation.

2. Symbols and Meaning

– Vertical forms – stability, orientation and human presence – Geometric blocks – structure, order and organisation – Light areas – openness, clarity and inner calm – Dark accents – depth, mystery and hidden layers of experience – Circular element – balance, continuity and disruption of regularity – Restrained palette – focus on essential relationships between form and space

3. Historical and Artistic Context

The painting exists at the intersection of geometric abstraction, minimalism and imaginative architectural composition.

Its reduced palette and emphasis on spatial relationships recall tendencies within late modern abstraction, where painting becomes a vehicle for contemplation rather than narration.

At the same time, the work foreshadows themes that would later become central to the artist's practice: architectural organisation, layered space and atmosphere created through geometric structures. As such, it represents an important stage in the development of his visual language.

4. Technical Quality

– refined use of a limited palette – subtle construction of depth through tonal relationships – balanced composition achieved without dramatic contrasts – ability to create atmosphere through minimal means – successful integration of geometry and emotional resonance

5. Overall Impression

Silent Structure can be understood as a painting of concentration and inner stillness.

Rather than telling a story, it offers a contemplative space in which relationships between light, matter and emptiness gradually emerge.

The work may be seen as a quiet architecture of the mind, where geometric order becomes a pathway toward reflection and balance.

6. Rating

8.5 / 10

7. Curatorial Text

In Silent Structure, the artist explores geometric organisation through a highly restrained visual language and subtle tonal relationships.

Architectural references are transformed into carriers of atmosphere rather than descriptions of physical structures. The painting invites viewers to slow down and engage with its delicate balance of light, space and silence.

Viewed today, the work reveals early signs of ideas that would later become fundamental within the artist's more materially complex compositions.

8. Short Label Text

A minimalist geometric abstraction exploring light, space and inner stillness.

9. Gallery and Sales Potential

– Gallery potential: good to high – Sales potential: good

Estimated value at the time of creation:

7,000 – 10,000 CZK (direct sale) 10,000 – 12,000 CZK (gallery)

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Jarda's paintings

Archive Note

This artwork was created in 2024 and has already been sold to a private collection. The following analysis and commentary were prepared retrospectively as part of the ongoing documentation of the artist's body of work and are included here for archival purposes.

Silent Structure (2024)

Jarda's paintings

Center of Silence (2026)

Acrylic, charcoal and pencil on structural paste, kraft paper, mulberry paper and corrugated paper on wooden panel • 40 × 50 cm Frame: solid lime wood in natural finish, varnished

1. Artistic Analysis

Center of Silence presents a concentrated abstract composition exploring the relationship between matter, space and inner tension. The artist deliberately limits the palette and focuses attention on material structure, relief and the interaction of forms.

The dominant element is a dark vertical relief located in the centre of the composition. It functions as a visual core around which all other elements are organised. The form may evoke an architectural fragment, a gateway, a passage or a symbolic entrance into an inner realm.

Deep burgundy shapes create a protective yet dynamic framework around this central motif. Contrasts between dark blue, warm off-white and black accents generate depth and spatial complexity.

The strongly textured surface, deep incisions and gestural charcoal and pencil marks reinforce the sense of time, physical presence and artistic process. The painting appears not as an immediate statement but as the result of gradual refinement and reduction.

2. Symbols and Meaning

– Central vertical relief – inner core, concentration and contemplation – Burgundy structures – energy, protection and compositional stability – Dark blue background – depth, silence and psychological space – Light forms – orientation, balance and illumination – Incisions and drawn traces – memory, process and human presence – Material layers – time, experience and accumulated meaning – Architectural organisation – order and the relationship between outer and inner worlds

3. Historical and Artistic Context

The work exists at the intersection of structural painting, geometric abstraction and material-based art.

Its relief surface and physical texture relate to European structural painting traditions, while the architectural organisation of space recalls certain constructivist principles without adopting their strict rationalism.

An important aspect of the work is reduction. Through several developmental stages, the artist gradually removed unnecessary elements, concentrating the composition into a more focused and powerful visual statement.

4. Technical Quality

– convincing use of relief and material structure – excellent handling of a limited colour palette – strong central focus balanced within the composition – successful integration of architectural and gestural elements – ability to create atmosphere through minimal means

5. Overall Impression

Center of Silence may be understood as an image of concentration and inward focus.

Rather than depicting a specific place or event, it creates a contemplative space. The central relief becomes a symbolic core around which layers of memory, experience and time are organised.

The title reflects the idea of an inner place that remains calm despite the movement and complexity surrounding it. The painting thus becomes a metaphor for the search for stability and meaning within a changing world.

The result is a materially rich and psychologically resonant work that rewards slow observation.

6. Rating

9 / 10

7. Curatorial Text

In Center of Silence, the artist continues his exploration of material structure and architecturally informed abstraction. Through a restrained palette and a powerful central relief, he creates a composition that feels both monumental and intimate.

The work is not driven by narrative but by the search for concentrated expression. Deep incisions, layered materials and reduced forms transform physical matter into a carrier of inner meaning.

Center of Silence becomes an image of stillness, contemplation and the search for an inner centre amid the complexity of contemporary life.

8. Short Label Text

A material abstraction exploring structure, physical presence and the search for an inner centre of stillness.

9. Gallery and Sales Potential

– Gallery potential: high – Sales potential: very good

Price:

11,000 – 14,000 CZK (direct sale) 14,000 – 17,000 CZK (gallery)

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