Horror & Fantasy Author
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@jamescolton-old
Horror & Fantasy Author
This blog has moved! Head over to jamescolton.tumblr.com to stay updated on all my writing projects.

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To celebrate the recent release of Pages of Dust 4, the rest of the series is on sale for just $1.99 each on Kindle! Now's the perfect time to get the complete collection! https://amzn.to/2r95YGb
In the dusty corners of reality, where the darkness refuses to be banished, nightmares lurk. They wait for the curious and unfortunate to stumble out of the well-lit paths of life. Beware, for in opening this book, you part the veil and slip into the realm of the dead. An anthology of ghost stories by James Colton, plus one by his wife Shannen L. Colton.
The Kindle edition of Pages of Dust: Volume 4, packed with 20 terrifying tales from The Noctrium, is available for preorder! https://amzn.to/2QgzRAz
All editions, ebook and paperback, will be released on October 1.
Safe and Dry
Tommy Nier wakes thinking itâs still the middle of the night. If heâd look at the clock above his dresser across the room, heâd know it was 6:59 a.m., but itâs been raining all night and the stormclouds have yet to disperse. The sky outside his window is charcoal and the voice coming under his bedroom door sets his tiny heart pounding. Tommy canât make out words. Itâs just a stream of high-pitched, questioning tones, broken now and then by a listening silence, muffled by doors and carpet and walls until itâs like the house itself is sobbing.
Tommy climbs out of bed at 7:00 and creeps to the door. He pulls it open and steps out into the dark hallway. He sees his motherâs bedroom is open. Her voice, coming from somewhere else in the house, is clearer now, though Tommy still canât understand what sheâs saying. He starts his way down the hall, glancing into his motherâs empty room as he passes.
Her curtains are drawn, blocking even the dim, rainy light from the charcoal clouds, but the green of her alarm clock picks out highlights. The jagged outline of crumpled cloth. The pale crescent of a domed forehead.
Tommy scurries away with a gasp and comes to the stairs. Looking down, he can finally catch hints of language: ââŚsick jokeâŚwhoâs she?âŚIâm notâŚâ
The steps creak under Tommyâs weight, and the voice downstairs cuts off sharply. Thereâs a moment of breathless silence, then rapid footsteps. Nancy Nier appears on the landing below. Mother and son stare at each other in the dark; Nancyâs eyes sit in red sockets. âGo back to bed, Tommy,â she says.
âWhoâs on the phone?â Tommy asks, eyeing the device in his motherâs hand.
âGo back to bed,â Nancy repeats. She vanishes toward the kitchen.
Tommy hovers over the stairwell for a minute, listening as the conversation downstairs resumes. He shivers, then turns back toward his bedroom at the far end of the hall. Heâs halfway there when he freezes. His heart thuds to an absolute stop inside his chest. He feels like every drop of fluid in his body has chilled and drained into the soles of his feet.
Something lays across the floor, protruding from the darkness of his motherâs room. A white shape made gray by the darkness. A small arm that tapers quickly to a tiny hand with five baby fingers.
Tommy sways on the carpet for a second, feeling himself meld with the shadows around him. All the while his eyes remain open and glued to that still shape reaching out of his motherâs bedroom. When he finally draws breath, he screams.
Read the restâŚ

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Him
By Shannen L. Colton
Iâll never forget the first time I saw him.
I say him, but I donât really know. He resembles a man, but Iâve never seen his face. The first time I saw him, I thought I must have seen wrong. My son was young, only five months old; taking care of a baby leaves one sleep deprived, and this would not have been my first nighttime hallucination while caring for him. Surely, then, it was just the car seat set against the wall beside the crib, with a shirt or a blanket thrown over it. That had to be it, or so I told myself.
But as I rocked with my son in the nursery chair, barely breathing in that dark room, I knew it wasnât a tired hallucination this time. I couldnât stir from it, couldnât blink it away.
It was a man, or something like a man, hunched over on the floor next to the crib. He stared down toward his knees with his head against the wall, and he didnât move.
Neither did I, aside from the gentle rocking motion that quickly becomes second nature to any new parent. I tried not to look at him, but inside I swelled with panic. I dared not make a sound; if I did, would he look? Would he turn toward me?
The thought was unbearable. When my son was fed and back to sleep, I left the room. Left him in the room with the other him. You might think me a terrible mother, but if youâd felt it, you would have left too. This man, this thingâŚto ignore it was the only thing to do.
The next morning he was gone. My son was fine. I didnât tell my husband. Heâd say I was too behind on sleep, too mentally exhausted from my five months of motherhood. Heâd tell me to see a doctor.
What new mom has time for that? And I knew it wouldnât help.
A few days later, I saw him again.
Read the restâŚ
The Bus
The town I grew up in could boast exactly one remarkable event. The accident of 2004. It resulted in the indefinite closure of Stover Road and a stricter screening process for new bus drivers.
No one ever lived on Stover Road, but it was a key stretch of pavement, linking our small town with the even smaller village of Buckhill. After the 2004 tragedy, I learned that the roadâs construction had caused a bit of a fuss with some of the older folks in the region. The few who were still alive in 2004 wasted no time in shouting âwe told you soâ loudly enough to convince the authorities. The resulting closure meant kids from Buckhill had to suffer a doubled commute time to and from school.
I never had to ride the bus. My mom was a bus driver, so Iâd just go to school with her in the dark hours of the morning and wait at the bus garage until the main building opened up. My mom didnât drive the Buckhill route, fortunately, but the accident still rattled her. It rattled a lot of people. I can only imagine what it was like in Buckhill. All those kids, just gone like that.
Because my mom was a bus driver, I knew a few things about school buses. Things that came up frequently in the aftermath of the accident. For instance, federal law requires the body of a bus be strong enough to support one and a half times the busâ weight, the idea being that itâll hold up in the case of a rollover or collision, preventing the kids inside from getting crushed.
Investigators determined that the bus hadnât been properly inspected. The closure of Stover Road spoke to how much faith our town put in the investigatorsâ opinions. Afterall, the bus hadnât rolled over, and there were no other vehicles it could have collided with. And no lack of inspection could explain what had happened to the missing rear half.
They set up orange and white barricades on either end of Stover Road. The pavement crumbled, and slowly succumbed to weeds. The forest through which the road ran closed in on either side and covered everything in fallen leaves. Years later, after the shock and mourning had passed, kids would dare each other to approach the barricade, to shout across it and listen for an answer. But not even the toughest kids would set foot onto that cracked and faded blacktop, nor dare their friends to try. It was an unspoken law that not even the most irreverent among us cared to violate.
There was some argument about what to do with the busâwhat was left of it, at least. Some parents wanted it destroyed, others wanted it preserved as a memorial. It sat behind the bus garage, at the very edge of school property, waiting to learn its fate. The debate went on for weeks, then gradually simmered away without any decision. And so the bus stayed there. The grass grew tall front of it, and the woods, which formed the back edge of the school grounds, reached out to claim it. Between the road and the bus, it was like nature was slowly erasing the tragedy from our history.
But you canât erase something like that. Not completely.
Read the restâŚ
Night Communion
It was some time past eleven, as far as he could guess, and Jacob was regretting the decision to ride through the night. Beside him, Phillip rode with his head bent against the wind, his dark riding cloak plastered with snow.
Theyâd both agreed to this plan, hoping to reunite with their families all the sooner. Jacob and Phillip were business partners, and the engagement from which they were returning had been a miserable one; all parties had left feeling either disappointed or cheated. Jacob and Phillip were encouraged only by the thought of their own comfortable beds, and any measure that returned them swifter to that reward seemed a good one.
But that had been in the early moments of dusk, before the sky had grown black with storm clouds. Now, as ice pelted his face and his horse staggered through snowdrifts, Jacob wished theyâd rented a room in the last town. It would have been worth delaying their homecoming by a few hours to avoid this blizzard.
The menâs spirits were low enough thanks to their stinging faces and numb fingers, but what really had them depressed was that, some time ago, it had become apparent that they were lost. Their road had been buried beneath the rising snow, and the horses must have veered off at some point. It was Phillip who first noted the unfamiliar surroundings. They had sought to regain their way, but only succeeded in becoming more lost. They passed through strange woods and vast fields, none of which they recognized. But what alternative had they? They couldnât very well stop and camp for the night; they and their horses would be frozen by morning. So they rode. Jacob could barely see his horseâs head in front of him, but still they rode.
Jacob firmly believed that things couldnât be worse. The thought had barely escaped his mind when he heard a CRACK. His horse lurched and Jacob leapt from the saddle as the animal toppled over. Phillip was doing the same, scrambling away from his steed as it kicked and screamed amidst a churning chaos of broken ice and black water. The men watched helplessly as their horses vanished beneath the surface of a hidden pond.
When the last echoes of the animalsâ cries had been swallowed by the water, Jacob asked, âWhat now?â His question was nearly lost beneath the roar of the snowstorm.
Read the restâŚ
If you search for how to create a character, youâll find a lot of lengthy questionnaires covering everything from your characterâs nicknames to their least favorite food. I once tried this method of character building. It wasâŚuseless.
A lot of the questions just didnât apply to my setting, or they had zero relevance to the story. An inordinate number focused on physical appearance, which is perhaps the least important aspect of a character. No one actually cares what your characters look like. If you pay attention, youâll notice a lot of stories donât even bother to describe their characters.
Think of your best friend. Now change their name and everything about their physical appearance. Would they still be your best friend? Probably, because you still share common interests and you enjoy each otherâs personalities. Itâs the same with fictional characters. Readers want to get to know them.
A questionnaire can still be a useful tool if it asks the right questions, and thatâs what Iâm presenting here. This questionnaire cuts straight to the core of your character: what makes them tick, what motivates them, what forms them as a person. As a bonus, these questions all tie directly into your story, providing helpful hooks when writing scenes.
https://www.jamescoltonbooks.com/writing-advice/character-development-questionnaire/

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Breathless
Iâd be singingâsomething inspiring, a battle anthemâbut I havenât drawn so much as a breath in years. Youâd think, with the power to conquer death itself, a necromancer could at least pump some air into his puppetsâ lungs. But no. Waste of energy, that. Useless in battle.
Useless in battle! Well maybe you should have considered that before enslaving the corpse of a bard!
I used to be an artist. These shredded vocal chords once serenaded the fairest princesses, these cracked fingers once plucked the most delicate melodies from the strings. Now Iâm affectionately known as meat. âSend in the meat,â he orders, and I slog into the front lines alongside what Iâm pretty sure used to be a hog keeper. He certainly smells worse than the rest of us, which is saying something, since weâre all literally rotting to pieces andâoh yeah, we arenât technically supposed to be able to smell anything because breath is a waste of energy, useless in battle.
Seriously, how much magic does it take to operate a diaphragm?
I notice Mister Hogs, as I call him, making complicated gestures with his fingersâthe voiceless language we came up with between the two of us.
You should talk to her.
I tell Mister Hogs he is a cruel man.
You know what I mean, he replies. Teach her our language, then you can tell her how you feel.
Her. In this shambling horde she blooms like a rose in a winter garden. I suppose I should back up a little and explain. In life, she was a princessâthe most beautiful Iâd ever serenaded. But of course, since I was just a bard, it was a romance doomed to languish in my imagination. I donât think she ever even noticed me as anything but the nightâs entertainment. I thought Iâd seen the last of her.
Then, some time after Iâd fallen into the necromancerâs service, we attacked a heavily armed caravan. I wasnâtâŚcohesive for much of the battle. I never am; I was a bard, not a warrior! But once the fighting was over, as I lay there awaiting repair, I saw her, the princess of my dreams, cut down by the necromancerâs wights.
Sheâs one of us now, and as lovely as ever. The mold patterns on her sallow cheeks, their hypnotic metamorphosis as she unhinges her jaw in a silent screamâŚ
Look, becoming an animated corpse alters oneâs standards somewhat.
Read the restâŚ
The Fall of Nezachim
Nezachim is the name of the big bad in The Legend of Istavia. This is his origin story.
Light, dark, and love.
Avytar smiled, causing his light to beam ever brighter. His glow reached across the void and fell upon a pale, cherubic face touched with hints of spring-like green. âHe has your grace,â Avytar said in a voice that was deep and warm.
From her ivory skin to the snow-like whisper of her reply, Zecriel was Avytarâs opposite. âAnd your strength.â The layers of shadow that shrouded her form twisted outward and wrapped the baby in gentle folds. As he was lifted, the child stirred and gazed out into the void. His eyes were so wide they seemed ready to swallow up all that emptiness. Then he saw the faces of his mother and father, and his mouth curved in a satisfied smile.
âWe must create a paradise for him,â Avytar said.
âYes,â cooed Zecriel, touching her nose to the babyâs and earning a delighted laugh. âA playground for our little one, and when heâs older, a kingdom.â
âSo he will know how loved he is.â
âOur jewel.â
âOur Nezachim.â
Read the rest hereâŚ
Photographs in Darkness
I braked at the stoplight and rested my forehead against the steering wheel. What could I do? The three appointments Iâd scheduled had been fruitless. My two impromptu tours likewise. This city was just too expensive, even for theâIâd thought at the timeâgenerous salary from my new job.
But that salary was contingent on my relocation, and it was looking more and more like I wouldnât be able to relocate.
The light turned green. Just before I pulled away from the intersection, I saw the flyer. It was taped to the stoplight pole and caught my eye because of four words: APARTMENTS FOR RENT CHEAP.
I slowed down to note the address, earning an impatient honk from the car behind me. I had time for one more tour. One more chance. Hopefully, âcheapâ meant the same thing to the flyerâs owner as it did to my overstretched budget. If notâŚI shuddered at the thought of returning to my parentsâ basement.
My hopes both rose and fell as I neared the address. Rose because even in this overpriced city, a bed in this part of town had to come cheap. Fell because it was, well, that part of town. Shining glass gave way to dark, jagged holes. Traffic disappeared. Stoplights swayed from their wires, lifeless. There were no trees showing off autumn colors, but there were enough discarded newspapers whispering through the streets like leaves that it felt like I was driving down a country road in a black and white photo.
By the time I parked in front of the address, my conflicted hopes had died. This building was abandoned. Dimming sunlightâwhat little made it this deep into the urban labyrinthâshowed me a door fused to its casing by a smear of graffiti. Windows caked with dirt and soot. Rusted fire escapes that ended several stories too soon.
That was it, then. My last hope, a dead end. I shifted into reverse.
A gray form moved behind the spray paint and grime of one of the windows. A moment later, the graffitied door cracked open, and a slight, hunched form slipped out. It stopped when it saw my car, stared directly at me, and I almost didnât hit the brakes. No, I didnât want to share a building with that thing!
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From Somewhere Deep
I have a lot of fond memories from my teenage years. This is not one of them.
Iâd just finished my sophomore year of high school. To celebrate the start of our summer freedom, my younger brother and I spent the evening around a bonfire in the backyard, burning old homework assignments and roasting marshmallows over their ashes. I donât recall which of us suggested abandoning the fire and hiking through the woods behind our property. It was a stupid idea, and if it was mine then Iâd like to apologize to my brother now. If you can read this, Dan, Iâm sorry.
Weâd been back there plenty of times during the day. The forest floor stretched more or less level for several yards before suddenly plunging into a broad gully. A stony brook trickled along the bottom. As far as we knew, that brook had no name, and we couldnât identify its source or its destination. It was simply The Brook. On warm summer nights we could hear frogs singing along its banks, and after a heavy rain we could hear its swollen current rushing through the gully.
But tonight it was quiet. Thereâd been no rain for a couple weeks, so any remaining water was stagnant. Even the frogs were still, although now and then we heard a lonely thunk or peep. We were cautious. Our post-school, sâmore-fueled euphoria hadnât completely clouded our judgment; we knew not to stray too deeply into the woods, to walk parallel to the tree line so as not to risk tumbling into the gully. But if youâve never been in a forest at night, you have no idea how dark it is, how easy it is to get disoriented. Itâs nothing like the movies; thereâs no luminous blue fog to light your way. It can be pitch black even with a full moon overhead, and we didnât have even that small luxury. After maybe fifteen minutes of laughing at our own daring, then laughing at the way our laughter echoed back at us off the trees, we found ourselves sliding down the steep bank toward the brook.
If that had been the worst of our misfortunes, this wouldâve been one of those fond memories I mentioned earlier. Neither of us were hurt, and we werenât afraid of getting lost. The gully was a constant landmark; all we had to do was march back up the hill and weâd be home in a matter of minutes. And now that we were at the bottom, the greatest danger was already past. So rather than take our tumble as a warning, we laughed it off and took it as an excuse to keep exploring.
As I mentioned before, this wasnât our first time exploring the gully, just our first time after dark. We knew that gully and that little brook. We knew all the notable trees and oddities in the landscape. Weâd practically grown up in those woods. So when we saw the light glowing out of the hillside ahead of us, we were surprised to say the least.
Dan and I both stopped. The light was dim, an orange shimmer in the darkness, like firelight cast from an unseen source.
âWhat do you think it is?â asked Dan.
Read the restâŚ
Thanks to everyone who supported the Kickstarter, a complete trilogy of illustrated short horror stories in the spirit of Scary Stories to Tell in the Dark is becoming a reality! Look for the first book this October!

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Sinister Whispers
Simple words conjure clear  sensations in our minds, sensations that we didnât expect. If youâve set  up your scene properly, everyday words, innocent by themselves, take on new, sinister meanings.
https://www.thenoctrium.com/library/how-to-write-ghost-story/
The Chilling Tales for Dark Nights Kickstarter just hit its initial goal. That means we are for sure getting one awesome book full of scary stories!
But we arenât done yet. Our ultimate goal is to produce a complete trilogy of over 100 short horror stories, each one illustrated in the style of Scary Stories to Tell in the Dark. If you havenât already, please consider supporting this project so we can make it as awesome as possible!