Hypnose by Sascha Schneider (1904) //Â The Lighthouse dir. Robert Eggers (2019)
i don't do bad sauce passes
NASA
almost home
art blog(derogatory)
we're not kids anymore.
todays bird
Monterey Bay Aquarium

Kiana Khansmith
Sweet Seals For You, Always

@theartofmadeline
$LAYYYTER
"I'm Dorothy Gale from Kansas"
Claire Keane

ellievsbear
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RMH

Origami Around

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occasionally subtle

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@james-lowry
Hypnose by Sascha Schneider (1904) //Â The Lighthouse dir. Robert Eggers (2019)

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What if an infection was a message, a brightness a kind of symphony?
Each Man travels through space enclosed within a case of his own building, surrounded by a mass of forms created by his habitual thoughts. Through this medium he looks out upon the world, and naturally he sees everything tinged with its predominant colors and all rates of vibration which reach him from without are more or less modified by its rate. Thus until the man learns complete control of thought and feeling, he sees nothing as it really is, since all his observations must be made through this medium, which distorts and colors everything like badly-made glass.
Figures 14 and 17 + excerpt from Thought-Forms, by Annie Besant and C.W. Leadbeater
department of anthropologyÂ
whalefall / life seeks to perpetuate 2
prints

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Susan Sontag, âIn Platoâs Caveâ, On Photography [transcript in ALT]
Conventional scientific discourse privileges the sensible field in abstraction from sensory experience, and commonly maintains that subjective experience is âcausedâ by an objectifiable set of processes in the mechanically determined field of the sensible. Meanwhile, New Age spiritualism regularly privileges pure sentience, or subjectivity, in abstraction from sensible matter, and often maintains that material reality is itself an illusory effect caused by an immaterial mind or spirit. Although commonly seen as opposed world-views, both of these positions assume a qualitative difference between the sentient and the sensed; by prioritizing one or the other, both of these views perpetuate the distinction between human âsubjectsâ and natural âobjects,â and hence neither threatens the common conception of sensible nature as a purely passive dimension suitable for human manipulation and use ... Contemporary discourse easily avoids the possibility that both the perceiving being and the perceived being are of the same stuff, that the perceiver and the perceived are interdependent and in some sense even reversible aspects of a common animate element, or Flesh, that is at once both sensible and sensitive.
David Abram, The Spell of the Sensuous
just had the thought that the Lowry POV story is gonna be about love ;_;
- ace
After Hours (1985) Martin Scorsese
Claudia Keep (American,b.1993)
Morning Swim, 2022
Oil on masonite panel

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Spring day
Anechoic Chamber, European Space Research and Technology Centre [ESTEC], Noordwijk, The Netherlands, 2008.
itâs been suggested that the âpeculiar sensationsâ and âconvulsionsâ brought about by Mesmerâs *ahem* treatments, (that were very popular among women) were actually because he was making them orgasm.
Karl Joseph Brodtmann - Naturgeschichte der Säegetiere - 1824 - via Nasjonalbiblioteket

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I thought I could not get more excited for Absolution but I was wrong, I cannot wait to find out what the FUCK this means
Adam Summers / Butterfly Ray â Gymnura Crebripunctata /Â Photography / 2014