KABI

Coloured acrylic on flat panel , 6 x 6 in.

“Charing Cross Bridge,” Claude Monet, 1901.

Jean Giraud - Mœbius illustrates Dante’s Paradiso (1999)

Diesel - Fall 2000 RTW

Kohno Michisei, seen here at twenty-two, presents himself in a pose modeled on Western Renaissance master Albrecht Durer's (1471-1528) self-portrait produced in 1500. Between 1914 and 1924 a remarkable quantity of high-quality portraiture was produced by Japanese artists who blended Western and East Asian painting traditions. While some of these painters had first-hand knowledge of Western painting, most, like Michisei, culled their images from books and magazines. The young artist was raised in an environment filled with powerful iconic images. His father was a portrait photographer, an artist in both Japanese and Western modes, and an active member of the Russian Orthodox Church. These influences are readily apparent in this self-portrait. Michisei's perceptive understanding of classic Western images was based on constant perusal of his father's extensive library; a portrait's potential for psychological and spiritual impact was impressed on him through exposure to religious icons used in the Orthodox liturgy. (source)

https://www.saatchiart.com/art/Painting-The-floating-silent-years/86299/2930807/view

Spain, in the Aezkoa and Salazar valleys (Basque Country).

Leopold Museum

felix vallotton - the wind

English yew. Wakehurst, Sussex, 2008

LI HUI

Male (Left) and Female (Right) Barn Owls

Oil on canvas , 60 x 80 cm.

Bruno Barbey, Gabon, 1984