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If you are a fan of Issay, you know perfectly well what place was his escape from reality. The beach in Numazu was where he stayed when things were bad at home and he didn't want to be around his father. During an interview in 2015, Issay mentioned that when he returns to his hometown, he goes there.

"My own pain, for example. It’s a city where a river flows. When I go there, I can check on the pain that I felt from back then. Whatever the time, whether midnight or midday, I’d go to the beach and zone out while staring at the sea, and check on my past self who used to watch the sea like this too. I check and make sure that the person I was back then is still in this body of mine."

Here is a link specifically to the new Der Zibet album:

But remember, if you can, do support the artists by buying the albums/singles/tours :)

These links also exist in my open JRock Discord

September 2006 / Ongaku to Hito Morrie (Creature Creature) X Sakurai Atsushi (BUCK-TICK)

Decadence and Its Immortality

Text by Ishii Eriko Photographs by Kasai Chikashi Hair & Make-up by Araki Hisako (Octbre), Okazai Kaori (Fat’s Berry) Styling by Kobayashi Junko (12 Jun 2006)

Well, I don’t suppose you need any explanation. I hope you’d read each and every word of this interview carefully and thoroughly. Transitioning from DEAD END to a solo artist, the claws of solitude have left scars on Morrie and after 11 years, he has returned to the scene with Creature Creature. Today, it’s him and Sakurai Atsushi of BUCK-TICK; a band who has just embarked on its 21st year of activity. The God of Gothic and the Demon King of Decadence. This is where they meet.

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I think my desire to immortalise myself is very strong (Morrie) My fascination for it gets turned into song. I can sing about it numerous times, over and over (Sakurai)