Violet Keppel Trefusis (1894-1972)
occasionally subtle
Claire Keane
Cosmic Funnies
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Origami Around
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Kiana Khansmith
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Sade Olutola

@theartofmadeline
The Bright Sessions
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PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost
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@ivressesdhier
Violet Keppel Trefusis (1894-1972)

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Antoinette d'Harcourt (1909-1958)
Left: Actress Henriette Roggers on the first September issue of Le théâtre, 1908.
Villanova Digital Library, Villanova University
Right: Natalie Clifford Barney and Henriette Roggers, 1904, ph. Pierre Scenitas, Paris.
Smithsonian Institution Archives, Accession 96-153, Alice Pike Barney Papers
Identifying Henriette Roggers:
The photo on the top right has sometimes been identified as Natalie Barney and Lucie Delarue-Mardrus—or, the woman on the right has simply been "unidentified".
I recently stumbled upon the name Henriette Roggers because she was mentioned in a letter from Renée Vivien to Natalie Clifford Barney in Je suis tienne irrévocablement (ed. Chantal Bigot and Francesco Rapazzini). Curious, I searched for some images of Roggers, who was a French actress involved with Natalie Barney.
At first, I thought: "Wow, she looks like Lucie Delarue-Mardrus!" And this had me wondering...could she be the unidentified woman in the 1904 photo?
Before I examined the Le théâtre magazine cover from 1908 more closely, I noticed that overall, Roggers seemed to have a keen preference for pearls and wore them often in portraits. Well, the woman in the 1904 photo is wearing two strands! Obviously, pearls were generally pretty popular, but it was significant enough to take notice.
Finally, when I took a look at the 1908 cover again, I realized that the hairstyle was very similar. Looking at the magazine cover and 1904 photo side by side, those two pearl strands matched perfectly. I tried to look at the lace of the dress to see if the pattern was the same, but this proved to be difficult. I did notice, however, the ribbon trailing down on the left side of Roggers' dress, and the distinct bow on the left sleeve. Mystery solved! It looks like the later cover of the Le théâtre magazine used a portrait from this very same 1904 photo session.
L'arte della gioia E5
« Et pourtant, au fond de ma tristesse, je suis heureuse. Tu m'as réconciliée avec tant de choses ! Et, parce que tu l'aimes aujourd'hui, j'aime mon corps ainsi qu'un jardin où tu te serais plue à errer. »
–Renée Vivien dans une lettre à Natalie Clifford Barney, Hôtel des Pays-Bas, Utrecht, circa 1904, citée dans Le papillon de l'âme de Marc Bonvalot

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« Je me souviens du verger du Mytilène où nous retournerons un jour, et des jasmins de Smyrne, et du Parthénon dans la nuit...
Je me souviens du joueur errant de petites flûtes asiatiques et de la lune sur la mer et de l'île fantastique... de l'île du Passé, et pâle dans le crépuscule. Et de tout et de tout...
Mais surtout je me souviens de cette merveilleuse et première nuit à Mytilène, la nuit où nous nous sommes rejointes et retrouvées.
Ah ! ne me brise pas une seconde fois ! Ne me rejette plus aux hasards... Veux-tu ? »
–Renée Vivien dans une lettre à Natalie Clifford Barney, Hôtel des Pays-Bas, Utrecht, circa 1904, citée dans Le papillon de l'âme de Marc Bonvalot
May 16, 1928 Tatler Magazine
Vera Kholodnaya photographed by Alexander Grinberg, 1914
It’s kinda funny to watch people rave about “mean lesbians” knowing that half of them can’t even handle an honest lesbian who doesn’t hide her homosexuality for their comfort, nevermind a mean lesbian.
Flaming June, by Frederic Lord Leighton (1830-1896)

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Natalie Barney, "Le pape de Lesbos" (dessin de Mac Avoy), page tirée de La Main Heureuse d'Henri Gentien, 1980.
Brigitte Helm in L'Argent (1928) Dir. Marcel L'Herbier
A young woman and an old woman in a bath tub. Reproduction of a woodcut, 1495.
Are they, you know? 🫳
“A rare television interview with author Natalie Clifford Barney. Filmed in 1966 at her home in the Latin Quarter of Paris, she talks about her life and the great writers and personalities she met and entertained in her salon.”
– Sourced from the Library of Congress Research Guide on French Women & Feminists in History
Jules Joseph Lefebvre (1836-1911) "Fatima" (1883) Oil on canvas Currently in a private collection

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Verdens undergang (August Blom, 1916)
La fée aux étoiles (1902)