There will also be singing about the dark times

Ultimately, the fact of the matter is that there’s a profound difference between taking some liberties while adapting a story and completely changing the characters and themes of said story as a supposed adaptation. Jesus Christ Superstar works as an “adaptation” of the gospels because a) it does not pretend to be a faithful adaptation, but rather a play on the original story; b) it’s different in many ways, but the core of the story remains the same: it deals with themes of faith, mystery and contemplation of a higher will, predestination and free will, the relationship between humanity and the divine; it differs in its elaboration of those themes from the original, and introduces some new elements, but it’s still ultimately a story about those themes, and the characters — although explored in different ways — are still the same characters at their core.

If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself

caught her in perfect deviantart oc ref sheet pose

Get referenced, idiot

so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.

here's another article on the morrocan colonization of western sahara, written by a sahrawi person living in the sahrawi refugee camps in algeria.

Back during pride month, the football team I support (Corinthians) decided to make an instagram post celebrating LGBTQ+ pride day. This was the post they made. Do you notice anything missing?

Fun fact: in the early 2010s, when Corinthians was building its new stadium, the president of the club wanted to dye the pitch grass black to make the stadium completely green-free. Unfortunately the Brazilian football federation wouldn’t allow it