RMH

Janaina Medeiros

@theartofmadeline
wallacepolsom

oozey mess

pixel skylines
Show & Tell
he wasn't even looking at me and he found me
dirt enthusiast
h
d e v o n
let's talk about Bridgerton tea, my ask is open

â
hello vonnie
Sade Olutola
Cosmic Funnies

Love Begins
art blog(derogatory)
sheepfilms
seen from Malaysia
seen from Switzerland

seen from United States
seen from United States
seen from Austria

seen from Singapore

seen from France

seen from Australia
seen from United States
seen from United States
seen from Malaysia

seen from TĂŒrkiye
seen from United States

seen from Singapore

seen from United Kingdom

seen from United States

seen from Netherlands
seen from United States

seen from United Kingdom
seen from United States
@isitodyssey

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Parasite (2019) dir. Bong Joon-ho
Jun Togawa (æžć·çŽ) with a robotic arm, photographed by Masayoshi Sukita (é€ç°æŁçŸ©) in 1984.Â
æčé ăžăźèșć - ăČă«ăă« AĂșn no estoy tan seguro del sonido de este ĂĄlbum, pero me fascina la estĂ©tica de la portada.

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DecidĂ volver
Desde la adolescencia -hasta hace un par de años- tuve una costumbre muy ridĂcula, y propia de mis rollos y alucinaciones: cambiar constantemente de cuentas de correos, redes sociales, y perfiles, para intentar ârecomenzarâ en la virtualidad de Internet. MĂĄs allĂĄ de considerar si esto fue bueno o malo, lo que sĂ es un hecho es que tenĂa un caos entre todas las cuentas que necesitaba manejar para poder acceder a cierta informaciĂłn. En un ejercicio de adultez (zzzz), decidĂ ir ordenando mis cuentas, borrando lo que ya no necesitaba, y dejando una especie de llave maestra de correos y contraseñas para poder acceder a ciertos recuerdos y memorias que fui perdiendo. Fue asĂ como, sin querer, me reencontrĂ© con esta cuenta de Tumblr que usĂ© entre los 20 y los 24 años, y en la que depositĂ© muchos de mis anhelos de transformaciĂłn y ganas de construcciĂłn de un mundo distinto. Pues bien, aquĂ estoy. He decidido documentar mis experiencias actuales, mucho mĂĄs monĂłtonas y un tanto aburridas respecto a lo que hago en el presente: trabajar como profesor en dos escuelas pĂșblicas de Santiago, Chile, y sumado a eso, haber recuperado mi interĂ©s y, hasta cierto punto, obsesiĂłn por la cultura japonesa, y de algunas otras partes de Asia. Este 2019 sumĂ© algo que antes nunca realicĂ©: coleccionar vinilos de distintas idols y bandas de J-Pop de los sesenta, setenta y ochentas. Ha sido algo bien entretenido, y quisiera dejar registro de aquello aquĂ. Eso serĂa, espero que les llamĂ© la atenciĂłn a quienes siguen utilizando Tumblr, y bueno, si es muy distinto a lo que esperaban, no hay problema en dejar de seguirnos y todas esas cosas.
Amiguitos <3
Street of Shame (Kenji Mizoguchi, 1956)
Shizuko, a virginal teenage girl whoâs just joined the brothel, is seized with fear as she watches her sisters flirt with the nighttime patrons. This would be the final image of Mizoguchiâs oeuvre, whose body of work was largely dedicated to the suffering of Japanese prostitutes and geisha, and whose life was cut short soon after.
Hoy en la actividad con el canciller de Bolivia, David Choquehuanca, quien accediĂł a una actividad con la FederaciĂłn de Estudiantes de la Universidad de Santiago (FEUSACH). Por la unidad latinoamericana y de Abaya Yala.
Pokemon Valentines Day CardsÂ

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she literally embodies the idea of determination and fierceness
BK NY.Â
Selenis Leyva attends TNTâs 21st Annual Screen Actors Guild Awards at The Shrine Auditorium on January 25, 2015Â
My lil inca baby Raymi
Release of urgency, campaign âVerdad y Castigo por Juan Pablo JimĂ©nezâ (âWe demand truth and justice for Juan Pablo JimĂ©nezâ): Attorney and PDI's (Chilean Policy of Investigation) version is imposed in court, Juan Pablo JimĂ©nez is killed for the second time.
Thursday January 15, 2015, it has been imposed in the courts the thesis of the "stray bullet", built by the PDI, the Prosecutor and the Ministry of Interior of Chile. In a simplified trial, and before a clear agreement between the prosecutor and defense counsel of the accused for the crime, the accused admitted to being the shooter that ended the life of Juan Pablo JimĂ©nez, young Chilean sindycalist, despite pleading guilty systematically over the last two years. The minor was sentenced as author of unlawful killing, with no single test that can determine that the alleged bullet he fired into the air actually impacted Juan Pablo. That is something that neither the accused himself neither the judge nor the prosecutor can claim. We note that because there was an agreement between the prosecutor and defendant, not an oral trial, not a single instance to perform tests was developed. In the case of Juan Pablo, it has not been rendered before the Court any evidence; defense, family and colleagues had no opportunity even to present the results of the analyzes before the judge, in which comprised new background and a complaint anonymous marking the full name of the author that may have shooted of Juan Pablo from within Azeta (the electricity outsourcing company he worked for). As âCampaña Verdad y Castigo por Juan Pablo JimĂ©nezâ, we denounce this orchestrated trial by the Chilean State, whereby the assembly of Attorney, which alleges that a child of a poor population was guilty of killing Juan Pablo. We make a call to continue mobilizations to report that today justice has assassinated our colleague Juan Pablo JimĂ©nez once again. For purposes of mobilization call on an URGENT MEETING TO ALL COMRADES wishing to show solidarity. Place: CEPCH (ValentĂn Letelier # 18, Metro Moneda, Santiago, Chile)
When: FRIDAY, JANUARY 16, 2015, 19:00 HOURS. Juan Pablo JimĂ©nez was a Chilean syndicalist killed on February 21st, 2012, within the company he was working. He fought during ten years against outsourcing and other ways of laboral abuse. This happened last wednesday in Santiagoâs downtown, in the capital of the country.

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Kay Ajayi, 19, Toronto
Instagram: Kayajayi_
thebabyfacedasassin.tumblr.com
Auntie Annie Mokiao grew up in the 1930âs when it was still forbidden to speak âOlelo Hawaiâi (Hawaiian language) in schools, although she was lucky enough to speak it at home. Â She became part of the reclamation of âOlelo Hawaiâi throughout the 80âs, and is a pioneer for keeping the Hawaiian language alive when it was at threat of almost dying out. Â Midweek did a story on her, read it here: http://www.midweek.com/hawaiian-language-almost-died/