sometimes so much joy it strips me bare lilacs grow beside the city asphalt and my mouth can’t open wide enough to sing the possibility still left in me.
— Gwen Benaway, from day/break
Cosimo Galluzzi
cherry valley forever
I'd rather be in outer space 🛸

Janaina Medeiros

@theartofmadeline

JVL
DEAR READER
Sweet Seals For You, Always
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor

titsay
Cosmic Funnies


oozey mess
sheepfilms
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation
Alisa U Zemlji Chuda

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@isaidyesiwillyes
sometimes so much joy it strips me bare lilacs grow beside the city asphalt and my mouth can’t open wide enough to sing the possibility still left in me.
— Gwen Benaway, from day/break

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dali, yunnan province. by 寂地
(by Pale darkness)
Vanitas Still Life (details). By Edwaert Collier, 1662
Autumn of Mountain (1993) - Yuqi Wang

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The Letters of Emily Dickinson
I was forwarding these to a friend and figured it’d be worth sharing them all here too so enjoy some free books and essays and things in no particular order:
Jeanette Winterson - Art Objects
Does Your Daughter Know It’s Okay To Be Angry? - Soraya Chemaly
Braiding Sweetgrass - Robin Wall Kimmerer
Zami, Sister Outsider, Undersong - Audre Lorde
Garments Against Women - Anne Boyer
Laziness Does Not Exist - Devon Price
Learn Socialism Resources
Do Economists Actually Know What Wealth Is? - Nathan J. Robinson
Love Dialogue: CÉLINE SCIAMMA on Portrait of a Lady on Fire - Carlos Augilar
Teaching To Transgress - Bell Hooks
Sexing the Cherry - Jeanette Winterson
Sinister Wisdom Archives
Why Pop Culture Links Women and Killer Plants - Amandas Ong
How To Suppress Women’s Writing - Joanna Russ
Women’s Voices Now
The Life of Tove Jansson
Unbearable Weight; Feminism, Western Culture and the Body - Susan Bordo
‘A Simple Favour’ and That Whole Lesbian Psycho Thing - Ciara Wardlow
OUTWEEK Archives
AirPods Are a Tragedy - Caroline Haskins
Devotions - Mary Oliver
Go Tell It On The Mountain - James Baldwin
Nevertheless, She Feasted: Why Girls Get Hungry in Horror Movies - Francesca Fau
Written on the Body - Jeanette Winterson
Sula - Toni Morrison
Not Vanishing - Chrystos
The Fever - Wallace Shawn
Portrait of a Lady on Fire director Céline Sciamma: ‘Ninety per cent of what we look at is the male gaze’ - Alexandra Pollard
Minimalism Is Just Another Boring Product Wealthy People Can Buy - Chelsea Fagan
AIDS, Art and Activism: Remembering Gran Fury - John d’Addario
In the Day of the Postman - Rebecca Solnit
Blood and Guts in Highschool - Kathy Acker
Mark My Words: The Subversive History of Women Using Thread as Ink - Rosalind Jana
Exploring Frida Kahlo’s Relationship With Her Body - Rebecca Fulleylove
Ravens have paranoid, abstract thoughts about other minds - Emily Reynolds
The Lady in the Looking Glass - Virginia Woolf
Angela Carter talks beauties and beasts with Terry Jones
A Girl is a Half-Formed Thing - Eimear McBride
Why Female Cannibals Frighten and Fascinate - Kate Robertson
Lesbian Herstory Archives
Bartleby
Guggenheim Books
We Are Lisa Simpson: 30 Years with the Smartest and Saddest Kid in Grade Two - Sara David
On Beauty - Zadie Smith
Her Body and Other Parties - Carmen Maria Machado
How Millennials Became The Burnout Generation - Anne Helen Petersen
Why the Popular Phrase ‘Women and Femmes’ Makes No Sense - Kesiena Boom
Ask No Man Pardon: The Philosophical Significance of Being Lesbian - Elsa Gidlow
Taking Care - Callista Buchen
Word Is Out: Stories of Some of Our Lives (1977) - Mariposa Films
Why you should give money directly and unconditionally to homeless people - Matt Broomfield
Yo Soy Así (2010) - Jodi Savitz
Liuzhou “Luosifen”: Slurpy, Spicy, and Absolutely Satisfying | Liziqi Channel
Root intelligence: Plants can think, feel and learn - Anil Ananthaswamy
East Bloc Love (2011) - Logan Mucha
Why Do Rich Kids Do Better Than Poor Kids in School? It’s Not the “Word Gap.” - Molly McManus
They Shut Me Up In Prose - Emily Dickinson
The Importance of Friends with Similar Disabilities - Elizabeth Mazur, Ph.D.
The Lesbian Archives at the Glasgow Women’s Library
A Poetry Handbook - Mary Oliver
Teaching Community. A pedagogy of Hope - Bell Hooks
Working Class History
Why don’t doctors trust women? Because they don’t know much about us - Gabrielle Jackson
In Our Brutal Modern World, Science Shows Our Brains Need Craft More Than Ever - Susan Luckman
Why were the lives of ordinary 16th and 17th century women largely undocumented? | Suzannah Lipscomb
Caliban And The Witch: Women, the Body and Primitive Accumulation - Silvia Federici
Mother’s Touch (엄마의 손길) - Jane Yeon and Audris Park
Gene Wilder Was Right: Gilda Radner Didn’t Have To Die, And We Need To Talk About Why She Did - Abby Norman
Why 1984 Was a Vital Year for British Gay Culture: An interview with Paul Flynn - Hanna Hanra
R&B Legend Jackie Shane On Growing Up Trans in the South - Zackery Drucker
The Journey - Mary Oliver
The Fictional Spinster Classification Index - Daniel Mallory Ortberg
What kind of country have we become? Try asking a disabled person - Frances Ryan
The poetry and brief life of a Foxconn worker: Xu Lizhi (1990-2014)
sometimes i think about gay people who lived centuries ago who thought they were all alone who imagined a world where they could live openly as themselves who met in secret spoke in code defied everything and everyone just to exist and i’m like..i gotta sit down. whew i gotta sit down
this is why this sappho fragment hits me so hard
If this little book should see the light after its 100 years of entombment, I would like its readers to know that the author was a lover of her own sex and devoted the best years of her life in striving for the political equality and social and moral elevation of women.
“The Great Geysers of California” by Laura De Force Gordon, 1879, unearthed from a 100-year-old time capsule in San Francisco, 1979.
“Wouldn’t it be wonderful if all our letters could be published in the future in a more enlightened time. Then all the world could see how in love we are.”
Gordon Bowsher to Gilbert Bradley, 1940s

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Expectations, Lawrence Alma-Tadema
Medium: oil,canvas
https://www.wikiart.org/en/sir-lawrence-alma-tadema/expectations
Violet Trefusis to Vita Sackville-West, c. 1910 / Edna St. Vincent Millay to Arthur Davison Ficke, 1922
some things we should start romanticising
bike rides, especially when listening to music. the wind in your hair, the songs in your ears, every sound being quiet and living in your own bubble of lyrics. (edit: in some countries this is illegal and it can be dangerous - i had not thought of that and i apologise)
sitting in a bus. you’re going back home, maybe you’re reading a book or just looking outside of the foggy glass.
making tea. warming up the water, bringing it to a simmer and closing the gas, pouring it into a ceramic mug, the perfume of tea leaves: it’s a ritual.
buying a new book. walking in a book store, reading the first page of a book that sounds interesting, choosing a book because of its cover, never having heard of that book.
reading the last page of a book. that one doctor who episode where the doctor says he rips the last page of each book he reads, reading the last line and feeling like all the air in your lungs is gone.
that one specific moment when you are coming back from a party and you’re walking the few last steps before getting home.
writing your name on a new notebook. scribbling messy letters or trying hard to make it look pretty.
tying shoe laces. where are you even going?
picking a flower. getting off the road and into a patch of grass just to pick a yellow wild flower, pressing it in a book, or putting it in a glass of water.
finally getting to bed. the cold bedsheets, closing your burning eyes, the small sounds of the city.
-c. 23.07.20 6.15pm
I don’t care if it’s a lie, as long as it’s entertaining. RASHOMON (1950) dir. Akira Kurosawa

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Free to watch • No registration required • HD streaming
Duomo di Milano, Milano, Italia
“It is a muggy August morning and the air in the room is still. Well over half the year has gone by already, which is a worry. I wanted to make something of myself this year. There’s still time, I think. Definitely some time.”
— Yrsa Daley-Ward, “The Terrible” (via sapphoisms)