I was speculating on a possible dystopia where due to the nuclear explosion humans stopped feeling physical pain. My collection is deeply connected to David Cronenberg's filmography, and body horror' aesthetics. As a concept, I brought a famous British art science and critical designer, Antoney Dunne. According to his thesis "Negative design", it’s not a pessimistical one or misanthropic, otherwise, it’s another side of a coin. Instead of denying reality which usually brings damage and frustration the benefits, the negative designer believes in the possibility to avoid their scenario and bringing up on a table an appropriate discussion.  I stuck to a point that Lars von Trier's famous quote “I want a film to be a stone in a shoe” is proof of how that conception can work. I do hope that unpleasant but direct pursuit can evolve fashion, and first of all, educate, and force them to change.
In this speculative world, people may have any skin colour they want and wound themselves instead of having sex, they ought to make up a new way of art using surgeries and medicine, and they even could use the skin of their relatives who passed away as vest or coat to let them live truly forever.
All fabrics are bonded under a press with silicon that refers to organs, arteries, veins capillaries, muscles, and blood. My main goal also was creating commercial garments, focusing on material and functionality more than on abstract deconstruction forms.
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