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@irenlaja2022001
Pisces sun, Capricorn moon @questionmequestionyou

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janet - god’s gracious gift
Wtf bartosz ist realated to himself
DARK season 3 theorie
I am at episode5 right now
And i think that maybe Peter is the son of Egon and hannah
This means that Peter and jonas are half sibling which would make Jonas franziskas and her Sisters uncle
That would make him the garnduncle from Charlotte?
And If Jonas and Matthias ein ist trontes father ( which i do not believe)
It would make him what now?
My brain hurts
If tronte WHO ist reginas father is also Ulrichs father
And bartosch is reginas son
And Martha,mikkel, and Magnus are urlichs children
And Jonas ist mikkels son
That also makes Martha , bartosch and Jonas related by blood
Incest not even Game of Thrones can compare

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Thoughts/Analysis of Anne Boleyn’s costume
Seeing as my Katherine Howard costume analysis was so popular, I decided to make another one for everyones favourite gremlin: Anne Boleyn. Like her song, Anne’s costume is full of references and hidden meanings, so let’s go:
(Sorry for there being no cut)
In Six, Anne is portrayed as a slightly more chaotic version of what she would have been in real life. One way in which this is shown as the skirt of her outfit. The skirt is bouncy to show her as more childish and innocent, which contrasts with the historical perception as her being someone who was very calculating and almost considered evil by some people due to her role in the breaking of the church and the separation of Henry and Catherine of Aragon.
However, there could be another reason for why the skirt is styled like that. The space buns and the skirt make Anne appear more doll-like, which links in with the way she was supposedly controlled by her father. This is similar to Don’t Lose Ur Head, where the dancing is very much controlled in the beginning, when Anne is young, but as the song carries on, the dancing grows more wild and carefree. The image of Anne as a doll is also useful as it shows how Henry was looking for someone who was young, beautiful and who would give him a son. He wanted control over her, and would use her in anyway that helped him.
The colour green is associated with jealousy, ambition and cunning. These traits have been used in the past to describe Anne Boleyn, particularly with some historians saying she was ambitious in her ‘plot’ to marry the king.
The negative traits associated with the colour green are also similar to those forced upon Anne: in history, she was said to be jealous of Jane Seymour to the point of scratching her, some people assumed that she was the one pushing herself onto Henry VIII in order to move further up, and she is told by most historians as an extremely clever seducer of the king.
In Six, Anne is presented more quick minded and witty, breaking the role people were taught about. This is were the positive traits of the colour green come into play: growth, harmony and rebirth. This choice of colour could represent a new beginning for Anne, and one where she is happier as green has connotations of luck as well. Green is a peaceful colour, which is ironic considering Anne Boleyn historically had problems with both Jane Seymour and Catherine of Aragon, and so a pop concert with them actually there would be anything but peaceful. However, this use of colour could represent how Six is about women working together rather than fighting over their worth, and could be seen as a reminder that all of them get a new beginning with more people understanding their side of his story.
Green gowns used to be a synonym for sexual promiscuity (with the green representing grass stains), which means this dress could also be an reference to her being beheaded based on the false claims of sexual immorality. This colour could also be seen as ironic, considering it’s a reminder of the bad things that Anne is remembered for, and one of the messages of Six is all about impressions, and overcoming the roles people are forced into.
Most people know about the reference to ‘Greensleeves’ which was a song supposedly composed by Henry Viii in honour of Anne Boleyn. The song ‘Greensleeves’ is referenced in the first and last parts Anne sings about herself, and the melody reoccurs throughout the show.
One hidden meaning that this outfit has, is the lace which goes between the crop top and the skirt. This could represent Anne being insecure and uncomfortable with the revealing nature of her costume. This attitude could be in reference to how Anne- similar to Katherine Howard- was also mistreated by men. Obviously Henry Viii was the one who ordered her to be beheaded, but Thomas Cromwell was the one of the main people involved in her trial, and her father was said to be a highly controlling figure.
The final part of this costume is the ‘B’ choker Anne wears. There are two meaning behind this: one is that, historically, Anne Boleyn wore a necklace with the ‘B’ on it, and there is even a portrait with her wearing it. The other meaning is that, in Six, both Anne Boleyn and Katherine Howard wear a necklace with their surname initial, which represents that they were both beheaded. The ‘B’ necklace worn in Six is chunkier than the historical one, and- from certain angles- looks more like a dog collar than a necklace, which could perhaps be a reference to how Anne was almost wild in her youth- carefree and innocent like a puppy. But as she grew older, people began to ‘tame’ and control her for themselves. And finally she became too ‘untrained’ and unuseful to Henry, so he had her killed.
Thoughts/Analysis of Katherine Howard’s outfit…
So, I was listening to the costume designer of Six (Gabriella Slade) in an interview and I began thinking about the deep meanings of the costumes the queen’s wear. One outfit that I was particularly interested in was Katherine Howard’s as I felt like there was a lot going on.
(Sorry for there being no cut)
I’m not sure if it’s a trigger warning, but All You Wanna Do and the themes in it are mentioned.
Pink is a colour that represents youthful and playfulness, things that represent the sexualisation and abuse of Katherine from a young age. It’s also a colour that is usually considered cute and girly, and the style of Katherine’s outfit is also like that as it’s sparkly. The bright colours distract you from the exposed nature of this dress, which could be in reference to how- with some toxic relationships- everything appears bright and shiny at first, but then you take away the fakeness (which the plastic skirt is a metaphor for) and you can see the damaging, problematic side of it.
This also fits in well with the song All You Wanna Do, as, when you first listen to it, the lyrics and tune are happy and pop-y. However, when you listen closely, you can hear the change in lyrics and tone and realise the severity of the song.
One thing I’ve noticed over time, is that on the rare occasions people criticise the queens costumes, it’s usually the plastic skirt Katherine Howard wears;
Without that skirt, she’s literally in a crop top and underwear. The whole outfit is very tight fitting and exposed, and the skirt could be meant to look like a vague attempt to conserve Katherine’s dignity,
In All You Wanna Do, Katherine Howard is shown as sexualised and abused by four men. In the beginning, she believes they care for her, but over the course of the song, the lyrics become more and more understanding of how men only want her for her looks. The skirt is like Katherine’s protection from the eyes and hands of the men who wanted to be with her, but the way it doesn’t completely go around her could represent how, no matter what she did, people still saw her that way.
In addition to this idea that the skirt is there to convey some modesty for Katherine, there is also the long sleeves she wears. While some of the other Queen’s have long sleeves on their dresses, Katherine Howard’s is the only ones that don’t really match the rest of the outfit. This could not only represent that perhaps Katherine isn’t as put together as it appears but also that she once again is trying to show as little of her body.
I was planning on doing this for some of the other Queen’s costumes as well, so I hope you liked it!
for I never longed so much for a thing as I do to see you and to speak with you
Kathryn Howard (c. 1523 – 13 February 1542)
aesthetic: katherine howard, queen consort of england (six, written for the stage by toby marlow and lucy moss)
‘tell me what you need / what you want / you don’t need to plead / ‘cause i feel / the chemistry / like i get you / and you get me!’

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and ever since i was a child i’d make the boys go wild…
beheaded.
another very serious moment from 2x09 of The Tudors that nevertheless caused me to laugh hysterically: when George and Tom are told that they’re being arrested for sleeping with Anne, and George just goes
and that’s the end of the scene

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The Tudors as IASIP: Part 4/? [1, 2, 3]
IM A SUCKER FOR AAAALLLL THE SUBLIMINAL THINGS NO ONE KNOWS ABOUT YOU!! ITS TRUE! IM A SUCKA FOR Y O U !!