gpoy
Not today Justin
Cosmic Funnies

#extradirty
DEAR READER
One Nice Bug Per Day
todays bird
hello vonnie
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline

roma★
Show & Tell
Misplaced Lens Cap

Love Begins
almost home
Today's Document
we're not kids anymore.
styofa doing anything
AnasAbdin
he wasn't even looking at me and he found me
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@ireallyamabear
gpoy

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One summer's eve
watercolour on arches paper cold pressed
cara/insta/bluesky/ store
some essek portrait doodles :] still figuring him out but i do love 2 draw him
I remember having a dream when I was 6 years old, it was very silly and I was super into dinosaurs, so it was something like finding and befriending a gallimimus in the California redwoods, and when I woke up I was filled with an inexplicable longing I had never felt before and didn't quite understand. For years I was confused about why I felt so strongly about befriending a dinosaur. Dont get me wrong, that sounds cool. But this went beyond cool. There was a warmth, what felt almost like a spiritual experience, that I was unable to replicate no matter how many times I daydreamed about dinosaurs in the woods
It wasn't until I was much older that I realized it was the first dream I had where I was a girl
It was like this

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Being small Nobody quite recovers from being a child: the asymmetry of power between parents and children always leaves a trace
Ooh this just popped into my head and thought it might be a fun ask if you have a random moment to kill! What's a font/typography fact that you found recently that made you go "oh that's dope/cool how they did that/super pretty/wild history"? Just one of those little things you weren't aware of before but made you happy to learn, as general or esoterically niche as you want. I figure you've probably stumbled across some interesting things in your studies and my dragon hoard is collecting people's fun little tidbits from the things they study for fun!
Futura (1927) [Daylight Fonts · Fonts In Use · Identifont] is one of my favorites out of the well-established sans serifs, but one thing that annoys me about it is how C and c have vertical terminals, while G and e have angled terminals.
Besides being internally inconsistent, I find the vertical terminals ugly. (I dislike Antique Olive (1962) [Daylight Fonts · Fonts In Use · Identifont] for the same reason, but at least it uses its vertical terminals consistently.)
I recently learned the reason for this (from the book Paul Renner: The Art of Typography): Futura was designed first and foremost for writing German. In German the letter c only occurs before h and k, and in traditional German blackletter typography, ch and ck are obligatory, inseparable ligatures.
Futura doesn't have joined ch/ck ligatures, but ch and ck were still cast on a single piece of metal, with a smaller gap between the c and h/k than between other letters. The vertical terminal on the c was necessary to allow these letters to be placed so close together.
If Futura had been designed in a non-German-speaking country, the C would probably look different. Yet the German design was used and continues to be used all over the world (though usually with a normal-sized gap between the c and the h/k).
Is there a version of future where this is fixed?
Century Gothic (1990) [Daylight Fonts · Fonts In Use · Identifont] is not exactly Futura, but it's similar, and it has angled terminals:
unless its egregious, i'm not embarrassed to be fooled by ai. "oh i got lied to via something made by the Lying Machine the machine we made to Lie really well" like it's gonna happen it's no egg on your face. just be chill about it
don't get me wrong. it's always devastating always humbling. no one wants to fall for the lying machine it just sounds bad. but you can't dwell
trying to analyze what I can from the Darktow poster, so here we go:
That flag!! I just love it so much. I imagine it must be Kingsley's flag for The Mollymauk. The twisted handle on the right feels like it resembles Kingsley's own blade a bit, the Fang of the Spire King, and it looks like it's crossed with one of Molly or Lucien's old scimitars.
The eye being crossed out feels very playful, like Kingsley is more or less "playing pirate" and this is just another costume. But it also feels notable because Molly and Lucien have both lost so much to the Eyes of Nine. It feels like Kingsley striking one of the eye sockets out is his way of saying he won't be controlled by anyone anymore.
And I mean, I also can't get over the fact that it's his own skull, a memorial for a past life, but one he still carries the weight of in his present--
"Revelry before death. Cruelty before surrender." I wonder if that's just a motto of the Revelry's, or if it's unique to Wyatt or Kingsley in particular...? (though, given Kingsley's desire to learn from Molly's past and change for the better--trying to, "be a good person, or whatever I think that means," I don't think the notion of always resorting to cruelty fits King.)
There's three blades in all in the poster. Not sure if the one stabbed through the map is supposed to be any weapon in particular, but in tarot, The Three of Swords is very much a sign of betrayal--
(I assume the map itself is of Darktow, but I can't recognize any landmarks in it.)
Now, the coins!! I love how all of the Mighty Nein are included, it's such a neat touch. My only concern is that, while other coins are set in pairs or at least grouped together, Kingsley's feels very much on its own. Cut off from everyone else, alone. Does he feel lonely these days? When the rest of the Nein all have family or partners, a place they can always call home--does Kingsley have anything like that? Is he finally ready to truly open up to the Nein, or still closing himself off? Is any of that self-isolation healthy? Can he carry the mantle of Plank King all alone?
What does it mean, that Kingsley finally breaks and is able to ask the Mighty Nein for help? Did he think he could pull it all off on his own? Is that a matter of pride, of trying to prove himself? Does he feel like he has to do it all on his own, to show that he's done something "worthwhile" with the life he was given? Or was he just terrified of getting too close to the Nein, of what old aches and lingering feelings it would stir up--? I hope that, this time...Kingsley will be able to fully trust the Nein. To finally let his walls down--
There's also the implication that Caduceus and Essek will at least be present or play a role, since their coins are included in the design. Of course I really hope that Taliesin will play Kingsley for the vast majority of the game, and I still think that holds true, considering he's the focus.
Essek feels like an unexpected surprise though! I wonder how he'll be included...? If we'll get to finally see him and Kingsley interact in scenes? (or is it just that all the Nein are included because they're all important to Kingley and his journey?) And I wonder if this liveshow will directly follow Projekt Funball--?
the point of fanfiction is to write something so self indulgent that nobody else has thought of it before or cares

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Yes it was indeed me who did the character art for the liveshow in Berlin, thank you everyone who recognized me and who sent such kind words my way! 🫶 I hope to post all the art once the episode is released properly to the public and I'm given the OK! <3
One thing that gets lost in ship discourse (or its hyper-positive opposite) is that regardless of your feelings on a ship, in order to tell a story, the character relationships do and should have an impact on a character's story arc, and not all relationships are going to offer the same emotional weight throughout any given character's story.
This is particularly true of actual play, wherein each player character is running a separate story as a protagonist, and therefore you have to consider each of them as an individual thread within one larger narrative, on top of the narrative itself.
That being said, the farther you get into the story and the closer to the end you are, the ways those threads can interweave get culled, simply by circumstances. Relationships (platonic, romantic, familial, etc) change over time, and whether they are narratively compelling changes as well. In contrast, "ship" is generally used to suggest a dynamic an individual audience member finds compelling, which may or may not have anything to do with the narrative, even if the dynamic is interesting for reasons of narrative potential (that isn't ultimately explored within canon). These are distinct concepts in terms of analysis. So as a disclaimer, this post is about character relationships within the narrative as it exists—essentially, what makes the story that exists work as well as it does, in the end.
Now that we've got all that out of the way, let's talk about Caleb.
Veth and Caleb are never going to stop being weird to each other. They never have been normal about each other and they NEVER will be and that’s beautiful
I love how when highly social apes gained the ability to think narratively the immediate result was like "ok everythings a guy now" like that's so funny that's SO charming of us. hello I have developed the cognitive capacity to frame my experiences in a narrative and now that mountain is a guy. the river? a guy. storm? also a guy. they're all guys now. when they do something which results in damage inconvenience or death is probs bc they're mad at us. because they're guys.
its just I think. soooo adorable its such a funny little unexpected outcome of becoming as social and as narrative-in-language brained as we are. Everything's A Guy Now. and we are in a social relationship. us and the guys. the sun is in my social group now. bet you didn't foresee that when you programmed this level of social with this level of narrative brain, DID you, god???? <- look look I'm doing it right now I'm making there be a guy
i have friends everywhere

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what’s your favorite ship?
titanic
hms terror
uss enterprise
ever given (the container ship that blocked the suez canal in 2021)
captain ahab’s whaling vessel
ship of theseus
battleship monopoly token
mclennon
Key art for Echoes of Exandria: Darktow by Coey Kuhn (via the Critical Role Twitter)